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[[AC: Puppet Shows]]
* ''Series/FraggleRock'': [[https://www.youtube.com/watch?v=gqI2Hl5VDa4 "Whoopee Cantata"]], tweaked to include {{Ska}} beats. In the show, is used to welcome back Uncle Matt who, hilariously, hates it.
* ''Series/SesameStreetSongsHomeVideo'': [[https://www.youtube.com/watch?v=zClFjaOV4cU "Old MacDonald Cantata"]] turns "Old [=MacDonald=] Had a Farm" into a makeshift cantata.




[[AC: Western Animation]]
* ''Series/FraggleRock'': [[https://www.youtube.com/watch?v=gqI2Hl5VDa4 "Whoopee Cantata"]], tweaked to include {{Ska}} beats. In the show, is used to welcome back Uncle Matt who, hilariously, hates it.
* ''Series/SesameStreetSongsHomeVideo'': [[https://www.youtube.com/watch?v=zClFjaOV4cU "Old MacDonald Cantata"]] turns "Old [=MacDonald=] Had a Farm" into a makeshift cantata.
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See also {{Opera}}, much lengthier than both the {{Oratorio}} and the Cantata and meant to be performed on stage, with costumes and all; OneWomanWail; and OminousLatinChanting. For that matter, ballads are vocal compositions in verse and were originally written to accompany dances.

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See also Contrast {{Opera}}, much lengthier than both the {{Oratorio}} and the Cantata and meant to be performed on stage, with costumes and all; OneWomanWail; and OminousLatinChanting. For that matter, ballads are vocal compositions in verse and were originally written to accompany dances.
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A cantata (literally "sung", derived from the Italian word "cantare") is a vocal composition (solo or chorale) with an instrumental accompaniment, typically in several movements.

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A cantata (literally "sung", derived from feminine past participle of the Italian word "cantare") verb ''cantare'', "to sing") is a vocal composition (solo or chorale) with an instrumental accompaniment, typically in several movements.
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Long Title has been disambiguated


* Music/LesLuthiers[='=]s LongTitle [[https://www.youtube.com/watch?v=trQy3IUk-Ek piece]] "Cantata del Adelantado Don Rodrigo Díaz de Carreras, de sus hazañas en tierras de Indias, de los singulares acontecimientos en que se vio envuelto, y de cómo se desenvolvió"[[labelnote: Translation]]Precocious Don Rodrigo Díaz de Carreras's Cantata, about his feats in the land of the Indies, about the unique events in which he got involved, and about the ways in which he untangled himself from them[[/labelnote]]. It has a narrator (non-sung) offering DeadpanSnarker commentary.

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* Music/LesLuthiers[='=]s LongTitle [[https://www.youtube.com/watch?v=trQy3IUk-Ek piece]] "Cantata del Adelantado Don Rodrigo Díaz de Carreras, de sus hazañas en tierras de Indias, de los singulares acontecimientos en que se vio envuelto, y de cómo se desenvolvió"[[labelnote: Translation]]Precocious Don Rodrigo Díaz de Carreras's Cantata, about his feats in the land of the Indies, about the unique events in which he got involved, and about the ways in which he untangled himself from them[[/labelnote]]. It has a narrator (non-sung) offering DeadpanSnarker commentary.
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* ''LightNovel/AriaTheScarletAmmo'': PlayedForLaughs in episode 6, when after Kinji opens a drawer full of women's underwear, Carl Orff ''Music/CarminaBurana'' plays in all of its glory. Made even more hilarious by Kinji's DeadpanSnarker response.

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* ''LightNovel/AriaTheScarletAmmo'': ''Literature/AriaTheScarletAmmo'': PlayedForLaughs in episode 6, when after Kinji opens a drawer full of women's underwear, Carl Orff ''Music/CarminaBurana'' plays in all of its glory. Made even more hilarious by Kinji's DeadpanSnarker response.



** [[https://www.youtube.com/watch?v=og0I6irS5jc "She Has to Overcome Her Fear"]] for ''LightNovel/SwordArtOnline''.

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** [[https://www.youtube.com/watch?v=og0I6irS5jc "She Has to Overcome Her Fear"]] for ''LightNovel/SwordArtOnline''.''Literature/SwordArtOnline''.
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Talking To Himself is dewicked


* The choral concert redux of the play ''1600 Pennsylvania Avenue'', "A White House Cantata". It's notable due to its purposeful usage of TalkingToHimself. Unfortunately, it was a flop, so it caused quite the disappointment to its creator, Music/LeonardBernstein.

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* The choral concert redux of the play ''1600 Pennsylvania Avenue'', "A White House Cantata". It's notable due to its purposeful usage of TalkingToHimself.ActingForTwo. Unfortunately, it was a flop, so it caused quite the disappointment to its creator, Music/LeonardBernstein.
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[[AC: Films - Live-Action]]

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[[AC: Films - -- Live-Action]]
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* Music/MagoDeOz's album "Gaia II: La Voz Dormida" [[LongestSongGoesLast ends]] with [[https://www.youtube.com/watch?v=vHBjlleWOkk "La Cantata del Diablo — Missit me Dominus"]].[[labelnote: Translations]]Respectively, "Gaia II: The Sleeping Voice" and "The Devil's Cantata -- The Lord has sent me"[[/labelnote]]

