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* Starting in 1994 with ''[[Disney/{{Aladdin}} The Return of Jafar]]'', Disney released sequels, prequels, and interquels to a significant portion of the DisneyAnimatedCanon, animated by the company's various television animation units. At first they were follow-ups to TheRenaissanceAgeOfAnimation titles, but they gradually shifted back to films from the [[Main/TheGoldenAgeOfAnimation Golden]] and [[Main/TheDarkAgeOfAnimation Dark]] ages. There were also a few titles based on ClassicDisneyShorts characters and WinnieThePooh, while at least one film (''Atlantis: Milo's Return'') was a CompilationMovie consisting of the completed episodes of an aborted [=TV=] spinoff. When Pixar head John Lasseter took over Disney's feature animation department he brought this trend (deeply unpopular with critics and adult Disney fans) to an end, with the key exception of the ''[[Main/DisneyFairies Tinkerbell]]'' CGI films.

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* Starting in 1994 with ''[[Disney/{{Aladdin}} The Return of Jafar]]'', Disney released sequels, prequels, and interquels to a significant portion of the DisneyAnimatedCanon, animated by the company's various television animation units. At first they were follow-ups to TheRenaissanceAgeOfAnimation titles, but they gradually shifted back to films from the [[Main/TheGoldenAgeOfAnimation Golden]] and [[Main/TheDarkAgeOfAnimation Dark]] ages. There were also a few titles based on ClassicDisneyShorts characters and WinnieThePooh, Winnie the Pooh, while at least one film (''Atlantis: Milo's Return'') was a CompilationMovie consisting of the completed episodes of an aborted [=TV=] spinoff. When Pixar head John Lasseter took over Disney's feature animation department he brought this trend (deeply unpopular with critics and adult Disney fans) to an end, with the key exception of the ''[[Main/DisneyFairies Tinkerbell]]'' CGI films.
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* Disney releases countless sequels to pretty much everything they make.
** Averted by, of course, {{Pixar}}. Disney asked Pixar to produce a DTV sequel to ''ToyStory'', which was turned over to a secondary production crew. Disney was so impressed with the work they were doing that they wanted to expand the runtime from the projected 60 minutes so it could be theatrically released, but John Lasseter didn't like the direction it was taking, and so had the script entirely rewritten and put the entire crew from the first film on the project in order to finish it within the 9 months left on their deadline.

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* Starting in 1994 with ''[[Disney/{{Aladdin}} The Return of Jafar]]'', Disney releases countless sequels released sequels, prequels, and interquels to pretty much everything a significant portion of the DisneyAnimatedCanon, animated by the company's various television animation units. At first they make.
were follow-ups to TheRenaissanceAgeOfAnimation titles, but they gradually shifted back to films from the [[Main/TheGoldenAgeOfAnimation Golden]] and [[Main/TheDarkAgeOfAnimation Dark]] ages. There were also a few titles based on ClassicDisneyShorts characters and WinnieThePooh, while at least one film (''Atlantis: Milo's Return'') was a CompilationMovie consisting of the completed episodes of an aborted [=TV=] spinoff. When Pixar head John Lasseter took over Disney's feature animation department he brought this trend (deeply unpopular with critics and adult Disney fans) to an end, with the key exception of the ''[[Main/DisneyFairies Tinkerbell]]'' CGI films.
** Averted by, of course, {{Pixar}}. Pixar is significant for averting this. Disney asked Pixar to produce a DTV sequel to ''ToyStory'', which was turned over to a secondary production crew. Disney was so impressed with the work they were doing that they wanted to expand the runtime from the projected 60 minutes so it could be theatrically released, but John Lasseter didn't like the direction it was taking, and so had the script entirely rewritten and put the entire crew from the first film on the project in order to finish it within the 9 months left on their deadline.
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* ''HomestarRunner'' parodies this and {{Mockbuster}}s in the [=SBEmail=] ''unlicensed''. One of the DVD examples are pictured above on this page.

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* ''HomestarRunner'' parodies this and {{Mockbuster}}s in the [=SBEmail=] ''unlicensed''. One of the DVD examples are is pictured above on this page.
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* ''HomestarRunner'' parodies this and {{Mockbuster}}s in the SBEmail ''unlicensed''. One of the DVD examples are pictured above on this page.

