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* ''[[Film/NightTrainToTerror Night Train to Terror]]'' combines footage from the unfinished ''Scream Your Head Off'', ''The Dark Side to Love'', and ''[[Film/TheNightmareNeverEnds The Nightmare Never Ends]]'', with some new footage added in to make a new [[AnthologyFilm anthology film]]. All The aferomentioned films have the same writer, Phillip Yordan.
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* Creator/SabanEntertainment's ''Anime/DigimonTheMovie'' is a mixture of this and a {{compilation movie}}. The film stitches together the three anime short films featuring the characters from the [[Anime/DigimonAdventure first]] [[Anime/DigimonAdventure02 two]] seasons of the anime. Specifically, [[Recap/DigimonAdventurePilot the pilot episode]], the first season's NonSerialMovie ''[[Recap/DigimonAdventureMovieOurWarGame Digimon Adventure: Our War Game!]]'', and the second season's own non-serial movie ''[[Recap/DigimonAdventure02M1TranscendentEvolutionTheGoldenDigimentals Digimon Adventure 02: Digimon Hurricane Touchdown!! / Supreme Evolution!! The Golden Digimentals]]''. A lot of reworking and cutting was done to cram all three films together into a single cohesive 90 minute narrative... as well as add a ''Digimon''-themed ''WesternAnimation/AngelaAnaconda'' short at the start.

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* Creator/SabanEntertainment's ''Anime/DigimonTheMovie'' is a mixture of this and a {{compilation movie}}. The film stitches together the three anime short films featuring the characters from the [[Anime/DigimonAdventure first]] [[Anime/DigimonAdventure02 two]] seasons of the anime. Specifically, [[Recap/DigimonAdventurePilot the pilot episode]], film]], the first season's NonSerialMovie ''[[Recap/DigimonAdventureMovieOurWarGame Digimon Adventure: Our War Game!]]'', and the second season's own non-serial movie ''[[Recap/DigimonAdventure02M1TranscendentEvolutionTheGoldenDigimentals Digimon Adventure 02: Digimon Hurricane Touchdown!! / Supreme Evolution!! The Golden Digimentals]]''. A lot of reworking and cutting was done to cram all three films together into a single cohesive 90 minute narrative... narrative. The pilot was slightly-written to work as well as add an OriginsEpisode. The second and especially the third were reworked much more extensively to tie them together, surprisingly making them a bit ''darker'' by giving sympathetic traits to a villain that ends up destroyed. Also added was a ''Digimon''-themed ''WesternAnimation/AngelaAnaconda'' short at the start.
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* Music/DepecheMode: The 1984 North American-oriented compilation ''People Are People'' packages the hit single with various [[BSide B-sides]], non-album singles, and cuts from ''Music/ABrokenFrame'' and ''Music/ConstructionTimeAgain''; one of these, "Everything Counts", additionally uses the 12" remix rather than the album or 7" versions.
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** Macek merged the completely unrelated ''Anime/CaptainHarlock'' and ''Anime/QueenMillennia'' to create the rarely seen ''Captain Harlock and the Queen of a Thousand Years''.

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** Macek merged the completely unrelated ''Anime/CaptainHarlock'' and ''Anime/QueenMillennia'' ''Manga/QueenMillennia'' to create the rarely seen ''Captain Harlock and the Queen of a Thousand Years''.
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** Macek's most famous effort was ''Anime/{{Robotech}}'', a three-way hybridization between ''Anime/SuperDimensionFortressMacross'', ''Anime/SuperDimensionCavalrySouthernCross'' and ''Anime/GenesisClimberMospeada''. These three series are unrelated, and the script was mostly from ''Macross''. ''Robotech'' made several changes throughout, including censoring nudity (but not all the violence), changing characters' ethnic names from Japanese to English, an original "{{narrator}}" who assumed ViewersAreGoldfish, and cutting off a major ''Macross'' sequel hook. Anime purists hated it, but it was a commercial success in the U.S. and was indeed credited for creating new anime fans. A subsequent {{Remaster}} in 2004 restored much of the original Japanese content, including scenes of violence and nudity. ''Robotech'' even got a RecursiveImport in Japan (which was credited for reviving interest in the then-moribund ''Southern Cross'').

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** Macek's most famous effort was ''Anime/{{Robotech}}'', a three-way hybridization between ''Anime/SuperDimensionFortressMacross'', ''Anime/SuperDimensionCavalrySouthernCross'' and ''Anime/GenesisClimberMospeada''. These three series are unrelated, and the script was mostly from ''Macross''. ''Robotech'' made several changes throughout, including censoring nudity (but not all the violence), changing characters' ethnic names from Japanese to English, an original "{{narrator}}" who assumed ViewersAreGoldfish, and cutting off a major ''Macross'' sequel hook. Anime purists hated it, but it was a commercial success in the U.S. and was indeed credited for with creating new anime fans. A subsequent {{Remaster}} in 2004 restored much of the original Japanese content, including scenes of violence and nudity. ''Robotech'' even got a RecursiveImport in Japan (which was credited for reviving interest in the then-moribund ''Southern Cross'').
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* ''Film/KungPowEnterTheFist'' takes footage from the obscure Chinese film from the 70's ''Crane & Tiger Fists'' and edits it to feature Creator/SteveOedekerk in place of the original protagonist, alongside the addition of multiple new scenes and a general GagDub.

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* ''Film/KungPowEnterTheFist'' takes footage from the obscure 70's Chinese film from the 70's ''Crane & Tiger Fists'' and edits it to feature Creator/SteveOedekerk in place of the original protagonist, alongside the addition of multiple new scenes and a general GagDub.
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Kill Em All was renamed Everybody Dies Ending due to misuse. Dewicking


** Macek's most famous effort was ''Anime/{{Robotech}}'', a three-way hybridization between ''Anime/SuperDimensionFortressMacross'', ''Anime/SuperDimensionCavalrySouthernCross'' and ''Anime/GenesisClimberMospeada''. These three series are unrelated, and the script was mostly from ''Macross''. ''Robotech'' made several changes throughout, including censoring nudity (but not all [[KillEmAll the violence]]), changing characters' ethnic names from Japanese to English, an original "{{narrator}}" who assumed ViewersAreGoldfish, and cutting off a major ''Macross'' sequel hook. Anime purists hated it, but it was a commercial success in the U.S. and was indeed credited for creating new anime fans. A subsequent {{Remaster}} in 2004 restored much of the original Japanese content, including scenes of violence and nudity. ''Robotech'' even got a RecursiveImport in Japan (which was credited for reviving interest in the then-moribund ''Southern Cross'').

