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* ''Film/BookofLife'' uses a mixture of different songs but played with acoustic guitar and mariachi music, including stuff from Music/Mumford&sons, Music/Radiohead, and a few original songs.

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* ''Film/BookofLife'' ''WesternAnimation/TheBookofLife'' uses a mixture of different songs but played with acoustic guitar and mariachi music, including stuff from Music/Mumford&sons, Music/Radiohead, and a few original songs.
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* ''Film/TheBookofLife'' uses a mixture of different songs but played with acoustic guitar and mariachi music, including stuff from Music/Mumford&sons, Music/Radiohead, and a few original songs.

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* ''Film/TheBookofLife'' ''Film/BookofLife'' uses a mixture of different songs but played with acoustic guitar and mariachi music, including stuff from Music/Mumford&sons, Music/Radiohead, and a few original songs.
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* ''Film/TheBookofLife'' uses a mixture of different songs but played with acoustic guitar and mariachi music, including stuff from Music/Mumford&sons, Music/Radiohead, and a few original songs.
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* ''Escape To Margaritaville'', featuring Music/JimmyBuffett. Almost every single element is taken from his lyrics.

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* ''Escape To Margaritaville'', ''Theatre/EscapeToMargaritaville'', featuring Music/JimmyBuffett. Almost every single element is taken from his lyrics.
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Trope cut per thread.


* ''Our House'': Uses the songs of Music/{{Madness}} to tell the story of a young man growing up in London (which is what most Madness songs are about anyway). Featured [[TheFaceOfTheBand Suggs]] as the main character's father for a while.

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* ''Our House'': Uses the songs of Music/{{Madness}} to tell the story of a young man growing up in London (which is what most Madness songs are about anyway). Featured [[TheFaceOfTheBand Suggs]] Suggs as the main character's father for a while.
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* ''Theatre/GreatestDays'' (and it's [[Film/GreatestDays film adaptation]]) uses the songs of Music/TakeThatBand.
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* ''Film/MoulinRouge''. Twentieth century hits in the 19th century!

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* ''Film/MoulinRouge''. Twentieth century hits in the 19th century!century! The only "original" song is "Come What May", which was actually written for (but not used in) Baz Lurhmann's previous film ''[[Film/WilliamShakespearesRomeoAndJuliet Romeo + Juliet]]''.
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Contrast RockOpera, which are {{concept album}}s wherein all the songs are meant from the get-go to form a singular narrative. See also RealSongThemeTune (the work has an original soundtrack, but the main theme is a preexisting song); SongFic (when a FanFiction incorporates song lyrics throughout); and AllMusicalsAreAdaptations (for works based on other pre-existing properties and usually use their signature songs). {{Bio Pic}}s about famous musicians inherently can't avoid this.

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Contrast RockOpera, which are {{concept album}}s wherein all the songs are meant from the get-go to form a singular narrative. See also RealSongThemeTune (the work has an original soundtrack, but the main theme is a preexisting song); SongFic (when a FanFiction incorporates song lyrics throughout); and AllMusicalsAreAdaptations (for works based on other pre-existing properties and usually use their signature songs). {{Bio Pic}}s {{Biopic}}s about famous musicians inherently can't avoid this.
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Contrast RockOpera, which are {{concept album}}s wherein all the songs are meant from the get-go to form a singular narrative. See also RealSongThemeTune (the work has an original soundtrack, but the main theme is a preexisting song); SongFic (when a FanFiction incorporates song lyrics throughout); and AllMusicalsAreAdaptations (for works based on other pre-existing properties and usually use their signature songs). {{BioPic}}s about famous musicians inherently can't avoid this.

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Contrast RockOpera, which are {{concept album}}s wherein all the songs are meant from the get-go to form a singular narrative. See also RealSongThemeTune (the work has an original soundtrack, but the main theme is a preexisting song); SongFic (when a FanFiction incorporates song lyrics throughout); and AllMusicalsAreAdaptations (for works based on other pre-existing properties and usually use their signature songs). {{BioPic}}s {{Bio Pic}}s about famous musicians inherently can't avoid this.
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Contrast RockOpera, which are {{concept album}}s wherein all the songs are meant from the get-go to form a singular narrative. See also RealSongThemeTune (the work has an original soundtrack, but the main theme is a preexisting song); SongFic (when a FanFiction incorporates song lyrics throughout); and AllMusicalsAreAdaptations (for works based on other pre-existing properties and usually use their signature songs).