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* ''HomestarRunner'' parodies this and {{Mockbuster}}s in the SBEmail [=SBEmail=] ''unlicensed''. One of the DVD examples are pictured above on this page.
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[[AC:WebAnimation]]
* ''HomestarRunner'' parodies this and {{Mockbuster}}s in the SBEmail ''unlicensed''. One of the DVD examples are pictured above on this page.
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* The travesty that is ''TheSecretOfNIMH II''.

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* The travesty that is ''TheSecretOfNIMH ''Film/TheSecretOfNIMH II''.
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** The first three, anyway...
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** All the Sentai shows since ''SamuraiSentaiShinkenger'' are followed by an epilogue movie that is released straight-to-video shortly after the series finale.

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** All the Sentai shows since ''SamuraiSentaiShinkenger'' are followed by an epilogue movie and ''TensouSentaiGoseiger'' both had "Come Back!" specials that is were released straight-to-video shortly on home video after the series finale.their respective finales were aired.
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* Most of ErnestPWorrell's films after .

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* Most All of ErnestPWorrell's films after .after ''Ernest Rides Again''.
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Internationally, many films that had a theatrical release may be released DirectToVideo in other countries [[hottip:*: The ''PowerpuffGirls'' movie for example after its flop in the U.S was converted to direct to video for the European market.]]. This may be due to several factors.

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Internationally, many films that had a theatrical release may be released DirectToVideo in other countries [[hottip:*: The ''PowerpuffGirls'' movie for example example, after its flop in the U.S S., was converted to direct to video for the European market.market (although it did get a British cinema release).]]. This may be due to several factors.



* Most of ErnestPWorrell's films.

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* Most of ErnestPWorrell's films.films after .
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* The American releases of the ''{{Pokemon}}'' movies, beginning with the sixth one.

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* The American releases of the ''{{Pokemon}}'' ''{{Film/Pokemon}}'' movies, beginning with the sixth one.
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In short, while "direct-to-video" means "too bad for theaters" in the West, OVA means "too good for a series" in the East.

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In short, while "direct-to-video" means "too bad for theaters" in the West, OVA means "too good for a TV series" in the East.
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** Millennium Films also produced the Morgan Freeman/Antonio Bandaras heist film ''The Code'' (a.k.a. ''Thick As Thieves''), which revolved around a veteran thief recruiting a younger crook to help him pull off a final job to pay off the Russian mob. Despite attracting some top-tier talent - Mimi Leder (''DeepImpact'') directed and TomHardy co-starred - the film was also dumped on DVD without a theatrical release.

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** Millennium Films also produced the Morgan Freeman/Antonio Bandaras heist film ''The Code'' (a.k.a. ''Thick As Thieves''), which revolved around a veteran thief recruiting a younger crook to help him pull off a final job to pay off the Russian mob. Despite attracting some top-tier talent - Mimi Leder (''DeepImpact'') directed and TomHardy co-starred - the film was also dumped on DVD without a theatrical release.
release (it was however the top-renting movie the week it was released on DVD, giving sort of a happy ending for the film).
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* ''Batman: Mask of the Phantasm'' is a borderline case. Intended as DTV, it received a short theatrical run with no alterations.
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* ''{{Animaniacs}}'' AlternateUniverse film, ''WakkosWish''.

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* ''{{Animaniacs}}'' ''WesternAnimation/{{Animaniacs}}'' AlternateUniverse film, ''WakkosWish''.''Film/WakkosWish''.

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* You would think that a movie starring MichaelJackson put out in 1988 would have no trouble getting a theatrical release - and you would be right... except that ''{{Moonwalker}}'' wound up going straight to video in the US after Jackson's then-manager Frank [=DiLeo=] asked for an extortionate share of the box office takings.

