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Compare UnreliableVoiceover. SuperTrope of SynchronizedMorningRoutine, two or more characters' MorningRoutines are shown mirrored in the same scene.
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Compare UnreliableVoiceover. SuperTrope of SynchronizedMorningRoutine, two or more characters' MorningRoutines {{Morning Routine}}s are shown mirrored in the same scene.
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* ''Fanfic/FantasticFoxesOfZootopia'': ''MOM(S)!'' compares and contrasts the parenting styles of Nick's mother, Skye's mother, Retsuko's mother and Ash's mother, Felicity.
Added DiffLines:
* ''Fanfic/SpotsOff'': Chapter 7 ends this way. On one hand you have Sabine and Tom reassuring Marinette that they're [[SoProudOfYou proud of her]] and everything she's achieved as Ladybug, and that she has their full support. On the other, you have Adrien writing a letter to his ControlFreak father, trying in vain to convince Gabriel to ''permit'' him to [[spoiler:publicly support Marinette]]. The latter segments are aligned to the right, cutting back and forth between both scenes.
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Deleted line(s) 14,16 (click to see context) :
* ''Manga/DeathNote''
** Episode 30 of has a montage towards the beginning that highlights Kira's adverse effects on ordinary people -- then we cut the sound early to Demegawa's "I am here to tell you that Kira is justice!" Even moreso when [[spoiler:we see Sachiko collapse into tears after receiving Soichiro's ashes]].
** There's also one very early, when Light starts scheduling people to die at a specific time. He gets happily on with his day while people die out of sight.
** Episode 30 of has a montage towards the beginning that highlights Kira's adverse effects on ordinary people -- then we cut the sound early to Demegawa's "I am here to tell you that Kira is justice!" Even moreso when [[spoiler:we see Sachiko collapse into tears after receiving Soichiro's ashes]].
** There's also one very early, when Light starts scheduling people to die at a specific time. He gets happily on with his day while people die out of sight.
Changed line(s) 19 (click to see context) from:
** Fou-lu, however, was a {{subverted}} KingInTheMountain, who was seen as an UnwantedRevival by the corrupted Fou Empire and was actively pursued to be killed by them. [[spoiler:He ultimately ''snaps'' after his love interest was tortured and sacrificed to [[HumanResources be used as fuel]] for the Hex Cannon against him]], upon which he decides to KillAllHumans because HumansAreTheRealMonsters.
to:
** Fou-lu, however, was a {{subverted}} {{Subverted|Trope}} KingInTheMountain, who was seen as an UnwantedRevival by the corrupted Fou Empire and was actively pursued to be killed by them. [[spoiler:He ultimately ''snaps'' after his love interest was tortured and sacrificed to [[HumanResources be used as fuel]] for the Hex Cannon against him]], upon which he decides to KillAllHumans because HumansAreTheRealMonsters.HumansAreTheRealMonsters.
* ''Manga/DeathNote'':
** Episode 30 of has a montage towards the beginning that highlights Kira's adverse effects on ordinary people -- then we cut the sound early to Demegawa's "I am here to tell you that Kira is justice!" Even moreso when [[spoiler:we see Sachiko collapse into tears after receiving Soichiro's ashes]].
** There's also one very early, when Light starts scheduling people to die at a specific time. He gets happily on with his day while people die out of sight.
* ''Manga/DeathNote'':
** Episode 30 of has a montage towards the beginning that highlights Kira's adverse effects on ordinary people -- then we cut the sound early to Demegawa's "I am here to tell you that Kira is justice!" Even moreso when [[spoiler:we see Sachiko collapse into tears after receiving Soichiro's ashes]].
** There's also one very early, when Light starts scheduling people to die at a specific time. He gets happily on with his day while people die out of sight.
Changed line(s) 28 (click to see context) from:
* ''Fanfic/TheMeaningOfOne'': Harry and Ginny simultaneously watch the Dursley and Weasley families get ready for breakfast -- even seeing Vernon Dursley and Arthur Weasley reading the newspaper and having a drink at the same time -- but with stark differences between them. Vernon is irritable, while Arthur is calm. The Dursleys demand that Harry cook breakfast for everyone, with Petunia frowning suspiciously at him the whole time, while at the Burrow, Mrs Weasley offers to take care of it. The breaking point, however, is [[spoiler:when Vernon slaps Harry's hand down into the table for attempting to take a piece of bacon to go with his single slice of toast, while Dudley has four slices of toast, six rashers of bacon, five sausages, and four eggs. Vernon apparently intends to reserve the ''rest'' of the bacon for him too. Once Harry is evacuated to the Weasleys' home, Mrs Weasley fills a plate to overflowing for him and tells him that "There's plenty more where that came from."]]
to:
* ''Fanfic/TheMeaningOfOne'': Harry and Ginny simultaneously watch the Dursley and Weasley families get ready for breakfast -- even seeing Vernon Dursley and Arthur Weasley reading the newspaper and having a drink at the same time -- but with stark differences between them. Vernon is irritable, while Arthur is calm. The Dursleys demand that Harry cook breakfast for everyone, with Petunia frowning suspiciously at him the whole time, while at the Burrow, Mrs Weasley offers to take care of it. The breaking point, however, is [[spoiler:when Vernon slaps Harry's hand down into the table for attempting to take a piece of bacon to go with his single slice of toast, while Dudley has four slices of toast, six rashers of bacon, five sausages, and four eggs. Vernon apparently intends to reserve the ''rest'' of the bacon for him too. Once Harry is evacuated to the Weasleys' home, Mrs Weasley fills a plate to overflowing for him and tells him that "There's plenty more where that came from."]]"]].
Deleted line(s) 32 (click to see context) :
* ''Film/TeamAmericaWorldPolice'': The "Montage" sequence, which is mainly a TrainingMontage, also features the BigBad's preparations to complete his evil scheme.
* The "Savages" musical number in ''WesternAnimation/{{Pocahontas}}'' showing the Colonists and the Natives preparing to go to war against each other, with emphasis on the irony of the two sides being so similar when each side sings about how the other side is not like them.
Changed line(s) 35 (click to see context) from:
* The "Savages" musical number in ''WesternAnimation/{{Pocahontas}}'' showing the Colonists and the Natives preparing to go to war against each other, with emphasis on the irony of the two sides being so similar when each side sings about how the other side is not like them.
to:
* ''Film/TeamAmericaWorldPolice'': The "Savages" musical number in ''WesternAnimation/{{Pocahontas}}'' showing "Montage" sequence, which is mainly a TrainingMontage, also features the Colonists and the Natives preparing BigBad's preparations to go to war against each other, with emphasis on the irony of the two sides being so similar when each side sings about how the other side is not like them.complete his evil scheme.
Changed line(s) 39,44 (click to see context) from:
* The opening sequence of ''Film/ThePrivateLifeOfHenryVIII'' cuts back and forth between the grim scene of Anne Boleyn's execution and the happy, flirtatious fun of life at court as Henry's getting ready to marry Jane. It even has Anne say "What a beautiful day" as she stands on the block, only for Jane to say the exact same thing much more cheerfully back at court.
