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** NotChristianRock: They also have a bunch of this
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* Oceans Ate Alaska
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* Oceans Ate AlaskaAlaska (one of the most obviously ProgressiveMetal[=-=]influenced acts)
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* Bleed from Within
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* Bleed from WithinWithin (also MelodicDeathMetal)
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* [[https://www.youtube.com/watch?v=CA_aMp-MvLE All That Remains - Six]] (melodic metalcore)
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* Music/{{END}} (supergroup consisting of members from Shai Hulud, The Dillinger Escape Plan, Fit For An Autopsy, Reign Supreme and Counterparts; strong overlap with beatdown hardcore)
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* Frontierer (some deathcore and djent elements)
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* Frontierer (some deathcore and djent elements)elements; ''Oxidized'' adds in elements of TechnicalDeathMetal and noise)
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* [[Music/FearAndLoathingInLasVegas Fear, and Loathing in Las Vegas]] (fused with HardcoreTechno and first-wave metalcore)
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* [[Music/FearAndLoathingInLasVegas [[Music/FearAndLoathingInLasVegasBand Fear, and Loathing in Las Vegas]] (fused with HardcoreTechno and first-wave metalcore)
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* EarlyInstallmentWeirdness: The very first metalcore bands were basically thrash bands that played at slower tempos that were more conducive to moshing. This early wave of post-thrash acts would later establish the subgenre of Crossover Thrash.
** Melodic metalcore's early years were chock-full of bands that were basically ripping off Swedish MelodicDeathMetal bands[[note]] So many bands from the time period were copying At The Gates' '' Slaughter Of The Soul'' that it has become a meme within the metalcore fanbase.[[/note]] and randomly throwing in a breakdown, clean section, or ScareChord, creating a scene full of similar-sounding bands before acts like All That Remains, As I Lay Dying, Killswitch Engage and Trivium brought back a degree of creativity that would earn the subgenre some much-needed respect.
** Melodic metalcore's early years were chock-full of bands that were basically ripping off Swedish MelodicDeathMetal bands[[note]] So many bands from the time period were copying At The Gates' '' Slaughter Of The Soul'' that it has become a meme within the metalcore fanbase.[[/note]] and randomly throwing in a breakdown, clean section, or ScareChord, creating a scene full of similar-sounding bands before acts like All That Remains, As I Lay Dying, Killswitch Engage and Trivium brought back a degree of creativity that would earn the subgenre some much-needed respect.
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* TheQuincyPunk: A longstanding criticism of fans of beatdown acts and, often, the bands themselves; the stereotype of the violent scumbag who makes a big show of backing friendship, inclusion, and togetherness, but really just cares about crowdkilling, starting fights, breaking stuff, and generally being a hyper-macho piece of shit is sadly TruthInTelevision, and certain bands[[note]]Hatebreed, The Acacia Strain, Harm's Way, Knocked Loose, Code Orange, Nails, Turnstile, and Xibalba being among the most frequently cited[[/note]] have at least gained a reputation for attracting fans like this, if not attracting criticism of their own for aiding and abetting that kind of behavior.
to:
* TheQuincyPunk: A longstanding criticism of fans of beatdown acts and, often, the bands themselves; the stereotype of the violent scumbag who makes a big show of backing friendship, inclusion, and togetherness, but really just cares about crowdkilling, starting fights, breaking stuff, and generally being a hyper-macho piece of shit is sadly TruthInTelevision, and certain bands[[note]]Hatebreed, bands[[note]]so-called "brocore" bands like Hatebreed, The Acacia Strain, Harm's Way, Knocked Loose, Code Orange, Nails, Turnstile, and Xibalba being among the most frequently cited[[/note]] have at least gained a reputation for attracting fans like this, if not attracting criticism of their own for aiding and abetting that kind of behavior.
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* ScrewedByTheNetwork: Quite often, especially when metalcore was gaining mainstream popularity in the mid 2000's. The main reason being that many bands gained popularity when the members were really young, without the experience to manage a band or finances for themselves. This made the metalcore scene ''ripe'' for labels to exploit and take advantage of. Trustkill, Artery, Victory, and especially Mediaskare were infamous for terrible record deals and having a long list of bands that ended up falling off the radar or breaking up, though just about any metalcore label will have bands they screwed over.
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* ScrewedByTheNetwork: Quite often, especially when metalcore was gaining mainstream popularity in the mid 2000's. The main reason being that many bands gained popularity when the members were really young, without the experience to manage a band or finances for themselves. This made the metalcore scene ''ripe'' for labels to exploit and take advantage of. Trustkill, Artery, Victory, and especially Mediaskare were infamous for terrible record deals and having a long list of bands that ended up falling off the radar or breaking up, though just about any metalcore label will have bands they screwed over. Many up-and-coming metalcore bands have embraced self-publishing their own work as a result.