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* Spanish band Music/MagoDeOz's album "Gaia II: La Voz Dormida" [[LongestSongGoesLast ends]] with [[https://www.youtube.com/watch?v=vHBjlleWOkk "La Cantata del Diablo — Missit me Dominus"]].[[labelnote: Translations]]Respectively, "Gaia II: The Sleeping Voice" and "The Devil's Cantata -- The Lord has sent me"[[/labelnote]]me"[[/labelnote]] Ironically, the song rants against the Catholic Church.
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* Music/MagoDeOz's album "Gaia II: La Voz Dormida" [[LongestSongGoesLast ends]] with [[https://www.youtube.com/watch?v=vHBjlleWOkk "La Cantata del Diablo -- Missit me Dominus"]].[[labelnote: Translations]]Respectively, "Gaia II: The Sleeping Voice" and "The Devil's Cantata -- The Lord has sent me"[[/labelnote]]

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* Music/MagoDeOz's album "Gaia II: La Voz Dormida" [[LongestSongGoesLast ends]] with [[https://www.youtube.com/watch?v=vHBjlleWOkk "La Cantata del Diablo -- Missit me Dominus"]].[[labelnote: Translations]]Respectively, "Gaia II: The Sleeping Voice" and "The Devil's Cantata -- The Lord has sent me"[[/labelnote]]
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* ''Film/TheManWhoKnewTooMuch'': [[https://www.youtube.com/watch?v=goqJgPyqKJE "Storm Clouds Cantata"]] plays, InUniverse, during the climax of the movie. It echoes the happenings of the plot and is used as a MusicalTrigger. Many fans thought it was a pre-existent ClassicalMusic piece; in reality, it's an original soundtrack composed by Arthur Benjamin.

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* ''Film/TheManWhoKnewTooMuch'': [[https://www.youtube.com/watch?v=goqJgPyqKJE "Storm Clouds Cantata"]] plays, InUniverse, during the climax of the movie. It echoes the happenings of the plot and is used as a MusicalTrigger. Many fans thought it was a pre-existent ClassicalMusic piece; in reality, it's an original soundtrack composed by Arthur Benjamin.Music/ArthurBenjamin.



* ''Literature/Ivanhoe'' is adapted into an eponymous, dramatic cantata by Music/VictorSieg. It earned him a Prix de Rome.

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* ''Literature/Ivanhoe'' ''Literature/{{Ivanhoe}}'' is adapted into an eponymous, dramatic cantata by Music/VictorSieg. It earned him a Prix de Rome.
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* Music/CarlOrff's ''Music/CarminaBurana'' cantata [[AdaptationDistillation very liberally based]] on a collection of eponymous Medieval poems. Its opening and closing cantus [[https://www.youtube.com/watch?v=H4U9QJ1nzrg "Fortuna Imperatrix Mundi]] has become a StandardSnippet for {{Epic Movie}}s, particularly, the "StandardSnippet/OFortuna" movement.[[labelnote: Translations]]Respectively, "Songs of Beuern" and "Fortuna, Empress of the World"[[/labelnote]]

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* Music/CarlOrff's ''Music/CarminaBurana'' cantata is [[AdaptationDistillation very liberally based]] on a collection of eponymous Medieval poems. Its opening and closing cantus [[https://www.youtube.com/watch?v=H4U9QJ1nzrg "Fortuna Imperatrix Mundi]] has become a StandardSnippet for {{Epic Movie}}s, particularly, the "StandardSnippet/OFortuna" movement.[[labelnote: Translations]]Respectively, "Songs of Beuern" and "Fortuna, Empress of the World"[[/labelnote]]
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* Cantata Blast, the leader of the SIRENs, in the fanfic ''Fanfic/SevenDaysInSunnyJune''.

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* Cantata Blast, the leader of the SIRENs, [=SIRENs=], in the fanfic ''Fanfic/SevenDaysInSunnyJune''.
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%% Examples are alphabetized following the fictional work that originated them, not by the piece's names.


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** [[https://www.youtube.com/watch?v=og0I6irS5jc "She Has to Overcome Her Fear"]] for ''LightNovel/SwordArtOnline''.
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* ''LightNovel/AriaTheScarletAmmo'': PlayedForLaughs in episode 6, when after Kinji opens a drawer full of women's underwear, Carl Orff ''Music/CantataOrbis'' plays in all of its glory. Made even more hilarious by Kinji's DeadpanSnarker response.

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* ''LightNovel/AriaTheScarletAmmo'': PlayedForLaughs in episode 6, when after Kinji opens a drawer full of women's underwear, Carl Orff ''Music/CantataOrbis'' ''Music/CarminaBurana'' plays in all of its glory. Made even more hilarious by Kinji's DeadpanSnarker response.



* Music/DeepPurple includes Bach's "Herz und Mund und Tat und Leben" cantata as part of the intro of "You Fool No One/The Mule", an elaborate organ solo that quickly deranges into a musical mess.

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* Music/DeepPurple includes Bach's "Herz und Mund und Tat und Leben" Music/JohannSebastianBach's "Heart and mouth and deed and life" cantata as part of the intro of "You Fool No One/The Mule", an elaborate organ solo that quickly deranges into a musical mess.



