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* ''WesternAnimation/{{Amphibia}}'' takes place in a parallel universe, but a few of the cultures there bear an awful resemblance to Earth cultures.
** Wartwood strongly resembles the DeepSouth. Most of the characters there have Southern accents (apart from Stumpy, who inexplicably [[TalkLikeAPirate talks like a pirate]]), the mayor is a [[CorruptPolitician ridiculously corrupt]] FatSweatySouthernerInAWhiteSuit, the surrounding marshes resemble the bayous of Louisiana, and they're less technologically advanced and more focused on farming than the rest of the world.
** Bittyburg, seen in "The Ballad of Hopediah Plantar", is equivalent to a frontier town in the WildWest. The buildings, including a saloon, bar, and restaurant, are in the typical single-row configuration and are made of cacti, skulls, and barrels that fit in with the desert surroundings.
** Newtopia has some similarities to historical European cities, especially London and Paris. Some of the inhabitants including Lady Olivia have British accents, it's the seat of Amphibia's monarchy and [[HubCity the most advanced and important city on the continent]], and has the oddly-shaped castle as a [[EiffelTowerEffect monument which can be seen from anywhere in the city]]. [[spoiler:Newtopia also used to be part of an empire much larger than what they currently rule over.]]
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Creating a completely new culture from scratch can be a daunting task. Think about everything the word culture encompasses--[[MagicMusic music]], [[FoodTropes food]], [[CoolCrown clothing]], [[MaleRestroomEtiquette etiquette]], {{dance|sAndBalls}}, [[FantasyPantheon religion]], and [[ProudWarriorRaceGuy combative traditions]], to name a few, and even if one manages to pull it off, one runs the risk of ruining audience's SuspensionOfDisbelief by having one's creation seem ''[[{{Cloudcuckoolander}} too]]'' strange. To lighten the burden of creating a believable fictional culture creators often base one or more of their creations off of real human cultures from various times or places. The countries may have [[IstanbulNotConstantinople significant names]] resembling the place they are based on.

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Creating a completely new culture from scratch can be a daunting task. Think about everything the word culture encompasses--[[MagicMusic music]], [[FoodTropes food]], [[ConstructionIsAwesome architecture]], [[CoolCrown clothing]], [[MaleRestroomEtiquette etiquette]], {{dance|sAndBalls}}, [[FantasyPantheon religion]], and [[ProudWarriorRaceGuy combative traditions]], to name a few, and even if one manages to pull it off, one runs the risk of ruining audience's SuspensionOfDisbelief by having one's creation seem ''[[{{Cloudcuckoolander}} too]]'' strange. To lighten the burden of creating a believable fictional culture creators often base one or more of their creations off of real human cultures from various times or places. The countries may have [[IstanbulNotConstantinople significant names]] resembling the place they are based on.
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It's also more easily justified in works containing humans: the RealLife counterparts of the fictional cultures have all actually come into existence and are the results of real groups of people coming together to build something over time. Basing a new society on one that's already had a turn at some point in human history can both help the audience relate and provide a creative framework to twist and turn said society into an interesting variant of its former self. [[Administrivia/TropesAreTools However this approach still has its risks]] -- if the Fantasy Counterpart Culture is based on a [[PlanetOfHats too simplistic view]] of a particular region of the world, it ends up lacking both in depth and originality. It could also lead to examples of [[UnfortunateImplications Unfortunate Implications]] or EthnicScrappy cropping up as well, especially if the shallowly-written region in question is based off of, or eerily similar to, {{stereotype}}s or outright bigoted notions around said real-life culture.

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It's also more easily justified in works containing humans: the RealLife counterparts of the fictional cultures have all actually come into existence and are the results of real groups of people coming together to build something over time. Basing a new society on one that's already had a turn at some point in human history can both help the audience relate and provide a creative framework to twist and turn said society into an interesting variant of its former self. [[Administrivia/TropesAreTools However this approach still has its risks]] -- if the Fantasy Counterpart Culture is based on a [[PlanetOfHats too simplistic view]] of a particular region of the world, it ends up lacking both in depth and originality. It And if handled particularly poorly, it could also lead to examples of [[UnfortunateImplications Unfortunate Implications]] or EthnicScrappy cropping up as well, especially if the shallowly-written region in question is based off of, or eerily similar to, {{stereotype}}s or outright bigoted notions around said real-life culture.
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It's been decided that Manhua and Manhwa examples shall be placed into their own folders. Moving example to the correct section.




