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%%* Music/TheGrapesOfWrath: "All the Things I Wasn't"

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%%* * Music/TheGrapesOfWrath: In "All the Things I Wasn't"Wasn't", the camera glides through different rooms, each containing a member of the band playing their instrument. PlayedWith, as there's some rotating and lingering involved.
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%%* Music/{{Feist}}: "My Moon My Man" is a literal example of this, being set in an airport at night (Pearson Airport, in Toronto). Also an example of TheOner.

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%%* * Music/{{Feist}}: "My Moon My Man" is a literal example of this, being set in an airport at night (Pearson Airport, in Toronto). Also an example The vocalist is shot walking, standing (while people pass by her), dancing, and moon-walking on a conveyor belt as she sings. When she runs out of TheOner.conveyor belt, she changes directions but the camera never leaves her.
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%%* Music/MileyCyrus: "Start All Over".

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%%* * Music/MileyCyrus: From her Disney era, "Start All Over".Over" is a [[TheOner Oner]] of Miley dreaming about vibing with everyone in her neighborhood. The camera goes back from her to her backing dancers having fun. There are some orbital shots and {{tilt}}s mixed in too.
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%%* Music/CrowdedHouse: "Don't Dream It's Over".

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%%* * Music/CrowdedHouse: In "Don't Dream It's Over".Over", as the song picks up, the vocalist is shown through sliding shots of him in different rooms. There's a filming camera roll at some point, {{lampshad|edTrope}}ing it. It's a {{downplayed}} example because, mixed with the trucking shots, there are regular shots.
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Moved to Rewind Gag.


%%* Music/{{Coldplay}}: In "The Scientist", the entire video is filmed backwards but sung forwards--Chris Martin spent a month learning to mime the song backwards to achieve the effect.
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%%* Music/GregoryAbbott: "Shake You Down"

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%%* * Music/GregoryAbbott: The music video of "Shake You Down"Down" is a collection of sliding shots of (mostly black) people engaging in various activities (such as dancing or waking up) or merely staring at the camera. They are interspersed of similar shots of Abbott singing.
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Obviously, some film splicing is needed to create the illusion of nonstop camera movement. SubTrope of TrackingShot (a long camera shot) and {{Truck}} (moving the camera horizontally without changing the direction it points). SisterTrope of SeamlessScenery (a scene shifts between two locations via the movement of characters/objects).

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Obviously, some film splicing is needed to create the illusion of nonstop camera movement. SubTrope of TrackingShot (a long camera shot) and {{Truck}} (moving (horizontally moving the camera horizontally without changing the direction it points).rotating it). SisterTrope of SeamlessScenery (a scene shifts between two locations via the movement of characters/objects).
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Obviously, some film splicing is needed to create the illusion of nonstop camera movement. SubTrope of TrackingShot (a long camera shot). SisterTrope of SeamlessScenery (a scene shifts between two locations via the movement of characters/objects).

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Obviously, some film splicing is needed to create the illusion of nonstop camera movement. SubTrope of TrackingShot (a long camera shot).shot) and {{Truck}} (moving the camera horizontally without changing the direction it points). SisterTrope of SeamlessScenery (a scene shifts between two locations via the movement of characters/objects).



%%[[AC:Live-Action TV]]
%%* ''Series/ADifferentWorld'': In the second TitleSequence.

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%%[[AC:Live-Action [[AC:Live-Action TV]]
%%* * ''Series/ADifferentWorld'': In the second TitleSequence.
TitleSequence, the camera trucks right, showing the main characters reading non-descript blue books. As the motion continues, we slide to other rooms, in which various secondary characters get brief {{Establishing Character Moment}}s such as girls prettying themselves up, a marching band annoying the hell of an overworked woman, a LoveInterests flirting, a team playing basketball, people dancing, a girl chatting in the phone, military personnel saluting, and graduates celebrating.
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Obviously, some film splicing is needed to create the illusion of nonstop camera movement. See also TrackingShot.

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Obviously, some film splicing is needed to create the illusion of nonstop camera movement. See also TrackingShot.
SubTrope of TrackingShot (a long camera shot). SisterTrope of SeamlessScenery (a scene shifts between two locations via the movement of characters/objects).
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** The [[https://www.youtube.com/watch?v=qybUFnY7Y8w second video]] for "This Too Shall Pass" combines this trope with TheOner and RubeGoldbergDevice.
** In a way, the music video of "Music/HereItGoesAgain" could be considered one, even if it's not one in the traditional sense.

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** %%** The [[https://www.youtube.com/watch?v=qybUFnY7Y8w second video]] for "This Too Shall Pass" combines this trope with TheOner and RubeGoldbergDevice.
** %%** In a way, the music video of "Music/HereItGoesAgain" could be considered one, even if it's not one in the traditional sense.

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Changed: 150

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%%* Music/CrowdedHouse: "Don't Dream It's Over"

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%%* Music/CrowdedHouse: "Don't Dream It's Over"Over".



* Music/DAY6: "Breaking Down" features several overlaid and vertically tessellating, glitched-out shots of the band performing.



%%** "I Don't Wanna Go On With You Like That"

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%%** "I Don't Wanna Go On With You Like That"That".



* Music/JourneyBand: "[[https://www.youtube.com/watch?v=LatorN4P9aA Separate Ways]]" has a sequence where the camera pans down the line of band members, who each get right up on the camera in turn to shred away.



%%* Music/{{OKGo}}: The [[https://www.youtube.com/watch?v=qybUFnY7Y8w second video]] for "This Too Shall Pass" combines this trope with TheOner and RubeGoldbergDevice.

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%%* Music/{{OKGo}}: Music/{{OKGo}}:
**
The [[https://www.youtube.com/watch?v=qybUFnY7Y8w second video]] for "This Too Shall Pass" combines this trope with TheOner and RubeGoldbergDevice.RubeGoldbergDevice.
** In a way, the music video of "Music/HereItGoesAgain" could be considered one, even if it's not one in the traditional sense.
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Added DiffLines:

%%* Music/LittleCreatures: "And She Was".
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* ''Music/SabrinaCarpenter'': The music video of "Thumbs" is a continuous shot that follows Sabrina and the passengers of a subterranean train. When Sabrina is off-screen, the camera focuses on the passengers as they sync-lip one of the song's stanzas. When it stops, the camera goes out of the door, pans to the people there, and then gets back.

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* ''Music/SabrinaCarpenter'': Music/SabrinaCarpenter: The music video of "Thumbs" is a continuous shot that follows Sabrina and the passengers of a subterranean train. When Sabrina is off-screen, the camera focuses on the passengers as they sync-lip one of the song's stanzas. When it stops, the camera goes out of the door, pans to the people there, and then gets back.
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Added DiffLines:

* ''Music/SabrinaCarpenter'': The music video of "Thumbs" is a continuous shot that follows Sabrina and the passengers of a subterranean train. When Sabrina is off-screen, the camera focuses on the passengers as they sync-lip one of the song's stanzas. When it stops, the camera goes out of the door, pans to the people there, and then gets back.

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