* ''Franchise/{{Rocky}}''
** ''Film/RockyIII'': The opening montage explicitly contrasts Rocky's rich lifestyle with Clubber Lang's rough and tumble rise to the top.
** ''Film/RockyIV'': The TrainingMontage was all about this: Rocky's rustic TrainingFromHell is contrasted with Ivan Drago's super-scientific and soulless training regimen. This helps define the difference between the two fighters: Rocky has heart, while Drago is empty.
* ''Film/RepoTheGeneticOpera'' has a great one during the song ''At The Opera Tonight.'' It cuts between the Repo Man suiting up and Blind Mag lamenting her future, while they sing similar lines in tandem.
* ''Film/FromHell'' has a montage contrasting the life of Dr. William Gull (the Queen's surgeon) and Mary Jane Kelly (a prostitute), showing how unfair Victorian life is.
* ''Franchise/{{Rocky}}''
** ''Film/RockyIII'': The opening montage explicitly contrasts Rocky's rich lifestyle with Clubber Lang's rough and tumble rise to the top.
** ''Film/RockyIV'': The TrainingMontage was all about this: Rocky's rustic TrainingFromHell is contrasted with Ivan Drago's super-scientific and soulless training regimen. This helps define the difference between the two fighters: Rocky has heart, while Drago is empty.
* ''Film/RepoTheGeneticOpera'' has a great one during the song ''At The Opera Tonight.'' It cuts between the Repo Man suiting up and Blind Mag lamenting her future, while they sing similar lines in tandem.
* ''Film/FromHell'' has a montage contrasting the life of Dr. William Gull (the Queen's surgeon) and Mary Jane Kelly (a prostitute), showing how unfair Victorian life is.
to:
!!!By Creator:
*The opening sequence of ''Film/ThePrivateLifeOfHenryVIII'' cuts back and forth between the grim scene of Anne Boleyn's execution and the happy, flirtatious fun of life Creator/SergeiEisenstein was a master at court as Henry's getting ready to marry Jane. It even has Anne say "What a beautiful day" as she stands on the block, only for Jane to say the exact same thing much more cheerfully back at court.
* ''Franchise/{{Rocky}}''
this.
**''Film/RockyIII'': The opening montage explicitly ''Film/{{Strike}}'' contrasts Rocky's the simple meal of the workers' families dining together happily, with the rich lifestyle with Clubber Lang's rough and tumble rise to the top.
fancy meal of their angry, evil boss who dines alone.
**''Film/RockyIV'': The TrainingMontage was all ''Film/{{October}}'', about this: Rocky's rustic TrainingFromHell is contrasted the UsefulNotes/RedOctober revolution of 1917, takes a dim view of religion in accordance with Ivan Drago's super-scientific Communist doctrine. The "masks of the gods" sequence contrasts Russian Orthodox icons with Buddhist statues and soulless training regimen. This helps define pagan carvings, suggesting that all religions are the difference between the two fighters: Rocky has heart, while Drago is empty.
* ''Film/RepoTheGeneticOpera'' has a great one during the song ''At The Opera Tonight.'' It cuts between the Repo Man suiting up and Blind Mag lamenting her future, while they sing similar lines in tandem.
* ''Film/FromHell'' has a montage contrasting the life of Dr. William Gull (the Queen's surgeon) and Mary Jane Kelly (a prostitute), showing how unfair Victorian life is.same.
!!!By Film:
*
* ''Franchise/{{Rocky}}''
**
**
* ''Film/RepoTheGeneticOpera'' has a great one during the song ''At The Opera Tonight.'' It cuts between the Repo Man suiting up and Blind Mag lamenting her future, while they sing similar lines in tandem.
* ''Film/FromHell'' has a montage contrasting the life of Dr. William Gull (the Queen's surgeon) and Mary Jane Kelly (a prostitute), showing how unfair Victorian life is.
!!!By Film:
Deleted line(s) 46 (click to see context) :
* ''Film/TheKarateKid1984'' has a battle montage contrasting Daniel's style -- tentative, but growing in confidence -- with the Cobra Kai's ruthless and calculated style.
Changed line(s) 49,50 (click to see context) from:
* ''Film/{{Titanic 1997}}'' cuts between scenes of the fun and raucous party in steerage and the boring rich folks sitting around gossiping over brandy and cigars.
* ''Film/KillYourDarlings'' has an very uncomfortable sequence, cutting back and forth between shots of murder, anonymous sex, drug abuse, and learning of the death of a friend, showing how the different characters react to and create various tragedies.
* ''Film/KillYourDarlings'' has an very uncomfortable sequence, cutting back and forth between shots of murder, anonymous sex, drug abuse, and learning of the death of a friend, showing how the different characters react to and create various tragedies.
to:
* ''Film/{{Titanic 1997}}'' cuts between scenes of ''Film/FromHell'' has a montage contrasting the fun life of Dr. William Gull (the Queen's surgeon) and raucous party in steerage and the boring rich folks sitting around gossiping over brandy and cigars.
* ''Film/KillYourDarlings'' has an very uncomfortable sequence, cutting back and forth between shots of murder, anonymous sex, drug abuse, and learning of the death of a friend,Mary Jane Kelly (a prostitute), showing how the different characters react to and create various tragedies. unfair Victorian life is.
* ''Film/KillYourDarlings'' has an very uncomfortable sequence, cutting back and forth between shots of murder, anonymous sex, drug abuse, and learning of the death of a friend,
Changed line(s) 52,54 (click to see context) from:
* Creator/SergeiEisenstein was a master at this.
** ''Film/{{Strike}}'' contrasts the simple meal of the workers' families dining together happily, with the rich fancy meal of their angry, evil boss who dines alone.
** ''Film/{{October}}'', about the UsefulNotes/RedOctober revolution of 1917, takes a dim view of religion in accordance with Communist doctrine. The "masks of the gods" sequence contrasts Russian Orthodox icons with Buddhist statues and pagan carvings, suggesting that all religions are the same.
** ''Film/{{Strike}}'' contrasts the simple meal of the workers' families dining together happily, with the rich fancy meal of their angry, evil boss who dines alone.
** ''Film/{{October}}'', about the UsefulNotes/RedOctober revolution of 1917, takes a dim view of religion in accordance with Communist doctrine. The "masks of the gods" sequence contrasts Russian Orthodox icons with Buddhist statues and pagan carvings, suggesting that all religions are the same.
to:
* Creator/SergeiEisenstein was ''Film/TheKarateKid1984'' has a master at this.
** ''Film/{{Strike}}'' contrasts the simple meal of the workers' families dining together happily,battle montage contrasting Daniel's style -- tentative, but growing in confidence -- with the rich fancy meal Cobra Kai's ruthless and calculated style.
* ''Film/KillYourDarlings'' has an very uncomfortable sequence, cutting back and forth between shots oftheir angry, evil boss who dines alone.