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** Macek's most famous effort was ''Anime/{{Robotech}}'', a three-way hybridization between ''Anime/SuperDimensionFortressMacross'', ''Anime/SuperDimensionCavalrySouthernCross'' and ''Anime/GenesisClimberMospeada''. These three series are unrelated, and the script was mostly from ''Macross''. ''Robotech'' made several changes throughout, including censoring nudity (but not all [[KillEmAll the violence]]), violence), changing characters' ethnic names from Japanese to English, an original "{{narrator}}" who assumed ViewersAreGoldfish, and cutting off a major ''Macross'' sequel hook. Anime purists hated it, but it was a commercial success in the U.S. and was indeed credited for creating new anime fans. A subsequent {{Remaster}} in 2004 restored much of the original Japanese content, including scenes of violence and nudity. ''Robotech'' even got a RecursiveImport in Japan (which was credited for reviving interest in the then-moribund ''Southern Cross'').
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* ''Film/NightOfTheBloodyApes'': Originally released in 1969, the film was re-released three years later in an English-dubbed form, with new scenes inserted by another director to [[BloodierAndGorier increase the gore]] for the American audience. The recut also changes the conclusion of the film so that [[spoiler:it is Lucy's boyfriend Lt. Martinez rather than Lucy herself who finally dispatches the wayward beast.]] Unfortunately, this has the effect of rendering much of Lucy's screen time rather redundant.
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* ''Film/NightOfTheBloodyApes'': Originally released in 1969, the film was re-released three years later in an English-dubbed form, with new scenes inserted by another director to [[BloodierAndGorier increase the gore]] for the American audience. The recut also changes the conclusion of the film so that [[spoiler:it is Lucy's boyfriend Lt. Martinez rather than Lucy herself who finally dispatches the wayward beast.]] Unfortunately, this has the effect of rendering much of Lucy's screen time rather redundant.
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Compare {{MST}}, AdaptationAmalgamation, CutAndPasteTranslation, CanonWelding.

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Compare {{MST}}, AdaptationAmalgamation, CutAndPasteTranslation, DubInducedPlotlineChange, CanonWelding.
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* Music/{{Japan}}: Since ''Gentlemen Take Polaroids'' wasn't released in the US at first, the original release of ''Tin Drum'' in the region (retitled ''[[SelfTitledAlbum Japan]]'') respectively replaced "Canton" and "Sons of Pioneers" with "Gentlemen Take Polaroids" and a remix of "Taking Islands in Africa" that was previously featured as the B-side to "Visions of China", also adding "Swing" as the penultimate track.
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* Music/TheClash's first album from 1977 was released in the U.S. in 1979. This happened after their second album ''Give 'Em Enough Rope'' had been released in the U.S. in 1978, which was the first album of theirs to be released there. Probably as a result, their newer singles from 1979 were included on the new version of their first album, replacing some songs that were deemed controversial by the record company at the time. Although a lot of people like this version of the album, the Clash's change in production techniques makes the inclusion of a later track like "I Fought the Law" pretty noticeable.

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* Music/TheClash's [[Music/TheClashAlbum first album album]] from 1977 was released in the U.S. in 1979. This happened after their second album ''Give 'Em Enough Rope'' had been released in the U.S. in 1978, which was the first album of theirs to be released there. Probably as a result, their newer singles from 1979 were included on the new version of their first album, replacing some songs that were deemed controversial by the record company at the time. Although a lot of people like this version of the album, the Clash's change in production techniques makes the inclusion of a later track like "I Fought the Law" pretty noticeable.



* Music/YellowMagicOrchestra: Since their album ''Music/SolidStateSurvivor'' was not originally released in the US, the US version of ''Music/{{Multiplies}}'' dispensed with the English and Japanese comedy routine tracks and padded the record out with songs from ''Solid State Survivor''. The European version went further, by adding additional songs from their debut album. The 1992 international CD release of the album, meanwhile, is mostly based on the Japanese version, but throws in the non-album single "Kageki na Shukujo" and cuts from ''Naughty Boys Instrumental'' as bonus tracks due to both having not been part of the concurrent reissue campaign.

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* Music/YellowMagicOrchestra: Since their album ''Music/SolidStateSurvivor'' was not originally released in the US, the US version of ''Music/{{Multiplies}}'' dispensed with the English and Japanese comedy routine tracks and padded the record out with songs from ''Solid State Survivor''. The European version went further, by adding additional songs from their debut album. The 1992 international CD release of the album, meanwhile, is mostly based on the Japanese version, but throws in the non-album single "Kageki na Shukujo" and cuts from ''Naughty ''[[Music/NaughtyBoys Naughty Boys Instrumental'' Instrumental]]'' as bonus tracks due to both having not been part of the concurrent reissue campaign.
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* The earliest release of ''Anime/AngelsEgg'' in English was in the form of ''Film/InTheAftermathAngelsNeverSleep'', which is more or less a different film entirely, roughly half of which made up of ''Angel's Egg'' footage, and the other half was newly-produced, ''live-action'' footage, which attempted to weld a more conventional post-apocalyptic story onto the very enigmatic plot of the original.
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* Music/PinkFloyd: The original US release of ''Music/ThePiperAtTheGatesOfDawn'' drops "Astronomy Domine", "Flaming", and "Bike", inserts the non-album single "See Emily Play", and rearranges the rest of the tracklist, adjusting the between-track segues as necessary. The UK version would first become officially available Stateside with the compilation ''A Nice Pair'' in 1973 (albeit with the live version of "Astronomy Domine" from ''Music/{{Ummagumma}}'' swapped in), and like other modified British albums from its era, it would become standard on both sides of the Pond when it was reissued on CD (with the studio version of "Astronomy Domine" this time around).
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* Music/NewOrder: ''Music/PowerCorruptionAndLies'', had its tracklisting altered for its American CD and cassette releases, with the 12-inch single "Blue Monday" and its B-side, "The Beach" added to the running order at the end of each side. The album had previously been the subject of confusion in the UK for the fact that neither of those two tracks were on it (with the closest album cut to "Blue Monday" being "5 8 6", which was based off the same base sequencer jam), to the point where Creator/FactoryRecords had to start including shrinkwrap stickers reading "DOES NOT CONTAIN 'BLUE MONDAY'." The addition of the two tracks on American CD and cassette copies, therefore, amended the issue in advance for consumers over there.