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Contrast RockOpera, which are {{concept album}}s wherein all the songs are meant from the get-go to form a singular narrative. See also RealSongThemeTune (the work has an original soundtrack, but the main theme is a preexisting song); SongFic (when a FanFiction incorporates song lyrics throughout); and AllMusicalsAreAdaptations (for works based on other pre-existing properties and usually use their signature songs).
songs). {{BioPic}}s about famous musicians inherently can't avoid this.
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* Experimental 1964 short film ''Film/ScorpioRising'' is a very peculiar example in which pop and Motown songs of the 1950s and early 1960s were used to accompany a film about a biker gang full of homoeroticism and bizarre imagery of skulls and Nazis.
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* ''Theatre/{{Tsukiuta}} Stage'', a series of stage plays about two [[MoeAnthropomorphism month personification]] [[IdolSinger idol units]], Six Gravity and Procellarum, has done this a few times:
** ''Act 4: Lunatic Party'' incorporated one of each pair's duet songs into the story of the play, some performed as performances, some not, with "Sing Together Forever" used as the climax of the story. However, in the Halloween party scene, each year quartet performs an original song.
** ''Act 9: Shiawase Awase'' features two songs originally sung by Gravi and Procella's managers, and one that was originally a solo sung by You Haduki (one member of Procellarum), but is sung by all four middle members here.
** ''Act 11: Tsukihana Kagura'' has one of the original characters singing the Junior quartet's song from ''Act 6: Kurenai Enishi'' and several other songs from that play and ''Act 2: Yumemigusa'' were featured.
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* ''Theatre/WeWillRockYou'': a post-apocalyptic exercise in ThePowerOfRock using Music/{{Queen}} songs.

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* ''Theatre/WeWillRockYou'': a post-apocalyptic exercise in ThePowerOfRock using Music/{{Queen}} Music/{{Queen|Band}} songs.



* The original ''Film/{{Highlander}}'' has a soundtrack written almost entirely by Music/{{Queen}}, and nearly all original.

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* The original ''Film/{{Highlander}}'' has a soundtrack written almost entirely by Music/{{Queen}}, Music/{{Queen|Band}}, and nearly all original.

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* ''Jagged Little Pill'', a stage musical using songs from the [[Music/JaggedLittlePill album of the same name]] by Canadian musician Music/AlanisMorissette.

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* ''Jagged Little Pill'', a stage musical using songs from the [[Music/JaggedLittlePill album of the same name]] by Canadian musician Music/AlanisMorissette.Music/AlanisMorissette, along with other songs throughout her career.


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** Spears would experience this again with ''Once Upon a One More Time'', which uses her music in the context of a FracturedFairyTale.
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BSP renamed themselves to Sea Power in 2021


* ''VideoGame/DiscoElysium''[='s=] entire soundtrack was composed by Music/BritishSeaPower, made up of a combination of instrumental versions of songs from their previous albums and new compositions. The theme used in Martinaise is "Red Rock Riviera"; "The Smallest Church in Saint-Saëns", the song you can sing at karaoke, is an only slightly rewritten "The Smallest Church in Sussex"; a version of "Want To Be Free" is used as the "Sad FM" track you can play on your final trip to the island. In addition, song titles and lyrics find their way into the text of the game, such as Revachol's official motto being "A Light Above Descending."

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* ''VideoGame/DiscoElysium''[='s=] entire soundtrack was composed by Music/BritishSeaPower, [[Music/BritishSeaPower Sea Power]], made up of a combination of instrumental versions of songs from their previous albums and new compositions. The theme used in Martinaise is "Red Rock Riviera"; "The Smallest Church in Saint-Saëns", the song you can sing at karaoke, is an only slightly rewritten "The Smallest Church in Sussex"; a version of "Want To Be Free" is used as the "Sad FM" track you can play on your final trip to the island. In addition, song titles and lyrics find their way into the text of the game, such as Revachol's official motto being "A Light Above Descending."
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* ''WesternAnimation/ThePowerpuffGirls'' episode "Meet the Beat-Alls" features a story in which everyone ''speaks'' Music/TheBeatles lyrics.

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* ''WesternAnimation/ThePowerpuffGirls'' ''WesternAnimation/ThePowerpuffGirls1998'' episode "Meet the Beat-Alls" features a story in which everyone ''speaks'' Music/TheBeatles lyrics.
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The greatest strength and greatest weakness of the Jukebox Musical is that members of the audience may have heard these songs before, especially if they are popular ones. As a strength, that means that they can easily work as emotionally shorthand if they're already associated with a certain mood in pop culture, bolstering the narrative of the work. As a weakness, audience members could have strong memories related to these songs that can cause MoodDissonance. For example, the cool rock song you chose to emphasize the hero's HesBack moment could end up reminding one audience member of their first college breakup, another of a deceased family member, or another of some old phone ad, diminishing the intended emotional impact of the scene.

