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* ''{{Gone With the Wind}}'' features Rhett and Scarlett's marriage starting okay, but due to Scarlett's obsession with Ashley Wilkes taking prevalence over Rhett and her family, the marriage becomes destructive.
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* In BuffyTheVampireSlayer, Spike's interest in Buffy started as StalkerWithACrush, but she regarded his advances with contempt. But after Buffy falls into depression in Season 6 she secretly starts sleeping with him. Unfortunately this only ends up making things worse -- Spike is convinced Buffy wants to come over to TheDarkSide and is frustrated by her unwillingness to either return his love or abandon her friends, while their InterplayOfSexAndViolence, her [[FoeYay lust for a soulless monster who's supposed to be her enemy]] and her [[WhatMeasureIsANonHuman guilt over using Spike without respecting his own feelings]] only increase Buffy's self-loathing. At one point she savagely beats an unresisting Spike, describing him in terms that are clearly referring to herself ("There is nothing good or clean in you! You are ''dead'' inside! You can't feel anything real!"). The InUniverse ValuesDissonance between the two reaches a point where [[spoiler:after she ends the relationship, Spike tries to inflict the RapeIsLove trope on an injured Buffy; fortunately Buffy is able to fend him off and Spike realises that, even for him, this act is crossing the MoralEventHorizon, and motivates him to go on a quest to regain his soul.]]

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* In BuffyTheVampireSlayer, ''BuffyTheVampireSlayer''. Spike's interest in Buffy started as StalkerWithACrush, but she regarded his advances with contempt. But after Buffy falls into depression in Season 6 she secretly starts sleeping with him. Unfortunately this only ends up making things worse -- Spike is convinced Buffy wants to come over to TheDarkSide and is frustrated by her unwillingness to either return his love or abandon her friends, while their InterplayOfSexAndViolence, her [[FoeYay lust for a soulless monster who's supposed to be her enemy]] and her [[WhatMeasureIsANonHuman guilt over using Spike without respecting his own feelings]] only increase Buffy's self-loathing. At one point she savagely beats an unresisting Spike, describing him in terms that are clearly referring to herself ("There is nothing good or clean in you! You are ''dead'' inside! You can't feel anything real!"). The InUniverse ValuesDissonance between the two reaches a point where [[spoiler:after she ends the relationship, Spike tries to inflict the RapeIsLove trope on an injured Buffy; fortunately Buffy is able to fend him off and Spike realises that, even for him, this act is crossing the MoralEventHorizon, and motivates him to go on a quest to regain his soul.]]

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* In BuffyTheVampireSlayer, Spike's interest in Buffy started as StalkerWithACrush. But after she fell into a depression, the relationship was gradually upgraded to pure DestructiveRomance, as she started accepting his advances out of pure self-hatred. While she had nothing but contempt for him, he really did love her - but being the undead soulless monster that he was, he expressed it by trying to rape her. [[spoiler:Ironically, this made him realize that she deserves better, and go on a quest to get his soul back - eventually becoming a good vampire.]]