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* Music/NewOrder: ''Music/PowerCorruptionAndLies'', ''Music/PowerCorruptionAndLies'' had its tracklisting altered for its American CD and cassette releases, with the 12-inch single "Blue Monday" and its B-side, "The Beach" added to the running order at the end of each side. The album had previously been the subject of confusion in the UK for the fact that neither of those two tracks were on it (with the closest album cut to "Blue Monday" being "5 8 6", which was based off the same base sequencer jam), to the point where Creator/FactoryRecords had to start including shrinkwrap stickers reading "DOES NOT CONTAIN 'BLUE MONDAY'." The addition of the two tracks on American CD and cassette copies, therefore, amended the issue in advance for consumers over there.

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* Music/NewOrder: ''Music/PowerCorruptionAndLies'', had its tracklisting altered for its American CD and cassette releases, with the 12-inch single "Blue Monday" and its B-side, "The Beach" added to the running order at the end of each side. The album had previously been the subject of confusion in the UK for the fact that neither of those two tracks were on it (with the closest album cut to "Blue Monday" being "5 8 6", which was based off the same base sequencer jam), to the point where Creator/FactoryRecords had to start including shrinkwrap stickers reading "DOES NOT CONTAIN 'BLUE MONDAY'." The addition of the two tracks on American CD and cassette copies, therefore, amended the issue in advance for consumers over there.



* Music/NewOrder: ''Music/PowerCorruptionAndLies'', had its tracklisting altered for its American CD and cassette releases, with the 12-inch single "Blue Monday" and its B-side, "The Beach" added to the running order at the end of each side. The album had previously been the subject of confusion in the UK for the fact that neither of those two tracks were on it (with the closest album cut to "Blue Monday" being "5 8 6", which was based off the same base sequencer jam), to the point where Creator/FactoryRecords had to start including shrinkwrap stickers reading "DOES NOT CONTAIN 'BLUE MONDAY'." The addition of the two tracks on American CD and cassette copies, therefore, amended the issue in advance for consumers over there.

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* Music/YellowMagicOrchestra:
** The band's [[Music/YellowMagicOrchestraAlbum debut album]] from 1978 omits the MinisculeRocking track "Acrobat" from the end of the tracklist on US copies and features a considerably different mix oriented more for the American market.
** Since their album ''Music/SolidStateSurvivor'' was not originally released in the US, the US version of ''Music/{{Multiplies}}'' dispensed with the English and Japanese comedy routine tracks and padded the record out with songs from ''Solid State Survivor''. The European version went further, by adding additional songs from their debut album. The 1992 international CD release of the album, meanwhile, is mostly based on the Japanese version, but throws in the non-album single "Kageki na Shukujo" and cuts from ''Naughty Boys Instrumental'' as bonus tracks due to both having not been part of the concurrent reissue campaign.

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* Music/YellowMagicOrchestra:
** The band's [[Music/YellowMagicOrchestraAlbum debut album]] from 1978 omits the MinisculeRocking track "Acrobat" from the end of the tracklist on US copies and features a considerably different mix oriented more for the American market.
**
Music/YellowMagicOrchestra: Since their album ''Music/SolidStateSurvivor'' was not originally released in the US, the US version of ''Music/{{Multiplies}}'' dispensed with the English and Japanese comedy routine tracks and padded the record out with songs from ''Solid State Survivor''. The European version went further, by adding additional songs from their debut album. The 1992 international CD release of the album, meanwhile, is mostly based on the Japanese version, but throws in the non-album single "Kageki na Shukujo" and cuts from ''Naughty Boys Instrumental'' as bonus tracks due to both having not been part of the concurrent reissue campaign.
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Moving this folder from Dub Induced Plotline Change, which were added there back when it was called Cut And Paste Translation. Leaving out some examples from there that, under the new criteria, would fit more closely under recut. Also removing a general example that was in the original folder.

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[[folder:Music]]
* Music/TheBeatles' first eleven albums in the US were cobbled together from a variety of disparate sources, including their UK albums and non-album singles. This stretched all the way until ''Music/MagicalMysteryTour'', in which Creator/CapitolRecords expanded the EP into a full-length album by adding on several recent non-album singles; the Beatles themselves parodied this with the original artwork for ''Yesterday and Today'', which infamously depicted the band covered in raw meat and chopped-up baby dolls as a commentary on Capitol "butchering" their albums. ''Music/SgtPeppersLonelyHeartsClubBand'', ''Music/TheWhiteAlbum'', ''Music/AbbeyRoad'', and ''Music/LetItBe'' would all be untouched Stateside. The 1987 CD reissues of the band's backlog would establish the UK albums as the canonical ones, with the sole exception of ''Magical Mystery Tour'', which used the US tracklist. The US albums would briefly be reissued in both volumes of the CD BoxedSet ''The Capitol Albums'', but mostly for novelty's sake.
* Music/TheClash's first album from 1977 was released in the U.S. in 1979. This happened after their second album ''Give 'Em Enough Rope'' had been released in the U.S. in 1978, which was the first album of theirs to be released there. Probably as a result, their newer singles from 1979 were included on the new version of their first album, replacing some songs that were deemed controversial by the record company at the time. Although a lot of people like this version of the album, the Clash's change in production techniques makes the inclusion of a later track like "I Fought the Law" pretty noticeable.
* Music/YellowMagicOrchestra:
** The band's [[Music/YellowMagicOrchestraAlbum debut album]] from 1978 omits the MinisculeRocking track "Acrobat" from the end of the tracklist on US copies and features a considerably different mix oriented more for the American market.
** Since their album ''Music/SolidStateSurvivor'' was not originally released in the US, the US version of ''Music/{{Multiplies}}'' dispensed with the English and Japanese comedy routine tracks and padded the record out with songs from ''Solid State Survivor''. The European version went further, by adding additional songs from their debut album. The 1992 international CD release of the album, meanwhile, is mostly based on the Japanese version, but throws in the non-album single "Kageki na Shukujo" and cuts from ''Naughty Boys Instrumental'' as bonus tracks due to both having not been part of the concurrent reissue campaign.
* Music/NewOrder: ''Music/PowerCorruptionAndLies'', had its tracklisting altered for its American CD and cassette releases, with the 12-inch single "Blue Monday" and its B-side, "The Beach" added to the running order at the end of each side. The album had previously been the subject of confusion in the UK for the fact that neither of those two tracks were on it (with the closest album cut to "Blue Monday" being "5 8 6", which was based off the same base sequencer jam), to the point where Creator/FactoryRecords had to start including shrinkwrap stickers reading "DOES NOT CONTAIN 'BLUE MONDAY'." The addition of the two tracks on American CD and cassette copies, therefore, amended the issue in advance for consumers over there.
[[/folder]]

