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A smart writer hooks in an actor by providing a dramatic entrance. If the writer does not care about hooking an actor, the stuff is not going to play well.

A strong entrance has several components. The character has to be in frame alone. The introduction of the character has to imply a major change to the situation as it is presently understood by the audience. It has to have a zinger line.

See also: BigEntrance, IncomingHam.

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A smart writer hooks in an actor by providing How a dramatic character enters their work.

Strong entrances are recommended for a character to be immediately noticed as a person the audience wants to follow.
entrance. If It's recommended for the writer does not care about hooking an actor, the stuff is not going to play well.

A strong entrance has several components. The
character has to be in frame alone. The introduction of alone, and their intro should shake up the character has plot or what we know of it so far. A quick OneLiner is optional, but often appreciated.

Ways
to imply a major change to do this are found at the situation as it is presently understood by the audience. It has to have a zinger line.

See also: BigEntrance, IncomingHam.
CharacterIntroductionIndex. IndexMakingAnEntrance isn't strictly related.
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See also: IncomingHam.

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See also: BigEntrance, IncomingHam.
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<<|ScriptSpeak|>>!Please do not add examples to work pages, this merely [[Administrivia/DefinitionOnlyPages defines the term]]. %%https://tvtropes.org/pmwiki/posts.php?discussion=1596363404091310800

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