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* '''Nu metalcore''': ExactlyWhatItSaysOnTheTin: metalcore and nu metal combined, often with a rapping presence and industrial elements, as well as prominent clean vocals in the lighter acts. Famous acts include Music/CodeOrange, Vein.fm, Music/OfMiceAndMen, Music/FromAshesToNew, Issues, and Music/{{Volumes}}.
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* '''Nu metalcore''': ExactlyWhatItSaysOnTheTin: metalcore and nu metal combined, often with a rapping presence and industrial elements, as well as prominent clean vocals in the lighter acts. Famous acts include Music/CodeOrange, Vein.fm, Music/{{Spiritbox}}, Music/OfMiceAndMen, Music/FromAshesToNew, Issues, and Music/{{Volumes}}.
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* '''Mathcore''': Technical metalcore involving odd time signatures, dissonant chords (the fabled "panic chord"), and frequent GenreMashup tendencies. Famous acts include Converge, The Dillinger Escape Plan, Candiria, The Chariot, Car Bomb, and Norma Jean.
* '''Melodic metalcore''': ''The'' most famous style in the genre, this started out as a mix of metallic hardcore and melodic death metal (and sometimes thrash metal) before it began to embrace post-hardcore and pop-punk elements. Characterized by melodic death riffing and the frequent usage of clean vocals. Famous acts include Killswitch Engage, Shadows Fall, All That Remains, Parkway Drive, As I Lay Dying, and Trivium.
* '''Modern metalcore''': An offshoot of melodic metalcore, this took the catchy choruses and pop-punk dabblings of many of the original acts and emphasized them, while mostly eschewing the melodic death elements and frequently embracing electronic elements as well. Famous acts include The Devil Wears Prada, early Avenged Sevenfold, Bullet for My Valentine, Atreyu, Asking Alexandria, and Motionless in White.
* '''Beatdown hardcore''': An offshoot of metallic hardcore involving slower tempos, far more frequent breakdowns, and a generally much heavier, more mosh-centric approach. Famous acts include Hatebreed, Madball, Terror, 25 ta Life, Biohazard, and Harm's Way.
* '''Melodic metalcore''': ''The'' most famous style in the genre, this started out as a mix of metallic hardcore and melodic death metal (and sometimes thrash metal) before it began to embrace post-hardcore and pop-punk elements. Characterized by melodic death riffing and the frequent usage of clean vocals. Famous acts include Killswitch Engage, Shadows Fall, All That Remains, Parkway Drive, As I Lay Dying, and Trivium.
* '''Modern metalcore''': An offshoot of melodic metalcore, this took the catchy choruses and pop-punk dabblings of many of the original acts and emphasized them, while mostly eschewing the melodic death elements and frequently embracing electronic elements as well. Famous acts include The Devil Wears Prada, early Avenged Sevenfold, Bullet for My Valentine, Atreyu, Asking Alexandria, and Motionless in White.
* '''Beatdown hardcore''': An offshoot of metallic hardcore involving slower tempos, far more frequent breakdowns, and a generally much heavier, more mosh-centric approach. Famous acts include Hatebreed, Madball, Terror, 25 ta Life, Biohazard, and Harm's Way.
to:
* '''Mathcore''': Technical metalcore involving odd time signatures, dissonant chords (the fabled "panic chord"), and frequent GenreMashup tendencies. Famous acts include Converge, The Dillinger Escape Plan, Music/{{Converge}}, Music/TheDillingerEscapePlan, Candiria, The Chariot, Car Bomb, and Norma Jean.
* '''Melodic metalcore''': ''The'' most famous style in the genre, this started out as a mix of metallic hardcore and melodic death metal (and sometimes thrash metal) before it began to embrace post-hardcore and pop-punk elements. Characterized by melodic death riffing and the frequent usage of clean vocals. Famous acts includeKillswitch Engage, Shadows Fall, All That Remains, Parkway Drive, As I Lay Dying, Music/KillswitchEngage, Music/ShadowsFall, Music/AllThatRemains, Music/ParkwayDrive, Music/AsILayDying, and Trivium.
Music/{{Trivium}}.
* '''Modern metalcore''': An offshoot of melodic metalcore, this took the catchy choruses and pop-punk dabblings of many of the original acts and emphasized them, while mostly eschewing the melodic death elements and frequently embracing electronic elements as well. Famous acts include The Devil Wears Prada, earlyAvenged Sevenfold, Bullet for My Valentine, Music/AvengedSevenfold, Music/BulletForMyValentine, Atreyu, Asking Alexandria, and Motionless in White.
Music/MotionlessInWhite.
