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A Western variation of this would be associating UsefulNotes/{{Greece}} with its [[UsefulNotes/AncientGreece ancient roots]] as if they still worship the pagan Olympian pantheon, in spite of the nation being {{UsefulNotes/Orthodox Christian|ity}} today and having been an part of an [[UsefulNotes/OttomanEmpire Islamic empire]] for centuries.

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A Western variation of this would be associating UsefulNotes/{{Greece}} with its [[UsefulNotes/AncientGreece ancient roots]] as if they still worship the pagan Olympian pantheon, in spite of the nation being {{UsefulNotes/Orthodox Christian|ity}} today and having been an a part of an [[UsefulNotes/OttomanEmpire Islamic empire]] for centuries.
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* In episode "Sphinx for the Memories" of ''WesternAnimation/DuckTales1987'' the Duck family arrives to Egypt and although the urban centers more or less look Middle Eastern, Donald is kidnaped and taken to a community in the desert that is basically Ancient Egypt in everything up to having Pharaohs and mummies.

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* In episode "Sphinx for the Memories" of ''WesternAnimation/DuckTales1987'' the Duck family arrives to Egypt and although the urban centers more or less look Middle Eastern, Donald is kidnaped and taken to a community in the desert that is basically Ancient Egypt in everything up to having Pharaohs and mummies.mummies (though they are noted as being isolationist until the end of the episode).
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* ''Videogame/{{Overwatch}}'': The Amari family are a mother-daughter pair from Egypt, with their home stage called "the Temple of Anubis", showcasing an Egyptian temple TwentyMinutesIntoTheFuture (albeit, it's demonstrated to only be one location in Egypt--but still the main one for the game). The first character introduced, Pharah, has absolutely no contemporary Egyptian references about her whatsoever. Even her voice actress is an American doing a very non-Arabic accent, and her alternate costumes are very heavily based on either Myth/EgyptianMythology or Native American culture (the latter being the other side of her parentage). The second character, Ana, is voiced by a real-life Egyptian woman that speaks Arabic.

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* ''Videogame/{{Overwatch}}'': The Amari family are a mother-daughter pair from Egypt, with their home stage called "the Temple of Anubis", showcasing an Egyptian temple TwentyMinutesIntoTheFuture (albeit, it's demonstrated to only be one location in Egypt--but still the main one for the game). The first character introduced, Pharah, has absolutely no contemporary Egyptian references about her whatsoever. Even her voice actress is an American doing a very non-Arabic accent, and her alternate costumes are very heavily based on either Myth/EgyptianMythology or Native American northwestern First Nations culture (the latter being the other side of her parentage). The second character, Ana, is voiced by a real-life Egyptian woman that speaks Arabic. Arabic and most of her outfits include a hijab, implying she is Muslim.
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* The Valley of the Sun God arc in ''VideoGame/TheSecretWorld'' sees ancient Egypt [[UrbanFantasy interacting with modern Egypt]]. The BigBad is the NephariousPharaoh Akhenaten who has [[SealedEvilInACan been freed from his prison]] and sets out to take over Egypt and restore worship of the sun god Aten, this being a universe in which [[LightIsNotGood sun worship]] leads to [[EldritchAbomination very, very bad things]]. The first part of the Egypt area, the Scorched Desert, is based on modern Egypt with a hotel, a date farm, a contemporary desert village, ancient ruins that now host tourist traps and archaeological digs, and LaResistance being a group of modern-looking Middle Eastern militants, combined with hordes of mummies, scorpions, and other creatures of Egyptian legend running around as mooks. The second area, the City of the Sun God, jumps fully into this trope, having been isolated from the outside world behind an unnatural sandstorm for millennia with only a few traces of modernity in sight.
* ''VideoGame/AssassinsCreedOrigins'' averts this trope in a unique way. Set in Egypt during the time of UsefulNotes/CleopatraVII and UsefulNotes/JuliusCaesar, a point that's emphasized early on is that what we think of as "ancient Egypt" was ancient ''even to the Romans''. When the game takes place, large parts of Egypt are culturally Greek more than anything, the region having been conquered centuries ago by UsefulNotes/AlexanderTheGreat, with traditional "Egyptian culture" only hanging on in remote rural backwaters.
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* Eygpt is not portrayed this way in ''Film/OSS117CairoNestOfSpies'', but the main character, as is befitting his GlobalIgnorance and his InnocentlyInsensitive nature, seems to think it is, and has to be dissuaded by Larmina. Among other things, he thinks Egypt is still the land of Pharaohs, and that the Suez Canal was built by Egypt in ancient times (which is wrong on ''both'' counts).
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* ''VideoGame/RomeTotalWar'': This trope is played with, in a ''much'' earlier fashion than normal. A common point of criticism is that, despite being set in the time of the ride of the Roman Empire, the Egyptian models are still shown to be based on New Kingdom Egypt, looking like they did over a thousand years before the time of the game. When ''VideoGame/TotalWarRomeII'' came out, it fixed this, as Egyptians now look markedly more Hellenistic.