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[[folder:Manhwa]]
* ''Manhwa/ShinAngyoOnshi'' takes place in a recently fallen empire very similar to early modern Korea; several characters are foreigners from what seems to be Europe.
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* The world of ''Webcomic/{{Aecast}}'' draws from a variety of civilizations. Human society seems to be primarily based on [[MysticalIndia India]] and [[ArabianNightsDays the Middle East]], with a little bit of Byzantine Empire.
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* The 2007 [[CanadaEh Canadian sci-fi short]] ''[[https://en.wikipedia.org/wiki/Food_for_the_Gods Food for the Gods]]'' featured a majority Asian cast playing a tribe situated on a distant planet similar to Native Americans as well as being rich in Asian themes, including a backstory referencing prehistoric Japan, and a fictional subtitled language that is loosely derived from Japanese and other Asian language influences.

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* The 2007 [[CanadaEh Canadian sci-fi short]] short ''[[https://en.wikipedia.org/wiki/Food_for_the_Gods Food for the Gods]]'' featured a majority Asian cast playing a tribe situated on a distant planet similar to Native Americans as well as being rich in Asian themes, including a backstory referencing prehistoric Japan, and a fictional subtitled language that is loosely derived from Japanese and other Asian language influences.
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*FantasyCounterpartCulture/AnimeAndManga