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* In BuffyTheVampireSlayer, Spike's interest in Buffy started as StalkerWithACrush. But after StalkerWithACrush, but she fell into a depression, the relationship was gradually upgraded to pure DestructiveRomance, as she started accepting regarded his advances out of pure self-hatred. While with contempt. But after Buffy falls into depression in Season 6 she had nothing but contempt for him, he really did secretly starts sleeping with him. Unfortunately this only ends up making things worse -- Spike is convinced Buffy wants to come over to TheDarkSide and is frustrated by her unwillingness to either return his love or abandon her - but being the undead friends, while their InterplayOfSexAndViolence, her [[FoeYay lust for a soulless monster who's supposed to be her enemy]] and her [[WhatMeasureIsANonHuman guilt over using Spike without respecting his own feelings]] only increase Buffy's self-loathing. At one point she savagely beats an unresisting Spike, describing him in terms that he was, he expressed it by trying are clearly referring to rape her. [[spoiler:Ironically, herself ("There is nothing good or clean in you! You are ''dead'' inside! You can't feel anything real!"). The InUniverse ValuesDissonance between the two reaches a point where [[spoiler:after she ends the relationship, Spike tries to inflict the RapeIsLove trope on an injured Buffy; fortunately Buffy is able to fend him off and Spike realises that, even for him, this made act is crossing the MoralEventHorizon, and motivates him realize that she deserves better, and to go on a quest to get regain his soul back - eventually becoming a good vampire.soul.]]
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* ''{{The English Patient}}''. Everyone singing its praises as one of the great romantic stories of its time has missed that Katharine cheating on her husband with Almasy is portrayed as a highly destructive obsession that ends in the pointless deaths of all three.
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* Shinji and Asuka in NeonGenesisEvangelion just don't fit together. While they aren't exactly in a relationship, they both have strong feelings for each other, but they fail so much at communication that both suffer because they believe their feelings to be unrequited. They're similar where they should be different(both have trouble expressing affection because of their crappy past) and different where they should be similar. (She's very extroverted and dominant, and poor shy, introverted Shinji can't bring himself to speak up to her/stop her from pushing him around)This is furtherly complicated by the fact that Asuka sees him as a rival. She, in particular, constantly provokes him into doing stupid things, does nothing but insult and abuse him, until he eventually [[BewareTheNiceOnes snaps]] and attempts to strangle her. In the [[RebuildOfEvangelion Rebuild continuity]], even Asuka herself realizes that Shinji [[IWantMyBelovedToBeHappy would be better off]] with his [[ShyBlueHairedGirl ''other'' love interest.]]
** [[YourMileageMayVary Even in fanfiction, the Angst and Tragedy genres are the most belivable when it comes to the ones with Shinji and Asuka.]]

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* Shinji and Asuka in NeonGenesisEvangelion just don't fit together. While they aren't exactly in a relationship, they both have strong feelings for each other, but they fail so much at communication that both suffer because they believe their feelings to be unrequited. They're similar where they should be different(both have trouble expressing affection because of their crappy past) and different where they should be similar. (She's very extroverted and dominant, and poor shy, introverted Shinji can't bring himself to speak up to her/stop her from pushing him around)This is furtherly further complicated by the fact that Asuka sees him as a rival. She, in particular, constantly provokes him into doing stupid things, does nothing but insult and abuse him, until he eventually [[BewareTheNiceOnes snaps]] and attempts to strangle her. In the [[RebuildOfEvangelion Rebuild continuity]], even Asuka herself realizes that Shinji [[IWantMyBelovedToBeHappy would be better off]] with his [[ShyBlueHairedGirl ''other'' love interest.]]
** [[YourMileageMayVary Even in fanfiction, the Angst and Tragedy genres are the most belivable believable when it comes to the ones with Shinji and Asuka.]]



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[[folder:Theater]][[folder:Theatre]]
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A marriage or other romantic relationship that is truly destructive, breaking down at least one of the lovers. Probably both. While they may eventually recover, it can also be an emotional counterpart of DefiledForever.

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A marriage or other romantic (romantic and/or sexual) relationship that is truly destructive, breaking down at least one of the lovers. Probably both. While they may eventually recover, it can also be an emotional counterpart of DefiledForever.
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Sexual and romantic arent the same thing


A marriage or other sexual relationship that is truly destructive, breaking down at least one of the lovers. Probably both. While they may eventually recover, it can also be an emotional counterpart of DefiledForever.

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A marriage or other sexual romantic relationship that is truly destructive, breaking down at least one of the lovers. Probably both. While they may eventually recover, it can also be an emotional counterpart of DefiledForever.
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* The lyrics of Sara Bareilles's "Gravity" may count as a mild version of this trope, as the song appears to be about a genuine but not-terribly-healthy passionate relationship.
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** [[YMMV Even in fanfiction, the Angst and Tragedy genres are the most belivable when it comes to the ones with Shinji and Asuka.]]