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* ''VideoGame/RomeTotalWar'': This trope is played with, in a ''much'' earlier fashion than normal. A common point of criticism is that, despite being set in the time of the ride rise of the Roman Empire, the Egyptian models are still shown to be based on New Kingdom Egypt, looking like they did over a thousand years before the time of the game. When ''VideoGame/TotalWarRomeII'' came out, it fixed this, as Egyptians now look markedly more Hellenistic.
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* Invoked in ''Literature/VivereMilitareEst'', an AlternateHistory story in which the revelation of the supernatural [[WeirdHistoricalWar during the closing days]] of UsefulNotes/WorldWarII leads to a UsefulNotes/ColdWar in which the world's major powers weaponize the supernatural. The political chaos of Egypt in TheSixties leads to the rise of a paranormal figure calling himself Akhenaten and claiming to be Aten made flesh (though WordOfGod is that he's something else entirely), telling his followers that the sorry state of modern Egypt is because the forces of ''isfet'' (chaos) have overtaken the forces of ''ma'at'' (order) and that it must return to the old ways. Upon taking over Egypt, he restores its ancient name Kemet, suppresses Islam in order to proclaim himself a new [[GodEmperor god-pharaoh]], and launches wars of conquest against Kemet's neighbors; while Israel [[BadassIsraeli (of course)]] successfully fights back by [[UsefulNotes/TheSamsonOption nuking Akhenaten's army of revenants]], and it's implied that Prester John's intervention managed to save Sudan from Akhenaten's clutches, Libya, Chad, and Niger all fall. Kemet, as the world's most powerful occult state, becomes an inspiration to other occult groups, with Nizam-i Zahhak in Iran imitating Akhenaten's anti-Islamic rhetoric in its calls for the restoration of Zoroastrianism (albeit worshiping the demonic figure Zahhak instead of the benevolent god Ahura Mazda).

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* Invoked in ''Literature/VivereMilitareEst'', an AlternateHistory story in which the revelation of the supernatural [[WeirdHistoricalWar during the closing days]] of UsefulNotes/WorldWarII leads to a UsefulNotes/ColdWar in which the world's major powers weaponize the supernatural. The political chaos of Egypt in TheSixties leads to the rise of a paranormal figure calling himself Akhenaten and claiming to be Aten made flesh (though WordOfGod is that he's something else entirely), telling his followers that the sorry state of modern Egypt is because the forces of ''isfet'' (chaos) have overtaken the forces of ''ma'at'' (order) and that it must return to the old ways. Upon taking over Egypt, he restores its ancient name Kemet, suppresses Islam in order to proclaim himself a new [[GodEmperor god-pharaoh]], and launches wars of conquest against Kemet's neighbors; while Israel [[BadassIsraeli (of course)]] successfully fights back by [[UsefulNotes/TheSamsonOption nuking Akhenaten's army of revenants]], and it's implied that Prester John's intervention managed to save Sudan from Akhenaten's clutches, Libya, Chad, and Niger all fall. Kemet, as the world's most powerful occult state, becomes an inspiration to other occult groups, with Nizam-i Zahhak in Iran imitating Akhenaten's anti-Islamic rhetoric in its calls for the restoration of Zoroastrianism (albeit worshiping the demonic figure Zahhak instead of the benevolent god Ahura Mazda).Mazda) and WordOfGod mentioning a neo-Incan insurgency in Peru trying to do the same.
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The aesthetic isn't really as dominant as it appears beyond the playable characters.


* Shurima in ''VideoGame/LeagueOfLegends'' has an overriding ancient-Egyptian aesthetic that, while not ''as'' inappropriate for a fantasy setting as it is in a modern one, feels a little out of place in a world where knights and Vikings are regular features, one of the other notable locations is a Golden Age of Piracy port on crack, and another runs on {{Magitech}}. That being said, part of it might be that Azir, the last ruler of the ''first'' Shuriman empire, has come back, risen to some measure of power, and seems to be deliberately shaping the country to fit his vision of how it used to be; it's most obvious in ''VideoGame/LegendsOfRuneterra'', where the cards that draw from primarily ancient Egyptian aesthetics are all associated with Azir in some way, while other characters (such as Taliyah) draw from other traditions.