** ''Film/{{October}}'', about the UsefulNotes/RedOctober revolution of 1917, takes a dim view of religion in accordance with Communist doctrine. The "masksmurder, anonymous sex, drug abuse, and learning of the gods" sequence contrasts Russian Orthodox icons death of a friend, showing how the different characters react to and create various tragedies.
* ''Film/KingAFilmedRecordMontgomeryToMemphis'': This documentary film opens withBuddhist statues and pagan carvings, suggesting a montage in which Martin Luther King, advocating for his own system of non-violence, is contrasted with a series of [[AngryBlackMan Angry Black Men]] advocating the more militant Black Power politics that all religions came into vogue in the 1960s. One clip shows King reminding his audience that there are white people who also believe in civil rights, and some who died for it, like the same.two young white volunteers murdered in Mississippi, or Rev. James Reeb, beaten to death in Alabama. The film then cuts to H. Rap Brown telling an audience that "The time for talking is over, brothers. It's time for war," and saying that black people need to get guns. Cut to another clip of Martin Luther King saying that he will always advocate non-violence as a tactic.
** ''Film/{{Strike}}'' contrasts the simple meal of the workers' families dining together happily,
* ''Film/KillYourDarlings'' has an very uncomfortable sequence, cutting back and forth between shots of
** ''Film/{{October}}'', about the UsefulNotes/RedOctober revolution of 1917, takes a dim view of religion in accordance with Communist doctrine. The "masks
* ''Film/KingAFilmedRecordMontgomeryToMemphis'': This documentary film opens with
Deleted line(s) 56 (click to see context) :
* ''Film/TheWayAhead'' (1944). Two retired veterans are griping about how easy soldiers have it [[UsefulNotes/WorldWarII these days]], against a montage of those soldiers slogging through a tough assault course.
Changed line(s) 58 (click to see context) from:
* ''Film/KingAFilmedRecordMontgomeryToMemphis'': This documentary film opens with a montage in which Martin Luther King, advocating for his own system of non-violence, is contrasted with a series of [[AngryBlackMan Angry Black Men]] advocating the more militant Black Power politics that came into vogue in the 1960s. One clip shows King reminding his audience that there are white people who also believe in civil rights, and some who died for it, like the two young white volunteers murdered in Mississippi, or Rev. James Reeb, beaten to death in Alabama. The film then cuts to H. Rap Brown telling an audience that "The time for talking is over, brothers. It's time for war," and saying that black people need to get guns. Cut to another clip of Martin Luther King saying that he will always advocate non-violence as a tactic.
to:
* ''Film/KingAFilmedRecordMontgomeryToMemphis'': This documentary film opens with The opening sequence of ''Film/ThePrivateLifeOfHenryVIII'' cuts back and forth between the grim scene of Anne Boleyn's execution and the happy, flirtatious fun of life at court as Henry's getting ready to marry Jane. It even has Anne say "What a beautiful day" as she stands on the block, only for Jane to say the exact same thing much more cheerfully back at court.
* ''Film/RepoTheGeneticOpera'' has a great one during the song ''At The Opera Tonight''. It cuts between the Repo Man suiting up and Blind Mag lamenting her future, while they sing similar lines in tandem.
* ''Franchise/{{Rocky}}'':
** ''Film/RockyIII'': The opening montagein which Martin Luther King, advocating for his own system of non-violence, explicitly contrasts Rocky's rich lifestyle with Clubber Lang's rough and tumble rise to the top.
** ''Film/RockyIV'': The TrainingMontage was all about this: Rocky's rustic TrainingFromHell is contrasted witha series of [[AngryBlackMan Angry Black Men]] advocating Ivan Drago's super-scientific and soulless training regimen. This helps define the more militant Black Power politics that came into vogue in the 1960s. One clip shows King reminding his audience that there are white people who also believe in civil rights, and some who died for it, like difference between the two young white volunteers murdered in Mississippi, or Rev. James Reeb, beaten to death in Alabama. The film then fighters: Rocky has heart, while Drago is empty.
* ''Film/{{Titanic 1997}}'' cutsto H. Rap Brown telling an audience that "The time for talking is over, brothers. It's time for war," between scenes of the fun and saying that black people need to get guns. Cut to another clip raucous party in steerage and the boring rich folks sitting around gossiping over brandy and cigars.
* ''Film/TheWayAhead'' (1944). Two retired veterans are griping about how easy soldiers have it [[UsefulNotes/WorldWarII these days]], against a montage ofMartin Luther King saying that he will always advocate non-violence as those soldiers slogging through a tactic.tough assault course.
* ''Film/RepoTheGeneticOpera'' has a great one during the song ''At The Opera Tonight''. It cuts between the Repo Man suiting up and Blind Mag lamenting her future, while they sing similar lines in tandem.
* ''Franchise/{{Rocky}}'':
** ''Film/RockyIII'': The opening montage
** ''Film/RockyIV'': The TrainingMontage was all about this: Rocky's rustic TrainingFromHell is contrasted with
* ''Film/{{Titanic 1997}}'' cuts
* ''Film/TheWayAhead'' (1944). Two retired veterans are griping about how easy soldiers have it [[UsefulNotes/WorldWarII these days]], against a montage of
* The first episode of ''Series/AgentCarter'' shows Peggy Carter making {{tea|LovingBrits}} and getting dressed in her apartment in 1947, intercut with scenes from ''Film/CaptainAmericaTheFirstAvenger'' of Peggy kicking ass and taking names during World War II. This sets up the theme of how Peggy is [[YouGetMeCoffee stuck doing mundane tasks]] now that the war is over and women are expected to StayInTheKitchen.
Changed line(s) 63,66 (click to see context) from:
* A humorous version exists in the Series/{{Mythbusters}} Demolition Derby Special, where Jamie and Adam are preparing a bus for a series of possibly dangerous stunt driving maneuvers. The show cuts back and forth between Jamie very calmly, meticulously putting together parts of a rollcage while Adam is frantically cutting pipe and tearing things up to make room for the cage.
* ''Series/{{Supernatural}}''.
** "Free To Be You And Me" juxtaposes the temporarily separated Dean and Sam, with Dean doing his usual business of icing monsters intercut with Sam's attempts to hold down a normal job and life. In "Exile on Main Street", Dean has done the same, and scenes of his normal life are intercut with flashbacks to life as a Hunter.
** In "The Slice Girls", Dean having sex with a GirlOfTheWeek is intercut with a VictimOfTheWeek being murdered. [[InterplayOfSexAndViolence Turns out the two events are related]], so this also serves as {{foreshadowing}}.
* ''Series/{{Supernatural}}''.
** "Free To Be You And Me" juxtaposes the temporarily separated Dean and Sam, with Dean doing his usual business of icing monsters intercut with Sam's attempts to hold down a normal job and life. In "Exile on Main Street", Dean has done the same, and scenes of his normal life are intercut with flashbacks to life as a Hunter.
