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* Tribal choir sounds are used in some progressive trance songs to great effect, namely [[https://m.youtube.com/watch?v=fGFRJWPASTU Prelude]] by Above & Beyond, [[https://m.youtube.com/watch?v=8NQMkGUD86Y Kuaga]] by Pierce Fulton and [[https://m.youtube.com/watch?v=8poCO3gnTrc Napier]] by Rolo Green.
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* The approach to Cloud City in ''Film/StarWars: Film/TheEmpireStrikesBack''.

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* The approach to Cloud City in ''Film/StarWars: ''Franchise/StarWars: Film/TheEmpireStrikesBack''.
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* In ''VideoGame/RedDeadRedemption2'', [[spoiler:a reprise of "Unshaken" plays in the background during Arthur's final moments leading up to his death; depending on what you do with his honor, it can be either [[TriumphantReprise angelic]] or [[DarkReprise sinister]].]]

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* In ''VideoGame/RedDeadRedemption2'', [[spoiler:a reprise of "Unshaken" "Unshaken", called "Crash of Worlds" by Rocco [=deLuca=], plays in the background during Arthur's final moments leading up to his death; depending on what you do with his honor, it can be either [[TriumphantReprise angelic]] or [[DarkReprise sinister]].]]
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* In ''Film/{{Armageddon}}'', this is the asteroid's {{leitmotif}} and can be heard just about any time it's seen from space.
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* The Death Wish theme from ''VideoGame/AHatInTime'' uses an ''ominous'' choir to represent the harder difficulty of the mode's challenges.

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* For your consideration: Music/PyotrIlyichTchaikovsky's [[https://www.youtube.com/watch?v=OPlK5HwFxcw Hymn of the Cherubim]].



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* ''VideoGame/NieR'' opens on the fantastically haunting [[https://www.youtube.com/watch?v=t6kXb0NL1PE Snow in Summer]], the title alone setting up the bleak tone of the game quite well.
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* In ''VideoGame/RedDeadRedemption2'', [[spoiler:a reprise of "Unshaken" plays in the background during Arthur's final moments leading up to his death; depending on what you do with his honor, it can be either [[TriumphantReprise angelic]] or [[DarkReprise sinister]].]]
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* Much of the score to ''Film/JacobsLadder'' incorporates this, in addition to a crossover between [[UsefulNotes/{{Buddhism}} Buddhist chanting]] and [[UsefulNotes/{{Islam}} a muezzin's call to prayer]].
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* "Casiopeia" from ''VideoGame/{{Starbound}}'' is a somber, mysterious track with both male and female voices singing vowel tones.
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* The 2009 ''Film/StarTrek'' film employs one, singing a variation of the main theme amidst the dramatic silence of space when [[spoiler: the ''Narada'' is finally being broken up and consumed by the combination of a black hole and the weapons of the ''Enterprise''.]]

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* The 2009 ''Film/StarTrek'' film employs one, ''Film/StarTrek2009'': Has one singing a variation of the main theme amidst the dramatic silence of space when [[spoiler: the [[spoiler:the ''Narada'' is finally being broken up and consumed by the combination of a black hole and the weapons of the ''Enterprise''.]]
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* ''WebAnimation/BrokenSaints'' features this in a number of pieces. Some of the pieces are original music, some are classical works, some alternate with OminousLatinChanting, and one of them does include a OneWomanWail.
* The ''World of Playboy'' channel on YouTube interviewed nine women who were getting their nipples pierced on Melrose Avenue. An all-female chorus starts in as the subjects lie supine on the table, and underscores both the moment of perforation, and the subsequent cool-down. The chorus tends to sing ''pianissimo'' for those women that take it well, and ''fortissimo'' for those women that yowl.

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* ''WebAnimation/BrokenSaints'' features this in ''WebAnimation/BrokenSaints'': In a number of pieces. Some of the pieces are original music, some are classical works, some alternate with OminousLatinChanting, and one of them does include a OneWomanWail.
* The ''World of Playboy'' channel on YouTube Website/YouTube interviewed nine women who were getting their nipples pierced on Melrose Avenue. An all-female chorus starts in as the subjects lie supine on the table, and underscores both the moment of perforation, and the subsequent cool-down. The chorus tends to sing ''pianissimo'' for those women that take it well, and ''fortissimo'' for those women that yowl.
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** ''Theatre/{{Volta}}'' has this in "Modern Jungle", "The Change", "Suspension", and "Battle of the Men".