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* Creator/SabanEntertainment's ''Anime/DigimonTheMovie'' is a mixture of this and a {{compilation movie}}. The film stitches together the three anime short films featuring the characters from the [[Anime/DigimonAdventure first]] [[Anime/DigimonAdventure02 two]] seasons of the anime. Specifically, [[Recap/DigimonAdventurePilot the pilot episode]], the first season's NonSerialMovie ''[[Recap/DigimonAdventureMovieOurWarGame Digimon Adventure: Our War Game!]]'', and the second season's own non-serial movie ''[[Recap/DigimonAdventure02M1TranscendentEvolutionTheGoldenDigimentals Digimon Adventure 02: Digimon Hurricane Touchdown!! / Supreme Evolution!! The Golden Digimentals]]''. A lot of reworking and cutting was done to cram all three films together into a single cohesive 90 minute narrative... as well as add a ''Digimon''-themed ''WesternAnimation/AngelaAnaconda'' short at the start.


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[[folder:Films - Animated]]
* Creator/SabanEntertainment's ''Anime/DigimonTheMovie'' is a mixture of this and a {{compilation movie}}. The film stitches together the three anime short films featuring the characters from the [[Anime/DigimonAdventure first]] [[Anime/DigimonAdventure02 two]] seasons of the anime. Specifically, [[Recap/DigimonAdventurePilot the pilot episode]], the first season's NonSerialMovie ''[[Recap/DigimonAdventureMovieOurWarGame Digimon Adventure: Our War Game!]]'', and the second season's own non-serial movie ''[[Recap/DigimonAdventure02M1TranscendentEvolutionTheGoldenDigimentals Digimon Adventure 02: Digimon Hurricane Touchdown!! / Supreme Evolution!! The Golden Digimentals]]''. A lot of reworking and cutting was done to cram all three films together into a single cohesive 90 minute narrative... as well as add a ''Digimon''-themed ''WesternAnimation/AngelaAnaconda'' short at the start.
[[/folder]]
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This was the '90s; "gay" already meant "homosexual".


** To capitalise on the success of ''Franchise/PowerRangers'', Saban licensed ''Series/KamenRiderBlackRX'' and turned it into ''"Saban's Series/MaskedRider"'': a gay old [[AnAesop Aesop-tastic]] romp starring a [[HumanAliens superhero alien]] [[HumansThroughAlienEyes learning about Earth culture]] with his adoptive American family. Later editing would get so shoddy that at times, you could clearly see the original Japanese actors, or the fact that the footage they were splicing in was from two seperate movies (''Film/KamenRiderZO'' and ''Film/KamenRiderJ'') starring completely different heroes.

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** To capitalise on the success of ''Franchise/PowerRangers'', Saban licensed ''Series/KamenRiderBlackRX'' and turned it into ''"Saban's Series/MaskedRider"'': a gay old an [[AnAesop Aesop-tastic]] romp starring a [[HumanAliens superhero alien]] [[HumansThroughAlienEyes learning about Earth culture]] with his adoptive American family. Later editing would get so shoddy that at times, you could clearly see the original Japanese actors, or the fact that the footage they were splicing in was from two seperate movies (''Film/KamenRiderZO'' and ''Film/KamenRiderJ'') starring completely different heroes.
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fixed formatting



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[[/folder]]

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Fan edits of preexisting films don't count


* ''Animation/SpacethunderKids'' was edited together with footage from no less than seven different Korean cartoons: ''Savior of the Earth'', ''Defenders of Space - Phoenix-bot Phoenix King'', ''King Robot'', ''Protectors of Universe - Super Express Mazinger 7'', ''Solar Adventure'', ''Animation/SpaceTransformers - Micro-Commando Diatron-5'', ''Super Mazinger 3'' and ''Iron Man Trio''.

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* ''Animation/SpacethunderKids'' ''Animation/SpaceThunderKids'' was edited together with footage from no less than seven different Korean cartoons: ''Savior of the Earth'', ''Defenders of Space - Phoenix-bot Phoenix King'', ''King Robot'', ''Protectors of Universe - Super Express Mazinger 7'', ''Solar Adventure'', ''Animation/SpaceTransformers - Micro-Commando Diatron-5'', ''Super Mazinger 3'' and ''Iron Man Trio''.Trio''.
* ''WesternAnimation/YoohooAndFriends'' was originally a [[HangukManhwaAenimeisyeon Korean cartoon]] about {{Ridiculously Cute Critter}}s going on wacky adventures. The U.S. version, created by David Feiss, threw in a subplot about the title characters being {{Corrupt Corporate Executive}}s who were turned into animals as punishment for their crimes against the environment. The contrast between the original footage and the new footage is very noticeable and jarring.