** In "The Slice Girls", Dean having sex with a GirlOfTheWeek is intercut with a VictimOfTheWeek being murdered. [[InterplayOfSexAndViolence Turns out the two events are related]], so this also serves as {{foreshadowing}}.
to:
* A humorous version exists in ''Series/GameOfThrones''. At the Series/{{Mythbusters}} Demolition Derby Special, where Jamie and Adam are preparing a bus for a series start of possibly dangerous stunt driving maneuvers. The show cuts back and forth between Jamie very calmly, meticulously putting together parts of a rollcage while Adam is frantically cutting pipe and tearing things up to make room for the cage.
* ''Series/{{Supernatural}}''.
** "Free To Be You And Me" juxtaposes the temporarily separated Dean and Sam, with Dean doing his usual business of icing monsters intercut with Sam's attempts to hold down a normal job and life. In "Exile on Main Street", Dean has done the same, and scenes of his normal life are intercut with flashbacks to life as a Hunter.
** In"The Slice Girls", Dean having sex Pointy End", Syrio Forel and Arya Stark are shown sparring with wooden swords while Lannister soldiers with real swords are shown massacring Arya's household. Then more Lannister soldiers turn up to detain Arya. From now on, for Arya the fighting and killing will be real.
* The season 4 episode of ''Series/HouseOfCardsUS'' that introduces Republican presidential nominee Will Conway uses this trope to contrast him from series protagonist and Democratic presidential nominee [[Creator/KevinSpacey Frank Underwood]]. Conway enjoys spirited "good morning" sex on the bathroom counter with Hannah, while Frank stands alone in front of aGirlOfTheWeek bathroom vanity filled with recovery medications as Claire peeks in from a cautious distance. After the quickie with his spouse, Conway goofs around with one of his adorable moppet children; meanwhile, a subdued Frank discusses with Claire the importance of staying focused on their political agenda instead of worrying about their personal relationship.
* ''Series/HouseOfTheDragon'': Rhaenyra's and Daemon's passionate liaison in a pleasure house is intercut with Alicent having [[LieBackAndThinkOfEngland dispassionate and unpleasant sex with Viserys]]. The scene becomes even more powerful when Daemon tells Rhaenyra that sex should be pleasant for both woman and man. In the next shot, Alicent is the focus, doing her duty as aVictimOfTheWeek wife to the king, while Daemon talks about marriage being murdered. [[InterplayOfSexAndViolence Turns out the two events are related]], so this also serves as {{foreshadowing}}.a duty, but that shouldn't stop anyone from fucking with whom they want and enjoying themselves. Unlike Alicent, for Rhaenyra, her first sexual experience is pleasant.
* ''Series/{{Supernatural}}''.
** "Free To Be You And Me" juxtaposes the temporarily separated Dean and Sam, with Dean doing his usual business of icing monsters intercut with Sam's attempts to hold down a normal job and life. In "Exile on Main Street", Dean has done the same, and scenes of his normal life are intercut with flashbacks to life as a Hunter.
** In
* The season 4 episode of ''Series/HouseOfCardsUS'' that introduces Republican presidential nominee Will Conway uses this trope to contrast him from series protagonist and Democratic presidential nominee [[Creator/KevinSpacey Frank Underwood]]. Conway enjoys spirited "good morning" sex on the bathroom counter with Hannah, while Frank stands alone in front of a
* ''Series/HouseOfTheDragon'': Rhaenyra's and Daemon's passionate liaison in a pleasure house is intercut with Alicent having [[LieBackAndThinkOfEngland dispassionate and unpleasant sex with Viserys]]. The scene becomes even more powerful when Daemon tells Rhaenyra that sex should be pleasant for both woman and man. In the next shot, Alicent is the focus, doing her duty as a
Changed line(s) 70,74 (click to see context) from:
** Used again in the first episode of the second series, when the team are shown going about their business before another day at community service begins: Alisha and Curtis gently tease one another; Kelly mourns [[spoiler:Nathan's]] death; Simon returns to his upstairs hideaway to mourn [[spoiler:Sally's]] death - for good measure, [[spoiler:he's got her body stored in a freezer in this same hideout.]] And all throughout this montage, a figure in a black jumpsuit, mask and hood is seen dashing across rooftops towards the community centre...
* The season 4 episode of ''Series/HouseOfCardsUS'' that introduces Republican presidential nominee Will Conway uses this trope to contrast him from series protagonist and Democratic presidential nominee [[Creator/KevinSpacey Frank Underwood]]. Conway enjoys spirited "good morning" sex on the bathroom counter with Hannah, while Frank stands alone in front of a bathroom vanity filled with recovery medications as Claire peeks in from a cautious distance. After the quickie with his spouse, Conway goofs around with one of his adorable moppet children; meanwhile, a subdued Frank discusses with Claire the importance of staying focused on their political agenda instead of worrying about their personal relationship.
* The first episode of ''Series/AgentCarter'' shows Peggy Carter making {{tea|LovingBrits}} and getting dressed in her apartment in 1947, intercut with scenes from ''Film/CaptainAmericaTheFirstAvenger'' of Peggy kicking ass and taking names during World War II. This sets up the theme of how Peggy is [[YouGetMeCoffee stuck doing mundane tasks]] now the war is over and women are expected to StayInTheKitchen.
* ''Series/GameOfThrones''. At the start of "The Pointy End", Syrio Forel and Arya Stark are shown sparring with wooden swords while Lannister soldiers with real swords are shown massacring Arya's household. Then more Lannister soldiers turn up to detain Arya. From now on, for Arya the fighting and killing will be real.
* ''Series/HouseOfTheDragon'': Rhaenyra's and Daemon's passionate liaison in a pleasure house is intercut with Alicent having [[LieBackAndThinkOfEngland dispassionate and unpleasant sex with Viserys]]. The scene becomes even more powerful when Daemon tells Rhaenyra that sex should be pleasant for both woman and man. In the next shot, Alicent is the focus, doing her duty as a wife to the king, while Daemon talks about marriage being a duty, but that shouldn't stop anyone from fucking with whom they want and enjoying themselves. Unlike Alicent, for Rhaenyra, her first sexual experience is pleasant.
* The season 4 episode of ''Series/HouseOfCardsUS'' that introduces Republican presidential nominee Will Conway uses this trope to contrast him from series protagonist and Democratic presidential nominee [[Creator/KevinSpacey Frank Underwood]]. Conway enjoys spirited "good morning" sex on the bathroom counter with Hannah, while Frank stands alone in front of a bathroom vanity filled with recovery medications as Claire peeks in from a cautious distance. After the quickie with his spouse, Conway goofs around with one of his adorable moppet children; meanwhile, a subdued Frank discusses with Claire the importance of staying focused on their political agenda instead of worrying about their personal relationship.