[[folder:Anime & Manga]]
* In ''Manga/AttackOnTitan'', the culture within the Walls seems to borrow heavily from Germany. The Shogun/Oriental clan that Mikasa is descended from appears to be based on Japan. [[spoiler: Once the world outside the Walls is introduced, things go further with the introduced groups all resembling early 20th century cultures. Marley is Nazi Germany, with its captive Eldian population dressing (and treated) like European Jews of the same era.[[labelnote:*]]With this in mind, and taking into the consideration that Marley intentionally kept the Paradis Eldian population in captivity from the outside world with the Titans effectively being their "guards," you could even draw comparisons to the Walls being a massive ''concentration camp''.[[/labelnote]] Hizuru is based on Japan, and the Middle-East Union appears to be based on the [[UsefulNotes/TurksWithTroops Ottoman Empire]]. We also see that some of the Anti-Marleyan volunteers were came from Marley-occupied nations that appears to be based on Russia (Yelena) and an African nation (Onyankopon).]]
* ''Manga/{{Berserk}}'': Midland is medieval Denmark, Kushan is a combination of India and the Middle East (but mostly India, it is named after [[https://en.wikipedia.org/wiki/Kushan_Empire the Kushan Empire]]), Chuder/Tudor is most likely based on the medieval Holy Roman Empire, Serpico and Farnese's homeland is Italy (with the Holy See as a stand-in for the Papal States), Farnese's fiance's homeland Ys seems based on England, and Griffith's Falconia takes on AncientRome with its aesthetic.
* The Elf Tribe from ''Manga/BlackClover'' is one of the Biblical Jews. The elves are a race "blessed by mana" similar to the belief that the Jews are the chosen people of God. The elves were massacred by the Clover Kingdom, a country with Roman names including "Julius", "Augustus", and "Nero", drawing a parallel to the destruction of Jerusalem by the Roman Empire. The Kabbalah is heavily associated with the elves, with their strongest members comprising the Apostles of Sephira and the elves reincarnated by placing the magic stones in the Tree of Life Monument. Elves like Kivn have Hebrew-inspired names, and they are resurrected using a spell named "Noad Nephesh", Hebrew for "destined soul". Patry's first outfit has him wear a kippah, a traditional Jewish cap.
* In ''{{Anime/Daimos}}'', the main villains are [[AngelicAliens The Baam Empire]], an alien race of winged humanoids that have allusions to several RealLife cultures.
** The Prince wears a headdress that resembles the one often worn by Roman Emperors, and [[spoiler: the AwfulTruth is that his own father was assassinated by [[EtTuBrute someone he trusted very much]], just like Ceasar with Brutus]].
** The etymology of the term Barmian/Balmian (''Baam-Seijin'') might root from the [[TypeCaste Brahmin caste]] within Hindu society. In the Vedic and post-Vedic Indian subcontinent, Brahmins were designated as the [[HighPriest priestly class]]. This is possibly reinforced in theur superiority complex towards the human race.
** Meanwhile, there's more [[Myth/EgyptianMythology Egyptian]] influences with their architecture and religion, as seen in the [[FuturisticPyramid pyramid-like appearance]] of the [[SupervillainLair Baam Asteroid City]] (Little Baam), and its [[Myth/EgyptianMythology Temple of the Serpent]].
** As for the [[AngelicAliens winged appearance]] of the Barmians, it's reminiscent of the [[UsefulNotes/TheRenaissance painterly Renaissance]] [[AngelicBeauty depiction]] of [[WingedHumanoid angels]] in UsefulNotes/{{Christianity}}. TL;DR, the Baams are Roman-Hindu-Egyptian-Christians.
* Roshtaria and the other human lands of ''Anime/ElHazardTheMagnificentWorld'' are fantasy stand-ins for the Middle East of the ''Literature/ArabianNights''.
* For the ''Music/EvilliousChronicles'' franchise, all of the setting is inspired by real world countries and their cultures. It takes place on the fictional continent of Bolganio, which is overall Eurasia, with the titular region of Evillious being Europe. In Evillious, the country of Lucifenia is France, Elphegort is Germany, Marlon is Great Britain (with a country that's absorbed into it, Lioness, as Ireland,) Asmodean is the Arabian Peninsula (with Eastern European elements), Beelzenia is Italy/Spain, Levianta is Russia, and at one time there is the Tasan Empire which parallels Ancient Rome with Beelzenia. Some of these countries later form the Union State of Evillious, representing the modern European Union, and on the Eastern side of the continent in a Japan parallel. Off the continent is Maistia, which parallels the Americas.
* Shinka in ''Manga/FlowerFlower'' is a counterpart to India.
* ''Franchise/FullmetalAlchemist'':
** The country of Amestris is based on a combination of European countries. It's ruled by a military dictatorship similar to [[ThoseWackyNazis Nazi Germany]], but they speak English, and the military ranks are also English based (with the rank of Field Marshal replaced with the rank of Führer); however, their badges to denote their rank are inspired by Imperial Japan. Character names are based on names found in various European nations such as the U.K and France. The technology used is the same or similar to the technology found around UsefulNotes/WorldWarII.
** Xing from [[Manga/FullmetalAlchemist the manga]] is the counterpart of the East Asian countries, most prominently China, though Fu and Lan Fan have obviously ninja-influenced fighting styles and weaponry and Ling wears {{sarashi}}, so there's a little bit of Japan in there, too.
** Ishval is perhaps the counterpart of the Western Asian countries, but their persecution by Amestris is heavily based on the plight of the Ainu people in Japan.
** Additionally, Drachma is the counterpart to Russia, Xerxes seems to represent a mix of ancient European and Near-East civilizations, most predominately Greece, Persia, and maybe Rome, and the [[NoExportForYou Japanese-exclusive Brotherhood/Mangaverse games]] seem to suggest that Aerugo is FMA's version of Italy.
** In the [[Anime/FullmetalAlchemist2003 2003 anime version]] only, [[spoiler:we find out this is literal, as Amestris is ''an actual'' AlternateUniverse version of central/eastern Europe in the 1920s]].
** Paninya, Jerso, Focker, and an unnamed Central Library employee ([[CanonForeigner anime only]]) are all black, implying that there's likely an AlternateUniverse equivalent of the African continent as well.
** There is no Xing in the 2003 anime-verse; however, a passing reference to an eastern country, along with chopsticks and Asian-looking characters existing, imply a similar country exists.
** Judging by the name, [[CuteBookworm Sciezka/Sheska]] could be from a ''FMA'' counterpart of Poland (or said Poland-counterpart could be part of Amestris).
* ''Manga/FushigiYuugi'' has each of the locations in the Universe Of The Four Gods designed after a real-world counterpart.