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* Shurima in ''VideoGame/LeagueOfLegends'' has [[ZigZaggingTrope goes all over the place with this]], but prominently features an overriding ancient-Egyptian aesthetic that, while not ''as'' inappropriate based on ''its'' ancient glory days [[VestigialEmpire before its empire's collapse]]. ''Contemporary'' Shurima exists as low-tech, but mostly secular nomadic civilization eking out life in the ThirstyDesert that was once the empire, with more developed cities and towns only having faint aesthetic nostalgia for a fantasy setting its past (in part because some of them have been since colonized by other neighboring nations, such as it is in a modern one, feels a little out of place in a world where knights and Vikings are regular features, one [[TheEmpire Noxus]]). Meanwhile, with the return of the other notable locations is a Golden Age of Piracy port on crack, and another runs on {{Magitech}}. That being said, part of it might be that Azir, newly-resurrected Azir -- the last ruler of the ''first'' Shuriman empire, has come back, risen to some measure of power, and empire -- [[InvokedTrope he seems to be deliberately shaping trying to shape the country to fit his vision of how it used to be; be]]; it's most obvious in ''VideoGame/LegendsOfRuneterra'', ''VideoGame/LegendsOfRuneterra'' where the cards that draw from primarily ancient Egyptian aesthetics are all associated with Azir in some way, while other characters (such as Taliyah) draw from other traditions.
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* Shurima in ''VideoGame/LeagueOfLegends'' has an overriding ancient-Egyptian aesthetic that, while not ''as'' inappropriate for a fantasy setting as it is in a modern one, feels a little out of place in a world where knights and Vikings are regular features, one of the other notable locations is a Golden Age of Piracy port on crack, and another runs on {{Magitech}}. That being said, part of it might be that Azir, the last ruler of the ''first'' Shuriman empire, has come back, risen to some measure of power, and seems to be deliberately shaping the country to fit his vision of how it used to be; it's most obvious in ''TabletopGame/LegendsOfRuneterra'', where the cards that draw from primarily ancient Egyptian aesthetics are all associated with Azir in some way, while other characters (such as Taliyah) draw from other traditions.

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* Shurima in ''VideoGame/LeagueOfLegends'' has an overriding ancient-Egyptian aesthetic that, while not ''as'' inappropriate for a fantasy setting as it is in a modern one, feels a little out of place in a world where knights and Vikings are regular features, one of the other notable locations is a Golden Age of Piracy port on crack, and another runs on {{Magitech}}. That being said, part of it might be that Azir, the last ruler of the ''first'' Shuriman empire, has come back, risen to some measure of power, and seems to be deliberately shaping the country to fit his vision of how it used to be; it's most obvious in ''TabletopGame/LegendsOfRuneterra'', ''VideoGame/LegendsOfRuneterra'', where the cards that draw from primarily ancient Egyptian aesthetics are all associated with Azir in some way, while other characters (such as Taliyah) draw from other traditions.
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None

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* Shurima in ''VideoGame/LeagueOfLegends'' has an overriding ancient-Egyptian aesthetic that, while not ''as'' inappropriate for a fantasy setting as it is in a modern one, feels a little out of place in a world where knights and Vikings are regular features, one of the other notable locations is a Golden Age of Piracy port on crack, and another runs on {{Magitech}}. That being said, part of it might be that Azir, the last ruler of the ''first'' Shuriman empire, has come back, risen to some measure of power, and seems to be deliberately shaping the country to fit his vision of how it used to be; it's most obvious in ''TabletopGame/LegendsOfRuneterra'', where the cards that draw from primarily ancient Egyptian aesthetics are all associated with Azir in some way, while other characters (such as Taliyah) draw from other traditions.
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* Luxor City in ''ComicBook/JudgeDredd: The Book of the Dead'' is a MegaCity shaped like a pyramid. The Judges have a helmet based on the kepresh (the Pharoah's war crown) and a badge showing Anubis. They also seem to be named after Pharoahs, worship the old gods, and still go in for mummification. (Admittedly, ''everywhere'' in Dredd's world is a ThemeParkVersion of what it was like before the Atomic Wars, but they usually base it around the 19th or 20th century.)

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* Luxor City in ''ComicBook/JudgeDredd: The Book of the Dead'' is a MegaCity shaped like a pyramid. The Judges have a helmet based on the kepresh (the Pharoah's Pharaoh's war crown) and a badge showing Anubis. They also seem to be named after Pharoahs, Pharaohs, worship the old gods, and still go in for mummification. (Admittedly, ''everywhere'' in Dredd's world is a ThemeParkVersion of what it was like before the Atomic Wars, but they usually base it around the 19th or 20th century.)
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[[folder:Music]]
* The Australian IndustrialMetal band Sirus zig-zags this trope in its two albums, ''Apocrypha'' and ''The Book of Gates''. Both albums feature songs that combine {{Cyberpunk}} themes with Ancient Egyptian symbols and mythology. But many songs also reference modern-day Egyptian locales such as Cairo's Tahrir Square. They also reference recent events such as the Arab Spring protests and the war in Syria.
** Similarly, the album cover of ''Apocrypha'' prominently displays the pyramids but fronts them with the urban sprawl of modern-day Cairo.
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Current phrasing is a bit Islamocentric regarding Egypt's various historical influences, which disregards the fact that Egypt is a multidenominational country, was majority Christian for long periods of time, and likewise "Muslim culture" is not a thing per se - cultural Arabism would be a more accurate for this.