* Music/JohannSebastianBach dominates the cantata composition scene with his 200+ religious ({{anvillicious}} and making use of Lutheran hymns and Bible versicles) and secular cantatas (often about Myth/ClassicalMythology). His cantatas are generally recognized as the finest examples of the genre. Examples include:

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* Music/JohannSebastianBach dominates the cantata composition scene with his 200+ religious ({{anvillicious}} and making use of Lutheran hymns and Bible versicles) and secular cantatas (often about Myth/ClassicalMythology). His cantatas are generally recognized as the finest examples of the genre. Though, to be fair, several of his religious cantatas are [[DolledUpInstallment dolled-up installments]] of his secular ones. The dude had a bad case of {{enforced}} SelfPlagiarism. Also, most of the lyrics of his cantatas were written by other people, he's just the musical composer. Anyway, we are digressing; Bach's cantatas often begin with {{Opening Chorus}}es or Sinfonias (completely instrumental parts). Examples include:



** Notably {{averted}} in his "Music/SchweigtStillePlaudertNicht" cantata, a piece popularly known as the "Coffee Cantata". However, it's not a cantata but a comic operetta -- lengthier than a cantata but shorter than an actual opera. The "Coffee Cantata" is a story about a [[DrinkBasedCharacterization daughter]] trying to convince her father that [[MustHaveCaffeine coffee is good, or at least innocent]]. It turned UsefulNotes/FrederickTheGreat into a huge fan of Bach.

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** Notably {{averted}} in his "Music/SchweigtStillePlaudertNicht" cantata, a piece popularly known as the "Coffee Cantata". However, it's not a cantata but a comic operetta -- lengthier than a cantata but shorter than an actual opera. The "Coffee Cantata" is Also, it begins with a story about a [[DrinkBasedCharacterization daughter]] trying to convince her father that [[MustHaveCaffeine coffee is good, or at least innocent]]. It turned UsefulNotes/FrederickTheGreat into a huge fan of Bach.recitative.



* Music/JohannSebastianBach's "The Coffee Cantata" which, as explained above, is [[GenreBusting not a cantata but an operetta]].

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* Music/JohannSebastianBach's "The Coffee Cantata" which, as explained above, is [[GenreBusting not a cantata but an operetta]]. It's a story about a [[DrinkBasedCharacterization daughter]] trying to convince her father that [[MustHaveCaffeine coffee is good, or at least innocent]]. It turned UsefulNotes/FrederickTheGreat into a huge fan of Bach.

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** [[https://www.youtube.com/watch?v=nrq626ro5VU "Christ lag in Todes Banden"]] (BWV 4).[[labelnote: Translation]]Christ Lay in the Snares of Death[[/labelnote]] Its third stanza features a StopAndGo in the word "nicht" (nothing remains) and eleven, sharp violin chords for a PsychoStrings effect.
** [[https://www.youtube.com/watch?v=jn4zEYWjejA "Ein feste Burg ist unser Gott"]][[labelnote: Translation]]A Mighty Fortress Is Our God[[/labelnote]] (BWV 80) [[LyricalColdOpen starts right away with the vocals]] instead of the traditional instrumental beginning.
** [[https://www.youtube.com/watch?v=qFlTRAhCav8 Erfreut euch, ihr Herzen]][[labelnote: Translation]]Rejoice, You Hearts[[/labelnote]], a [[LyricalDissonance lyrically disonant]] celebration of Jesus' resurrection. Its fourth and fifth movements feature a CounterpointDuet.
** In [[https://www.youtube.com/watch?v=amuqUQs0aFg "Herr, gehe nicht ins Gericht mit deinem Knecht"]] (BWV 105)[[labelnote: Translation]]Lord, do not pass judgment on Your servant[[/labelnote]], the strings [[HeartbeatSoundtrack evoke a heart beating]] rapidly from anxiety and fear which echo the lyrics. The cantata is about a sinner being tormented by his own conscience.
** [[https://www.youtube.com/watch?v=gG3wF5yNUFM "Herr Jesu Christ, du höchstes Gut"]] (BWV 113)[[labelnote: Translation]]Lord Jesus Christ, O highest good[[/labelnote]]. Its seventh movement is infamous for its [[ExaggeratedTrope abuse]] of MelismaticVocals to the point of being nearly unperformable.
** [[https://www.youtube.com/watch?v=hT3RlTfuTdk "Herr Jesu Christ, wahr’ Mensch und Gott"]] (BWV 127) [[labelnote: Translation]]Lord Jesus Christ, true Man and God[[/labelnote]], famed due to its {{Subdued Section}}s. This piece pioners loud-soft intervals by one century.
** The sixth and tenth movements of the "Herz und Mund und Tat und Leben"[[note]]despite not being its translation, it's known as "Jesu, Joy of Man's Desiring"[[/note]] cantata appear quite a lot in the SmallReferencePools most creators use. In such cases, it's usual for the tempo to be slower, the original German lyrics to never appear, and the melody to be an arrangement of the original.[[note]]The music jargon for when a piece is adapted for a different set of voices or instruments than those intended for the composer[[/note]]
** [[https://www.youtube.com/watch?v=xNnGAzHTliU "Hercules auf dem Scheidewege"]] (BWV 213)[[labelnote: Translation]]Hercules at the Crossroads[[/labelnote]], secular and featuring an AnsweringEcho in one of its arias.
** [[https://www.youtube.com/watch?v=rNgQ8tK08EU "Ich hatte viel Bekümmernis"]] (BWV 21)[[labelnote: Translation]]I Had Much Grief[[/labelnote]], famous for its [[ExaggeratedTrope abundant]] {{Song Style Shift}}s, which render it one of Bach's highest quality pieces.
** His [[https://www.youtube.com/watch?v=XDf6pHmjwH0 "Komm, du süße Todesstunde"]] (BWV 161)[[labelnote: Translation]]Come, Sweet Death[[/labelnote]] cantata purportedly [[InvokedTrope invokes]] the trope ObiWanMoment.
** [[https://www.youtube.com/watch?v=Hfkq-S7Vis8 "Liebster Gott, wenn werd ich sterben?"]] (BWV 8)[[labelnote: Translation]]Beloved God, When Will I Die?[[/labelnote]]. It's about wondering when one will die, so it appropriately features a TickTockTune to depict the passing of time.
** The opening chorus of the secular cantata [[https://www.youtube.com/watch?v=hASwusETOF8 "Tönet, ihr Pauken! Erschallet, Trompeten!"]] (BWV 24)[[labelnote: Translation]]Resound, ye drums! Ring out, ye trumpets![[/labelnote]] begins with an emphatic passage for solo, DramaticTimpani, occasionally punctuated by the ''basso continuo'' instruments. It carried over to Bach's "Christmas Oratorio".
** [[https://www.youtube.com/watch?v=3sj-NKqR0tw "Wachet auf, ruft uns die Stimme"]] (BWV 140)[[labelnote: Translation]]Wake Up, the Voice Calls to us[[/labelnote]]. As it was customary for Lutheran liturgical music of the Baroque era, it features SopranoAndGravel dialogues between Jesus (sung by a bass) and the Soul (sung by a soprano) in a CallAndResponseSong act.