* ''Film/InTheAftermathAngelsNeverSleep'' is a heavily edited version of the Japanese animated movie ''Anime/AngelsEgg'' by Creator/MamoruOshii, trimmed down to half of its original length and framed with 45 minutes of live action footage.



* ''Film/KungPowEnterTheFist'' takes footage from the obscure Chinese film from the 70's ''Crane & Tiger Fists'' and edits it to feature Creator/SteveOedekerk in place of the original protagonist, alongside the addition of multiple new scenes and a general GagDub.
* The second of the six ''Manga/LoneWolfAndCub'' movies was greatly simplified, dubbed into English, and combined with about 12 minutes of footage from the previous film to create ''Shogun Assassin,'' which is considered its own separate film, with a completely different list of credits. Decades later, the other four ''Lone Wolf and Cub'' films were dubbed and released on DVD as ''Shogun Assassin 2'' (actually the third film), ''Shogun Assassin 3'' (actually the fourth film), and so on, creating a translation where [[SequelNumberSnarl the sequel numbering is messed up]].



* ''Film/InTheAftermathAngelsNeverSleep'' is a heavily edited version of the Japanese animated movie ''Anime/AngelsEgg'' by Creator/MamoruOshii, trimmed down to half of its original length and framed with 45 minutes of live action footage.
* The FanEdit Derelict by [=JobWillins=] combines Film/{{Prometheus2012}} with an hour of footage from Film/{{Alien}} to tell a story that intercuts between the two works, and made the edit in black & white.

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* ''Film/InTheAftermathAngelsNeverSleep'' is a heavily Several Soviet sci-fi films got the cut-and-paste treatment (or were used as StockFootage) to make Western B-movies:
** ''[[Film/PlanetOfStorms Planeta Bur]]'' was
edited version of ''twice'' for distribution in the Japanese animated movie ''Anime/AngelsEgg'' West: once as ''Voyage to the Prehistoric Planet'' by Creator/MamoruOshii, trimmed down to half of its original length Curtis Harrington in 1965, containing a few additional American-made scenes and framed with 45 minutes the Soviet actors' names esternised to hide the origin; another in 1968 by Peter Bogdanovich (as "Derek Thomas") as ''Voyage to the Planet of live action footage.
* The FanEdit Derelict by [=JobWillins=] combines Film/{{Prometheus2012}}
Prehistoric Women'', along with an hour of footage from Film/{{Alien}} to tell a story additional scenes involving nubile Venusian women.
** ''Nebo Zovyot'' was adapted as ''Film/BattleBeyondTheSun''. To disguise the fact
that intercuts it involves rival space missions between the Soviet Union and the United States, the two works, nations become the northern and made southern hemispheres in a post-apocalyptic world. Creator/FrancisFordCoppola worked on this while in film school; one of his notable additions was supposedly two monsters based on [[GagPenis certain]] [[VaginaDentata parts]] of the edit human anatomy. Scenes from ''Nebo Zovyot'' were also used in black & white.''Voyage to the Prehistoric Planet'' and the 1966 [[NinjaPirateZombieRobot alien vampire woman]] film ''Film/QueenOfBlood'' (alongside another Soviet film, ''Mechte Navstrechu'').


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* For some reason, ''Series/HowItsMade'' got two different releases in Italy: a regular one and ''Come è fatto con Barbara'', which is the exact same thing but with the addition of interstitials between each segment featuring Barbara Gulienetti (mainly known as the host of the DIY show ''Paint your Life'') recapping the segment that is going to air next, apparently as a way to fit the show on Real Time, a TV channel mainly aimed at women.


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[[folder:Puppet Shows]]
* One of the two syndicated versions of ''Series/{{Thunderbirds}}'', ''Turbocharged Thunderbirds'', alongside multiple edits added new live action footage featuring two teenagers known as "the hackers".

[[folder:Tabletop Games]]
* The ''Anime/CardfightVanguard'' had a pair of cases of this in foreign releases.
** The last two Booster sets from the original series were mixed around for their western release compared to the original Japanese edition, becoming the "Ver.E" Booster Sets: The "Ver.E" release of the sixteenth Booster Set ''Legion of Dragons and Swords'' features the Royal Paladin, Narukami and Spike Brothers units from the original BT-16, the Royal Paladin, Gold Paladin, Narukami and Aqua Force units from the original BT-17, the Royal Paladin, Gold Paladin and part of the Link Joker units from the booster set based around the ''Neon Messiah'' movie and the entire content of the Narukami and Link Joker trial decks based on the Brawler and Deletor subclans, while the "Ver.E" release of the seventeenth Booster Set, ''Blazing Perdition'', features the Kagero, Tachikaze, Link Joker and Granblue units from the original BT-17, the Nova Grappler, Dimension Police and Neo Nectar units from the original BT-16 and the Kagero and the remaining Link Joker units from the ''Neon Messiah'' set.
** The "Ver.E" format was later adopted in a larger format by the Italian release of the ''Anime/CardfightVanguardG'' sets, which mix and match stuff from the releases from the English and Japanese releases making bigger sets. For example, the first Italian G Booster Set features the Royal Paladin, Oracle Think-tank, Gear Chronicle and Cray Elemental units from the original G-[=BT01=], the Narukami and Neo Nectar units from the original G-[=BT02=], a single Cray Elemental card from the original G-[=BT05=], half of the contents from the 2014 and 2015 Fighters Collections, a few promos and the entirety of the first G Extra Booster, while the second Italian G Booster Set features the Royal Paladin, Gear Chronicle, Aqua Force and Great Nature units from the original G-[=BT02=], the Kagero and Nova Grappler units from the original G-[=BT01=], the remaining cards from the two Fighters Collections, another Cray Elemental unit from the original G-[=BT05=], a few promos and the Royal Paladin units from the Comic Booster.
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[[folder:Asian Animation]]

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[[folder:Asian Animation]][[folder:Anime]]



* ''Animation/SpacethunderKids'' was edited together with footage from no less than seven different Korean cartoons: ''Savior of the Earth'', ''Defenders of Space - Phoenix-bot Phoenix King'', ''King Robot'', ''Protectors of Universe - Super Express Mazinger 7'', ''Solar Adventure'', ''Animation/SpaceTransformers - Micro-Commando Diatron-5'', ''Super Mazinger 3'' and ''Iron Man Trio''.