* The first episode of ''Series/AgentCarter'' shows Peggy Carter making {{tea|LovingBrits}} and getting dressed in her apartment in 1947, intercut with scenes from ''Film/CaptainAmericaTheFirstAvenger'' of Peggy kicking ass and taking names during World War II. This sets up the theme of how Peggy is [[YouGetMeCoffee stuck doing mundane tasks]] now the war is over and women are expected to StayInTheKitchen.
* ''Series/GameOfThrones''. At the start of "The Pointy End", Syrio Forel and Arya Stark are shown sparring with wooden swords while Lannister soldiers with real swords are shown massacring Arya's household. Then more Lannister soldiers turn up to detain Arya. From now on, for Arya the fighting and killing will be real.
* ''Series/HouseOfTheDragon'': Rhaenyra's and Daemon's passionate liaison in a pleasure house is intercut with Alicent having [[LieBackAndThinkOfEngland dispassionate and unpleasant sex with Viserys]]. The scene becomes even more powerful when Daemon tells Rhaenyra that sex should be pleasant for both woman and man. In the next shot, Alicent is the focus, doing her duty as a wife to the king, while Daemon talks about marriage being a duty, but that shouldn't stop anyone from fucking with whom they want and enjoying themselves. Unlike Alicent, for Rhaenyra, her first sexual experience is pleasant.
to:
** Used again in the first episode of the second series, when the team are shown going about their business before another day at community service begins: Alisha and Curtis gently tease one another; Kelly mourns [[spoiler:Nathan's]] death; Simon returns to his upstairs hideaway to mourn [[spoiler:Sally's]] death - for good measure, [[spoiler:he's got her body stored in a freezer in this same hideout.]] hideout]]. And all throughout this montage, a figure in a black jumpsuit, mask and hood is seen dashing across rooftops towards the community centre...
*The season 4 episode of ''Series/HouseOfCardsUS'' that introduces Republican presidential nominee Will Conway uses this trope to contrast him from A [[PlayedForLaughs humorous version]] exists in the ''Series/{{Mythbusters}}'' Demolition Derby Special, where Jamie and Adam are preparing a bus for a series protagonist of possibly dangerous stunt driving maneuvers. The show cuts back and Democratic presidential nominee [[Creator/KevinSpacey Frank Underwood]]. Conway enjoys spirited "good morning" sex on the bathroom counter with Hannah, forth between Jamie very calmly, meticulously putting together parts of a rollcage while Frank stands alone in front of a bathroom vanity filled Adam is frantically cutting pipe and tearing things up to make room for the cage.
* ''Series/{{Supernatural}}''.
** "Free To Be You And Me" juxtaposes the temporarily separated Dean and Sam, withrecovery medications as Claire peeks in from a cautious distance. After the quickie with Dean doing his spouse, Conway goofs around with one usual business of his adorable moppet children; meanwhile, a subdued Frank discusses with Claire the importance of staying focused on their political agenda instead of worrying about their personal relationship.
* The first episode of ''Series/AgentCarter'' shows Peggy Carter making {{tea|LovingBrits}} and getting dressed in her apartment in 1947,icing monsters intercut with Sam's attempts to hold down a normal job and life. In "Exile on Main Street", Dean has done the same, and scenes from ''Film/CaptainAmericaTheFirstAvenger'' of Peggy kicking ass and taking names during World War II. This sets up the theme of how Peggy is [[YouGetMeCoffee stuck doing mundane tasks]] now the war is over and women his normal life are expected intercut with flashbacks to StayInTheKitchen.
* ''Series/GameOfThrones''. At the start oflife as a Hunter.
** In "ThePointy End", Syrio Forel and Arya Stark are shown sparring Slice Girls", Dean having sex with wooden swords while Lannister soldiers with real swords are shown massacring Arya's household. Then more Lannister soldiers turn up to detain Arya. From now on, for Arya the fighting and killing will be real.
* ''Series/HouseOfTheDragon'': Rhaenyra's and Daemon's passionate liaison ina pleasure house GirlOfTheWeek is intercut with Alicent having [[LieBackAndThinkOfEngland dispassionate and unpleasant sex with Viserys]]. The scene becomes even more powerful when Daemon tells Rhaenyra that sex should be pleasant for both woman and man. In the next shot, Alicent is the focus, doing her duty as a wife to the king, while Daemon talks about marriage VictimOfTheWeek being a duty, but that shouldn't stop anyone from fucking with whom they want and enjoying themselves. Unlike Alicent, for Rhaenyra, her first sexual experience is pleasant.murdered. [[InterplayOfSexAndViolence Turns out the two events are related]], so this also serves as {{foreshadowing}}.
*
* ''Series/{{Supernatural}}''.
** "Free To Be You And Me" juxtaposes the temporarily separated Dean and Sam, with
* The first episode of ''Series/AgentCarter'' shows Peggy Carter making {{tea|LovingBrits}} and getting dressed in her apartment in 1947,
* ''Series/GameOfThrones''. At the start of
** In "The
* ''Series/HouseOfTheDragon'': Rhaenyra's and Daemon's passionate liaison in
Changed line(s) 97,100 (click to see context) from:
-->[...] Now you're gonna jump a crazy gorge.
-->Keep on shavin' that hairy uncle.
-->[[EvenTheSubtitlerIsStumped Uh... I don't really know what's happen in this part.]]
-->Your heart's on fire and the fire is in your heart!
-->Keep on shavin' that hairy uncle.
-->[[EvenTheSubtitlerIsStumped Uh... I don't really know what's happen in this part.]]
-->Your heart's on fire and the fire is in your heart!
to:
-->[...] Now you're gonna jump a crazy gorge.
-->Keepgorge.\\
Keep on shavin' that hairyuncle.
-->[[EvenTheSubtitlerIsStumpeduncle.\\
[[EvenTheSubtitlerIsStumped Uh... I don't really know what's happen in this part.]]
-->Your]]\\
Your heart's on fire and the fire is in your heart!
-->Keep
Keep on shavin' that hairy
-->[[EvenTheSubtitlerIsStumped
[[EvenTheSubtitlerIsStumped Uh... I don't really know what's happen in this part.
-->Your
Your heart's on fire and the fire is in your heart!
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* ''WesternAnimation/YoungJustice2010''. In "Infiltrator", Kid Flash stuck at high school enduring the first day of his sophomore year is intercut with the rest of his team having fun at the beach.
to:
* ''WesternAnimation/YoungJustice2010''. In "Infiltrator", Kid Flash being stuck at high school enduring the first day of his sophomore year is intercut with the rest of his team having fun at the beach.
beach.
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Compare UnreliableVoiceover.
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Compare UnreliableVoiceover. SuperTrope of SynchronizedMorningRoutine, two or more characters' MorningRoutines are shown mirrored in the same scene.
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[[folder:Music]]
* Music/TwinTribes: In "Monolith"'s music video, a woman in a white dress is corrupted by OminousObsidianOoze, tainting the room she's in. A contrasting view reintroduces the same room and lady in white as untainted, with pink lighting and petals on the floor, and she looks much happier. The scene alternates between the inky lady thrashing in agony and her smiling counterpart dancing gracefully, with the musical duo and the titular monolith appearing in either view as either clean and smiling (in the brighter view) or tainted with ink (in the darker view).