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** [[https://www.youtube.com/watch?v=nrq626ro5VU "Christ lag in Todes Banden"]] com/watch?v=Hfkq-S7Vis8 "Beloved God, When Will I Die?"]] (BWV 4).[[labelnote: Translation]]Christ Lay in the Snares of Death[[/labelnote]] Its third stanza 8). It's about wondering when one will die, so it appropriately features a StopAndGo in TickTockTune to depict the word "nicht" (nothing remains) and eleven, sharp violin chords for a PsychoStrings effect.
passing of time.
** [[https://www.youtube.com/watch?v=jn4zEYWjejA "Ein feste Burg ist unser Gott"]][[labelnote: Translation]]A Mighty Fortress Is Our God[[/labelnote]] com/watch?v=nrq626ro5VU "Christ Lay in the Snares of Death"]] (BWV 80) [[LyricalColdOpen starts right away with 4). Its third stanza features a StopAndGo in the vocals]] instead of the traditional instrumental beginning.
word "nicht" (nothing remains) and eleven, sharp violin chords for a PsychoStrings effect.
** His [[https://www.youtube.com/watch?v=qFlTRAhCav8 Erfreut euch, ihr Herzen]][[labelnote: Translation]]Rejoice, You Hearts[[/labelnote]], a [[LyricalDissonance lyrically disonant]] celebration of Jesus' resurrection. Its fourth and fifth movements feature a CounterpointDuet.
com/watch?v=XDf6pHmjwH0 "Come, Sweet Death"]] (BWV 161) cantata purportedly [[InvokedTrope invokes]] the trope ObiWanMoment.
** In The BattleOfTheBands-type [[https://www.youtube.com/watch?v=amuqUQs0aFg "Herr, gehe nicht ins Gericht mit deinem Knecht"]] com/watch?v=A2zBLs8QBFQ "The Contest Between Phoebus and Pan"]] (BWV 105)[[labelnote: Translation]]Lord, do not pass judgment on Your servant[[/labelnote]], 201) cantata. During Midas's aria, the strings [[HeartbeatSoundtrack evoke a heart beating]] rapidly from anxiety violins do [[MusicalGag donkey imitations]], foreshadowing Midas's KarmicTransformation.
** The sixth
and fear which echo tenth movements of the lyrics. The cantata is about a sinner being tormented by his own conscience.
**
[[https://www.youtube.com/watch?v=gG3wF5yNUFM "Herr Jesu Christ, du höchstes Gut"]] (BWV 113)[[labelnote: Translation]]Lord Jesus Christ, O highest good[[/labelnote]]. Its seventh movement is infamous for its [[ExaggeratedTrope abuse]] of MelismaticVocals to the point of being nearly unperformable.
** [[https://www.youtube.com/watch?v=hT3RlTfuTdk "Herr Jesu Christ, wahr’ Mensch und Gott"]] (BWV 127) [[labelnote: Translation]]Lord Jesus Christ, true Man
com/watch?v=h97JE4--p84 "Heart and God[[/labelnote]], famed due to its {{Subdued Section}}s. This piece pioners loud-soft intervals by one century.
** The sixth
mouth and tenth movements of the "Herz und Mund und Tat und Leben"[[note]]despite not being its translation, it's deed and life"]](BWV 147)[[note]]also known as "Jesu, Joy of Man's Desiring"[[/note]] cantata appear quite a lot in the SmallReferencePools most creators use. In such cases, it's usual for the tempo to be slower, the original German lyrics to never appear, and the melody to be an arrangement of the original.[[note]]The music jargon for when a piece is adapted for a different set of voices or instruments than those intended for the composer[[/note]]
** The secular [[https://www.youtube.com/watch?v=xNnGAzHTliU "Hercules at the Crossroads"]] (BWV 213) cantata features an AnsweringEcho in one of its arias.
** [[https://www.youtube.com/watch?v=xNnGAzHTliU "Hercules auf dem Scheidewege"]] com/watch?v=rNgQ8tK08EU "I Had Much Grief"]] (BWV 213)[[labelnote: Translation]]Hercules at the Crossroads[[/labelnote]], secular and featuring an AnsweringEcho in 21), famous for its [[ExaggeratedTrope abundant]] {{Song Style Shift}}s, which render it one of its arias.
Bach's highest quality pieces.
** In [[https://www.youtube.com/watch?v=amuqUQs0aFg "Lord, do not pass judgment on Your servant"]] (BWV 105), the strings [[HeartbeatSoundtrack evoke a heart beating]] rapidly from anxiety and fear which echo the lyrics. The cantata is about a sinner being tormented by his own conscience.
** [[https://www.youtube.com/watch?v=rNgQ8tK08EU "Ich hatte viel Bekümmernis"]] com/watch?v=gG3wF5yNUFM "Lord Jesus Christ, O highest good"]] (BWV 21)[[labelnote: Translation]]I Had Much Grief[[/labelnote]], famous 113). Its seventh movement is infamous for its [[ExaggeratedTrope abundant]] {{Song Style Shift}}s, which render it one abuse]] of Bach's highest quality pieces.
** His [[https://www.youtube.com/watch?v=XDf6pHmjwH0 "Komm, du süße Todesstunde"]] (BWV 161)[[labelnote: Translation]]Come, Sweet Death[[/labelnote]] cantata purportedly [[InvokedTrope invokes]]
MelismaticVocals to the trope ObiWanMoment.
point of being nearly unperformable.
** [[https://www.youtube.com/watch?v=Hfkq-S7Vis8 "Liebster Gott, wenn werd ich sterben?"]] com/watch?v=hT3RlTfuTdk "Lord Jesus Christ, true Man and God"]] (BWV 8)[[labelnote: Translation]]Beloved God, When Will I Die?[[/labelnote]]. It's about wondering when 127), famed due to its {{Subdued Section}}s. This piece pioners loud-soft intervals by one will die, so it appropriately features a TickTockTune to depict century.
** [[https://www.youtube.com/watch?v=jn4zEYWjejA "A Mighty Fortress Is Our God"]] (BWV 80) [[LyricalColdOpen starts right away with
the passing vocals]] instead of time.
the traditional instrumental beginning.
** [[https://www.youtube.com/watch?v=qFlTRAhCav8 "Rejoice, You Hearts"]], a [[LyricalDissonance lyrically disonant]] celebration of Jesus' resurrection. Its fourth and fifth movements feature a CounterpointDuet in which each voice sings oxymoronic lyrics in regard to the other. The voices are, after all, {{Anthropomorphic Personification}}s of Fear and Hope.
** The opening chorus of the secular cantata [[https://www.youtube.com/watch?v=hASwusETOF8 "Tönet, ihr Pauken! Erschallet, Trompeten!"]] (BWV 24)[[labelnote: Translation]]Resound, "Resound, ye drums! Ring out, ye trumpets![[/labelnote]] trumpets!"]] (BWV 24) begins with an [[DramaticTimpani emphatic passage for solo, DramaticTimpani, solo timpani]], occasionally punctuated by the ''basso continuo'' instruments. It carried over to Bach's "Christmas Oratorio".
** [[https://www.youtube.com/watch?v=3sj-NKqR0tw "Wachet auf, ruft uns die Stimme"]] (BWV 140)[[labelnote: Translation]]Wake "Wake Up, the Voice Calls to us[[/labelnote]].us"]] (BWV 140). As it was customary for Lutheran liturgical music of the Baroque era, it features SopranoAndGravel dialogues between Jesus (sung by a bass) and the Soul (sung by a soprano) in a CallAndResponseSong act.