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* You would think that a movie starring MichaelJackson put out in 1988 would have no trouble getting a theatrical release - and you would be right... except that ''{{Moonwalker}}'' wound up going straight to video in the US after Jackson's then-manager Frank [=DiLeo=] asked for an extortionate exorbitant share of the box office takings.
* An interesting case is the 2006 thriller ''The Contract'', which starred John Cusack as a school coach who unwittingly ends up having to escort an assassin (played by MorganFreeman, no less) during a camping trip and avoid a group of the assassin's cohorts while he tries to bring him back to police custody. Despite having several major film and television stars attached to the project, the production (which cost $25 million) was shut down after 50 days by Millennium Films, leaving the director to finish the project with money out of his own pocket. The resulting film was unceremoniously dumped on DVD stateside after a limited theatrical showing - ''in France''.
** Millennium Films also produced the Morgan Freeman/Antonio Bandaras heist film ''The Code'' (a.k.a. ''Thick As Thieves''), which revolved around a veteran thief recruiting a younger crook to help him pull off a final job to pay off the Russian mob. Despite attracting some top-tier talent - Mimi Leder (''DeepImpact'') directed and TomHardy co-starred - the film was also dumped on DVD without a theatrical release.
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* The SuperSentai [[{{crossover}} team-up films]] that started with ''[[ChourikiSentaiOhranger Ohranger]] vs. ''[[NinjaSentaiKakuranger Kakuranger]] were originally released directly to home video until ''[[EngineSentaiGoOnger Go-onger]] vs. [[JukenSentaiGekiranger Gekiranger]]'', in which they were all given proper theatrical releases from that point onward.
** ''[[RescueSentaiGogoFive Gogo-V]]'' had a video spin-off titled ''Clash! The New Super Warrior'' (aka ''Gogo-V vs. Zeek''), which focused on a new hero made specifically for the movie in order to make up for the lack of an actual SixthRanger in the series itself.
** All the Sentai shows since ''SamuraiSentaiShinkenger'' had an epilogue movie that are released a few months after each series ends.

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* The annual SuperSentai [[{{crossover}} team-up films]] that started with ''[[ChourikiSentaiOhranger Ohranger]] vs. ''[[NinjaSentaiKakuranger Kakuranger]] [[NinjaSentaiKakuranger Kakuranger]]'' were originally released directly to home video straight-to-video releases until ''[[EngineSentaiGoOnger Go-onger]] vs. [[JukenSentaiGekiranger Gekiranger]]'', in which they were all given proper started getting theatrical releases from that point onward.
premieres instead.
** ''[[RescueSentaiGogoFive Gogo-V]]'' had a tie-in video spin-off titled ''Clash! The New Super Warrior'' (aka ''Gogo-V vs. Zeek''), which focused on a new hero made specifically created just for the movie in order to make up for the lack of an actual SixthRanger in the series itself.
** All the Sentai shows since ''SamuraiSentaiShinkenger'' had are followed by an epilogue movie that are is released a few months straight-to-video shortly after each the series ends.finale.
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** ''[[RescueSentaiGogoFive Gogo-V]]'' had a video spin-off titled ''Clash! The New Super Warrior'' (aka ''Gogo-V vs. Zeek''), which focused on a new hero made specifically for the movie in order to make up for the lack of an actual SixthRanger in the actual series itself.

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** ''[[RescueSentaiGogoFive Gogo-V]]'' had a video spin-off titled ''Clash! The New Super Warrior'' (aka ''Gogo-V vs. Zeek''), which focused on a new hero made specifically for the movie in order to make up for the lack of an actual SixthRanger in the actual series itself.

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* The ''SuperSentai'' [[{{Crossover}} crossover films]], up until ''EngineSentaiGoOnger vs. [[JukenSentaiGekiranger Gekiranger]]''.

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* The ''SuperSentai'' [[{{Crossover}} crossover films]], up SuperSentai [[{{crossover}} team-up films]] that started with ''[[ChourikiSentaiOhranger Ohranger]] vs. ''[[NinjaSentaiKakuranger Kakuranger]] were originally released directly to home video until ''EngineSentaiGoOnger ''[[EngineSentaiGoOnger Go-onger]] vs. [[JukenSentaiGekiranger Gekiranger]]''.Gekiranger]]'', in which they were all given proper theatrical releases from that point onward.
** ''[[RescueSentaiGogoFive Gogo-V]]'' had a video spin-off titled ''Clash! The New Super Warrior'' (aka ''Gogo-V vs. Zeek''), which focused on a new hero made specifically for the movie in order to make up for the lack of an actual SixthRanger in the actual series itself.
** All the Sentai shows since ''SamuraiSentaiShinkenger'' had an epilogue movie that are released a few months after each series ends.



** Also, in the Heisei era, there are Hyper Battle Videos, which act as {{Clip Show}}s for the respective show and usually show off something that will be exclusive to the video (for example: [[KamenRiderFaiz A boombox that makes everyone dance]], [[KamenRiderKabuto a super mode for one of the riders]], and [[KamenRiderKiva a form that combines two forms into one]].)