All of these answers refer to the [[UsefulNotes/AncientEgyptianHistory the ancient civilization of Kemet]], and overlook its more modern cultures; for example, UsefulNotes/{{Egypt}} has been Islamicized for over 1200 years and before that Egypt was a Christian nation with a Hellenistic (Greek) culture. For reference, England adopted Christianity at roughly the same time as the Arab conquests of Egypt, and that's ''twice'' the amount of time that Christianity has existed in the Americas. At present, over ''ninety percent'' of the Egyptian populace is Muslim.[[note]]And the remaining 10% are typically some denomination of Christian.[[/note]] Egypt has undergone numerous radical changes since its Ancient period and was ruled by many foreign powers, yet, in fiction, it seems as if Islam, or any of the other influences from the last two millennia, never touched the country at all.

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All of these answers refer to the [[UsefulNotes/AncientEgyptianHistory the ancient civilization of Kemet]], and overlook its more modern cultures; for example, UsefulNotes/{{Egypt}} has been Islamicized for over 1200 years and before that Egypt was a Christian nation with a Hellenistic (Greek) culture. For reference, England adopted Christianity at roughly the same time as the Arab conquests of Egypt, and that's ''twice'' the amount of time that Christianity has existed in the Americas. At present, over ''ninety percent'' of the Egyptian populace is some form of Muslim.[[note]]And the remaining 10% are typically some denomination of Christian.[[/note]] Egypt has undergone numerous radical changes since its Ancient period and was ruled by many foreign powers, yet, in fiction, it seems as if Islam, or any none of the other these influences from the last two millennia, never millennia ever touched the country at all.



Most commonly, Egypt exists in a form of pop cultural stasis where the [[AwesomeAnachronisticApparel wardrobe]], themes, or even religion of AncientEgypt are all anyone knows about it. In a FiveTokenBand, or a [[AllStereotypeCast cast full]] of NationalStereotypes, the character with the gimmick of "Egyptian" has those attributes as their most prominent character trait. In other cases, the character is "modern", but still has no influences from Muslim culture (or that of any prominent ethnic group, such as the Copts). Any references to these modern cultures are either severely downplayed or totally non-existent. Characters will usually not even speak Egyptian Arabic (nor Coptic which is actually the modern day descendant of the Egyptian language) but pepper their speech with Ancient Egyptian phrases.

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Most commonly, Egypt exists in a form of pop cultural stasis where the [[AwesomeAnachronisticApparel wardrobe]], themes, or even religion of AncientEgypt are all anyone knows about it. In a FiveTokenBand, or a [[AllStereotypeCast cast full]] of NationalStereotypes, the character with the gimmick of "Egyptian" has those attributes as their most prominent character trait. In other cases, the character is "modern", but still has no influences from Muslim Arab culture (or that of any prominent ethnic group, such as the Copts). Any references to these modern cultures are either severely downplayed or totally non-existent. Characters will usually not even speak Egyptian Arabic (nor Coptic which is actually the modern day descendant of the Egyptian language) but pepper their speech with Ancient Egyptian phrases.



This trope is '''NOT''' when one character in a plentiful cast of Egyptians happens to utilize an Ancient Egypt gimmick. It's also '''NOT''' for when the story [[PeriodPiece actually takes place in Ancient Egypt]]. It's for when Islam--or any other important part of modern Egypt's identity--is absent from portrayals of the modern population in whole or part, or when the sole "Token Egyptian" character has very few of those influences. If the character is a FishOutOfTemporalWater, lack of Muslim influences is a given, so the character must be one of the few (if not the only) "Token Egyptians".

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This trope is '''NOT''' when one character in a plentiful cast of Egyptians happens to utilize an Ancient Egypt gimmick. It's also '''NOT''' for when the story [[PeriodPiece actually takes place in Ancient Egypt]]. It's for when Islam--or Arabization, Islam, Christianity, the Ottoman and British conquests--or any other one of the many important part parts of modern Egypt's cultural identity--is absent from portrayals of the modern population in whole or part, or when the sole "Token Egyptian" character has very few of those influences. If the character is a FishOutOfTemporalWater, lack of Muslim such influences is a given, so the character must be one of the few (if not the only) "Token Egyptians".



* Discussed in ''Series/AmericanGods2017'': When Egyptian-American Immigrant and devoted muslim Mrs. Fadhil dies she expresses some concern when Anubis comes to guide her to the afterlife, rather than some muslim entity. He explains that when she was a child "she listened to their stories and kept them alive in her heart". Anubis, a starving {{Psychopomp}} due to GodsNeedPrayerBadly couldn't exactly wait for a devoted believer in Ra or Isis to die.