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** ''Theatre/{{Volta}}'' has this in "Modern Jungle", "The Change", "Suspension", and "Battle of the Men".Men", which are among [[SugarWiki/AwesomeMusic the show's most awesome music pieces]].

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* "Whisper" from ''Theatre/{{Amaluna}}'', used during the [[SugarWiki/MomentOfAwesome Manipulation scene]], has New Age-style chanting.

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* Creator/CirqueDuSoleil:
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"Whisper" from ''Theatre/{{Amaluna}}'', used during the [[SugarWiki/MomentOfAwesome Manipulation scene]], has New Age-style chanting.chanting.
** ''Theatre/{{Volta}}'' has this in "Modern Jungle", "The Change", "Suspension", and "Battle of the Men".
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* In Ralph Vaughan Williams's version of ''Literature/ThePilgrimsProgress'', the anguished wordless harmonies of a Chorus of Doleful Creatures accompany the scene with Apollyon.

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* In Ralph Vaughan Williams's version of ''Literature/ThePilgrimsProgress'', the anguished wordless harmonies of a Chorus of Doleful Creatures accompany the scene with Apollyon. (Apollyon's voice is amplified through a megaphone to be heard over them.)
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* In Ralph Vaughan Williams's version of ''Literature/ThePilgrimsProgress'', the anguished wordless harmonies of a Chorus of Doomed Creatures accompany the scene with Apollyon.

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* In Ralph Vaughan Williams's version of ''Literature/ThePilgrimsProgress'', the anguished wordless harmonies of a Chorus of Doomed Doleful Creatures accompany the scene with Apollyon.
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* In Ralph Vaughan Williams's version of ''Literature/ThePilgrimsProgress'', the anguished wordless harmonies of a Chorus of Doomed Creatures accompany the scene with Apollyon.
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Added the feminine chorus from a World of Playboy video about nipple piercing. No video link included, of course.

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* The ''World of Playboy'' channel on YouTube interviewed nine women who were getting their nipples pierced on Melrose Avenue. An all-female chorus starts in as the subjects lie supine on the table, and underscores both the moment of perforation, and the subsequent cool-down. The chorus tends to sing ''pianissimo'' for those women that take it well, and ''fortissimo'' for those women that yowl.
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* Featured in the ''Anime/AikatsuStars'' song, [[https://www.youtube.com/watch?v=L4ZdMLQWfKM Dreaming Bird]].
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* Featured in the ''Anime/AikatsuStars'' song, [[https://www.youtube.com/watch?v=L4ZdMLQWfKM Dreaming Bird]].
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* ''VideoGame/MetroidPrimeTrilogy'' does this in their title themes. Also, their end credits themes. The HubLevel and/or first level typically has this as well: Tallon Overworld in ''VideoGame/MetroidPrime'', Temple Grounds in ''VideoGame/MetroidPrime2Echoes'', and Bryyo Cliffside in ''VideoGame/MetroidPrime3Corruption''.

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* ''VideoGame/MetroidPrimeTrilogy'' does this in their title themes. Also, their end credits themes. The HubLevel and/or first level typically has this as well: Tallon Overworld in ''VideoGame/MetroidPrime'', Temple Grounds in ''VideoGame/MetroidPrime2Echoes'', and Bryyo Cliffside in ''VideoGame/MetroidPrime3Corruption''. The first game also has ethereal choral music in [[https://www.youtube.com/watch?v=ZbbUv1hz6mE Phendrana Drifts]], the [[https://www.youtube.com/watch?v=-kaAGIlluMQ Chozo Ice Temple]], the [[https://www.youtube.com/watch?v=2cFIa29FXfM Chozo Artifact Temple]], and the [[https://www.youtube.com/watch?v=czj-x0lBAkA Hall of the Elders]].
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* ''{{Rosenkreuzstilette}}'' uses Ethereal Choirs and OminousLatinChanting in songs like "Heavenly Snow Dance ~Entirely Pure~", the opening scene theme, "Dark Purple Moonlight", Grolla's stage theme, and "Last Battle ~Requiem for Myself~", the final boss theme.