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** Also, in the Heisei era, there are Hyper Battle Videos, which act as {{Clip Show}}s {{clip show}}s for the respective show and usually show off something that will be exclusive to the video (for example: [[KamenRiderFaiz A boombox that makes everyone dance]], [[KamenRiderKabuto a super mode for one of the riders]], and [[KamenRiderKiva a form that combines two forms into one]].)
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Internationally, many films that had a theatrical release may be released DirectToVideo in other countries. This may be due to several factors.

to:

Internationally, many films that had a theatrical release may be released DirectToVideo in other countries.countries [[hottip:*: The ''PowerpuffGirls'' movie for example after its flop in the U.S was converted to direct to video for the European market.]]. This may be due to several factors.
Is there an issue? Send a MessageReason:
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In the United States, while there have been plenty of direct-to-video films and such since the advent of home video, they were usually things that were considered financially unsound to release in theaters, like instructional videos, specialized documentaries, films with controversial or niche subject matter ([[HeroicBloodshed including]] [[{{Wuxia}} many]] [[LeFilmArtistique foreign]] [[{{Euroshlock}} films]]), or [[PornTropes pornography]]. The practice of creating and releasing regular fiction specifically for video didn't really take off until 1994 with {{Disney}}'s ''[[Disney/{{Aladdin}} Return of Jafar]]'' and [[{{Universal}} Universal Studios]]' ''TheLandBeforeTime II'', neither of which was intended to hit theaters at any point in its production. [[hottip:*: The financial failure of ''TheRescuersDownUnder'' was what caused Disney to decide to do this with their sequels.]] Other studios started following suit, hardly limited to child-oriented animation. In particular, independent studios and filmmakers quickly picked up on this distribution model, due to its lower distribution costs and reduced censorship (video stores will often stock [[UnratedEdition unrated]] films that theaters won't touch).

to:

In the United States, while there have been plenty of direct-to-video films and such since the advent of home video, they were usually things that were considered financially unsound to release in theaters, like instructional videos, specialized documentaries, films with controversial or niche subject matter ([[HeroicBloodshed including]] [[{{Wuxia}} many]] [[LeFilmArtistique foreign]] [[{{Euroshlock}} films]]), or [[PornTropes pornography]]. The practice of creating and releasing regular fiction specifically for video didn't really take off until 1994 with {{Disney}}'s ''[[Disney/{{Aladdin}} Return of Jafar]]'' and [[{{Universal}} Universal Studios]]' ''TheLandBeforeTime II'', neither of which was intended to hit theaters at any point in its production. [[hottip:*: The financial failure of ''TheRescuersDownUnder'' was what caused Disney to decide to do this with their sequels. Ironically history repeated itself when in the mid 2000s they tried again with sequels for Peter Pan and The Jungle Book. Once again the failure of those films resumed their straight to DVD methods.]] Other studios started following suit, hardly limited to child-oriented animation. In particular, independent studios and filmmakers quickly picked up on this distribution model, due to its lower distribution costs and reduced censorship (video stores will often stock [[UnratedEdition unrated]] films that theaters won't touch).
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* [[LegendoftheGalacticHeroes Legend Of The Galactic Heroes]], being 110 episode-long (i.e, longer than most TV series ) was - to many viewers' surprise - an OVA released straight-to-Laserdisc. The result is a tight script with virtually no PlotHole nor {{Filler}}. Limited animation budget somehow effectively avoided StockFootage usage throughout long-winded space battles... almost (StockFootage was used occasionally, but the interval between each usage can easily be wide up to tens of episodes that you won't notice it once it's in effect).
* The Animatrix is probably the second best thing that ever happened to TheMatrix franchise (with the sequels rarely on fans' favorite list, the video game adaptations fall victim to the [[TheProblemWithLicensedGames typical syndrome]] and the graphic novels largely forgetable). Most of its success can be credited to bold exploration into the Matrix mythos, a return to the cyberpunk theme (that was never revisited by the sequels) and the excel in both hand-drawn and CGI animation.

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* [[LegendoftheGalacticHeroes Legend Of The ''{{Legend of the Galactic Heroes]], Heroes}}'', being 110 episode-long (i.e, longer than most TV series ) was - to many viewers' surprise - an OVA released straight-to-Laserdisc. The result is a tight script with virtually no PlotHole nor {{Filler}}. Limited animation budget somehow effectively avoided StockFootage usage throughout long-winded space battles... almost (StockFootage was used occasionally, but the interval between each usage can easily be wide up to tens of episodes that you won't notice it once it's in effect).
* *'' The Animatrix Animatrix'' is probably the second best thing that ever happened to TheMatrix franchise (with the sequels rarely on fans' favorite list, the video game adaptations fall victim to the [[TheProblemWithLicensedGames typical syndrome]] and the graphic novels largely forgetable). Most of its success can be credited to bold exploration into the Matrix mythos, a return to the cyberpunk theme (that was never revisited by the sequels) and the excel in both hand-drawn and CGI animation.
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[[AC:{{Literature}}]]
* A series of RichardScarry's animated [[EdutainmentShow educational]] videos that are produced between 1989 and 1994.