** Kounan (the realm led by Suzaku and Miaka) is basically Southern ImperialChina.
** Kutou (protected by Seiryuu and Yui) is Eastern ImperialChina.
** Sairou (represented by Byakko and Suzuno) is based on Western China and UsefulNotes/TheSilkRoad.
** Hokkan (under the watchful eye of Genbu and Takiko) is based off of Inner and Outer Mongolia.
* Basically every planet that's not a PlanetOfHats in ''Manga/GalaxyExpress999'' ends up being one of these.
** Dozens of planets are clones of TheWildWest -- it pretty much seems to be the [[{{Pun}} default setting]] for a planet in this universe.
** "The Planet of a Pint Sized Room" is an exact doppelganger of early-60s Tokyo complete with a college-aged {{Expy}} of the [[DirectLineToTheAuthor creator]] in his starving artist phase.
** Planet Prometheum and Idle Reflection are very unflattering {{Eagle Land}}s (Type 1 and 2 respectively.)
** Masspron is China.
** The Planet of Forgotten Parents is the Philippines.
** Planet Kilimanjaro's Grasshopper Men are white African settlers.
** The other Planet Kilimanjaro[[note]]yes, there are ''two Planet Kilimanjaros''[[/note]] is WWI-era Europe.
** Planet Fury is [[BigAppleSauce New York City]].
** Planet Future is [[CanadaEh Canada]].
** The Planet of Illusive Love is GayParee complete with berets, baguettes, and a Foreign Legion.
** Windy Hill is UsefulNotes/{{Scotland}}.
** The Cheyenne Fish are Native Americans, the Waterpress are white settlers. (Just how a New World-Old World scenario managed to develop on a WaterPlanet is not explained.)
* ''Anime/HelloSandybell'''s FictionalCountry, Romanek, is likely Vatican City based on it's proximity to France.
* There are a few in ''Manga/HunterXHunter'' as well, though they tend to deviate sharply from what they're based on:
** The Republic of East Gorteau has a number of similarities to North Korea. The most obvious is its dictator, Ming Jol-Ik, whose name is an anagram of Kim Jong-Il, though his style of ruling--via cult of personality and with an incredibly uneven mix of technology, alongside extremely strict rules of who can get in and out of the country--suggest that too.
** Kakin appears to be the series's version of China. The royal family have the name of Hui Guo Ruo, the Chinese phrase for [[EdibleThemeNaming twice-cooked pork]], and the emperor has a very stereotypically Chinese look. The country is depicted as an emerging world power, quickly gaining influence and able to gain leverage with the rest of the world. Kakin is also located on the continent of Azia (though it's actually pronounced "AH-zee-ah")
** A counterpart to Japan exists as well, called Jappon (a {{portmanteau}} of Japan and Nippon[[note]]the local name of the country[[/note]]), with the ninja Hanzo coming from that country. He is one of the few characters to know what sushi is.
** Though it's unclear if Yorknew City is its own country or part of a larger one, the architecture, dense population, and fashion of the area, as well as its name and the fact that one of the world's busiest airports is located there, definitely evoke [[BigApplesauce New York City]].
* In ''Manga/KnightsOfSidonia'', Sidonia is basically Japan [[JustForFun/RecycledInSpace IN SPACE]]!
* Many of the nations in ''Literature/KyoKaraMaoh'' are vague approximations of RealLife nations, with Makoku being Medieval Europe and Konanshia-Subererea being the Middle East, among others. One of the most obvious is the Shildkraut nation. We are originally led to believe it's a parallel to Japanese hot spring towns, but then it's then used for a VivaLasVegas episode, right down to the lights being recreated with magical stones.
* ''Manga/MagiLabyrinthOfMagic'' has a lot, but the most prominent ones include the Kou Empire, which is Ancient China, and the Reim Empire, which is the Roman Empire. Other notable examples include Heliohapt being AncientEgypt, Sasan being AncientPersia, and Kina being Japan while Imuchakk looks like a hybrid of Inuit and Norsemen.
* Two of the three invading countries in the second season of ''Manga/MagicKnightRayearth'' are clearly based off of Earth cultures. Fahren is mostly based off of Chinese culture and stereotypes, although it does have a few Japanese things (such as ninjas). This is explicitly lampshaded by Fuu. Chizeta's culture seems to be based off of Middle-Eastern and Indian cultures, and the princesses fight using Djinn. However, they also have Osakan accents. Autozam's highly technological culture, while not as clear cut as Chizeta or Fahren, has a few parallels with the United States of America: the President's son is named Eagle Vision, the military has green berets, strongest of the three superpowers, and so on.
* There is a major case going on in ''Manga/MaidenRose'' where half the countries aren't named but are easily culturally identifiable. Klaus comes from a small German state that was conquered by the Western Alliance superstate, also primarily German. This superstate is fighting the Eurotean superstate, which has pre-revolution Russia as the dominant culture. Eurote in turn subdued Taki's country, an unquestionable Japan analogue. If it weren't for the MagicalRealism the story would probably be an outright AlternateHistory.
* ''Anime/MobileSuitGundam'':
** The Principality of Zeon is primarily based on UsefulNotes/ImperialJapan (a militaristic power led by a royal family which wages a campaign of expansion under the guise of "liberation") with an aesthetic based predominantly on UsefulNotes/NaziGermany, including a salute that goes "''Sieg'' Zeon".
** The [[TheFederation Earth Federation]] in general is the US (a democratic union governed by elected representativeness, albeit one that still has issues with corruption and inequality) with the uniforms of the Imperial Japanese Army.
* ''Anime/MobileSuitVictoryGundam'': The [[TheEmpire Zanscare Empire]] meanwhile seems to be both the Ancien Regime and Revolutionary France [[RecycledInSpace IN SPACE]].
* The Vagan civilians in ''Anime/MobileSuitGundamAge'' dress and build in very Middle-Eastern style, while their soldiers and upper class dress in SpaceClothes and feudal Japanese styles.
* In ''Anime/MyOtome'', set in the distant future on another planet, there are some more or less evident matches between fictional and real nations, at least judging by the names of known inhabitants. Artai seems to be an Eastern European/Slavic/Chinese nation, Florince is France, the United Kingdom of Lutesia is a blend of ancient Rome and modern Italy, Aries is the United States, Annam is Vietnam, and Zipang is Japan (in fact, for the last two, [[IstanbulNotConstantinople those are real-world, if ancient, monikers for these countries]]).
