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* "Is It Still Over?" by Music/RandyTravis. The second to last line in the chorus is "I'll have to mind to take the time to find somebody new". The last time the chorus is sung, the line becomes "If I repeat myself it's 'cause I've nothing else to do".
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Mondegreen is no longer a trope; dewicking


Not to be confused with a {{Mondegreen}}, which is unintentional.

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Not to be confused with a {{Mondegreen}}, Mondegreen, which is unintentional.
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-->'''First chorus:''' A hero of war / Yeah, that's what I'll be / And when I come home / They'll be damn proud of me\\

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-->'''First --->'''First chorus:''' A hero of war / Yeah, that's what I'll be / And when I come home / They'll be damn proud of me\\



-->'''First chorus:''' And nothing matters but the pain when you're alone / The never-ending nights when you're awake / When you're praying that tomorrow, it's okay\\

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-->'''First --->'''First chorus:''' And nothing matters but the pain when you're alone / The never-ending nights when you're awake / When you're praying that tomorrow, it's okay\\

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* From Music/RiseAgainst:
** In "Hero of War", the first chorus is proud and gung-ho, as the man in the song is pumped when he joins the army. As the song progresses, however, he witnesses the horrors of war as his unit commits unspeakable acts against other people, and the final chorus is much more bitter in response.
-->'''First chorus:''' A hero of war / Yeah, that's what I'll be / And when I come home / They'll be damn proud of me\\
'''Final chorus:''' A hero of war / Is that what they see? / Just medals and scars / So damn proud of me
** "Tragedy + Time" is about the experience of trauma in your life, and the initial chorus lets you know that it can feel hopeless. Towards the end, it encourages you to let that experience shape you, and the final chorus gives you a glimpse of what the light at the end of the tunnel might feel like.
-->'''First chorus:''' And nothing matters but the pain when you're alone / The never-ending nights when you're awake / When you're praying that tomorrow, it's okay\\
'''Final chorus:''' Nothing matters when the pain is all but gone / When you are finally awake / Despite the overwhelming odds, tomorrow came

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* Music/GaryBarlow and Creator/SheridanSmith's "How Christmas is Supposed to Be":
** It's about a couple having a blazing row over Christmas, and the chorus goes:
--->It's a war, it's a fight,\\
On the worst of all nights,\\
No, it's not the red that we wanna see.\\
There will be no release,\\
Till we're down on our knees,\\
Can we both agree,\\
It's not how Christmas is supposed to be.
** The final verse inevitably has them making up, following which the chorus is:
--->Just look into my eyes,\\
Let me apologise,\\
Here's the only place that I wanna be.\\
The only gift that I need,\\
Is you loving me,\\
And we both agree,\\
This is how Christmas is supposed to be.
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doesn't fit the trope— the trope is "lyric is repeated within song but changed slightly" rather than "different versions of the song have different lyrics"


* There were two versions of Music/TheCharlieDanielsBand's "The Devil Went Down To Georgia," a single version for AM radio and the album version for FM radio. The AM version uses the finishing line "'Cause I told you once you son of a gun, I'm the best that's ever been" while the FM version says "I done told you once you son of a bitch, I'm the best that's ever been."
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* The chorus of Brian and Michael's "Matchstalk Men and Matchstalk Cats and Dogs", about the painter L.S. Lowry, has the lines "Now he takes his brush and he waits/Outside the factory gates". The final verse is about Lowry's death, following which this becomes "Now he takes his brush and he waits/Outside them Pearly Gates".
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** It's also done in another song from ''The Black Parade:'' "Dead!", which swaps the line in the second repeat of the chorus from "Wouldn't it be grand? it ain't exactly what you planned" to "Wouldn't it be grand to take [[BreadEggsMilkSquick a pistol by the hand?"]]

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** It's also done in another song from ''The Black Parade:'' "Dead!", which swaps the line in the second repeat of the chorus from "Wouldn't it be grand? it It ain't exactly what you planned" to "Wouldn't it be grand to take [[BreadEggsMilkSquick a pistol by the hand?"]]
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** It's also done in another song from ''The Black Parade:'' "Dead!", which swaps the line in the second repeat of the chorus from "Wouldn't it be grand? it ain't exactly what you planned" to "Wouldn't it be grand to take [[BreadEggsMilkSquick a pistol by the hand?"]]
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* The intro song to Music/PanicAtTheDisco's album ''Pray For The Wicked:'' [[PrecisionFStrike "(Fuck A) Silver Lining"]] has the chorus of "fuck a silver lining, fuck a silver lining, 'cause only gold is hot enough," but loudly bleeps it out in the final chorus for comedic effect... before immediately saying it again, without bleeping out the swear.