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* Discussed in ''Series/AmericanGods2017'': When Egyptian-American Immigrant and devoted muslim Muslim Mrs. Fadhil dies she expresses some concern when Anubis comes to guide her to the afterlife, rather than some muslim Muslim entity. He explains that when she was a child "she listened to their stories and kept them alive in her heart". Anubis, a starving {{Psychopomp}} due to GodsNeedPrayerBadly couldn't exactly wait for a devoted believer in Ra or Isis to die.



* ''Videogame/{{Overwatch}}'': The Amari family are a mother-daughter pair from Egypt, with their home stage called "the Temple of Anubis", showcasing an Egyptian temple TwentyMinutesIntoTheFuture (albeit, it's demonstrated to only be one location in Egypt--but still the main one for the game). The first character introduced, Pharah, has absolutely no Islamic references about her whatsoever. Even her voice actress is an American doing a very non-Arabic accent, and her alternate costumes are very heavily based on either Myth/EgyptianMythology or Native American culture (the latter being the other side of her parentage). The second character, Ana, is voiced by a real-life Egyptian woman that speaks Arabic, but beyond that also lacks any Islamic influences.

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* ''Videogame/{{Overwatch}}'': The Amari family are a mother-daughter pair from Egypt, with their home stage called "the Temple of Anubis", showcasing an Egyptian temple TwentyMinutesIntoTheFuture (albeit, it's demonstrated to only be one location in Egypt--but still the main one for the game). The first character introduced, Pharah, has absolutely no Islamic contemporary Egyptian references about her whatsoever. Even her voice actress is an American doing a very non-Arabic accent, and her alternate costumes are very heavily based on either Myth/EgyptianMythology or Native American culture (the latter being the other side of her parentage). The second character, Ana, is voiced by a real-life Egyptian woman that speaks Arabic, but beyond that also lacks any Islamic influences.Arabic.
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* Pretty much the issue with the ''Film/TheMummy1932'', most of what is shown about Egypt has more in common with the European idea of Ancient or at least Ptolomaic Egypt than modern day Egypt. In fact Imhotep's LoveInterest and modern reincarnation of his lover is recognized as having "Egyptian blood" because of her look (her mother was Egyptian), the issue is that she looks much more like Cleopatra than an Arab woman.


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* In episode "Sphinx for the Memories" of ''WesternAnimation/DuckTales1987'' the Duck family arrives to Egypt and although the urban centers more or less look Middle Eastern, Donald is kidnaped and taken to a community in the desert that is basically Ancient Egypt in everything up to having Pharaohs and mummies.
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** Comicbook/DoctorFate is an Ancient Egyptian sorceror named Nabu that inhabits the helmet of modern American protagonist Kent Nelson. Neither Nelson nor Nabu have anything to do with modern Egypt. (More recently they've introduced the LegacyCharacter Khalid Nassour, an Egyptian-American Muslim who inherited the helmet.)

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** Comicbook/DoctorFate is an Ancient Egyptian sorceror named Nabu that inhabits the helmet of modern American protagonist Kent Nelson. Neither Nelson nor Nabu have anything to do with modern Egypt. (More recently they've (They later introduced the LegacyCharacter Khalid Nassour, an Egyptian-American Muslim who inherited the helmet.)
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** Comicbook/DoctorFate is an Ancient Egyptian sorceror named Nabu that inhabits the helmet of modern American protagonist Kent Nelson. Neither Nelson nor Nabu have anything to do with modern Egypt.

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** Comicbook/DoctorFate is an Ancient Egyptian sorceror named Nabu that inhabits the helmet of modern American protagonist Kent Nelson. Neither Nelson nor Nabu have anything to do with modern Egypt. (More recently they've introduced the LegacyCharacter Khalid Nassour, an Egyptian-American Muslim who inherited the helmet.)
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[[folder:Podcast]]
* The ''Podcast/TwilightHistories'' episode “City of Pyramids” takes place in a world where Egypt was the only civilization to survive the Bronze Age Collapse. 12,000 years later, not much has changed. Well, apart from the new ice age and all that.
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All of these answers refer to the [[UsefulNotes/AncientEgyptianHistory the ancient civilization of Kemet]], and overlook its more modern cultures; for example, UsefulNotes/{{Egypt}} has been Islamicized for over 1200 years and before that Egypt was a Christian nation with a Hellenistic (Greek) culture. For reference, England adopted Christianity at roughly the same time as the Arab conquests of Egypt, and that's ''twice'' the amount of time that Christianity has existed in the Americas. At present, over ''ninety percent'' of the Egyptian populace is Muslim.[[note]]And the remaining 10% are typically some denomination of Christian.[[/note]] Egypt has undergone numerous radical changes since its Ancient period and ruled by many foreign powers, yet, in fiction, it seems as if Islam, or any of the other influences from the last two millennia, never touched the country at all.

to:

All of these answers refer to the [[UsefulNotes/AncientEgyptianHistory the ancient civilization of Kemet]], and overlook its more modern cultures; for example, UsefulNotes/{{Egypt}} has been Islamicized for over 1200 years and before that Egypt was a Christian nation with a Hellenistic (Greek) culture. For reference, England adopted Christianity at roughly the same time as the Arab conquests of Egypt, and that's ''twice'' the amount of time that Christianity has existed in the Americas. At present, over ''ninety percent'' of the Egyptian populace is Muslim.[[note]]And the remaining 10% are typically some denomination of Christian.[[/note]] Egypt has undergone numerous radical changes since its Ancient period and was ruled by many foreign powers, yet, in fiction, it seems as if Islam, or any of the other influences from the last two millennia, never touched the country at all.
Is there an issue? Send a MessageReason:
None


** ''Literature/MagnusChaseAndTheGodsOfAsgard'' downplays this. It does not detail the Christianization of Scandinavia and its aftermath, focusing everything on the Norse mythology and the Vikings. However, it does mention about the Kievan Rus', a Slavic polity founded by a Nordic ruling class in the 9th century CE. One major character, Samirah al Abbas, is a descendant of Ahmad ibn Fadlan, an Arab who traveled to and wrote extensively about the Kievan Rus'.

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** ''Literature/MagnusChaseAndTheGodsOfAsgard'' downplays this. It does not detail the Christianization of Scandinavia and its aftermath, focusing everything on the Norse mythology and the Vikings. However, it does mention about the Kievan Rus', a Slavic polity founded by a Nordic ruling class in the 9th century CE. One major character, Samirah al Abbas, is a descendant of Ahmad ibn Fadlan, an Arab who traveled to and wrote extensively about the Kievan Rus'. Though bizarrely enough, Jesus is implied to exist in the ''The Sword of Summer'', where it is revealed that he ditched out of a duel that Thor challenged him to.
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* Invoked in ''Literature/VivereMilitareEst'', an AlternateHistory story in which the revelation of the supernatural [[WeirdHistoricalWar during the closing days]] of UsefulNotes/WorldWarII leads to a UsefulNotes/ColdWar in which the world's major powers weaponize the supernatural. The political chaos of Egypt in TheSixties leads to the rise of a paranormal figure calling himself Akhenaten and claiming to be Aten in the flesh (though WordOfGod is that he's something else entirely), telling his followers that the sorry state of modern Egypt is because the forces of ''isfet'' (chaos) have overtaken the forces of ''ma'at'' (order) and that it must return to the old ways. Upon taking over Egypt, he restores its ancient name Kemet, suppresses Islam in order to proclaim himself a new [[GodEmperor god-pharaoh]], and launches wars of conquest against Kemet's neighbors; while Israel [[BadassIsraeli (of course)]] successfully fights back by [[UsefulNotes/TheSamsonOption nuking Akhenaten's army of revenants]], Libya and Chad both fall. Kemet, as the world's most powerful occult state, becomes an inspiration to other occult groups, with Nizam-i Zahhak in Iran imitating Akhenaten's anti-Islamic rhetoric in its calls for the restoration of Zoroastrianism (albeit worshiping the demonic figure Zahhak instead of the benevolent god Ahura Mazda).

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* Invoked in ''Literature/VivereMilitareEst'', an AlternateHistory story in which the revelation of the supernatural [[WeirdHistoricalWar during the closing days]] of UsefulNotes/WorldWarII leads to a UsefulNotes/ColdWar in which the world's major powers weaponize the supernatural. The political chaos of Egypt in TheSixties leads to the rise of a paranormal figure calling himself Akhenaten and claiming to be Aten in the made flesh (though WordOfGod is that he's something else entirely), telling his followers that the sorry state of modern Egypt is because the forces of ''isfet'' (chaos) have overtaken the forces of ''ma'at'' (order) and that it must return to the old ways. Upon taking over Egypt, he restores its ancient name Kemet, suppresses Islam in order to proclaim himself a new [[GodEmperor god-pharaoh]], and launches wars of conquest against Kemet's neighbors; while Israel [[BadassIsraeli (of course)]] successfully fights back by [[UsefulNotes/TheSamsonOption nuking Akhenaten's army of revenants]], Libya and Chad both it's implied that Prester John's intervention managed to save Sudan from Akhenaten's clutches, Libya, Chad, and Niger all fall. Kemet, as the world's most powerful occult state, becomes an inspiration to other occult groups, with Nizam-i Zahhak in Iran imitating Akhenaten's anti-Islamic rhetoric in its calls for the restoration of Zoroastrianism (albeit worshiping the demonic figure Zahhak instead of the benevolent god Ahura Mazda).
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[[folder:Web Original]]
* Invoked in ''Literature/VivereMilitareEst'', an AlternateHistory story in which the revelation of the supernatural [[WeirdHistoricalWar during the closing days]] of UsefulNotes/WorldWarII leads to a UsefulNotes/ColdWar in which the world's major powers weaponize the supernatural. The political chaos of Egypt in TheSixties leads to the rise of a paranormal figure calling himself Akhenaten and claiming to be Aten in the flesh (though WordOfGod is that he's something else entirely), telling his followers that the sorry state of modern Egypt is because the forces of ''isfet'' (chaos) have overtaken the forces of ''ma'at'' (order) and that it must return to the old ways. Upon taking over Egypt, he restores its ancient name Kemet, suppresses Islam in order to proclaim himself a new [[GodEmperor god-pharaoh]], and launches wars of conquest against Kemet's neighbors; while Israel [[BadassIsraeli (of course)]] successfully fights back by [[UsefulNotes/TheSamsonOption nuking Akhenaten's army of revenants]], Libya and Chad both fall. Kemet, as the world's most powerful occult state, becomes an inspiration to other occult groups, with Nizam-i Zahhak in Iran imitating Akhenaten's anti-Islamic rhetoric in its calls for the restoration of Zoroastrianism (albeit worshiping the demonic figure Zahhak instead of the benevolent god Ahura Mazda).
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* ''Literature/{{Discworld}}'': A FantasyCounterpartCulture example is present in the novel ''Discworld/{{Pyramids}}''. Djelibeybi at first seems to have experienced negligible change over the past millennium, [[spoiler: thanks to an immortal high priest]]. But it is later shown that they've had linguistic shifts when a bunch of mummies wake up and the various gods worshipped over the centuries start wrestling over the sun.