** Altai is named after a region that's adjacent to China, Russia and West Asia.
* ''Manga/OnePiece'':
** Wano Country is clearly this for feudal Japan, what with its isolationism and its samurai. ("Wa no Kuni" is in fact an old way to refer to Japan, meaning "Country of Harmony".)
** The Shandians are pretty clear analogues for disenfranchised and displaced Native American populations. Their ancient home Shandora meanwhile is analogous to pre-Columbian Central and South American civilizations, with Mayan-like architecture and often being referred to as the "City of Gold".
** Alabasta is a fairly obvious portrayal of Ancient Egypt (with additional Middle Eastern influencing).
** Water Seven looks very much like Venice, particularly its trademark channels crisscrossing the island and the fact that it's slowly sinking.
** The duel between Ace and Blackbeard takes place on Banaro Island, an island that looks like [[TheWildWest The American West]]. It was a town filled mostly with taverns and cowboys with guns.
** Dressrosa looks like a combination of Spain and [[WesternAnimation/RudolphTheRedNosedReindeer the Island of Misfit Toys]].
** The city that [[spoiler:Trafalgar Law]] hails from, Flevance, seemingly takes cues from Casale Monferrato, as both are nicknamed "The White City" and are prosperous because of the materials that are exclusive to their city, the Amber Lead (Flevance) and the asbestos (Casale Monferrato), and both materials are also toxic.
** Amazon Lily is a mix of ancient China (evident by the architecture) and [[LadyLand mythological Themiscyra]], with a strong warrior culture where strength equals beauty.
** On that note, Kano Country is unmistakably one for feudal China, boasting pagodas, martial artists and those really tall, narrow mountains.
** Elbaf is based on medieval Scandinavia, particularly Viking culture, as can be seen by the inhabitants' horned helmets, thatch houses, and that they travel via longboats.
** Speaking of the Vikings, the Whole Cake Island arc introduces the Germa Kingdom, a kingdom of rapacious pillagers and conquerors who plough the seas on massive ships and favor big crumbling castles; they might be a fantasy version of Vikings. They even use a Nordic cross in their decorations. For the record, Creator/EiichiroOda has described the Vikings as [[AuthorAppeal his favorite band of historical pirates]].
** The Levely arc introduces a number of nations that have clear analogues to real-world places: Ballywood is based on the United States (including a "King Ham Burger" who resembles UsefulNotes/AbrahamLincoln), the Shishano Kingdom is based on Mexico (also with a "King Tacos" who wears a multicolored serape and a cactus-shaped sombrero), the Roshwan Kingdom is based on Russia (the king wears an ushanka and the princesses look like matryoshka dolls), and the Tajine Kingdom is based on Morocco. There are also unnamed delegates who strongly suggest there are countries in the ''One Piece'' world themed on the United Kingdom[[note]]This may be Rommel, as the few times it's shown, the architecture evokes that of Westminster[[/note]], on Germany, and on the Inuit as well.
** Mariejois, where the Levely conference takes place, seems more politically structured like the Vatican, but Pangaea Castle itself is designed after the Château de Chambord in France, so it's likely that the rest of the city is designed after the Loir-et-Cher region in France.
* The six countries in ''Anime/SaberMarionetteJ'' are based on the countries their founders came from. Japoness is based on feudal-era Japan, Xian is based on ImperialChina, Romana is like a mix of Roman and Renaissance Italy, Peterburg is a mix of Czarist and Soviet Russia, Gartland is UsefulNotes/NaziGermany, and New Texas is based on modern-day United States.
* ''Manga/ShamanKing'': Patch and Seminoa sounded a lot like Apache and Seminole. But the similarity is only linguistic. Not to mention the fact that the BigBad has the name Hao, which is strangely similar to "How" (the stereotypical greeting used by the natives of North American in fiction).
* ''Manhwa/ShinAngyoOnshi'' takes place in a recently fallen empire very similar to early modern Korea; several characters are foreigners from what seems to be Europe.
* ''Anime/StrikeWitches'' is very guilty of this, considering it's set in an alternate version of Earth during UsefulNotes/WorldWarII. Based on the names of various characters, the Fuso Empire is Japan, Liberion is the United States, Karlsland is Germany (minus ThoseWackyNazis), Suomus is Finland, Orussia is Russia, Romagna is Italy, Gallia ([[VideoGame/FireEmblemPathOfRadiance no not that one]] -- [[VideoGame/ValkyriaChronicles or that one]]) is France, and Britannia ([[Anime/CodeGeass not that one either]]) goes without saying. References are also made to RealLife locations, such as London, Yokosuka, and the Ural Mountains. Some of the RealLife currencies also carry over: While stationed in Britannia, the main character is paid in pounds, and Fuso's currency is the yen.
* Nihon-koku in ''Manga/TsubasaReservoirChronicle'' is quite obviously a mixture of a magical and historical version of our Japan. It's actually noted upon in-universe when the gang arrives at Ichihara Yuuko's shop for the first time and she tells [[{{Ninja}} Kurogane]] that her Japan is his Japan too, just a different version of it.
* ''Anime/VoltesV'': [[TheEmpire The Boazanian Empire]] is essentially 17th century [[JustForFun/RecycledInSpace Space]] UsefulNotes/{{France}}.
** [[TheBeautifulElite The noble class]] dress like [[AristocratsAreEvil French aristocrats]], complete with [[GorgeousPeriodDress Gorgeous Period Dresses]] and EverythingsSparklyWithJewelry, while the [[SlaveRace lower class]] have no rights and are [[MadeASlave forced into slavery]].
** [[spoiler: In the series finale, the slaves revolt and overpower the nobles - DoesThisRemindYouOfAnything[[note]]UsefulNotes/TheFrenchRevolution[[/note]].]]
** Those familiar with [[BilingualBonus French language]] and [[GeniusBonus history]] may have noticed that the name is derived from the French word ''voisin'', which means "neighbour"[[note]]"Boazan" is the Japanese pronouncation of the word, as the language often pronounces "v" as "b"[[/note]]
** [[spoiler: [[https://64.media.tumblr.com/35a4466f5c7403ec0e365da0165b8e83/459f14bfde4a1bef-fa/s1280x1920/3ce1476d317c444d139d633fbf8f2c7a0fd1badc.pnj Their flag]] has a heavy resemblance to the [[https://en.wikipedia.org/wiki/National_emblem_of_France#/media/File:Arms_of_the_French_Empire.svg flag of]] the Arms of the French Empire]].
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*''Anime/HelloSandybell'''s FictionalCountry, Romanek, is likely Vatican City based on it's proximity to France.