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* The intro song to Music/PanicAtTheDisco's album ''Pray For The Wicked:'' [[PrecisionFStrike "(Fuck A) Silver Lining"]] has the chorus of "fuck a silver lining, fuck a silver lining, 'cause only gold is hot enough," but loudly bleeps it out in the final chorus for comedic effect... before immediately saying it again, [[SubvertedTrope without bleeping out the swear.
swear.]]
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* The intro song to Music/PanicAtTheDisco's album ''Pray For The Wicked:'' [[PrecisionFStrike "(Fuck A) Silver Lining"]] has the chorus of "fuck a silver lining, fuck a silver lining, 'cause only gold is hot enough," but loudly bleeps it out in the final chorus for comedic effect... before immediately saying it again, without bleeping out the swear.

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* In Music/TheBeatles' "Girl" (from the album ''Rubber Soul,'' the first line of verse three is "Was she told when she was young that pain would lead to pleasure?", which was a comment John Lennon made on how Christianity assumed that torture was a means to attain going to Heaven. In printed media of Beatles' song lyrics (including the singalong segment of the band's [[WesternAnimation/TheBeatles Saturday morning cartoon]]), the word "pain" was replaced with the word "fame."
* There were two versions of Music/TheCharlieDanielsBand's "The Devil Went Down To Georgia," a single version for AM radio and the album version for FM radio. The AM version uses the finishing line "'Cause I told you once you son of a gun, I'm the best that's ever been" while the FM version says "I done told you once you son of a bitch, I'm the best that's ever been."
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* "Can You Feel It" by The Apples In Stereo: "drown out the static on the FM radio" later becomes "drown out the [[PrecisionFStrike bullshit]] on the FM radio". The music video edit naturally omits this part. Smile'

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* "Can You Feel It" by The Apples In Stereo: "drown out the static on the FM radio" later becomes "drown out the [[PrecisionFStrike bullshit]] on the FM radio". The music video edit naturally omits this part. Smile'




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* In the ''Series/RedDwarf'' song "Tongue Tied", the last line of the chorus changes after each verse: "You make me feel a clown"; "[[BringMeMyBrownPants My trousers, they turn brown]]"; and "[[PervertedDrooling I drool so much I drown]]".
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* "Can You Feel It" by The Apples In Stereo: "drown out the static on the FM radio" later becomes "drown out the [[PrecisionFStrike bullshit]] on the FM radio". The music video edit naturally omits this part.

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* "Can You Feel It" by The Apples In Stereo: "drown out the static on the FM radio" later becomes "drown out the [[PrecisionFStrike bullshit]] on the FM radio". The music video edit naturally omits this part. \n Smile'
* The last reprise of the chorus of "Love of the Common People" by Music/PaulYoung swaps out "Smiles from the heart of a family man" for "Smile's really hard on a family man".
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* "Can You Feel It" by The Apples In Stereo: "drown out the static on the FM radio" later becomes "drown out the [[PrecisionFStrike bullshit]] on the FM radio". The music video edit naturally omits this part.

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** "If all his yarns restrict themselves to masculinity, Why, what a most particularly pure young man that pure young man must be."

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** "If all his yarns restrict themselves to masculinity, Why, what a most particularly pure young man that pure young man must be."