[[/folder]]
* Music/TwinTribes: In "Monolith"'s music video, a woman in a white dress is corrupted by OminousObsidianOoze, tainting the room she's in. A contrasting view reintroduces the same room and lady in white as untainted, with pink lighting and petals on the floor, and she looks much happier. The scene alternates between the inky lady thrashing in agony and her smiling counterpart dancing gracefully, with the musical duo and the titular monolith appearing in either view as either clean and smiling (in the brighter view) or tainted with ink (in the darker view).
[[/folder]]
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[[folder: Web Comics]]
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[[folder: Web Comics]]Webcomics]]
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[[folder:Web Original]]
* ''WebVideo/DoctorHorriblesSingAlongBlog'': The song "So They Say" juxtaposes Captain Hammer and Dr. Horrible as they gear up for the events of Act 3.
** Likewise "On the Rise" contrasts Penny's optimism with Dr. Horrible's pessimism about the world.
* ''WebVideo/DoctorHorriblesSingAlongBlog'': The song "So They Say" juxtaposes Captain Hammer and Dr. Horrible as they gear up for the events of Act 3.
** Likewise "On the Rise" contrasts Penny's optimism with Dr. Horrible's pessimism about the world.
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[[folder:Web Original]]
Videos]]
*''WebVideo/DoctorHorriblesSingAlongBlog'': ''WebVideo/DrHorriblesSingAlongBlog'':
** The song "So They Say" juxtaposes Captain Hammer and Dr. Horrible as they gear up for the events of Act 3.
**Likewise "On the Rise" contrasts Penny's optimism with Dr. Horrible's pessimism about the world.
*
** The song "So They Say" juxtaposes Captain Hammer and Dr. Horrible as they gear up for the events of Act 3.
**
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* ''Film/KingAFilmedRecordMontgomeryToMemphis'': This documentary film opens with a montage in which Martin Luther King, advocating for his own system of non-violence, is contrasted with a series of [[AngryBlackMan Angry Black Men]] advocating the more militant Black Power politics that came into vogue in the 1960s. One clip shows King reminding his audience that there are white people who also believe in civil rights, and some who died for it, like the two young white volunteers murdered in Mississippi, or Rev. James Reeb, beaten to death in Alabama. The film then cuts to H. Rap Brown telling an audience that "The time for talking is over, brothers. It's time for war," and saying that black people need to get guns. Cut to another clip of Martin Luther King saying that he will always advocate non-violence as a tactic.
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[[folder:Fan Works]]
* ''Fanfic/TheMeaningOfOne'': Harry and Ginny simultaneously watch the Dursley and Weasley families get ready for breakfast -- even seeing Vernon Dursley and Arthur Weasley reading the newspaper and having a drink at the same time -- but with stark differences between them. Vernon is irritable, while Arthur is calm. The Dursleys demand that Harry cook breakfast for everyone, with Petunia frowning suspiciously at him the whole time, while at the Burrow, Mrs Weasley offers to take care of it. The breaking point, however, is [[spoiler:when Vernon slaps Harry's hand down into the table for attempting to take a piece of bacon to go with his single slice of toast, while Dudley has four slices of toast, six rashers of bacon, five sausages, and four eggs. Vernon apparently intends to reserve the ''rest'' of the bacon for him too. Once Harry is evacuated to the Weasleys' home, Mrs Weasley fills a plate to overflowing for him and tells him that "There's plenty more where that came from."]]
[[/folder]]
* ''Fanfic/TheMeaningOfOne'': Harry and Ginny simultaneously watch the Dursley and Weasley families get ready for breakfast -- even seeing Vernon Dursley and Arthur Weasley reading the newspaper and having a drink at the same time -- but with stark differences between them. Vernon is irritable, while Arthur is calm. The Dursleys demand that Harry cook breakfast for everyone, with Petunia frowning suspiciously at him the whole time, while at the Burrow, Mrs Weasley offers to take care of it. The breaking point, however, is [[spoiler:when Vernon slaps Harry's hand down into the table for attempting to take a piece of bacon to go with his single slice of toast, while Dudley has four slices of toast, six rashers of bacon, five sausages, and four eggs. Vernon apparently intends to reserve the ''rest'' of the bacon for him too. Once Harry is evacuated to the Weasleys' home, Mrs Weasley fills a plate to overflowing for him and tells him that "There's plenty more where that came from."]]
[[/folder]]
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** ''Series/HouseOfTheDragon'': [[spoiler:Rhaenyra's and Daemon's passionate liaison]] in a pleasure house is intercut with Alicent having dispassionate and unpleasant sex with Viserys. The scene becomes even more powerful when [[spoiler:Daemon tells Rhaenyra]] that sex should be pleasant for both woman and man. In the next shot, Alicent is the focus, doing her duty as a wife to the king, while [[spoiler:Daemon]] talks about marriage being a duty, but that shouldn't stop anyone from fucking with whom they want and enjoying themselves. Unlike Alicent, [[spoiler:for Rhaenyra, her first sexual experience is pleasant.]]
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** ''Series/HouseOfTheDragon'': [[spoiler:Rhaenyra's and Daemon's passionate liaison]] in a pleasure house is intercut with Alicent having dispassionate and unpleasant sex with Viserys. The scene becomes even more powerful when [[spoiler:Daemon tells Rhaenyra]] that sex should be pleasant for both woman and man. In the next shot, Alicent is the focus, doing her duty as a wife to the king, while [[spoiler:Daemon]] talks about marriage being a duty, but that shouldn't stop anyone from fucking with whom they want and enjoying themselves. Unlike Alicent, [[spoiler:for Rhaenyra, her first sexual experience is pleasant.]]
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* ''Series/HouseOfTheDragon'': Rhaenyra's and Daemon's passionate liaison in a pleasure house is intercut with Alicent having [[LieBackAndThinkOfEngland dispassionate and unpleasant sex with Viserys]]. The scene becomes even more powerful when Daemon tells Rhaenyra that sex should be pleasant for both woman and man. In the next shot, Alicent is the focus, doing her duty as a wife to the king, while Daemon talks about marriage being a duty, but that shouldn't stop anyone from fucking with whom they want and enjoying themselves. Unlike Alicent, for Rhaenyra, her first sexual experience is pleasant.
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** Fou-lu, however, was a {{subverted}} KingInTheMountain, who was seen as an UnwantedRevival by the corrupted Fou Empire and was actively pursued to be killed by them. [[spoiler:He ultimately ''snaps'' after his love interest was tortured and sacrificed to [[HumanResources be used as fuel]] for the Hex Cannon against him]], upon which he decides to KillEmAll because HumansAreTheRealMonsters.
to:
** Fou-lu, however, was a {{subverted}} KingInTheMountain, who was seen as an UnwantedRevival by the corrupted Fou Empire and was actively pursued to be killed by them. [[spoiler:He ultimately ''snaps'' after his love interest was tortured and sacrificed to [[HumanResources be used as fuel]] for the Hex Cannon against him]], upon which he decides to KillEmAll KillAllHumans because HumansAreTheRealMonsters.