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** The island nation Wano is clearly this for feudal Japan, what with its isolationism and its samurai. ("Wa no Kuni" is in fact an old way to refer to Japan, meaning "Country of Harmony".)

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** The island nation Wano Country is clearly this for feudal Japan, what with its isolationism and its samurai. ("Wa no Kuni" is in fact an old way to refer to Japan, meaning "Country of Harmony".)



** Amazon Lily is a mix of ancient China (evident by the architecture) and [[LadyLand mythological Themiscyra]], with a strong warrior culture where strength equals beauty.



** The Kano Kingdom is unmistakably one for feudal China, boasting pagodas, martial artists, and those really tall, narrow mountains.

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** The Amazon Lily is a mix of ancient China (evident by the architecture) and [[LadyLand mythological Themiscyra]], with a strong warrior culture where strength equals beauty.
** On that note,
Kano Kingdom Country is unmistakably one for feudal China, boasting pagodas, martial artists, artists and those really tall, narrow mountains. mountains.



** The Reverie arc introduces a number of nations that have clear analogues to real-world places: Ballywood is based on the United States (including a "King Ham Burger" who resembles UsefulNotes/AbrahamLincoln), the Shishano Kingdom is based on Mexico (also with a "King Tacos" who wears a multicolored serape and a cactus-shaped sombrero), the Roshwan Kingdom is based on Russia (the king wears an ushanka and the princesses look like matryoshka dolls), and the Tajine Kingdom is based on Morocco. There are also unnamed delegates who strongly suggest there are countries in the ''One Piece'' world themed on the United Kingdom[[note]]This may be Rommel, as the few times it's shown, the architecture evokes that of Westminster[[/note]], on Germany, and on the Inuit as well.
** Mariejois, where the Reverie takes place, seems more politically structured like the Vatican, but Pangaea Castle itself is designed after the Château de Chambord in France, so it's likely that the rest of the city is designed after the Loir-et-Cher region in France.

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** The Reverie Levely arc introduces a number of nations that have clear analogues to real-world places: Ballywood is based on the United States (including a "King Ham Burger" who resembles UsefulNotes/AbrahamLincoln), the Shishano Kingdom is based on Mexico (also with a "King Tacos" who wears a multicolored serape and a cactus-shaped sombrero), the Roshwan Kingdom is based on Russia (the king wears an ushanka and the princesses look like matryoshka dolls), and the Tajine Kingdom is based on Morocco. There are also unnamed delegates who strongly suggest there are countries in the ''One Piece'' world themed on the United Kingdom[[note]]This may be Rommel, as the few times it's shown, the architecture evokes that of Westminster[[/note]], on Germany, and on the Inuit as well.
** Mariejois, where the Reverie Levely conference takes place, seems more politically structured like the Vatican, but Pangaea Castle itself is designed after the Château de Chambord in France, so it's likely that the rest of the city is designed after the Loir-et-Cher region in France.