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** [[YMMV [[YourMileageMayVary Even in fanfiction, the Angst and Tragedy genres are the most belivable when it comes to the ones with Shinji and Asuka.]]
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** [[YMMV Even in fanfiction, the Angst and Tragedy genres are the most belivable when it comes to the ones with Shinji and Asuka.]]
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[[folder:TabletopGames]]
* All relationships between other vampires are assumed to be this by default in VampireTheRequiem. [[CrapsackWorld It's]] [[VampiresAreSexGods not]] [[DeadlyDecadentCourt surprising.]]
** Best example: [[MeaningfulName the Honeymoon Hijackers]] Charles and Charlene Greengrass. They were kidnapped and turned into vampires on their respective wedding nights by cruel sires, with their spouses killed. Charles and Charlene meet one another ten years after their abductions, instantly recognize the predicament of the other, and fall in love. They [[YourSoulIsMine diablerize]] their sires, escape vampire society, get into a scary codependent relationship, [[LoveMakesYouEvil then perform netorare scenarios and serial killings on any recently married couple they can find.]][[hottip:*:Diablerie causes vampires to sometimes pickup traits of the soul they ate. It's implied that's why the couple do what they do, despite their actions mirroring their own tragic histories.]]
-->Mess with their heads. Get it so the victims love their keepers, will do anything for them (even better if they can work one of the couple against the other--[[LampshadeHanging so sweet, that betrayal]]).
--->'''Night Horrors: Immortal Sinners, pg. 74'''
** Coming full circle, Charlene cheats on Charles. [[{{Netorare}} He doesn't know, but she wants him to.]]
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[[folder:Film]]
* ''BadTiming'': The film charts the emotional, spiritual, and physical ups and downs of a young couple's relationship that is fueled by their compulsion to attack, manipulate, and humiliate one another.
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* In BuffyTheVampireSlayer, Spike's interest in Buffy started as StalkerWithACrush. But after she fell into a depression, the relationship was gradually upgraded to pure DestructiveRomance, as she started accepting his advances out of pure self-hatred. While she had nothing but conte,pt for him, he really did love her - but being the undead soulless monster that he was, he expressed it by trying to rape her. [[spoiler:Ironically, this made him realize that she deserves better, and go on a quest to get his soul back - eventually becoming a good vampire.]]
* In {{Moonlight}}, Josef describes Mick's realtionship with his sire/ex-girlfriend Coraline as this to Mick's current love interest, Beth.

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* In BuffyTheVampireSlayer, Spike's interest in Buffy started as StalkerWithACrush. But after she fell into a depression, the relationship was gradually upgraded to pure DestructiveRomance, as she started accepting his advances out of pure self-hatred. While she had nothing but conte,pt contempt for him, he really did love her - but being the undead soulless monster that he was, he expressed it by trying to rape her. [[spoiler:Ironically, this made him realize that she deserves better, and go on a quest to get his soul back - eventually becoming a good vampire.]]
* In {{Moonlight}}, Josef describes Mick's realtionship relationship with his sire/ex-girlfriend Coraline as this to Mick's current love interest, Beth.



--->'''Josef''': What can I tell you, I'm a romantic.

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--->'''Josef''': What can I tell you, I'm a romantic. romantic.
* [[TheWoobie Niles]] and [[TheGhost Maris's]] marriage in ''{{Frasier}}'' was depicted as this, only being stable when Niles was miserable and cowed and Maris was wrapped up in her own pursuits, and erupting into vicious fights, break-ups and various forms of abuse (on Maris's part) whenever this status quo was shaken up. It was hinted that the main reason that it lasted as long as it did (and the amount of backsliding that occurred during their drawn-out breakup) was because of Niles's insecurity and co-dependence, and Maris's enjoyment of having someone to control.
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* Shinji and Asuka in NeonGenesisEvangelion just don't fit together. While they aren't exactly in a relationship, they both have strong feelings for each other, but they fail so much at communication that both suffer because they believe their feelings to be unrequited. They're similar where they should be different(both have trouble expressing affection because of their crappy past) and different where they should be similar. (She's very extroverted and dominant, and poor shy, introverted Shinji can't bring himself to speak up to her/stop her from pushing him around)This is furtherly complicated by the fact that Asuka sees him as a rival. She, in particular, constantly provokes him into doing stupid things, does nothing but insult and abuse him, until he eventually [[BewareTheNiceOnes snaps]] and attempts to strangle her. In the [[RebuildOfEvangelion Rebuild continuity]], even Asuka herself realizes that Shinji [[IWantMyBelovedToBeHappy would be better off]] with his ''other'' love interest.