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The greatest strength and greatest weakness of the Jukebox Musical is that members of the audience may have heard these songs before, especially if they are popular ones. As a strength, that means that they can easily work as emotionally shorthand if they're already associated with a certain mood in pop culture, bolstering the narrative of the work. As a weakness, audience members could have strong memories related to these songs that can cause MoodDissonance. For example, the cool rock song you chose to emphasize the hero's HesBack moment could end up reminding one audience member of their first college breakup, another of a deceased family member, or another of some old phone ad, diminishing the intended emotional impact of the scene.
scene. In the worst case scenario - and why they are frequently met with criticism as a concept - the songs are inserted with no context at all or with completely misunderstood or inappropriate applications, but this can be an advantage in more comedic productions.
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Added information on the sequel of "Sing".


* ''WesternAnimation/{{Sing}}'', a 2016 animated film from Creator/IlluminationEntertainment, manages to sneak at least small snippets of at least 80 different songs from the 1940s to the 2010s. And there’s a sequel in the works.

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* ''WesternAnimation/{{Sing}}'', a 2016 animated film from Creator/IlluminationEntertainment, manages to sneak at least small snippets of at least 80 different songs from the 1940s to the 2010s. And there’s a sequel in The sequel, ''WesternAnimation/Sing2'', follows the works.same pattern and features another 41 songs.
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* ''Theatre/{{MJ}}'', a biographical musical about ''Music/MichaelJackson'', takes place during the preparation for his ''Dangerous'' tour in 1992 and features mostly music of his that had been released up to that point, along with a few that would be released in the following years.
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Rewrote to sound less like a conversation


* ''Film/AcrossTheUniverse2007'': A movie musical set before and during the Vietnam War using the music of Music/TheBeatles.
** Earlier, in the late 1970s, there was the less successful ''Film/SgtPeppersLonelyHeartsClubBand'' (which notably was among the first of its kind).
** Also, ''WesternAnimation/YellowSubmarine'', if an animated Jukebox Musical counts.
** Also from [[TheSeventies the late 70s]] comes the Broadway musical ''Beatlemania''.
*** And the film of the same name.

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* Music/TheBeatles have had a few of these:
**
''Film/AcrossTheUniverse2007'': A movie musical set before and during the Vietnam War using the Beatles music of Music/TheBeatles.
to tell the story.
** Earlier, in In the late 1970s, there was the less successful ''Film/SgtPeppersLonelyHeartsClubBand'' (which notably was among the first of its kind).
** Also, ''WesternAnimation/YellowSubmarine'', if an animated Jukebox Musical counts.
Musical.
** Also from [[TheSeventies the late 70s]] comes the The Broadway musical ''Beatlemania''.
*** And
''Beatlemania'', and the film of the same name.
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* Songwriter Music/IrvingBerlin made a whole series of these: for each of the movies ''Film/AlexandersRagtimeBand'' (which was to have been a {{Biopic}} until Berlin said no), ''Blue Skies'', ''Easter Parade'' and ''There's No Business Like Show Business'', he provided a score containing a mixture of his old hits and a few newly written songs. ''Alexander's Ragtime Band'' and ''There's No Business Like Show Business'' had only a couple of new songs each; ''Blue Skies'' and ''Easter Parade'' had roughly as many new Irving Berlin songs as old ones. (''Film/WhiteChristmas'', however, had mostly new songs, as did its predecessor ''Film/HolidayInn''.)

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* Songwriter Music/IrvingBerlin made a whole series of these: for each of the movies ''Film/AlexandersRagtimeBand'' (which was to have been a {{Biopic}} until Berlin said no), ''Blue Skies'', ''Easter Parade'' ''Film/EasterParade'' and ''There's No Business Like Show Business'', he provided a score containing a mixture of his old hits and a few newly written songs. ''Alexander's Ragtime Band'' and ''There's No Business Like Show Business'' had only a couple of new songs each; ''Blue Skies'' and ''Easter Parade'' had roughly as many new Irving Berlin songs as old ones. (''Film/WhiteChristmas'', however, had mostly new songs, as did its predecessor ''Film/HolidayInn''.)
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* ''Hoy No Me Puedo Levantar'' (I just can’t get up today) has songs from the Spanish band "The song "[[https://www.youtube.com/watch?v=wYBF5NeCrLs Una rosa es una rosa]]" ("[[Creator/GertrudeStein A rose is a rose]]"), by Spanish group Music/{{Mecano}}.