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** The island nation of Wa-no-Kuni is clearly this for feudal Japan, what with its isolationism and its samurai. ("Wa-no-kuni" is in fact an old way to refer to Japan.)
** The Shandians are pretty clear analogues for disenfranchised and displaced Native American populations.

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** The island nation of Wa-no-Kuni Wano is clearly this for feudal Japan, what with its isolationism and its samurai. ("Wa-no-kuni" ("Wa no Kuni" is in fact an old way to refer to Japan.Japan, meaning "Country of Harmony".)
** The Shandians are pretty clear analogues for disenfranchised and displaced Native American populations. Their ancient home Shandora meanwhile is analogous to pre-Columbian Central and South American civilizations, with Mayan-like architecture and often being referred to as the "City of Gold".



** Amazon Lily is a mix of ancient China (evident by the architecture) and [[LadyLand mythological Themiscyra]], with a strong warrior culture where strength equals beauty.



** The Flower Kingdom is unmistakably one for feudal China, boasting pagodas, martial artists, and those really tall, narrow mountains.

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** The Flower Kano Kingdom is unmistakably one for feudal China, boasting pagodas, martial artists, and those really tall, narrow mountains.



** The Reverie arc introduces a number of nations that have clear analogues to real-world places: Ballywood is based on the United States (including a "King Ham Burger" who resembles UsefulNotes/AbrahamLincoln), the Kingdom of the Dead is based on Mexico, Roshwan Kingdom is based on Russia, and Tajine Kingdom is based on Morocco. There are also unnamed delegates who strongly suggest there are countries in the ''One Piece'' world themed on the United Kingdom[[note]]This may be Rommel, as the few times it's shown, the architecture evokes that of Westminster[[/note]], on Germany, and on the Inuit as well.
** Mariejois, where the Reverie takes place, seems more politically structured like The Vatican, but Pangaea Castle itself is designed after the Château de Chambord in France, so it's likely that the rest of the city is designed after the Loir-et-Cher region in France.

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** The Reverie arc introduces a number of nations that have clear analogues to real-world places: Ballywood is based on the United States (including a "King Ham Burger" who resembles UsefulNotes/AbrahamLincoln), the Shishano Kingdom of the Dead is based on Mexico, Mexico (also with a "King Tacos" who wears a multicolored serape and a cactus-shaped sombrero), the Roshwan Kingdom is based on Russia, Russia (the king wears an ushanka and the princesses look like matryoshka dolls), and the Tajine Kingdom is based on Morocco. There are also unnamed delegates who strongly suggest there are countries in the ''One Piece'' world themed on the United Kingdom[[note]]This may be Rommel, as the few times it's shown, the architecture evokes that of Westminster[[/note]], on Germany, and on the Inuit as well.
** Mariejois, where the Reverie takes place, seems more politically structured like The the Vatican, but Pangaea Castle itself is designed after the Château de Chambord in France, so it's likely that the rest of the city is designed after the Loir-et-Cher region in France.
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Added example(s)

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* ''WesternAnimation/TheLionKingOneAndAHalf'': The meerkats are pretty AmbiguouslyJewish.
** The meerkats' colony evokes a kibbutz or a ghetto, everybody seeming to work for the well-being of the community.
** Timon mentions how the meerkats are low in the food chain (confirmed by Uncle Max), which is reminiscent of the Jewish diaspora's past condition in many European and Middle Eastern countries.
** On a darker note, the attacks on meerkats by the hyenas, apparently gratuitous since they are chasing them more for fun than for food, also reminisces greatly the "occasional" pogroms against Jews, who were led as much out of antisemitism as in the goal to rob their possessions.
** The colony seems to be surrounded by constant exterior threats, to the point that sentinels are driven mad by paranoia after too much time at this position. This tells it all from an israeli point of view.
** The meerkats, save Timon's mom, shun Timon for letting the hyenas get the drop on them. Shunning is a known practice (although not a religiously exclusive one) regarding pariahs in the Orthodox Jewish community.[[note]]It's also something actual meerkats do, albeit much more aggressively, and almost exclusively to pregnant females.[[/note]]
** When Timon feels the need to express his feelings on parenthood and Simba growing up, his first instinct is to sing "Sunrise, Sunset," from ''Theatre/FiddlerOnTheRoof,'' a musical about Jewish family and tradition.
** The ending of the movie even involves Timon leading his people to the "Promised Land."
** Timon's mom calls him a ''meshuggeneh'', meaning "lunatic" or "troublemaker" in Yiddish (she also bears a bit of the possessive personality of the JewishMother).
** Additionnally, a detail from the animated series says Timon's last name is Berkowitz-- an Ashkenazi Jewish name.
** With the exception of Timon himself, every member of Timon's family is played by a Jewish comedian.