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* Shinji and Asuka in NeonGenesisEvangelion just don't fit together. While they aren't exactly in a relationship, they both have strong feelings for each other, but they fail so much at communication that both suffer because they believe their feelings to be unrequited. They're similar where they should be different(both have trouble expressing affection because of their crappy past) and different where they should be similar. (She's very extroverted and dominant, and poor shy, introverted Shinji can't bring himself to speak up to her/stop her from pushing him around)This is furtherly complicated by the fact that Asuka sees him as a rival. She, in particular, constantly provokes him into doing stupid things, does nothing but insult and abuse him, until he eventually [[BewareTheNiceOnes snaps]] and attempts to strangle her. In the [[RebuildOfEvangelion Rebuild continuity]], even Asuka herself realizes that Shinji [[IWantMyBelovedToBeHappy would be better off]] with his [[ShyBlueHairedGirl ''other'' love interest. interest.]]
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* Shinji and Asuka in NeonGenesisEvangelion just don't fit together. While they aren't exactly in a relationship, they both have strong feelings for each other, but they fail so much at communication that both suffer because they believe their feelings to be unrequited. They're similar where they should be different(both have trouble expressing affection because of their crappy past) and different where they should be similar. (She's very extroverted and dominant, and poor shy, introverted Shinji can't bring himself to speak up to her/stop her from pushing him around)This is furtherly complicated by the fact that Asuka sees him as a rival. She, in particular, constantly provokes him into doing stupid things, does nothing but insult and abuse him, until he eventually [[bewareTheNiceOnes snaps]] and attempts to strangle her. In the [[RebuildOfEvangelion Rebuild continuity]], even Asuka herself realizes that Shinji [[IWantMyBelovedToBeHappy would be better off]] with his ''other'' love interest.

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* Shinji and Asuka in NeonGenesisEvangelion just don't fit together. While they aren't exactly in a relationship, they both have strong feelings for each other, but they fail so much at communication that both suffer because they believe their feelings to be unrequited. They're similar where they should be different(both have trouble expressing affection because of their crappy past) and different where they should be similar. (She's very extroverted and dominant, and poor shy, introverted Shinji can't bring himself to speak up to her/stop her from pushing him around)This is furtherly complicated by the fact that Asuka sees him as a rival. She, in particular, constantly provokes him into doing stupid things, does nothing but insult and abuse him, until he eventually [[bewareTheNiceOnes [[BewareTheNiceOnes snaps]] and attempts to strangle her. In the [[RebuildOfEvangelion Rebuild continuity]], even Asuka herself realizes that Shinji [[IWantMyBelovedToBeHappy would be better off]] with his ''other'' love interest.
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[[folder:Anime & Manga]]
* Shinji and Asuka in NeonGenesisEvangelion just don't fit together. While they aren't exactly in a relationship, they both have strong feelings for each other, but they fail so much at communication that both suffer because they believe their feelings to be unrequited. They're similar where they should be different(both have trouble expressing affection because of their crappy past) and different where they should be similar. (She's very extroverted and dominant, and poor shy, introverted Shinji can't bring himself to speak up to her/stop her from pushing him around)This is furtherly complicated by the fact that Asuka sees him as a rival. She, in particular, constantly provokes him into doing stupid things, does nothing but insult and abuse him, until he eventually [[bewareTheNiceOnes snaps]] and attempts to strangle her. In the [[RebuildOfEvangelion Rebuild continuity]], even Asuka herself realizes that Shinji [[IWantMyBelovedToBeHappy would be better off]] with his ''other'' love interest.
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* The [[ExactlyWhatItSaysOnTheTin self-explanatory]] "(I Hate) Everything About You" by ThreeDaysGrace.
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If the relationship doesn't contain outright DomesticAbuse, then they are still dragging each other down on an emotional level. This is sometimes done on purpose as a calculated move to make the partner stay: If your partner doesn't have any self-esteem, they'll believe that they don't deserve any better then being with a creep like you. They'll simply accept the pain as if it's a universal truth that LoveHurts. However, please note that the partner does not ''have'' to be malicious or abusive; a sufficiently fragile character is all too easy to break.