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* ''Literature/{{Discworld}}'': A FantasyCounterpartCulture example is present in the novel ''Discworld/{{Pyramids}}''.''Literature/{{Pyramids}}''. Djelibeybi at first seems to have experienced negligible change over the past millennium, [[spoiler: thanks to an immortal high priest]]. But it is later shown that they've had linguistic shifts when a bunch of mummies wake up and the various gods worshipped over the centuries start wrestling over the sun.
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* Inverted by ''Series/TheJewsAreComing'': Almost all Ancient Egyptian characters speak in ArabBeobleTalk, and the one exception — an Austrian-accented dream interpreter who claims Pharaoh's "seven thin cows eating seven fat ones" dream stands for [[AllPsychologyIsFreudian a desire to kill his father and sleep with his mother]] — is stated to come from [[https://en.wikipedia.org/wiki/Sharm_El_Sheikh Sharm El Sheikh]].

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* Inverted by ''Series/TheJewsAreComing'': Almost all Ancient Egyptian characters speak in ArabBeobleTalk, and the one exception — an Austrian-accented dream interpreter who claims Pharaoh's "seven thin cows eating seven fat ones" dream stands for [[AllPsychologyIsFreudian a desire to kill his father and sleep with his mother]] — is stated to come from [[https://en.wikipedia.org/wiki/Sharm_El_Sheikh Sharm El Sheikh]].Sheikh]], a modern Egyptian city in Sinai which ''did not'' exist in ancient times.
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* ''Videogame/EmpireEarthII'': Territory and city names for the Egypt civilization come from all over Egyptian history (including AncientEgypt, AlexanderTheGreat's conquest, and post-Islam) no matter the time period, so it's possible to have Al Qahirah (Cairo) and Al-Iskandariyah (Alexandria) in 2000 BC or Bubastis and Abu Simbel in 2000 AD. There is no mention of Islam either way, and their buildings share models with the other Middle Eastern civilizations (Turkey and Babylon), so no BuildLikeAnEgyptian except in the campaign.

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* ''Videogame/EmpireEarthII'': Territory and city names for the Egypt civilization come from all over Egyptian history (including AncientEgypt, AlexanderTheGreat's UsefulNotes/AlexanderTheGreat's conquest, and post-Islam) no matter the time period, so it's possible to have Al Qahirah (Cairo) and Al-Iskandariyah (Alexandria) in 2000 BC or Bubastis and Abu Simbel in 2000 AD. There is no mention of Islam either way, and their buildings share models with the other Middle Eastern civilizations (Turkey and Babylon), so no BuildLikeAnEgyptian except in the campaign.
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A Western variation of this would be associating UsefulNotes/{{Greece}} with its [[AncientGreece ancient roots]] as if they still worship the pagan Olympian pantheon, in spite of the nation being {{UsefulNotes/Orthodox Christian|ity}} today and having been an part of an [[UsefulNotes/OttomanEmpire Islamic empire]] for centuries.