** [[https://www.youtube.com/watch?v=YZQ3pPLGwvY "Weinen, Klagen, Sorgen, Zagen"]] (BWV 12)[[labelnote: Translation]]Weeping, Lamenting, Worrying, Fearing[[/labelnote]] boasts a four-bar ostinato bass-line pattern (aka, a FallingBass).

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** [[https://www.youtube.com/watch?v=YZQ3pPLGwvY "Weinen, Klagen, Sorgen, Zagen"]] (BWV 12)[[labelnote: Translation]]Weeping, "Weeping, Lamenting, Worrying, Fearing[[/labelnote]] Fearing"]] (BWV 12) boasts a four-bar ostinato bass-line pattern (aka, a FallingBass).


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* Music/KurtWeill's [[https://www.youtube.com/watch?v=tQZUEOG14vQ "The Berlin Requiem"]] is a morbid, secular cantata about [[AMillionIsAStatistic faceless]] war casualties and victims of violent crimes. Appropiate for a piece [[TitleRequiem titled Requiem]]. The lyrics come from Creator/BertoltBrecht's poems.

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* Music/BenjaminBritten's [[https://www.youtube.com/watch?v=VsZP-IH8XbM "Rejoice in the Lamb"]] cantata freely uses and shifts [[UncommonTime nonconventional tempos]].
* Music/CarlOrff's ''Music/CarminaBurana'' cantata [[AdaptationDistillation very liberally based]] on a collection of eponymous Medieval poems. Its opening and closing cantus [[https://www.youtube.com/watch?v=H4U9QJ1nzrg "Fortuna Imperatrix Mundi]] has become a StandardSnippet for {{Epic Movie}}s, particularly, the "StandardSnippet/OFortuna" movement.[[labelnote: Translations]]Respectively, "Songs of Beuern" and "Fortuna, Empress of the World"[[/labenote]]