These relationships can sometimes ''be caused by'' situations such as AMatchMadeInStockholm and delusions such as MaritalRapeLicense and SexIsEvilAndIAmHorny. They might ''lead to'' situations such as a DestructoNookie.

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If the relationship doesn't contain outright DomesticAbuse, then they are still dragging each other down on an emotional level. This is sometimes done on purpose as a calculated move to make the partner stay: If your partner doesn't have any self-esteem, they'll believe that they don't deserve any better then being with a creep like you. They'll simply accept the pain as if it's a universal truth that LoveHurts. However, please note that the partner does not ''have'' to be malicious or abusive; a sufficiently fragile it depends on how sensitive the other character is all too easy to break.

is.

These relationships can sometimes ''be caused by'' situations such as AMatchMadeInStockholm and delusions messed-up beliefs such as MaritalRapeLicense and SexIsEvilAndIAmHorny. They might ''lead to'' situations such as a DestructoNookie.

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* The Alpha Couple from TheMountainGoats is this all over. Even their inevitable, final reconciliation has threatening undertones:
--> Oh sing, sing, sing, for the dying of the day.\\
Sing for the flames that will rip through here\\
And the smoke that will carry us away.\\
Yeah, sing for the damage we've done\\
And the worse things that we'll do\\
Open your mouth up and sing for me now\\
And I will sing for you.

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\n* In {{Moonlight}}, Josef describes Mick's realtionship with his sire/ex-girlfriend Coraline as this to Mick's current love interest, Beth.
--->'''Josef''': You have to understand, Mick and Coraline's relationship was one of those terrifying, completely self-
--->destructive freakshows that you spend your whole life searching for knowing it can only end in one or both of you dead.
--->'''Beth''': That's your idea of love?
--->'''Josef''': What can I tell you, I'm a romantic.





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Made it more gender neutral; the previous way made it seem like Rape Is Ok When It Is Female On Male.


If the relationship doesn't contain outright DomesticAbuse, then they are still dragging each other down on an emotional level. This is sometimes done on purpose as a calculated move to make the partner stay: If your partner doesn't have any self-esteem, she'll believe that she doesn't deserve any better then being with a creep like you. She'll simply accept the pain as if it's a universal truth that LoveHurts. However, please note that the partner does not ''have'' to be malicious or abusive; a sifficiently fragile character is all too easy to break.

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If the relationship doesn't contain outright DomesticAbuse, then they are still dragging each other down on an emotional level. This is sometimes done on purpose as a calculated move to make the partner stay: If your partner doesn't have any self-esteem, she'll they'll believe that she doesn't they don't deserve any better then being with a creep like you. She'll They'll simply accept the pain as if it's a universal truth that LoveHurts. However, please note that the partner does not ''have'' to be malicious or abusive; a sifficiently sufficiently fragile character is all too easy to break.
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->'''Terri''': Who are we kidding will. This marriage works because you don't feel good about yourself!

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->'''Terri''': Who are we kidding will. kidding, Will? This marriage works because you don't feel good about yourself!
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->'''Will''': I should be allowed to feel good about myself!
->'''Terri''': Who are we kidding will. This marriage works because you don't feel good about yourself!
->-''{{Glee}}''


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* On ''{{Glee}}'', Terri spells out to Will that the only reason their marriage works is because it is a DestructiveRomance. Will, actually wanting to be in a healthy relationship, leaves.
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* The comic series ''Flinch'' once featured a short story titled ''A Red Romance'' (illustrated by DCAU's Bruce Timm, of all people) where a man and a woman, both sociopathic lowlifes, fall in love and begin a relationship that involves sickening amounts of Masochistic Tangoing, until even this violence isn't enough to satisfy their desires. It leads to the jaded man hiring a specialist to torture and kill her while he watches, only to discover she hired the specialist for the exact same reason. The story ends with the couple in orgasmic ecstasy as they watch one another get horribly brutalized, before finally killing them and leaving them in each other's arms on the bloodstained bed. A story that manages to be touchingly romantic AND incredibly disturbing at the same time.
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* In BuffyTheVampireSlayer, Spike's interest in Buffy started as StalkerWithACrush. But after she fell into a depression, the relationship was gradually upgraded to pure DestructiveRomance, as she started accepting his advances out of pure self-hatred. While she had nothing but conte,pt for him, he really did love her - but being the undead soulless monster that he was, he expressed it by trying to rape her. [[spoiler:Ironically, this made him realize that she deserves better, and go on a quest to get his soul back - eventually becoming a good vampire.]]