* '''Beatdown hardcore''': An offshoot of metallic hardcore involving slower tempos, far more frequent breakdowns, and a generally much heavier, more mosh-centric approach. Famous acts includeHatebreed, Music/{{Hatebreed}}, Madball, Terror, 25 ta Life, Biohazard, Kublai Khan TX, Knocked Loose, and Harm's Way.
* '''Melodic metalcore''': ''The'' most famous style in the genre, this started out as a mix of metallic hardcore and melodic death metal (and sometimes thrash metal) before it began to embrace post-hardcore and pop-punk elements. Characterized by melodic death riffing and the frequent usage of clean vocals. Famous acts include
* '''Modern metalcore''': An offshoot of melodic metalcore, this took the catchy choruses and pop-punk dabblings of many of the original acts and emphasized them, while mostly eschewing the melodic death elements and frequently embracing electronic elements as well. Famous acts include The Devil Wears Prada, early
* '''Beatdown hardcore''': An offshoot of metallic hardcore involving slower tempos, far more frequent breakdowns, and a generally much heavier, more mosh-centric approach. Famous acts include
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* '''Entombedcore''': A blend of old-school metallic hardcore, old-school death metal, and often crust punk or powerviolence, typically involving the "chainsaw" guitar sound of old-school Swedish death metal (hence the reference to Entombed). Famous acts include Trap Them, Nails, Cursed, All Pigs Must Die, Sect, and Wolf King.
* '''Nu metalcore''': ExactlyWhatItSaysOnTheTin: metalcore and nu metal combined, often with a rapping presence and industrial elements, as well as prominent clean vocals in the lighter acts. Famous acts include Code Orange, Vein.fm, Of Mice and Men, From Ashes to New, Issues, and Volumes.
* '''Nu metalcore''': ExactlyWhatItSaysOnTheTin: metalcore and nu metal combined, often with a rapping presence and industrial elements, as well as prominent clean vocals in the lighter acts. Famous acts include Code Orange, Vein.fm, Of Mice and Men, From Ashes to New, Issues, and Volumes.
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* '''Entombedcore''': A blend of old-school metallic hardcore, old-school death metal, and often crust punk or powerviolence, typically involving the "chainsaw" guitar sound of old-school Swedish death metal (hence the reference to Entombed). Famous acts include Trap Them, Nails, Music/TrapThem, Music/{{Nails}}, Cursed, All Pigs Must Die, Sect, and Wolf King.
* '''Nu metalcore''': ExactlyWhatItSaysOnTheTin: metalcore and nu metal combined, often with a rapping presence and industrial elements, as well as prominent clean vocals in the lighter acts. Famous acts includeCode Orange, Music/CodeOrange, Vein.fm, Of Mice and Men, From Ashes to New, Music/OfMiceAndMen, Music/FromAshesToNew, Issues, and Volumes.Music/{{Volumes}}.
* '''Nu metalcore''': ExactlyWhatItSaysOnTheTin: metalcore and nu metal combined, often with a rapping presence and industrial elements, as well as prominent clean vocals in the lighter acts. Famous acts include
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* Malevolence
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* Acranius (slamming beatdown)
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* Acranius (slamming beatdown)beatdown, also Main/Deathcore)
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* Music/{{Spiritbox}} (the SpiritualSuccessor to Iwrestledabearonce, mixed with djent and post-metal)
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* Music/{{Spiritbox}} (the SpiritualSuccessor to Iwrestledabearonce, mixed with djent djent, AvantGardeMetal and post-metal)
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* Disembodied (Their album ''Heretic'' provides a possible UrExample)
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* Music/{{Nothingface}} (On ''Skeletons'', making them one of the earlier examples.)
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* Music/RottenSound (debatably - while primarily deathgrind with more emphasis on the "grind" part, they started incorporating Swedeath influences in their music a few albums in and even had LG Petrov himself as a guest; another possible UrExample)
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Definitely have seen this label thron on them before
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* Dew-Scented: Straightforward death/thrash - they are occasionally mislabeled as metalcore due to Leif Jensen's vocal style and their sometimes Gothenburg-esque melodic sections.
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* [[https://www.youtube.com/watch?v=O59JNz7rdIU Architects - A Match Made In Heaven]] (mathcore)
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* [[https://www.youtube.com/watch?v=O59JNz7rdIU com/watch?v=jdWhJcrrjQs Architects - A Match Made In Heaven]] (mathcore)Animals]] (modern metalcore)
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* Music/KingdomOfGiants (mixed with ProgressiveMetal)
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* TheQuincyPunk: A longstanding criticism of fans of beatdown acts and, often, the bands themselves; the stereotype of the violent scumbag who makes a big show of backing friendship, inclusion, and togetherness, but really just cares about crowdkilling, starting fights, breaking shit, and generally being a hyper-macho piece of shit is sadly TruthInTelevision, and certain bands[[note]]Hatebreed, The Acacia Strain, Harm's Way, Knocked Loose, Code Orange, Nails, Turnstile, and Xibalba being among the most frequently cited[[/note]] have at least gained a reputation for attracting fans like this, if not attracting criticism of their own for aiding and abetting that kind of behavior.