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Way, way too long for an opening quote.


-->'''Stewie''': Oh Brian come here, I want you to hear my presidential address for Saint Rupert's day. I'm unveiling all the new laws I've passed.\\
'''Brian''': Screw off! I don't want to have anything to do with you of your damn laws.\\
'''Stewie''': Oh just take a look will you.\\
'''Brian''': You're banning straight-to-video {{Disney}} films?''\\
'''Stewie''': ''Absolutely! I mean look at this. Disney/{{Aladdin}} [[{{Sequelitis}} 4: Jafar May Need Glasses]].''\\
- FamilyGuy
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* Many BBC panel games in TheNineties made special episodes only released on VHS, including ''HaveIGotNewsForYou'' and ''NeverMindTheBuzzcocks''. The "will never be seen on TV" advertising was sometimes mocked by the later examples with jokes along the lines
of "...except when you watch it by putting the tape into the VCR".

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* Many BBC panel games in TheNineties made special episodes only released on VHS, including ''HaveIGotNewsForYou'' and ''NeverMindTheBuzzcocks''. The "will never be seen on TV" advertising was sometimes mocked by the later examples with jokes along the lines
lines of "...except when you watch it by putting the tape into the VCR".



* In a rare example of a [[YourMileageMayVary decent]] DTV, the {{Bionicle}} films.

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* In a rare example of a [[YourMileageMayVary decent]] decent DTV, the {{Bionicle}} films.
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* You would think that a movie starring MichaelJackson put out in 1988 would have no trouble getting a theatrical release - and you would be right... except that ''{{Moonwalker}}'' wound up going straight to video in the US after Jackson's then-manager Frank DiLeo asked for an extortionate share of the box office takings.

to:

* You would think that a movie starring MichaelJackson put out in 1988 would have no trouble getting a theatrical release - and you would be right... except that ''{{Moonwalker}}'' wound up going straight to video in the US after Jackson's then-manager Frank DiLeo [=DiLeo=] asked for an extortionate share of the box office takings.

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* Most of the ''OpenSeason'' franchise.


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* Most of the ''OpenSeason'' franchise.

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* Many BBC panel games in TheNineties made special episodes only released on VHS, including ''HaveIGotNewsForYou'' and ''NeverMindTheBuzzcocks''. The "will never be seen on TV" advertising was sometimes mocked by the later examples with jokes along the lines of "...except when you watch it by putting the tape into the VCR".

to:

* Many BBC panel games in TheNineties made special episodes only released on VHS, including ''HaveIGotNewsForYou'' and ''NeverMindTheBuzzcocks''. The "will never be seen on TV" advertising was sometimes mocked by the later examples with jokes along the lines lines
of "...except when you watch it by putting the tape into the VCR".
VCR".

[[AC: {{Toys}}]]
* In a rare example of a [[YourMileageMayVary decent]] DTV, the {{Bionicle}} films.

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[[redirect:{{Direct-to-Video}}]]

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[[redirect:{{Direct-to-Video}}]][[quoteright:264:[[HomestarRunner http://static.tvtropes.org/pmwiki/pub/images/StrongBadDTV.jpg]]]]

-->'''Stewie''': Oh Brian come here, I want you to hear my presidential address for Saint Rupert's day. I'm unveiling all the new laws I've passed.\\
'''Brian''': Screw off! I don't want to have anything to do with you of your damn laws.\\
'''Stewie''': Oh just take a look will you.\\
'''Brian''': You're banning straight-to-video {{Disney}} films?''\\
'''Stewie''': ''Absolutely! I mean look at this. Disney/{{Aladdin}} [[{{Sequelitis}} 4: Jafar May Need Glasses]].''\\
- FamilyGuy

Simply put, this is the practice of skipping theaters/television and just going straight to home video as the first release. This is generally not a good sign in terms of quality (especially if it ''was'' originally going to be released theatrically, but was consigned to video), the term "direct-to-video" or "straight-to-video" often gets used as slang for "cheaply made, rushed, low quality", and in extreme cases, "complete bucket of crap."