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If the relationship doesn't contain outright DomesticAbuse, then they are still dragging each other down on an emotional level. This is sometimes done on purpose, as a calculated move to make the partner stay: If your partner doesn't have any self-esteem, she'll believe that she doesn't deserve any better then being with a creep like you. She'll simply accept the pain as if it was a universal truth that LoveHurts. However, please note that the partner does not ''have'' to be malicious or abusive: A sifficiently fragile character is all too easy to break.

to:

If the relationship doesn't contain outright DomesticAbuse, then they are still dragging each other down on an emotional level. This is sometimes done on purpose, purpose as a calculated move to make the partner stay: If your partner doesn't have any self-esteem, she'll believe that she doesn't deserve any better then being with a creep like you. She'll simply accept the pain as if it was it's a universal truth that LoveHurts. However, please note that the partner does not ''have'' to be malicious or abusive: A abusive; a sifficiently fragile character is all too easy to break.



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[[AC:ComicBooks]]
* In {{Fables}}, the relationship between Jack and Rose Red has more then a hint of this even from the start, with Rose Red eventually realizing that they only brought out the worst in each other. When she later reconnects with him, it's out of pure self-hatred. Their new relationship drags her down even further.
* In {{Lucifer}}, Lady Lys' spirit gets permanently broken by her mortal lover Cristopher Rudd. And you thought a romance between a demon and a human would be bad for the ''human''?
* In BitchyBitch, Midge is so fragile that any romance she experiences is likely to turn into this.
* In BitchyButch, one of the main sources of the protagonist's permanent foul mood is that she got her heart broken by her first serious Girlfriend. First the Girlfriend was unfaithful, sleeping with another woman without asking for an open relationship first. When discovered, she declares open relationship retroactively, and Butchy accepts it on a theoretical level. On a emotional level, she obviously never got over it.
* In TheFeelingPrinceCharlesHad, love ''itself'' is portrayed as a destructive force that is bound to break people down emotionally.

[[AC:{{Literature}}]]
* The novel TheStoryOfO exists in two versions. These versions have very different endings, casting the rest of the story in very different light. In the most popular version, which most adaptations are built on, the relationship is simply CasualKink and PropertyOfLove. The other version is a DestructiveRomance presented as AbusivelySexy during most of the book [[MoodWhiplash but then abruptly changes tone]] at the end. [[spoiler:It ends with the protagonist and her boyfriend agreeing that she should commit suicide... and she does.]]

[[AC:LiveActionTV]]
* LawAndOrderSpecialVictimsUnit have portrayed many of these over the years. In one episode, Olivia tries in vain to convince a woman to report her husband for DomesticAbuse. Of course she refuses to betray her beloved like that [[spoiler:and eventually ends up dying in Olivia's arms, stabbed to death by her husband.]]
* In the ''North and South'' miniseries, Madeleine is married off to the villain Justin - who gradually breaks her down over the years, eventually turning her into a drugged down empty shell of a human being. Lasts [[LoveRedeems until the hero save her with his love]].

[[AC:{{Music}}]]

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[[AC:ComicBooks]]

[[foldercontrol]]