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* Music/BenjaminBritten's Music/BenjaminBritten:
** His
[[https://www.youtube.com/watch?v=VsZP-IH8XbM "Rejoice in the Lamb"]] cantata freely uses and shifts [[UncommonTime nonconventional tempos]].
** In the [[https://www.youtube.com/watch?v=xUBWFvQaNuQ "St. Nicholas"]] cantata, the titular character is served the pickled flesh of three boys. He doesn't take much to realize the origin of his meat; he still eats it. A veritable [[IAmAHumanitarian humanitarian]].
* Music/CarlOrff's ''Music/CarminaBurana'' cantata [[AdaptationDistillation very liberally based]] on a collection of eponymous Medieval poems. Its opening and closing cantus [[https://www.youtube.com/watch?v=H4U9QJ1nzrg "Fortuna Imperatrix Mundi]] has become a StandardSnippet for {{Epic Movie}}s, particularly, the "StandardSnippet/OFortuna" movement.[[labelnote: Translations]]Respectively, "Songs of Beuern" and "Fortuna, Empress of the World"[[/labenote]]World"[[/labelnote]]



* Music/FelixMendelssohn's [[https://en.wikipedia.org/wiki/Festgesang "Festgesang"]] cantata. It's also called the Gutenberg cantata because it celebrates Gutenberg's genius at inventing printing with movable type. He thought [[ItWillNeverCatchOn it'd never catch on]], but it did (become a respected classic music piece).

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* Music/FelixMendelssohn's [[https://en.wikipedia.org/wiki/Festgesang "Festgesang"]] cantata. It's also called the Gutenberg cantata because it celebrates Gutenberg's genius at inventing printing with movable type. He thought [[ItWillNeverCatchOn it'd never catch on]], but it did (become a respected classic music piece). It even gets used in [[EveryoneIsChristianAtChristmas religious carols for Christmas]]!



** The sixth and tenth movements of the "Herz und Mund und Tat und Leben"[[labelnote: Translation]]Jesu, Joy of Man's Desiring[[/labelnote]] cantata appear quite a lot in the SmallReferencePools most creators use. In such cases, it's usual for the tempo to be slower, the original German lyrics to never appear, and the melody to be an arrangement of the original.[[note]]The music jargon for when a piece is adapted for a different set of voices or instruments than those intended for the composer[[/note]]

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** The sixth and tenth movements of the "Herz und Mund und Tat und Leben"[[labelnote: Translation]]Jesu, Leben"[[note]]despite not being its translation, it's known as "Jesu, Joy of Man's Desiring[[/labelnote]] Desiring"[[/note]] cantata appear quite a lot in the SmallReferencePools most creators use. In such cases, it's usual for the tempo to be slower, the original German lyrics to never appear, and the melody to be an arrangement of the original.[[note]]The music jargon for when a piece is adapted for a different set of voices or instruments than those intended for the composer[[/note]]



** The opening chorus of the secular cantata [["Tönet, ihr Pauken! Erschallet, Trompeten!"]][[labelnote: Translation]]Resound, ye drums! Ring out, ye trumpets![[/labelnote]] begins with an emphatic passage for solo, DramaticTimpani, occasionally punctuated by the ''basso continuo'' instruments.

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** The opening chorus of the secular cantata [["Tönet, [[https://www.youtube.com/watch?v=hASwusETOF8 "Tönet, ihr Pauken! Erschallet, Trompeten!"]][[labelnote: Trompeten!"]] (BWV 24)[[labelnote: Translation]]Resound, ye drums! Ring out, ye trumpets![[/labelnote]] begins with an emphatic passage for solo, DramaticTimpani, occasionally punctuated by the ''basso continuo'' instruments.instruments. It carried over to Bach's "Christmas Oratorio".



** "Music/WasMirBehagtIstNurDieMuntreJagd" (BWV 208)[[labenote: Translation]]The Lively Hunt is All my Heart's Desire[[/labelnote]], the Hunting Cantata. If there's a wedding and they aren't playing LohengrinAndMendelssohn, then it's this cantata the musical accompaniment. Additionally, of all of his cantatas, Bach [[RecycledSoundtrack reused]] this one the most (in other works of his). Ironically, it was composed for TheGrandHunt exploits of Duke Christian of Saxe-Weissenfels.

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** "Music/WasMirBehagtIstNurDieMuntreJagd" (BWV 208)[[labenote: 208)[[labelnote: Translation]]The Lively Hunt is All my Heart's Desire[[/labelnote]], the Hunting Cantata. If there's a wedding and they aren't playing LohengrinAndMendelssohn, then it's this cantata the musical accompaniment. Additionally, of all of his cantatas, Bach [[RecycledSoundtrack reused]] this one the most (in other works of his). Ironically, it was composed for TheGrandHunt exploits of Duke Christian of Saxe-Weissenfels.


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* Music/SergeiProkofiev's [[https://www.youtube.com/watch?v=7xMD8Epbhpk "Cantata for the 20th Anniversary of the October Revolution"]] celebrates the UsefulNotes/RedOctober and, in its sixth movement, displays a plethora of [[EverythingIsAnInstrument out-of-the-norm instruments]] such as accordions, large brass bells, a siren, a megaphone, cannons, and a machine gun.

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** [[https://www.youtube.com/watch?v=nrq626ro5VU "Christ lag in Todes Banden"]] (BWV 4).[[labelnote: Translation]]Christ Lay in the Snares of Death[[/labelnote]] Its third stanza features a StopAndGo in the word "nicht" (nothing remains).