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* The second chorus of "Land Down Under" by Music/MenAtWork replaces "Where women glow and men plunder" with "Where beer does flow and men chunder". There's also variants in whether the singer is being told, being asked, or just stating that he or someone else comes from the land down under.
* "If You're Anxious For to Shine" from ''Theatre/{{Patience}}'', which "The Foundation of SF Success" is a pastiche of, does the same thing, with the line "And ev'ryone will say/As you walk your mystic/flow'ry way" (the first two are the same), followed by:
** "If this young man expresses himself in terms too deep for me, Why, what a very singularly deep young man this deep young man must be!"
** "If that's not good enough for him which is good enough for me, Why, what a very cultivated kind of youth this kind of youth must be!"
** "If he's content with a vegetable love which would certainly not suit me, Why, what a most particularly pure young man this pure young man must be!"
* Music/SaraBarielles' "Love Song":
** The chorus starts off as:
--->I'm not gonna write you a love song,\\
'Cause you asked for it,\\
'Cause you need one, you see.\\
I'm not gonna write you a love song,\\
'Cause you tell me it's make or break in this.\\
If you're on your way,\\
I'm not gonna write you to stay.\\
If all you have is leaving,\\
I'mma need a better reason,\\
To write you a love song today.
** In the final chorus, she's more emphatic about both her opinion of the ultimatum and that she'd write one ''if'' he gave her more of a reason to:
--->Is that why you wanted a love song?\\
'Cause you asked for it,\\
'Cause you need one, you see.\\
I'm not gonna write you a love song,\\
'Cause you tell me it's make or break in this.\\
If you're on your way,\\
I'm not gonna write you to stay.\\
If your heart is nowhere in it,\\
I don't want it for a minute.\\
Babe, I'll walk the seven seas when,\\
I believe that there's a reason,\\
To write you a love song today, today.
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* "Ancient Eyes" by Music/SteeleyeSpan is based on the opening scenes of early ''Literature/{{Discworld}}'' novels in which the star turtle would be introduced, and especially the first such scene in ''Discworld/TheColourOfMagic''. One of the lines in the song is "Through a billion stars he flies", except in the final chorus it's "Through a billion stars she flies", referencing A'Tuin's AmbiguousGender, which was a plot point in TCOM.

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* "Ancient Eyes" by Music/SteeleyeSpan is based on the opening scenes of early ''Literature/{{Discworld}}'' novels in which the star turtle would be introduced, and especially the first such scene in ''Discworld/TheColourOfMagic''.''Literature/TheColourOfMagic''. One of the lines in the song is "Through a billion stars he flies", except in the final chorus it's "Through a billion stars she flies", referencing A'Tuin's AmbiguousGender, which was a plot point in TCOM.
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* "Even Though I'm Leaving" by Music/LukeCombs. The first chorus, with a father putting his son to bed, and the second, when he sees him off for military duty, have the line "It's okay, I know you're scared". The last chorus, in which the father is dying, changes the line to "It's okay, boy, I ain't scared."

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* Creator/IsaacAsimov's "Literature/TheFoundationOfSFSuccess": A recurring rhyme in this [[{Poetry}} poem]] is "And all the fans will say, as you walk your [changes] way". The second-to-last word is either spatial, thoughtful, or narrow. The rhyme that follows is also clearly related, but changes even more dramatically each time it's used.

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* Creator/IsaacAsimov's "Literature/TheFoundationOfSFSuccess": A recurring rhyme in this [[{Poetry}} [[{{Poetry}} poem]] is "And all the fans will say, as you walk your [changes] way". The second-to-last word is either spatial, thoughtful, or narrow. The rhyme that follows is also clearly related, but changes even more dramatically each time it's used.