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* The opening of ''VideoGame/{{Halo 2}}'' contrasts scenes of a UNSC medal ceremony where Captain Keyes is posthumously awarded humanity's highest honor, with scenes of Thel 'Vadamee being [[InsigniaRipOffRitual stripped of his rank (and clothes)]] and publicly branded for [[YouHaveFailedMe failing to stop the Master Chief from destroying Halo]] in the previous game.
to:
* The opening of ''VideoGame/{{Halo 2}}'' contrasts scenes of a UNSC medal ceremony where Sergeant Johnson, Master Chief, and Captain Keyes (posthumously is posthumously his case) are awarded humanity's highest honor, with scenes of Thel 'Vadamee being [[InsigniaRipOffRitual stripped of his rank (and clothes)]] and publicly branded for [[YouHaveFailedMe failing to stop the Master Chief from destroying Halo]] in the previous game.
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* ''TheSimpsons'' in "The President Wore Pearls" had Lisa preform a musical montage of her becoming popular and manipulated with Principal Skinner singing about his evil scheme to cut Music, Art and Gym.
to:
* ''TheSimpsons'' in ''WesternAnimation/TheSimpsons'': In "The President Wore Pearls" had Pearls", Lisa preform performs a musical montage of her becoming popular and manipulated with Principal Skinner singing about his evil scheme to cut Music, Art and Gym.
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[[folder:Video Games]]
* The opening of ''VideoGame/{{Halo 2}}'' contrasts scenes of a UNSC medal ceremony where Captain Keyes is posthumously awarded humanity's highest honor, with scenes of Thel 'Vadamee being [[InsigniaRipOffRitual stripped of his rank (and clothes)]] and publicly branded for [[YouHaveFailedMe failing to stop the Master Chief from destroying Halo]] in the previous game.
[[/folder]]
* The opening of ''VideoGame/{{Halo 2}}'' contrasts scenes of a UNSC medal ceremony where Captain Keyes is posthumously awarded humanity's highest honor, with scenes of Thel 'Vadamee being [[InsigniaRipOffRitual stripped of his rank (and clothes)]] and publicly branded for [[YouHaveFailedMe failing to stop the Master Chief from destroying Halo]] in the previous game.
[[/folder]]
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Changed line(s) 67 (click to see context) from:
* The first episode of ''Series/AgentCarter'' shows Peggy Carter making a SpotOfTea and getting dressed in her apartment in 1947, intercut with scenes from ''Film/CaptainAmericaTheFirstAvenger'' of Peggy kicking ass and taking names during World War II. This sets up the theme of how Peggy is [[YouGetMeCoffee stuck doing mundane tasks]] now the war is over and women are expected to StayInTheKitchen.
to:
* The first episode of ''Series/AgentCarter'' shows Peggy Carter making a SpotOfTea {{tea|LovingBrits}} and getting dressed in her apartment in 1947, intercut with scenes from ''Film/CaptainAmericaTheFirstAvenger'' of Peggy kicking ass and taking names during World War II. This sets up the theme of how Peggy is [[YouGetMeCoffee stuck doing mundane tasks]] now the war is over and women are expected to StayInTheKitchen.
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* ''WesternAnimation/YoungJustice2010''. In "Infiltrator", Kid Flash stuck at high school enduring the first day of his sophomore year is intercut with the rest of his team having fun at the beach.
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Not So Different has been renamed, and it needs to be dewicked/moved
Changed line(s) 31 (click to see context) from:
* The "Savages" musical number in ''WesternAnimation/{{Pocahontas}}'' showing the Colonists and the Natives preparing to go to war against each other, with emphasis on the irony of [[NotSoDifferent the two sides being so similar]] when each side sings about how the other side is not like them.
to:
* The "Savages" musical number in ''WesternAnimation/{{Pocahontas}}'' showing the Colonists and the Natives preparing to go to war against each other, with emphasis on the irony of [[NotSoDifferent the two sides being so similar]] similar when each side sings about how the other side is not like them.
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* ''The Way Ahead'' (1944). Two retired veterans are griping about how easy soldiers have it [[UsefulNotes/WorldWarII these days]], against a montage of those soldiers slogging through a tough assault course.
* ''The Naked Face'' (1984) opens with the protagonist (a psychiatrist) listening to his patients, against scenes of a unseen assassin assembling a silenced rifle in a (failed) attempt to murder him.
* ''The Naked Face'' (1984) opens with the protagonist (a psychiatrist) listening to his patients, against scenes of a unseen assassin assembling a silenced rifle in a (failed) attempt to murder him.
to:
* ''The Way Ahead'' ''Film/TheWayAhead'' (1944). Two retired veterans are griping about how easy soldiers have it [[UsefulNotes/WorldWarII these days]], against a montage of those soldiers slogging through a tough assault course.
*''The Naked Face'' ''Film/TheNakedFace'' (1984) opens with the protagonist (a psychiatrist) listening to his patients, against scenes of a unseen assassin assembling a silenced rifle in a (failed) attempt to murder him.
*
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Changed line(s) 31 (click to see context) from:
* The "Savages" musical number in ''DisWesternAnimationey/{{Pocahontas}}'' showing the Colonists and the Natives preparing to go to war against each other, with emphasis on the irony of [[NotSoDifferent the two sides being so similar]] when each side sings about how the other side is not like them.
to:
* The "Savages" musical number in ''DisWesternAnimationey/{{Pocahontas}}'' ''WesternAnimation/{{Pocahontas}}'' showing the Colonists and the Natives preparing to go to war against each other, with emphasis on the irony of [[NotSoDifferent the two sides being so similar]] when each side sings about how the other side is not like them.
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Changed line(s) 30,31 (click to see context) from:
* In Disney/{{Tangled}}, Rapunzel out of the tower turns into a MoodSwinger, in a montage switching from delight at being outside and despair on how she defied her mother -- with Flynn watching it all deadpan.
* The "Savages" musical number in ''Disney/{{Pocahontas}}'' showing the Colonists and the Natives preparing to go to war against each other, with emphasis on the irony of [[NotSoDifferent the two sides being so similar]] when each side sings about how the other side is not like them.
* The "Savages" musical number in ''Disney/{{Pocahontas}}'' showing the Colonists and the Natives preparing to go to war against each other, with emphasis on the irony of [[NotSoDifferent the two sides being so similar]] when each side sings about how the other side is not like them.
to:
* In Disney/{{Tangled}}, ''WesternAnimation/{{Tangled}}'', Rapunzel out of the tower turns into a MoodSwinger, in a montage switching from delight at being outside and despair on how she defied her mother -- with Flynn watching it all deadpan.