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** [[https://www.youtube.com/watch?v=nrq626ro5VU "Christ lag in Todes Banden"]] (BWV 4).[[labelnote: Translation]]Christ Lay in the Snares of Death[[/labelnote]] Its third stanza features a StopAndGo in the word "nicht" (nothing remains).remains) and eleven, sharp violin chords for a PsychoStrings effect.



** The opening chorus of the secular cantata [["Tönet, ihr Pauken! Erschallet, Trompeten!"]][[labelnote: Translation]]Resound, ye drums! Ring out, ye trumpets![[/labelnote]] begins with an emphatic passage for solo, DramaticTimpani, occasionally punctuated by the ''basso continuo'' instruments.



* ''VideoGame/DissidiaFinalFantasy'': Its prequel, ''Dissidia Duodecim'' features the AutobotsRockOut [[https://www.youtube.com/watch?v=Lx3N7PjXzWk "Cantata Mortis"]] in its soundtrack.

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* ''VideoGame/DissidiaFinalFantasy'': Its prequel, ''Dissidia Duodecim'' features the AutobotsRockOut [[https://www.youtube.com/watch?v=Lx3N7PjXzWk "Cantata Mortis"]] in its soundtrack. It's also an OminousLatinChanting.

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* ''LightNovel/AriaTheScarletAmmo'': PlayedForLaughs in episode 6, when after Kinji opens a drawer full of women's underwear, Carl Orff ''Music/CantataOrbis'' plays in all of its glory. Made even more hilarious by Kinji's DeadpanSnarker response.



* The choral concert redux of the play ''1600 Pennsylvania Avenue'', ''A White House Cantata". It's notable due to its purposeful usage of TalkingToHimself.

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* The choral concert redux of the play ''1600 Pennsylvania Avenue'', ''A "A White House Cantata". It's notable due to its purposeful usage of TalkingToHimself. Unfortunately, it was a flop, so it caused quite the disappointment to its creator, Music/LeonardBernstein.
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* ''Franchise/BlazBlue'': One of Carl's attacks is Cantata. Fitting, since his attacks are [[ThemeNaming musically-themed]].
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See also {{Opera}} (much lengthier than both the {{Oratorio}} and the Cantata), and OneWomanWail. For that matter, ballads are vocal compositions in verse and were originally written to accompany dances.

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See also {{Opera}} (much {{Opera}}, much lengthier than both the {{Oratorio}} and the Cantata), Cantata and OneWomanWail.meant to be performed on stage, with costumes and all; OneWomanWail; and OminousLatinChanting. For that matter, ballads are vocal compositions in verse and were originally written to accompany dances.



** Notably {{averted}} in his "Music/SchweigtStillePlaudertNicht" cantata, a piece popularly known as the "Coffee Cantata". However, it's not a cantata but a miniature comic opera -- lengthier than a cantata but shorter than an actual opera. The "Coffee Cantata" is a story about a [[DrinkBasedCharacterization daughter]] trying to convince her father that [[MustHaveCaffeine coffee is good, or at least innocent]]. It turned UsefulNotes/FrederickTheGreat into a huge fan of Bach.

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** Notably {{averted}} in his "Music/SchweigtStillePlaudertNicht" cantata, a piece popularly known as the "Coffee Cantata". However, it's not a cantata but a miniature comic opera operetta -- lengthier than a cantata but shorter than an actual opera. The "Coffee Cantata" is a story about a [[DrinkBasedCharacterization daughter]] trying to convince her father that [[MustHaveCaffeine coffee is good, or at least innocent]]. It turned UsefulNotes/FrederickTheGreat into a huge fan of Bach.



* Music/JohannSebastianBach's "The Coffee Cantata" which, as explained above, is not actually a cantata.

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* Music/JohannSebastianBach's "The Coffee Cantata" which, as explained above, is [[GenreBusting not actually a cantata.cantata but an operetta]].

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* ''Film/AlexanderNevsky'' features an [[https://www.youtube.com/watch?v=KGqVogrLEE4 eponymous cantata]] as part of its soundtrack; it was composed by Music/SergeiProkofiev. Its seventh movement is the subject of both a TriumphantReprise and a RepriseMedley.



* Creator/AnnaRussell[='=]s [[https://www.youtube.com/watch?v=GbI_jiQ_T9I "Wir gehen in den Automaten"]]. It's about ordering bacon at the Automat.

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* Creator/AnnaRussell[='=]s [[https://www.youtube.com/watch?v=GbI_jiQ_T9I "Wir gehen in den Automaten"]]. It's about ordering bacon at the Automat. A hilarious yet AffectionateParody.



* Music/CarlOrff's ''Music/CarminaBurana'' cantata is [[AdaptationDistillation based]] on a collection of eponymous Medieval poems. Its opening and closing cantus [[https://www.youtube.com/watch?v=H4U9QJ1nzrg "Fortuna Imperatrix Mundi]] has become a StandardSnippet for {{Epic Movie}}s, particularly, the "StandardSnippet/OFortuna" movement.[[labelnote: Translations]]Respectively, "Songs of Beuern" and "Fortuna, Empress of the World"[[/labenote]]

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* Music/CarlOrff's ''Music/CarminaBurana'' cantata is [[AdaptationDistillation very liberally based]] on a collection of eponymous Medieval poems. Its opening and closing cantus [[https://www.youtube.com/watch?v=H4U9QJ1nzrg "Fortuna Imperatrix Mundi]] has become a StandardSnippet for {{Epic Movie}}s, particularly, the "StandardSnippet/OFortuna" movement.[[labelnote: Translations]]Respectively, "Songs of Beuern" and "Fortuna, Empress of the World"[[/labenote]]



* ''VideoGame/{{Bayonetta}}'': [[https://www.youtube.com/watch?v=QV3wFRy23cY "The Greatest Jubilee"]] cantata is the theme of Jubileus, who is God in female form. It sounds every bit as glorious and euphoric as the situation dictates. It's also of god-like complexity, {{pun}} intended.