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* The chorus of Morris Minor and the Majors' Music/StockAitkenWaterman parody "This is the Chorus" concludes by warning "And thirty seconds from now you're gonna hear it again". This obviously doesn't work for the final chorus, so they add one last SAW reference with "And if you're [[Music/KylieMinogue lucky, lucky, lucky]], you won't hear it again".
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* Creator/IsaacAsimov's "Literature/TheFoundationOfSFSuccess": A recurring rhyme in this [[{Poetry}} poem]] is "And all the fans will say, as you walk your [changes] way". The second-to-last word is either spatial, thoughtful, or narrow. The rhyme that follows is also clearly related, but changes even more dramatically each time it's used.
** "If that young man indulges in flights through all the Galaxy, Why, what a most imaginative type of man that type of man must be."
** "If that young man involves himself in authentic history, Why, what a very learned kind of high IQ, his high IQ must be."
** "If all his yarns restrict themselves to masculinity, Why, what a most particularly pure young man that pure young man must be."
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* As part of the run-up to ''[[VideoGame/WorldOfWarcraft Battle For Azeroth's]]'' release, Jaina Proudmoore's ''Warbringers'' short consists almost entirely of a musical cautionary tale, presumably titled ''Daughter Of The Sea''. With the subject matter revolves around the death of Jaina's father, Daelin Proudmoore, the swap becomes a callback to the first line Jaina sings - ''"Beware, beware... the Daughter of the Sea"'' - when, after raising a shipwreck from the ocean and sailing it towards Kul Tiras, the final verse ends by showing the steadily rising anger nearly three expansions in the making.
-->''I heard, I heard... across the wounded sea,\\
The old voice warning me:\\
Beware, beware... the Daughter of the Sea.\\
Beware, beware... '''of me'''.''
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* "This Love Is Not Wrong" by nineties indie band The Field Mice appears to be a standard StarcrossedLovers song ("This love is as good as any other/As good as any other/This love is not wrong") until the last chorus.
-->This love is as good as any other\\
[[GayAesop Says one woman to another]]
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* For most of it's running time, Music/{{NOFX}}'s "Please Play This Song On The Radio" is a SelfDemonstratingSong about how radio-friendly the song itself is. Then after a FakeOutFadeOut, there's one last verse, which throws in some obscenities and mentions that if someone ''is'' playing the song on the radio at this moment, they'd better have switched to the next song by now... So of course the final chorus changes from [[TitleOnlyChorus "please play this song on the radio"]] to "You can't play this song on the radio".

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* For most of it's its running time, Music/{{NOFX}}'s "Please Play This Song On The Radio" is a SelfDemonstratingSong about how radio-friendly the song itself is. Then after a FakeOutFadeOut, there's one last verse, which throws in some obscenities and mentions that if someone ''is'' playing the song on the radio at this moment, they'd better have switched to the next song by now... So of course the final chorus changes from [[TitleOnlyChorus "please play this song on the radio"]] to "You can't play this song on the radio".
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* The chorus of "Gamma Unchained" by TheMegas ends with the line "I'll give you power, you take control," except at the end of the song, which replaces it with "What good is power if you're out of control?"

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* The chorus of "Gamma Unchained" by TheMegas Music/TheMegas ends with the line "I'll give you power, you take control," except at the end of the song, which replaces it with "What good is power if you're out of control?"
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* The final verse of Lee Roy Parnell's "What Kind of Fool" is the first verse with a couple of changes: "Here you come knockin' on my door/when you said you don't need me anymore" becomes "Don't you come knockin' on my door/'cause you know I don't need you anymore." It's a downplaying of the trope: the whole song has been clear the narrator isn't going to take his ex back, but this is the most direct statement of that.
* In the chorus of "Hosanna" in Music/JesusChristSuperstar, "Hey JC, JC, won't you smile at me?" changes to "...you're all right by me," then to "...won't you fight for me?", and finally, "...won't you ''die'' for me?"
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* ''WebVideo/LasagnaCat'' does this to ''Deep Blue Something'''s "Breakfast at Tiffany's" in an episode:

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* ''WebVideo/LasagnaCat'' does this to ''Deep Deep Blue Something'''s Something's "Breakfast at Tiffany's" in an episode:
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* WebVideo/LasagnaCat does this to Deep Blue Something's "Breakfast at Tiffany's" in an episode:

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* WebVideo/LasagnaCat ''WebVideo/LasagnaCat'' does this to Deep ''Deep Blue Something's Something'''s "Breakfast at Tiffany's" in an episode:
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BREAKFAST WITH GARFIELD?"\\

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BREAKFAST WITH GARFIELD?"\\[[ComicStrip/{{Garfield}} GARFIELD]]?"\\
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-->''And I said "What about
BREAKFAST WITH GARFIELD?"
She said "I think I
WOULD LIKE BREAKFAST WITH GARFIELD."
And I said "Well, that

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-->''And I said "What about
about\\
BREAKFAST WITH GARFIELD?"
GARFIELD?"\\
She said "I think I
I\\
WOULD LIKE BREAKFAST WITH GARFIELD."
"\\
And I said "Well, thatthat\\
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* WebVideo/LasagnaCat does this to Deep Blue Something's "Breakfast at Tiffany's" in an episode:
-->''And I said "What about
BREAKFAST WITH GARFIELD?"
She said "I think I
WOULD LIKE BREAKFAST WITH GARFIELD."
And I said "Well, that
CAN BE ARRANGED."''

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