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* ''Hoy No Me Puedo Levantar'' (I just can’t get up today) has songs from the Spanish band "The song "[[https://www.youtube.com/watch?v=wYBF5NeCrLs Una rosa es una rosa]]" ("[[Creator/GertrudeStein A rose is a rose]]"), by Spanish group Music/{{Mecano}}.
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* ''Hoy No Me Puedo Levantar'' has songs from the Spanish band "Mecano".

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* ''Hoy No Me Puedo Levantar'' (I just can’t get up today) has songs from the Spanish band "Mecano"."The song "[[https://www.youtube.com/watch?v=wYBF5NeCrLs Una rosa es una rosa]]" ("[[Creator/GertrudeStein A rose is a rose]]"), by Spanish group Music/{{Mecano}}.
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* ''Film/{{Xanadu}}'': The stage version is essentially one for the Music/ElectricLightOrchestra.

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* ''Film/{{Xanadu}}'': The stage version ''Theatre/{{Xanadu|2007}}'', is essentially one for the Music/ElectricLightOrchestra.
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* ''Film/AcrossTheUniverse'': A movie musical set before and during the Vietnam War using the music of Music/TheBeatles.

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* ''Film/AcrossTheUniverse'': ''Film/AcrossTheUniverse2007'': A movie musical set before and during the Vietnam War using the music of Music/TheBeatles.

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Removed: 646

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Removed complainy-ish quote and other complaints, added another musical


->''"Got a call from a weird lady, calls herself Twyla\\
Said she wanted my songs for a modern ballet\\
Twyla said she'd immortalize me in a style a\\
Guy who liked rock and roll could enjoy in LA\\
Movin' Out came about, now it plays in a strange place\\
And my songs are performed by a rock 'n' roll elf\\
While a dancer contorts with his crotch in his own face\\
I don't think it's okay that he plays with himself\\
I never said you could make Uptown Girl a disco dance\\
I never wrote The Longest Time for twinkies in tight pants."''
-->-- '''Music/BillyJoel''' sings about ''Theatre/MovinOut'' in ''Theatre/ForbiddenBroadway'' to the tune of "My Life"



** Earlier, in the late 1970s, there was the less successful ''Film/SgtPeppersLonelyHeartsClubBand'' (which notably was among the first of its kind). Infamous for starring The Bee Gees.

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** Earlier, in the late 1970s, there was the less successful ''Film/SgtPeppersLonelyHeartsClubBand'' (which notably was among the first of its kind). Infamous for starring The Bee Gees.



* Sometime in 2014, Music/BritneySpears developed plans for an adaptation of the death of Jesus using her songs. Make of that what you will. She didn't go through with it, but there might have been some remnants of that idea within Fox's ''The Passion Live''.

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* Sometime in 2014, Music/BritneySpears developed plans for an adaptation of the death of Jesus using her songs. Make of that what you will. She didn't go through with it, but there might have been some remnants of that idea within Fox's ''The Passion Live''.




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* ''Daddy Cool'', featuring songs by Frank Farian-produced acts such as Music/BoneyM, La Bouche, Music/MilliVanilli and No Mercy.
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* ''All Out of Love: The Musical'' takes the hits of Music/AirSupply and weaves them into an overarching narrative that happens in New York City in TheEighties. It debuted in the Philippines due to the fact that the band maintains their popularity in Southeast Asia to this day.
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adding trope examples

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* Creator/TheBBC's live televised musicals ''The Manchester Passion'' (2006), ''The Liverpool Nativity'' (2007), ''Frankenstein's Wedding...Live In Leeds'' (2011), and ''Bollywood Carmen'' (2013).
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Genre Killer has a 10-year time limit, pothole is too recent


* ''Viva Forever'', a musical based around the songs of the Music/SpiceGirls, was a notorious flop that may turn out to be a GenreKiller.

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* ''Viva Forever'', a musical based around the songs of the Music/SpiceGirls, was a particularly notorious flop that may turn out to be a GenreKiller.flop.
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* ''Emma: A Pop Musical'' is a Setting update of Creator/JaneAusten's ''Literature/{{Emma}}'' utilizing pop hits ranging from TheSixties to TheNewTens.

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* ''Emma: A Pop Musical'' is a Setting update SettingUpdate of Creator/JaneAusten's ''Literature/{{Emma}}'' utilizing pop hits ranging from TheSixties to TheNewTens.

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