In the United States, while there have been plenty of direct-to-video films and such since the advent of home video, they were usually things that were considered financially unsound to release in theaters, like instructional videos, specialized documentaries, films with controversial or niche subject matter ([[HeroicBloodshed including]] [[{{Wuxia}} many]] [[LeFilmArtistique foreign]] [[{{Euroshlock}} films]]), or [[PornTropes pornography]]. The practice of creating and releasing regular fiction specifically for video didn't really take off until 1994 with {{Disney}}'s ''[[Disney/{{Aladdin}} Return of Jafar]]'' and [[{{Universal}} Universal Studios]]' ''TheLandBeforeTime II'', neither of which was intended to hit theaters at any point in its production. [[hottip:*: The financial failure of ''TheRescuersDownUnder'' was what caused Disney to decide to do this with their sequels.]] Other studios started following suit, hardly limited to child-oriented animation. In particular, independent studios and filmmakers quickly picked up on this distribution model, due to its lower distribution costs and reduced censorship (video stores will often stock [[UnratedEdition unrated]] films that theaters won't touch).

Internationally, many films that had a theatrical release may be released DirectToVideo in other countries. This may be due to several factors.

There is a distinct business model that drives the direct-to-video industry, particularly when it involves lower-quality films. One might think that churning out mediocre-to-bad movies on purpose would be a dumb idea, until one looks at the sales and rental figures. A cheap 70- to 90-minute film can be produced for as little as a few thousand dollars if you hire obscure actors, crew and writers (often non-{{union|s in Hollywood}}, and barely getting minimum wage), [[CaliforniaDoubling everything gets shot around the studio]], and nothing is required that can't be obtained from the studio's stock wardrobe and props. The studio then usually makes about $3-5 million off this, most of it from sales to rental chains. It floods the market with tripe into which nobody put any true effort, but it still makes money in the long run. It's the modern equivalent of the BMovie; in fact, many of these would be B movies if double features were still a regular thing. Some direct-to-video flicks will try to make lemonade of their lemons by claiming that their movie is "too intense", "too scary", "too well-written" or "too lavishly budgeted" for theaters, usually the viewers don't fall for it.

Sometimes, things that were originally intended to be Direct to Video end up getting retrofitted to show on television or in theaters. Usually, only some minimal editing is done to make it fit for theaters, but there have been cases where the project was intervened midway and beefed up to make it quite a bit better. An example of the former is ''{{Doug}}'s First Movie'', which was put into theaters after the success of ''The {{Rugrats}} Movie''. A famous example of the latter is ''ToyStory 2'', on which {{Pixar}} expanded tremendously for its theatrical release. More recently, ''Honey 2'' - intended as a DirectToVideo movie (which is still the case in North America) got a European theatrical release first... and no, JessicaAlba [[CaptainObvious did not return]].

In Japan, {{OVA}}s follow the same model of distribution, but have the opposite expectations in terms of their quality. With larger budgets and without ExecutiveMeddling or the strict requirements of the {{Media Watchdog}}s, [=OVAs=] are expected to be significantly better than television-based anime. Live-action direct-to-video, known as "V-cinema" overseas (although this is [[BrandNameTakeover technically a trademark of Toei Company]]), also has a much better reputation in Japan. This is due mainly to the number of established filmmakers who use it for their more "experimental" or unusual work, enjoying the greater creative freedom and lack of censorship.

In short, while "direct-to-video" means "too bad for theaters" in the West, OVA means "too good for a series" in the East.

In a further expansion of the phenomenon, it has become increasingly common for {{Missing Episode}}s of shows that were [[ScrewedByTheNetwork canceled early]] to first see the light of day on the home video release.
----
!!Noteworthy direct-to-video releases (examples by source media)

[[AC:{{Anime}} and {{Manga}}]]
* The American releases of the ''{{Pokemon}}'' movies, beginning with the sixth one.
* [[LegendoftheGalacticHeroes Legend Of The Galactic Heroes]], being 110 episode-long (i.e, longer than most TV series ) was - to many viewers' surprise - an OVA released straight-to-Laserdisc. The result is a tight script with virtually no PlotHole nor {{Filler}}. Limited animation budget somehow effectively avoided StockFootage usage throughout long-winded space battles... almost (StockFootage was used occasionally, but the interval between each usage can easily be wide up to tens of episodes that you won't notice it once it's in effect).
* The Animatrix is probably the second best thing that ever happened to TheMatrix franchise (with the sequels rarely on fans' favorite list, the video game adaptations fall victim to the [[TheProblemWithLicensedGames typical syndrome]] and the graphic novels largely forgetable). Most of its success can be credited to bold exploration into the Matrix mythos, a return to the cyberpunk theme (that was never revisited by the sequels) and the excel in both hand-drawn and CGI animation.