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A Western variation of this would be associating UsefulNotes/{{Greece}} with its [[AncientGreece [[UsefulNotes/AncientGreece ancient roots]] as if they still worship the pagan Olympian pantheon, in spite of the nation being {{UsefulNotes/Orthodox Christian|ity}} today and having been an part of an [[UsefulNotes/OttomanEmpire Islamic empire]] for centuries.
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* Luxor City in ''ComicBook/JudgeDredd: The Book of the Dead'' is a MegaCity shaped like a pyramid. The Judges have a helmet based on the kepresh (the Pharoah's war crown) and a badge showing Anubis. They also seem to be named after Pharoahs, worship the old gods, and still go in for mummification. (Admittedly, ''everywhere'' in Dredd's world is a ThemeParkVersion of what it was like before the Atomic Wars, but they usually base it around the 19th or 20th century.)
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All of these answers refer to the [[UsefulNotes/AncientEgyptianHistory the ancient civilization of Kemet]], and overlook its more modern cultures; for example, UsefulNotes/{{Egypt}} has been Islamicized for over 1200 years and before that Egypt was a Christian nation with a Hellenistic (Greek) culture. For reference, England adopted Christianity at roughly the same time as the Arab conquests of Egypt, and that's ''twice'' the amount of time that Christianity has existed in the Americas. At present, over ''ninety percent'' of the Egyptian populace is Muslim.[[note]]And the remaining 10% are typically some denomination of Christian.[[/note]] Egypt has undergone numerous radical changes since it's Ancient period and ruled by many foreign powers, yet, in fiction, it seems as if Islam, or any of the other influences from the last two millennia, never touched the country at all.

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All of these answers refer to the [[UsefulNotes/AncientEgyptianHistory the ancient civilization of Kemet]], and overlook its more modern cultures; for example, UsefulNotes/{{Egypt}} has been Islamicized for over 1200 years and before that Egypt was a Christian nation with a Hellenistic (Greek) culture. For reference, England adopted Christianity at roughly the same time as the Arab conquests of Egypt, and that's ''twice'' the amount of time that Christianity has existed in the Americas. At present, over ''ninety percent'' of the Egyptian populace is Muslim.[[note]]And the remaining 10% are typically some denomination of Christian.[[/note]] Egypt has undergone numerous radical changes since it's its Ancient period and ruled by many foreign powers, yet, in fiction, it seems as if Islam, or any of the other influences from the last two millennia, never touched the country at all.
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* Discussed in ''Series/AmericanGods2017: When Egyptian-American Immigrant and devoted muslim Mrs. Fadhil dies she expresses some concern when Anubis comes to guide her to the afterlife, rather than some muslim entity. He explains that when she was a child "she listened to their stories and kept them alive in her heart". Anubis, a starving {{Psychopomp}} due to GodsNeedPrayerBadly couldn't exactly wait for a devoted believer in Ra or Isis to die.

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* Discussed in ''Series/AmericanGods2017: ''Series/AmericanGods2017'': When Egyptian-American Immigrant and devoted muslim Mrs. Fadhil dies she expresses some concern when Anubis comes to guide her to the afterlife, rather than some muslim entity. He explains that when she was a child "she listened to their stories and kept them alive in her heart". Anubis, a starving {{Psychopomp}} due to GodsNeedPrayerBadly couldn't exactly wait for a devoted believer in Ra or Isis to die.
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* Discussed in ''Series/AmericanGods2017: When Egyptian-American Immigrant and devoted muslim Mrs. Fadhil dies expresses some concern when Anubis comes to guide her to the afterlife, rather than some muslim entity. He explains that when she was a child "she listened to their stories and kept them alive in her heart". Anubis, a starving {{Psychopomp}} due to GodsNeedPrayerBadly couldn't exactly wait for a devoted believer in Ra or Isis to die.

to:

* Discussed in ''Series/AmericanGods2017: When Egyptian-American Immigrant and devoted muslim Mrs. Fadhil dies she expresses some concern when Anubis comes to guide her to the afterlife, rather than some muslim entity. He explains that when she was a child "she listened to their stories and kept them alive in her heart". Anubis, a starving {{Psychopomp}} due to GodsNeedPrayerBadly couldn't exactly wait for a devoted believer in Ra or Isis to die.
Is there an issue? Send a MessageReason:
None


* Discussed in ''Series/AmericanGods2017: When Egyptian-American Immigrant and devoted muslim Mrs. Fadhil dies, she expresses some concern when Anubis comes to guide her to the afterlife. He explains that when she was a child "she listened to their stories and kept them alive in her heart". Anubis, a starving {{Psychopomp}} due to GodsNeedPrayerBadly couldn't exactly wait for a devoted believer in Ra or Isis to die.

to:

* Discussed in ''Series/AmericanGods2017: When Egyptian-American Immigrant and devoted muslim Mrs. Fadhil dies, she dies expresses some concern when Anubis comes to guide her to the afterlife.afterlife, rather than some muslim entity. He explains that when she was a child "she listened to their stories and kept them alive in her heart". Anubis, a starving {{Psychopomp}} due to GodsNeedPrayerBadly couldn't exactly wait for a devoted believer in Ra or Isis to die.

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