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Spelling/grammar fix, Added example


* Angor (a.k.a. Earth 8) from Franchise/TheDCU is very similar to the real world but with a few superficial differences. Doubles as an obvious pastiche of Franchise/MarvelUniverse, as its populated with [[CaptainErsatz analogues of the Avengers/Ultimates and villains like Dr. Doom.]]

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* Angor (a.k.a. Earth 8) from Franchise/TheDCU is very similar to the real world but with a few superficial differences. Doubles as an obvious pastiche of Franchise/MarvelUniverse, as its it's populated with [[CaptainErsatz analogues of the Avengers/Ultimates and villains like Dr. Doom.]]]]
* The fictional country of [[SignificantAnagram Pajan]], which serves as the setting for the comic book/graphic novel series ''ComicBook/{{Okko}}'', is very explicitly based on the culture and folklore of feudal Japan, particularly during the [[UsefulNotes/SengokuPeriod warring states period]]. The customs, social structures, architecture and fashion of Japan during this period heavily inform the worldbuilding of the series. Even the fantastical elements are almost wholly derived from historical Japanese [[{{Youkai}} mythology, folk beliefs and spiritualism]]. There are, however, some elements of other Asian cultures thrown in too, particularly the Tibetan aesthetics of the monasteries nestled in the Roof of the World mountains.



* The country of Dystopia in ''ComicBook/RequiemVampireKnight'' is a demonic version of England inhabited by lizard people whose queen resembles UsefulNotes/ElizabethI (it's heavily implied that it might as well be her) and their capital city is named Donlon. Their greatest heroes are also twisted, hellish versions of the [[Myth/ArthurianLegend Knights of the Round Table]] with King Arthur and Lancelot being {{dragon knight}}s and Merlin being an talking egg.

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* The country of Dystopia in ''ComicBook/RequiemVampireKnight'' is a demonic version of England inhabited by lizard people whose queen resembles UsefulNotes/ElizabethI (it's heavily implied that it might as well be her) and their capital city is named Donlon. Their greatest heroes are also twisted, hellish versions of the [[Myth/ArthurianLegend Knights of the Round Table]] with King Arthur and Lancelot being {{dragon knight}}s and Merlin being an a talking egg.
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added example(s)


It's also more easily justified in works containing humans: the RealLife counterparts of the fictional cultures have all actually come into existence and are the results of real groups of people coming together to build something over time. Basing a new society on one that's already had a turn at some point in human history can both help the audience relate and provide a creative framework to twist and turn said society into an interesting variant of its former self. [[Administrivia/TropesAreTools However this approach still has its risks]] -- if the Fantasy Counterpart Culture is based on a [[PlanetOfHats too simplistic view]] of a particular region of the world, it ends up lacking both in depth and originality. It could also lead to a lot of [[UnfortunateImplications Unfortunate Implications]] cropping up as well, especially if the shallowly-written region in question is based off of, or eerily similar to, {{stereotype}}s or outright bigoted notions around said real-life culture.

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It's also more easily justified in works containing humans: the RealLife counterparts of the fictional cultures have all actually come into existence and are the results of real groups of people coming together to build something over time. Basing a new society on one that's already had a turn at some point in human history can both help the audience relate and provide a creative framework to twist and turn said society into an interesting variant of its former self. [[Administrivia/TropesAreTools However this approach still has its risks]] -- if the Fantasy Counterpart Culture is based on a [[PlanetOfHats too simplistic view]] of a particular region of the world, it ends up lacking both in depth and originality. It could also lead to a lot examples of [[UnfortunateImplications Unfortunate Implications]] or EthnicScrappy cropping up as well, especially if the shallowly-written region in question is based off of, or eerily similar to, {{stereotype}}s or outright bigoted notions around said real-life culture.
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* Many of the nations in ''Literature/KyoKaraMaoh'' are vague approximations of RealLife nations, with Makoku being Medieval Europe and Konanshia-Subererea being the Middle East, among others. One of the most obvious is the Shildkraut nation. We are originally led to believe it's a parallel to Japanese hot spring towns, but then it's then used for a VivaLasVegas episode, right down to the lights being recreated with magical stones.

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