[[AC:ComicBooks]]
* There have recently been a series of MarvelComics direct-to-video animated adaptation such as ''Ultimate [[Comicbook/TheAvengers Avengers]]'' and ''HulkVs.'', which in practice are more like [=OVAs=]: both better animated and less-censored than their television counterparts.
* [[TheDCU DC Comics]] has a similar line of such productions, including ''Superman: Doomsday'' (adapted from ''TheDeathOfSuperman'') and ''WonderWoman''.

[[AC:{{Film}}]]
* Most of National Lampoon's later films have been released direct-to-video. Not surprisingly, this coincides with the steep fall in quality that their films have taken.
* ''SlumdogMillionaire'' was almost released this way until Fox Searchlight signed on as distributor.
* Controversial Japanese director TakashiMiike loves using direct-to-video V-cinema for many of his more unusual movies, because of the creative freedom this provides him. Miike is often touted as part of the reason for V-cinema's good reputation overseas.
* All of the ''Film/PuppetMaster'' franchise was released straight to video. This was because producer Charles Band thought he would make more money going this route instead of taking it to theaters. In fact, most of Full Moon Entertainment's works are direct-to-video.
* ''TheodoreRex'' was intended to be a theatrical release, but after some complications, including a few failed test screenings, it was released straight to video. Having a budget of $33.5 million, it was the most expensive direct-to-video release of its time.
* Most [[TheMockbuster mockbusters]] use the DTV market in order to dupe unsuspecting customers.
* Most of ErnestPWorrell's films.
* Most of the ''OpenSeason'' franchise.
* The live-action ''Film/{{Casper}}'' film produced several. They could hardly even really be called "sequels" seeing how they disregarded the continuity of the original movie so completely that the presence of Casper and his uncles was literally the only similarity to the feature film. They haunted a different house in a different town and all movie-based characters were dropped, all without explanation. And, of course, there was also the expected downgrade in the quality of the CGI.[[hottip:*:It should be noted that [[StevenSpielberg Amblin]], ILM and Universal were not involved with the sequels, though Universal and Amblin did produce the better-received animated series.]] Incidentally, the ''Casper'' "sequels" gave a very young Hilary Duff her first acting role as Wendy in ''[[http://www.youtube.com/watch?v=o4DXSGhF-To Casper Meets Wendy]]''.
* All {{Nollywood}} movies are like this.
* The ''UniversalSoldier'' franchise is an interesting case of this. A pair of DTV films (''Brothers In Arms'' and ''Unfinished Business'') were released in 1998 sans any of the original cast members, and focused on lead character Luc Deveraux's attempts to stop the [=UniSol=] program from smuggling diamonds while helping reporter Veronica Roberts clear her name after the events of the original film. The DTV sequels were subsequently retconned by 1998's theatrical ''Universal Soldier: The Return''. That film, in turn, was retconned by 2010's DTV ''Universal Soldier: Regeneration'', which disregards everything except the original.
* ''In The Electric Mist'', an acclaimed crime drama with Tommy Lee Jones and John Goodman and directed by Bertrand Tavernier that had the misfortune of going straight-to-DVD after failing to find a distributor. It did manage a brief theatrical run though after the film rented well.
* You would think that a movie starring MichaelJackson put out in 1988 would have no trouble getting a theatrical release - and you would be right... except that ''{{Moonwalker}}'' wound up going straight to video in the US after Jackson's then-manager Frank DiLeo asked for an extortionate share of the box office takings.