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[[folder:Asian Animation]]
* ''Animation/SpacethunderKids'' was edited together with footage from no less than seven different Korean cartoons: ''Savior of the Earth'', ''Defenders of Space - Phoenix-bot Phoenix King'', ''King Robot'', ''Protectors of Universe - Super Express Mazinger 7'', ''Solar Adventure'', ''Animation/SpaceTransformers - Micro-Commando Diatron-5'', ''Super Mazinger 3'' and ''Iron Man Trio''.
[[/folder]]
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** 13 years later, Saban tried again, making ''Series/KamenRiderDragonKnight'' out of ''Series/KamenRiderRyuki'' in much the same way. This one did much better (at least among its PeripheryDemographic), even winning a Daytime Emmy for stunt choreography. But its ratings meant not enough of the ''intended'' demographic were watching to keep it alive. The last two episodes weren't even aired, though were made available online. Interestingly, ''Dragon Knight'' became a RecursiveImport and did quite well back in Japan. It even got a continuation... sadly, in the form of a book nobody in the U.S. will probably ever see.

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** 13 years later, Saban Adness Entertainment tried again, its luck, making ''Series/KamenRiderDragonKnight'' out of ''Series/KamenRiderRyuki'' in much the same way. This one did much better (at least among its PeripheryDemographic), even winning a Daytime Emmy for stunt choreography. But its ratings meant not enough of the ''intended'' demographic were watching to keep it alive. The last two episodes weren't even aired, though were made available online. Interestingly, ''Dragon Knight'' became a RecursiveImport and did quite well back in Japan. It even got a continuation... sadly, in the form of a book nobody in the U.S. will probably ever see.
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Compare {{MST}}, CutAndPasteTranslation, CanonWelding.

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Compare {{MST}}, AdaptationAmalgamation, CutAndPasteTranslation, CanonWelding.
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* The FanEdit Derelict by [=JobWillins=] combines Film/{{Prometheus2012}} with an hour of footage from Film/{{Alien}} to tell a story that intercuts between the two works, and made the edit in black & white.
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* Creator/SabanEntertainment's ''Anime/DigimonTheMovie'' is a mixture of this and a {{compilation movie}}. The film stitches together the three anime short films available at the time that featured the characters from the first two seasons of the anime. Specifically, ''[[Recap/DigimonAdventurePilot the pilot episode for the first season]]'', the first season's NonSerialMovie ''[[Recap/DigimonAdventureMovieOurWarGame Digimon Adventure: Our War Game!]]'', and the second season's own non-serial movie ''[[Recap/DigimonAdventure02M1TranscendentEvolutionTheGoldenDigimentals Digimon Adventure 02: Digimon Hurricane Touchdown!! / Supreme Evolution!! The Golden Digimentals]]''. A lot of reworking and cutting was done to cram all three films together into a single cohesive 90 minute narrative... as well as add a ''Digimon''-themed ''WesternAnimation/AngelaAnaconda'' short at the start.

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* Creator/SabanEntertainment's ''Anime/DigimonTheMovie'' is a mixture of this and a {{compilation movie}}. The film stitches together the three anime short films available at the time that featured featuring the characters from the first two [[Anime/DigimonAdventure first]] [[Anime/DigimonAdventure02 two]] seasons of the anime. Specifically, ''[[Recap/DigimonAdventurePilot [[Recap/DigimonAdventurePilot the pilot episode for the first season]]'', episode]], the first season's NonSerialMovie ''[[Recap/DigimonAdventureMovieOurWarGame Digimon Adventure: Our War Game!]]'', and the second season's own non-serial movie ''[[Recap/DigimonAdventure02M1TranscendentEvolutionTheGoldenDigimentals Digimon Adventure 02: Digimon Hurricane Touchdown!! / Supreme Evolution!! The Golden Digimentals]]''. A lot of reworking and cutting was done to cram all three films together into a single cohesive 90 minute narrative... as well as add a ''Digimon''-themed ''WesternAnimation/AngelaAnaconda'' short at the start.
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None


* Creator/SabanEntertainment's ''Anime/DigimonTheMovie'' is a mixture of this and a {{compliation movie}}. The film stitches together the three anime short films available at the time that featured the characters from the first two seasons of the anime. Specifically, ''[[Recap/DigimonAdventurePilot the pilot episode for the first season]]'', the first season's NonSerialMovie ''[[Recap/DigimonAdventureMovieOurWarGame Digimon Adventure: Our War Game!]]'', and the second season's own non-serial movie ''[[Recap/DigimonAdventure02M1TranscendentEvolutionTheGoldenDigimentals Digimon Adventure 02: Digimon Hurricane Touchdown!! / Supreme Evolution!! The Golden Digimentals]]''. A lot of reworking and cutting was done to cram all three films together into a single cohesive 90 minute narrative... as well as add a ''Digimon''-themed ''WesternAnimation/AngelaAnaconda'' short at the start.

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* Creator/SabanEntertainment's ''Anime/DigimonTheMovie'' is a mixture of this and a {{compliation {{compilation movie}}. The film stitches together the three anime short films available at the time that featured the characters from the first two seasons of the anime. Specifically, ''[[Recap/DigimonAdventurePilot the pilot episode for the first season]]'', the first season's NonSerialMovie ''[[Recap/DigimonAdventureMovieOurWarGame Digimon Adventure: Our War Game!]]'', and the second season's own non-serial movie ''[[Recap/DigimonAdventure02M1TranscendentEvolutionTheGoldenDigimentals Digimon Adventure 02: Digimon Hurricane Touchdown!! / Supreme Evolution!! The Golden Digimentals]]''. A lot of reworking and cutting was done to cram all three films together into a single cohesive 90 minute narrative... as well as add a ''Digimon''-themed ''WesternAnimation/AngelaAnaconda'' short at the start.
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None


* ''Anime/{{Digimon}}'': The second season's NonSerialMovie, ''Digimon Hurricane Touchdown!/The Golden Digimentals'', was also combined with two short anime movies about the kids from the first season, with a lot of reworking having to be done to cram the continuities together.