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* TheQuincyPunk: A longstanding criticism of fans of beatdown acts and, often, the bands themselves; the stereotype of the violent scumbag who makes a big show of backing friendship, inclusion, and togetherness, but really just cares about crowdkilling, starting fights, breaking shit, stuff, and generally being a hyper-macho piece of shit is sadly TruthInTelevision, and certain bands[[note]]Hatebreed, The Acacia Strain, Harm's Way, Knocked Loose, Code Orange, Nails, Turnstile, and Xibalba being among the most frequently cited[[/note]] have at least gained a reputation for attracting fans like this, if not attracting criticism of their own for aiding and abetting that kind of behavior.
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* '''Nu metalcore''': ExactlyWhatItSaysOnTheTin: metalcore and nu metal combined, often with a rapping presence and industrial elements, as well as prominent clean vocals in the lighter acts. Famous acts include Code Orange, Vein, Of Mice and Men, From Ashes to New, Issues, and Volumes.
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* '''Nu metalcore''': ExactlyWhatItSaysOnTheTin: metalcore and nu metal combined, often with a rapping presence and industrial elements, as well as prominent clean vocals in the lighter acts. Famous acts include Code Orange, Vein, Vein.fm, Of Mice and Men, From Ashes to New, Issues, and Volumes.
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* Vein (also beatdown and nu metal)
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* Vein Vein.fm (also beatdown and nu metal)
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* Vein (also mathcore, some nu metal elements)
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* Vein Vein.fm (also mathcore, some nu metal elements)
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* ScareChord: The "panic chord" (dissonant chords usually played in odd time signatures, usually right before a breakdown or before a slowdown in a breakdown) is a genre hallmark that emerged in mathcore in the late 1990s and became almost ubiquitous in the early 2000s, and while it mostly fell out of favor when melodic metalcore (and, later, modern metalcore) took over, they have started to reemerge in the late 2010s, as bands like [=SeeYouSpaceCowboy=], Chamber, and Vein have made heavy usage of them in their music.
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* ScareChord: The "panic chord" (dissonant chords usually played in odd time signatures, usually right before a breakdown or before a slowdown in a breakdown) is a genre hallmark that emerged in mathcore in the late 1990s and became almost ubiquitous in the early 2000s, and while it mostly fell out of favor when melodic metalcore (and, later, modern metalcore) took over, they have started to reemerge in the late 2010s, as bands like [=SeeYouSpaceCowboy=], Chamber, and Vein Vein.fm have made heavy usage of them in their music.
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* Music/ElectricCallboy (fka Eskimo Callboy)
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* Music/ElectricCallboy (fka Eskimo Callboy)Callboy, also {{Electronicore}})
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* Music/{{Loathe}} (mixed with NuMetal, ProgressiveMetal and [[DoomMetal post-metal]], though they flirted with {{deathcore}} as well on ''The Cold Sun'')
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* Music/{{Loathe}} (mixed with NuMetal, ProgressiveMetal and [[DoomMetal post-metal]], though they flirted with {{deathcore}} as well on ''The Cold Sun'')Sun''; as of ''I Let It In And It Took Everything'' they also added elements of {{Ambient}} and {{Shoegaze}})
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* Music/AsILayDying (With a heavy ThrashMetal bend on later albums)
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* Music/AsILayDying (With a heavy ThrashMetal and MelodicDeathMetal bend on later albums)
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* [[https://www.youtube.com/watch?v=jOB3IYBcJEE Knocked Loose - Mistakes Like Fractures]] (beatdown hardcore)
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* [[https://www.youtube.com/watch?v=jOB3IYBcJEE Knocked Loose - Mistakes Like Fractures]] (beatdown hardcore)(beatdown)
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* [[https://www.youtube.com/watch?v=jOB3IYBcJEE Knocked Loose - Mistakes Like Fractures]] (beatdown hardcore)
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* Knocked Loose (also beatdown)
* Kublai Khan
* Kublai Khan
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* Knocked Loose Music/KnockedLoose (also beatdown)
*Kublai KhanMusic/KublaiKhanTX (also beatdown)
*
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* Clawhammer (slamming beatdown)
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* Knocked Loose
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* Knocked LooseMusic/KnockedLoose
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* Kublai Khan
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* Kublai KhanMusic/KublaiKhanTX
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* Music/{{Reflections}} (very strong deathcore overlap, also {{djent}} and ProgressiveMetal)
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* [[https://www.youtube.com/watch?v=TwyvWR25FsE Northlane - Clockwork]] (modern metalcore)