* The "Savages" musical number in''Disney/{{Pocahontas}}'' ''DisWesternAnimationey/{{Pocahontas}}'' showing the Colonists and the Natives preparing to go to war against each other, with emphasis on the irony of [[NotSoDifferent the two sides being so similar]] when each side sings about how the other side is not like them.
* The "Savages" musical number in
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* ''WesternAnimation/TotalDrama'' has one juxtaposing the Screaming Gophers' well co-ordinated teamwork as they build their team's hot tub with the Killer Bass' conflicts and problems as they try to build theirs.
to:
* ''WesternAnimation/TotalDrama'' has one juxtaposing in ''Not So Happy Campers Part 2'' where the Screaming Gophers' well co-ordinated teamwork as they build their team's hot tub with the Killer Bass' conflicts and problems as they try to build theirs.
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* ''ComicBook/TheUltimates'': The eulogy for the people killed by Hulk is narrated over the scenes of the paramedics recovering the almost dead body of the Wasp.
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(inserted the new folder at the wrong point)
[[folder:Comic Books]]
* ''ComicBook/BatmanBlackAndWhite'': "Good Evening, Midnight" cuts back and forth between Batman rescuing a BusFullOfInnocents and Alfred at home reading an old letter from Thomas Wayne about what he hopes Bruce will be like when he grows up, setting up a series of contrasts and ironic juxtapositions between the contents of the letter and the events of Bruce's evening.
[[/folder]]
* ''ComicBook/BatmanBlackAndWhite'': "Good Evening, Midnight" cuts back and forth between Batman rescuing a BusFullOfInnocents and Alfred at home reading an old letter from Thomas Wayne about what he hopes Bruce will be like when he grows up, setting up a series of contrasts and ironic juxtapositions between the contents of the letter and the events of Bruce's evening.
[[/folder]]
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[[folder:Comic Books]]
* ''ComicBook/BatmanBlackAndWhite'': "Good Evening, Midnight" cuts back and forth between Batman rescuing a BusFullOfInnocents and Alfred at home reading an old letter from Thomas Wayne about what he hopes Bruce will be like when he grows up, setting up a series of contrasts and ironic juxtapositions between the contents of the letter and the events of Bruce's evening.
[[/folder]]
* ''ComicBook/BatmanBlackAndWhite'': "Good Evening, Midnight" cuts back and forth between Batman rescuing a BusFullOfInnocents and Alfred at home reading an old letter from Thomas Wayne about what he hopes Bruce will be like when he grows up, setting up a series of contrasts and ironic juxtapositions between the contents of the letter and the events of Bruce's evening.
[[/folder]]
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[[folder:Comic Books]]
* ''ComicBook/BatmanBlackAndWhite'': "Good Evening, Midnight" cuts back and forth between Batman rescuing a BusFullOfInnocents and Alfred at home reading an old letter from Thomas Wayne about what he hopes Bruce will be like when he grows up, setting up a series of contrasts and ironic juxtapositions between the contents of the letter and the events of Bruce's evening.
[[/folder]]
* ''ComicBook/BatmanBlackAndWhite'': "Good Evening, Midnight" cuts back and forth between Batman rescuing a BusFullOfInnocents and Alfred at home reading an old letter from Thomas Wayne about what he hopes Bruce will be like when he grows up, setting up a series of contrasts and ironic juxtapositions between the contents of the letter and the events of Bruce's evening.
[[/folder]]
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* In ''Film/TheGodfather'', [[BirthDeathJuxtaposition a christening is contrasted with a series of hits on rival mob bosses]].
to:
* In ''Film/TheGodfather'', [[BirthDeathJuxtaposition a christening is contrasted with a series of hits on rival mob bosses]]. Michael Corleone's promises to renounce Satan and "all his works" underscore the grisly scenes of the murders committed on his orders.
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Can be applied to other montages; for example, a {{Good Times|Montage}} and SadTimesMontage, or a TrainingMontage that contrasts the hero's method against that of TheRival. The MontageOut and ReallyDeadMontage are both particularly likely to juxtapose positive and negative elements this way.
to:
Can be applied to other montages; for example, a {{Good Times|Montage}} and SadTimesMontage, or a TrainingMontage that contrasts the hero's method against that of TheRival.
TheMontageOut MontageOut, LostLoveMontage and ReallyDeadMontage are both all particularly likely to juxtapose positive and negative elements this way.
The
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Changed line(s) 66,67 (click to see context) from:
[/folder]]
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Can be applied to other montages; for example, a {{GoodTimes|Montage}} and SadTimesMontage, or a TrainingMontage that contrasts the hero's method against that of TheRival. The MontageOut and ReallyDeadMontage are both particularly likely to juxtapose positive and negative elements this way.
to:
Can be applied to other montages; for example, a {{GoodTimes|Montage}} {{Good Times|Montage}} and SadTimesMontage, or a TrainingMontage that contrasts the hero's method against that of TheRival. The MontageOut and ReallyDeadMontage are both particularly likely to juxtapose positive and negative elements this way.
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[[folder: Web Comics]]
* In ''Webcomic/TheOrderOfTheStick'', the strip "[[http://www.giantitp.com/comics/oots0750.html Making Up For Lost Time]]" is a full-page montage contrasting Durkon struggling to research a new spell with Malack's assistance, Haley and Vaarsuvius subduing the guards and breaking slaves out of jail, and Elan spending a joyful day of balloons and dinosaur rides with his estranged father, oblivious to the signs of the man's dictatorial rule that his friends are busy fighting against.
[/folder]]
* In ''Webcomic/TheOrderOfTheStick'', the strip "[[http://www.giantitp.com/comics/oots0750.html Making Up For Lost Time]]" is a full-page montage contrasting Durkon struggling to research a new spell with Malack's assistance, Haley and Vaarsuvius subduing the guards and breaking slaves out of jail, and Elan spending a joyful day of balloons and dinosaur rides with his estranged father, oblivious to the signs of the man's dictatorial rule that his friends are busy fighting against.
[/folder]]
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Changed line(s) 3 (click to see context) from:
Can be applied to another montage; in particular, a {{Good|TimesMontage}} and SadTimesMontage, an ATeamMontage, and a TrainingMontage. The MontageOut is partly built on this. Compare UnreliableVoiceover.
to:
Can be applied to another montage; in particular, other montages; for example, a {{Good|TimesMontage}} {{GoodTimes|Montage}} and SadTimesMontage, an ATeamMontage, and or a TrainingMontage. TrainingMontage that contrasts the hero's method against that of TheRival. The MontageOut is partly built on this. and ReallyDeadMontage are both particularly likely to juxtapose positive and negative elements this way.
Compare UnreliableVoiceover.
Compare UnreliableVoiceover.
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* ''Series/GameOfThrones''. At the start of "The Pointy End", Syrio Forel and Arya Stark are shown sparring with wooden swords while Lannister soldiers with real swords are shown massacring Arya's household. Then more Lannister soldiers turn up to detain Arya. From now on, for Arya the fighting and killing will be real.