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* ''Anime/{{Digimon}}'': Creator/SabanEntertainment's ''Anime/DigimonTheMovie'' is a mixture of this and a {{compliation movie}}. The film stitches together the three anime short films available at the time that featured the characters from the first two seasons of the anime. Specifically, ''[[Recap/DigimonAdventurePilot the pilot episode for the first season]]'', the first season's NonSerialMovie ''[[Recap/DigimonAdventureMovieOurWarGame Digimon Adventure: Our War Game!]]'', and the second season's NonSerialMovie, ''Digimon own non-serial movie ''[[Recap/DigimonAdventure02M1TranscendentEvolutionTheGoldenDigimentals Digimon Adventure 02: Digimon Hurricane Touchdown!/The Touchdown!! / Supreme Evolution!! The Golden Digimentals'', was also combined with two short anime movies about the kids from the first season, with a Digimentals]]''. A lot of reworking having to be and cutting was done to cram all three films together into a single cohesive 90 minute narrative... as well as add a ''Digimon''-themed ''WesternAnimation/AngelaAnaconda'' short at the continuities together.start.
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The practice of making a new work by combining content from multiple sources. This goes beyond simply adding a FramingDevice or releasing different works as an {{anthology}}; in a frankenslation, the source works are thoroughly edited and mixed together to form one contiguous, (hopefully) seamless work with its own story.

In literature, there is a practice known as a [[https://en.wikipedia.org/wiki/Fix-up fix-up]], when an author takes their previously-published short stories and combines them into a novel. Depending on how much they have to edit the original short stories to make them fit together, the result could be considered either this trope or CanonWelding.

Compare {{MST}}, CutAndPasteTranslation, CanonWelding.

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!!Examples
[[foldercontrol]]

[[folder:Asian Animation]]
* Carl Macek was particularly infamous for this, leading to the term {{Macekre}}:
** Macek's most famous effort was ''Anime/{{Robotech}}'', a three-way hybridization between ''Anime/SuperDimensionFortressMacross'', ''Anime/SuperDimensionCavalrySouthernCross'' and ''Anime/GenesisClimberMospeada''. These three series are unrelated, and the script was mostly from ''Macross''. ''Robotech'' made several changes throughout, including censoring nudity (but not all [[KillEmAll the violence]]), changing characters' ethnic names from Japanese to English, an original "{{narrator}}" who assumed ViewersAreGoldfish, and cutting off a major ''Macross'' sequel hook. Anime purists hated it, but it was a commercial success in the U.S. and was indeed credited for creating new anime fans. A subsequent {{Remaster}} in 2004 restored much of the original Japanese content, including scenes of violence and nudity. ''Robotech'' even got a RecursiveImport in Japan (which was credited for reviving interest in the then-moribund ''Southern Cross'').
** Macek also took Part 1 of ''Anime/Megazone23'', edited in some ''Southern Cross'' footage, wrote in his own script, and called the result ''Robotech: The Movie''. The script needed drastic alterations too, because the ''Anime/{{Macross}}'' creators didn't want any similarities to their own film, ''Anime/MacrossDoYouRememberLove''. The movie was received much worse than ''Robotech'' itself; Macek's distributor couldn't get it into theaters in the U.S. because of its tenuous connection to ''Robotech'', and it was still too violent for children (possibly as a result of the action coming from poorly shoehorned ''Southern Cross'' footage). He later produced a proper uncut dub of Part 1, which was better received.
** Macek merged the completely unrelated ''Anime/CaptainHarlock'' and ''Anime/QueenMillennia'' to create the rarely seen ''Captain Harlock and the Queen of a Thousand Years''.
* ''Anime/{{Digimon}}'': The second season's NonSerialMovie, ''Digimon Hurricane Touchdown!/The Golden Digimentals'', was also combined with two short anime movies about the kids from the first season, with a lot of reworking having to be done to cram the continuities together.
* ''Animation/SpacethunderKids'' was edited together with footage from no less than seven different Korean cartoons: ''Savior of the Earth'', ''Defenders of Space - Phoenix-bot Phoenix King'', ''King Robot'', ''Protectors of Universe - Super Express Mazinger 7'', ''Solar Adventure'', ''Animation/SpaceTransformers - Micro-Commando Diatron-5'', ''Super Mazinger 3'' and ''Iron Man Trio''.
* ''Anime/{{Voltron}}'' was created by merging two unrelated CombiningMecha series, ''Anime/GoLion'' and ''Anime/DairuggerXV''. However, while the plot changes were considerable, the interference between the two combined stories was minimal, and each occurred ''almost'' in its own continuity. The biggest change was a NeverSayDie moment; Sven, who dies in the original, barely survives in the dub. This worked out for the best, because [[HesJustHiding there was such a backlash]] against his death in the original that they introduced his BackupTwin, which the dub could [[{{Woolseyism}} conveniently say was Sven all along]].
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[[folder:Films - Live-Action]]
* When the original ''Film/{{Godzilla| 1954}}'' was exported to America, it had original footage of an American journalist, Steve Martin, spliced in, and was released as ''Film/{{Godzilla King of the Monsters| 1956}}''. [[RecursiveTranslation This version was later shown in Japan]], and Steve Martin proved surprisingly popular among Japanese fans.
* This was the main method of localizing the Film/GodfreyHoNinjaMovies. Godfrey Ho was infamous for getting cheap, low-budget Hong Kong films, cutting them to ribbons, and inserting new footage featuring Caucasian actors for distribution in the West. Among his films are ''Ninja Thunderbolt'', ''Clash of the Ninjas'', ''Full Metal Ninja'', and ''Zombie vs. Ninja''. As you could tell, {{ninja}}s were a recurring theme, although later efforts included a kickboxing flick and a "superhero" called Catman. He's also done it at least once in the other direction, adding new footage using Asian actors to the Cynthia Rothrock vehicle ''Undefeatable'' to create the movie ''Bloody Mary Killer'' for distribution in China.
* ''[[http://en.wikipedia.org/wiki/Master_with_Cracked_Fingers Master with Cracked Fingers]]'' was a 1979 film cut together from different early Creator/JackieChan films, as a means to cash in on his rising fame. It primarily takes footage from the little-seen 1973 film ''Little Tiger of Canton'', but featured several newly-filmed scenes with a [[FakeShemp double]] playing Jackie's character (badly disguised with a blindfold).
* ''Film/InTheAftermathAngelsNeverSleep'' is a heavily edited version of the Japanese animated movie ''Anime/AngelsEgg'' by Creator/MamoruOshii, trimmed down to half of its original length and framed with 45 minutes of live action footage.
[[/folder]]