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* ''{{Rosenkreuzstilette}}'' ''{{VideoGame/Rosenkreuzstilette}}'' uses Ethereal Choirs and OminousLatinChanting in songs like "Heavenly Snow Dance ~Entirely Pure~", the opening scene theme, "Dark Purple Moonlight", Grolla's stage theme, and "Last Battle ~Requiem for Myself~", the final boss theme.
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** It also gets a [[AutobotsRockOut face-melting rocked-out version]] in ''VideoGame/{{Persona 3}}'' as [[http://www.youtube.com/watch?v=rdMhTL5bZrs "The Battle For Everyone's Souls"]], with the OneWomanWail intact.

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** It also gets a [[AutobotsRockOut face-melting rocked-out version]] in ''VideoGame/{{Persona 3}}'' ''VideoGame/Persona3'' as [[http://www.youtube.com/watch?v=rdMhTL5bZrs "The Battle For Everyone's Souls"]], with the OneWomanWail intact.



* [[http://www.youtube.com/watch?v=KSorp9x3nUE "The Judge"]], the final boss theme from ''{{Kamui}}'', uses this.

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* [[http://www.youtube.com/watch?v=KSorp9x3nUE "The Judge"]], the final boss theme from ''{{Kamui}}'', ''VideoGame/{{Kamui}}'', uses this.
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* ''VideoGame/MetroidPrime 3: Corruption'' has this in their main theme. Also, it's end credits theme. In the title theme, it's dramatic, and a rendition of the classic metroid theme. In the [=ECT=], it's very soothing and beatific.

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* ''VideoGame/MetroidPrime 3: Corruption'' has ''VideoGame/MetroidPrimeTrilogy'' does this in their main theme. title themes. Also, it's their end credits theme. In the title theme, it's dramatic, themes. The HubLevel and/or first level typically has this as well: Tallon Overworld in ''VideoGame/MetroidPrime'', Temple Grounds in ''VideoGame/MetroidPrime2Echoes'', and a rendition of the classic metroid theme. In the [=ECT=], it's very soothing and beatific.Bryyo Cliffside in ''VideoGame/MetroidPrime3Corruption''.
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* Happens in almost every episode of ''[[WesternAnimation/PhineasAndFerb]]'' whenever Phineas says "I know what we're gonna do today".

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* Happens in almost every episode of ''[[WesternAnimation/PhineasAndFerb]]'' ''WesternAnimation/PhineasAndFerb'' whenever Phineas says "I know what we're gonna do today".
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* Happens in almost every episode of ''[[WesternAnimation/PhineasAndFerb]]'' whenever Phineas says "I know what we're gonna do today".

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* Used at various points throughout the Music/MurrayGold scores for ''Series/DoctorWho''. Generally acting as a musical personification of Time, although this sometimes ends up as a OneWomanWail. For the Daleks it becomes OminousLatinChanting. Notable at the end of "Gridlock", when the population of New Earth sings an ACappella version of Abide with Me.
** That's not Ominous Latin Chanting, it's Ominous Hebrew Chanting, which translates to "what is happening?"

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* Used at various points throughout the Music/MurrayGold scores for ''Series/DoctorWho''. Generally acting as a musical personification of Time, although this sometimes ends up as a OneWomanWail. For the Daleks it becomes OminousLatinChanting. [[OminousLatinChanting Ominous Hebrew Chanting]]. Notable at the end of "Gridlock", when the population of New Earth sings an ACappella version of Abide with Me.
** That's not Ominous Latin Chanting, it's Ominous Hebrew Chanting, which translates to "what is happening?"
Me.

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* In ''VideoGame/MarioKart64'', this appears in the themes to both Toad's Turnpike, and Bowser's Castle.



* In the [[WesternAnimation/CLassicDisneyShorts classic Disney short]], ''[[Disney/TheOldMill]]'', the howling wind that can be heard just before the big storm begins (and at one point, during the storm) is portrayed as being this.

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* In the [[WesternAnimation/CLassicDisneyShorts classic Disney short]], ''[[Disney/TheOldMill]]'', ''Disney/TheOldMill'', the howling wind that can be heard just before the big storm begins (and at one point, during the storm) is portrayed as being this.
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* In the classic Disney short, ''The Old Mill'', the howling wind that can be heard just before the big storm begins (and at one point, during the storm) is portrayed as being this.

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* In the [[WesternAnimation/CLassicDisneyShorts classic Disney short, ''The Old Mill'', short]], ''[[Disney/TheOldMill]]'', the howling wind that can be heard just before the big storm begins (and at one point, during the storm) is portrayed as being this.
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* In the classic Disney short, ''The Old Mill'', the howling wind that can be heard just before the big storm begins (and at one point, during the storm) is portrayed as being this.

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