[[folder:Comic Books]]
* In {{Fables}}, ''{{Fables}}'', the relationship between Jack and Rose Red has more then a hint of this even from the start, with Rose Red eventually realizing that they only brought out the worst in each other. When she later reconnects with him, it's out of pure self-hatred. Their new relationship drags her down even further.
* In {{Lucifer}}, ''{{Lucifer}}'', Lady Lys' spirit gets permanently broken by her mortal lover Cristopher Rudd. And you thought a romance between a demon and a human would be bad for the ''human''?
* In BitchyBitch, ''BitchyBitch'', Midge is so fragile that any romance she experiences is likely to turn into this.
* In BitchyButch, ''BitchyButch'', one of the main sources of the protagonist's permanent foul mood is that she got her heart broken by her first serious Girlfriend. girlfriend. First the Girlfriend girlfriend was unfaithful, sleeping with another woman without asking for an open relationship first. When discovered, she declares an open relationship retroactively, and Butchy accepts it on a theoretical level. On a emotional level, she obviously never got over it.
* In TheFeelingPrinceCharlesHad, ''TheFeelingPrinceCharlesHad'', love ''itself'' ''[[LoveHurts itself]]'' is portrayed as a destructive force that is bound to break people down emotionally.

[[AC:{{Literature}}]]
emotionally.
[[/folder]]

[[folder:Literature]]
* The novel TheStoryOfO ''TheStoryOfO'' exists in two versions. These versions have very different endings, casting the rest of the story in very different light.lights. In the most popular version, which most adaptations are built on, the relationship is simply CasualKink and PropertyOfLove. The other version is a DestructiveRomance presented as AbusivelySexy during most of the book [[MoodWhiplash but then abruptly changes tone]] at the end. [[spoiler:It ends with the protagonist and her boyfriend agreeing that she should commit suicide... and she does.]]

[[AC:LiveActionTV]]
]]
[[/folder]]

[[folder:Live Action TV]]
* LawAndOrderSpecialVictimsUnit have ''LawAndOrderSpecialVictimsUnit'' has portrayed many of these over the years. In one episode, Olivia tries in vain to convince a woman to report her husband for DomesticAbuse. Of course she refuses to betray her beloved like that [[spoiler:and eventually ends up dying in Olivia's arms, stabbed to death by her husband.]]
husband]].
* In the ''North and South'' miniseries, Madeleine is married off to the villain Justin - who gradually breaks her down over the years, eventually turning her into a drugged down empty shell of a human being. Lasts It lasts [[LoveRedeems until the hero save her with his love]].

[[AC:{{Music}}]]
love]].
[[/folder]]

[[folder:Music]]




[[AC:{{Theater}}]]
* SunsetBoulevard: and OH how dysfunctional, with Norma's outbursts and Joe's passive aggressive BS. [[spoiler: Close to teh end, it turns out that her relationship with her butler is even worse.]]

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\n[[AC:{{Theater}}]]\n[[/folder]]

[[folder:Theater]]
* SunsetBoulevard: Norma and OH how dysfunctional, Joe's relationship in ''SunsetBoulevard'': and ''oh'', what a dysfunctional one it is, with Norma's outbursts and Joe's passive aggressive BS. [[spoiler: Close to teh the end, it turns out that her [[spoiler:Norma's relationship with her butler is even worse.]]]]
[[/folder]]
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* Eminem and Rihanna's hit "Love the Way You Lie."

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* Eminem and Rihanna's hit "Love the Way You Lie.""

[[AC:{{Theater}}]]
* SunsetBoulevard: and OH how dysfunctional, with Norma's outbursts and Joe's passive aggressive BS. [[spoiler: Close to teh end, it turns out that her relationship with her butler is even worse.]]
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Compare WomanScorned for when the destructiveness is caused by the termination of the romance rather then the romance itself. Contrast SafeSaneAndConsensual and CasualKink for stuff that might ''look'' like destructive romance without actually being it.

to:

Compare WomanScorned for when the destructiveness is caused by the termination of the romance rather then the romance itself. Contrast SafeSaneAndConsensual and CasualKink for stuff that might ''look'' like destructive romance without actually being it. \n Compare SexIsEvilAndIAmHorny.
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Compare WomanScorned for when the destructiveness is caused by the termination of the romance rather then the romance itself. Contrast SafeSaneAndConsensual, CasualKink and HarmlessWar for stuff that might ''look'' like destructive romance without actually being it.

to:

Compare WomanScorned for when the destructiveness is caused by the termination of the romance rather then the romance itself. Contrast SafeSaneAndConsensual, SafeSaneAndConsensual and CasualKink and HarmlessWar for stuff that might ''look'' like destructive romance without actually being it.

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