[[folder:Live-Action TV]]
* This is how ''Franchise/SuperSentai'' became ''Franchise/PowerRangers'', with the battle footage spliced into entirely new stories. The first three seasons of the latter took three completely separate seasons of the former and reworked it into one "[[StoryArc mega-arc]]", and the later incarnations seem to only be superficially similar to their originals, with the motives of the characters and some story elements being completely changed. Of course, ''Power Rangers'' was never intended to be and doesn't claim to be a dub or reenactment of its ''Super Sentai'' parent, despite borrowing suits and battle footage. That said, a few seasons are actualy faithful recreations of the original series' plot (or sometimes a ShotForShotRemake, like ''Series/PowerRangersWildForce'' or ''Series/PowerRangersSamurai''), and a few others that made some changes that don't quite make sense. There's [[LongRunner a lot of them]] out there, each with their own quirks.
* ''Franchise/KamenRider'':
** To capitalise on the success of ''Franchise/PowerRangers'', Saban licensed ''Series/KamenRiderBlackRX'' and turned it into ''"Saban's Series/MaskedRider"'': a gay old [[AnAesop Aesop-tastic]] romp starring a [[HumanAliens superhero alien]] [[HumansThroughAlienEyes learning about Earth culture]] with his adoptive American family. Later editing would get so shoddy that at times, you could clearly see the original Japanese actors, or the fact that the footage they were splicing in was from two seperate movies (''Film/KamenRiderZO'' and ''Film/KamenRiderJ'') starring completely different heroes.
** 13 years later, Saban tried again, making ''Series/KamenRiderDragonKnight'' out of ''Series/KamenRiderRyuki'' in much the same way. This one did much better (at least among its PeripheryDemographic), even winning a Daytime Emmy for stunt choreography. But its ratings meant not enough of the ''intended'' demographic were watching to keep it alive. The last two episodes weren't even aired, though were made available online. Interestingly, ''Dragon Knight'' became a RecursiveImport and did quite well back in Japan. It even got a continuation... sadly, in the form of a book nobody in the U.S. will probably ever see.
* ''Series/VRTroopers'' was made from three different ''Series/MetalHeroes'' series: ''Series/ChoujinkiMetalder'', ''Series/JikuuSenshiSpielban'', and ''Series/SpaceSheriffShaider''. Somehow, having ''three'' shows to draw on didn't stop it from [[RecycledScript recycling plots]].
* After ''VR Troopers'', Saban licensed two more ''Metal Heros'' series, ''Series/JuukouBFighter'' and ''Series/BFighterKabuto'' and turned them into ''Series/{{Beetleborgs}}'', apparently aimed at a younger demographic than ''Franchise/PowerRangers'' and being more light-hearted, and changing the story utterly from the Japanese originals.
* Creator/DICEntertainment, seeing the success Saban was having, licensed Creator/TsuburayaProductions' ''Series/DenkouChoujinGridman'' to make ''Series/{{Superhuman Samurai Syber Squad}}''; much like Saban's shows, DIC took the fight scenes from ''Gridman'' and combined them with original footage. Notably, Tsuburaya themselves had direct involvement with the production, resulting in some retained plot elements, similar characterisations and reused sound effects.
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[[folder:Toys]]
* Italian toy company [=GIG=] once took the ''Manga/{{Kinnikuman}}''/''M.U.S.C.L.E.'', ''N.I.N.J.A.'' and ''Fistful of Aliens'' toylines and sold them as a single toyline named ''Exogini'', with completely new backstories (the first two series, released in the late eighties, presented the characters as aliens from a mysterious planet planning to invade Earth, while the last series, released in the late nineties, was presented as a civil war between the inhabitants of Mars, Mercury, and Venus). When ''Franchise/{{Transformers}}'' introduced the Decoy figures as an extra packed in with the regular toys, the Italian release [[DolledUpInstallment passed them off as]] a crossover with the ''Exogini'' line.
* Infamously, Hasbro was guilty of this when it came to ''Franchise/{{Transformers}}'', which was born out of mashing together two of Takara's unrelated franchises, ''Diaclone'' and ''Micro Change'', and then giving the whole thing a completely new backstory, when importing them to be released into the U.S. However, Takara loved the change so much that they eventually dropped both original franchises and [[RecursiveImport imported the]] ''[[RecursiveImport Transformers]]'' [[RecursiveImport lore back into Japan]].
[[/folder]]

[[folder:Web Video]]
* ''WebVideo/NinjaTheMissionForce'' is basically a parody of the Film/GodfreyHoNinjaMovies, using much the same technique but on apparently public-domain Western [[BMovie B-movies]]. Which are, of course [[GagDub Gag Dubs]], PlayedForLaughs.
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[[folder:Western Animation]]
* ''WesternAnimation/WinxClub'': When Nickelodeon re-dubbed and partially re-animated the Italian MagicalGirl series with a new voice cast, it streamlined Seasons 1 and 2 into specials, combining old and re-done footage from multiple episodes into one slightly-altered story:
** "Winx Club: The Fate of Bloom" combined episodes 1, 2, 7, 8, 10 and 22 from Season 1, ending with Bloom unlocking her fairy transformation (which originally happened at the end of episode 3).
** "Winx Club: Revenge of the Trix" combined episodes 7, 8, 9, 13, 14, 15, 17 and 18 of the same season, and "Winx Club: The Battle for Magix" combined episodes 19, 20, 22 23, 24, 25 and 26.
[[/folder]]

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