[[AC:LiveActionTV]]
* The pioneer of this for spin-offs of TV series was probably the ''BabylonFive'' spin-off ''TheLostTales'', which was intended to be the first of a series of [=DVDs=] until JMichaelStraczynski decided that he couldn't tolerate the artistic limitations created by the low budget (which many cynical people translated as "not even enough [[CrackIsCheaper completist fans]] bought it for it to make any money").
* ''{{Stargate SG-1}}'' has had two very good direct-to-video sequel movies so far, ''Stargate: TheArkOfTruth'' and ''StargateContinuum'', with plans for a third. And a ''StargateAtlantis'' one in the works, too.
* The ''SuperSentai'' [[{{Crossover}} crossover films]], up until ''EngineSentaiGoOnger vs. [[JukenSentaiGekiranger Gekiranger]]''.
* ''ShinKamenRiderPrologue'' was a direct to video movie.
** Also, in the Heisei era, there are Hyper Battle Videos, which act as {{Clip Show}}s for the respective show and usually show off something that will be exclusive to the video (for example: [[KamenRiderFaiz A boombox that makes everyone dance]], [[KamenRiderKabuto a super mode for one of the riders]], and [[KamenRiderKiva a form that combines two forms into one]].)
* Many BBC panel games in TheNineties made special episodes only released on VHS, including ''HaveIGotNewsForYou'' and ''NeverMindTheBuzzcocks''. The "will never be seen on TV" advertising was sometimes mocked by the later examples with jokes along the lines of "...except when you watch it by putting the tape into the VCR".

[[AC:{{Music}}]]
* The critically acclaimed ''BabySongs'' MusicVideo series.

[[AC:VideoGames]]
* The majority of video game franchises from the 1980s and 1990s originally began as arcade games and are nowadays released directly to consoles. Even during the "Golden Age" of the arcades (the 80s and 90s), some of these franchises already had a few console sequels.

[[AC:WesternAnimation]]
* Disney releases countless sequels to pretty much everything they make.
** Averted by, of course, {{Pixar}}. Disney asked Pixar to produce a DTV sequel to ''ToyStory'', which was turned over to a secondary production crew. Disney was so impressed with the work they were doing that they wanted to expand the runtime from the projected 60 minutes so it could be theatrically released, but John Lasseter didn't like the direction it was taking, and so had the script entirely rewritten and put the entire crew from the first film on the project in order to finish it within the 9 months left on their deadline.
* ''TheLandBeforeTime'' series, with 12 sequels that all went straight-to-video.
** And then finally, {{Universal}} decided to produce an animated series.
** The same studio also created sequels for ''{{Balto}}'' and for ''AnAmericanTail'' (see below).
* ''[[FamilyGuy Stewie Griffin: The Untold Story]]'' and the four ''{{Futurama}}'' direct-to-DVD movies were made with intent of ultimately cutting the episodes up for airing on TV as three-parters and four-parters respectively. Though in the case of ''Stewie Griffin: The Untold Story'', the movie is considered the definitive cut and as such, the TV edit "episodes" are omitted from DVD releases. The DVD also has about 20 minutes of bonus footage (involving the "premiere" of the movie in theaters and a [[NoFourthWall fourth-wall breaking]] after party where the characters discuss the real-life cancellation of the series) that was not shown on TV. The four ''{{Futurama}}'' movies sold so well and got such a positive reaction from fans that they continued the series.
* The third and fourth ''An American Tail'' movies, which screwed with the canon by putting Fievel back in New York, making ''Fievel Goes West'' AllJustADream, and omitting characters from the first movie.
* The travesty that is ''TheSecretOfNIMH II''.
* Humorously, in ''TinyToonAdventures: How I Spent My Summer Vacation'', the credits claim it went straight to video because "it's that darn good" (which is probably more true than they're joking, since the movie is basically an OVA, as it was done by {{TMS}} in Japan).
* VideoBrinquedo does this a lot, as does SparkPlugEntertainment.
* ''{{Animaniacs}}'' AlternateUniverse film, ''WakkosWish''.
* A few ''PhineasAndFerb'' episodes were released on DVD before airing on TV.
** "One Good Scare Ought to Do It!" made its US debut on the DVD ''The Fast and the Phineas'', over two months before its US TV premiere on DisneyChannel.
** "Unfair Science Fair" and "Unfair Science Fair Redux" (Another Story) made their US debut on the DVD ''The Daze of Summer'', around a week before their US TV premieres on DisneyXD.
** "The Doof Side of the Moon" made its US debut on the DVD ''A Very Perry Christmas'', three days before its US TV premiere on DisneyChannel.
* ''{{Recess}}: Taking the Fith Grade'' and ''Recess: All Growed Down'' were both DTV movies, consisting of unnaired episodes and linking material.
* All of the ''TomAndJerry'' films except for [[TomandJerryTheMovie the first one]].
----
Ironeye MOD

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