* ''VideoGame/DissidiaFinalFantasy'': Its prequel, ''Dissidia Duodecim'' features [[https://www.youtube.com/watch?v=Lx3N7PjXzWk "Cantata Mortis"]] in its soundtrack.

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* ''VideoGame/DissidiaFinalFantasy'': Its prequel, ''Dissidia Duodecim'' features the AutobotsRockOut [[https://www.youtube.com/watch?v=Lx3N7PjXzWk "Cantata Mortis"]] in its soundtrack.

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* Sullivan, from Creator/GilbertAndSullivan, created "The Golden Legend", based on a poetic work of the same name by Creator/HenryWadsworthLongfellow.

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* Sir Arthur Sullivan, from Creator/GilbertAndSullivan, of the Creator/GilbertAndSullivan duo, created [[https://www.youtube.com/watch?v=Zqow2JIwzMU "The Golden Legend", Legend"]] cantata, based on a poetic work of the same name by Creator/HenryWadsworthLongfellow.



** [[https://www.youtube.com/watch?v=3sj-NKqR0tw "Wachet auf, ruft uns die Stimme"]] (BWV 140)[[labelnote: Translation]]Wake Up, the Voice Calls to us[[/labelnote]]. As it was customary for Lutheran liturgical music of the Baroque era, it features dialogues between Jesus (the Vox Christi) and the Soul in a CallAndResponseSong act.
** "Music/WasMirBehagtIstNurDieMuntreJagd" (BWV 208)[[labenote: Translation]]The Lively Hunt is All my Heart's Desire[[/labelnote]], the Hunting Cantata. If there's a wedding and they aren't playing LohengrinAndMendelssohn, then it's this cantata the musical accompaniment. Additionally, of all of his cantatas, Bach [[RecycledSoundtrack reused]] this one the most (in other works of his).

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** [[https://www.youtube.com/watch?v=3sj-NKqR0tw "Wachet auf, ruft uns die Stimme"]] (BWV 140)[[labelnote: Translation]]Wake Up, the Voice Calls to us[[/labelnote]]. As it was customary for Lutheran liturgical music of the Baroque era, it features SopranoAndGravel dialogues between Jesus (the Vox Christi) (sung by a bass) and the Soul (sung by a soprano) in a CallAndResponseSong act.
** "Music/WasMirBehagtIstNurDieMuntreJagd" (BWV 208)[[labenote: Translation]]The Lively Hunt is All my Heart's Desire[[/labelnote]], the Hunting Cantata. If there's a wedding and they aren't playing LohengrinAndMendelssohn, then it's this cantata the musical accompaniment. Additionally, of all of his cantatas, Bach [[RecycledSoundtrack reused]] this one the most (in other works of his). Ironically, it was composed for TheGrandHunt exploits of Duke Christian of Saxe-Weissenfels.


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* Shopkeeper Carmen Cantata from ''VideoGame/ThiefDeadlyShadows''.

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* ''Literature/Ivanhoe'' is adapted into an eponymous, dramatic cantata by Music/VictorSieg. It earned him a Prix de Rome.



** "Music/WasMirBehagtIstNurDieMuntreJagd" (BWV 208)[[labenote: Translation]]The Lively Hunt is All my Heart's Desire[[/labelnote]], the Hunting Cantata. If there's a wedding and they aren't playing LohengrinAndMendelssohn, then it's this cantata the musical accompaniment.

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** "Music/WasMirBehagtIstNurDieMuntreJagd" (BWV 208)[[labenote: Translation]]The Lively Hunt is All my Heart's Desire[[/labelnote]], the Hunting Cantata. If there's a wedding and they aren't playing LohengrinAndMendelssohn, then it's this cantata the musical accompaniment. Additionally, of all of his cantatas, Bach [[RecycledSoundtrack reused]] this one the most (in other works of his).



** His cantata [[https://www.youtube.com/watch?v=vzx5R6fZ_VE "Iphigenia in Brooklyn"]] (S. 53162)[[note]]In Greek mythology, Iphigenia is killed as a human sacrifice for the offended goddess Artemis[[/note]] has lots of FunWithHomophones and [[EverythingIsAnInstrument unusual instruments]] such as wine bottles.

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** His cantata [[https://www.youtube.com/watch?v=vzx5R6fZ_VE "Iphigenia in Brooklyn"]] (S. 53162)[[note]]In Greek mythology, Iphigenia is killed as a human sacrifice for the offended goddess Artemis[[/note]] has lots of FunWithHomophones and [[EverythingIsAnInstrument unusual instruments]] such as wine bottles. Also, the second movement ends with a harpsichord flourish and is a veritable EndingFatigue. Nothing out of the ordinary with Parody Bach.



* Within Music/SymphonyX's album "V-The New Mythology Suite", there are [[RockMeAmadeus interspersed excerpts]] of Bach's cantata [[https://www.youtube.com/watch?v=xjuuJHutQ8g "Ich habe meine Zuversicht"]] (BWV 188)[[labelnote: Translation]]I have (placed) my confidence[[/labelnote]],

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* Within Music/SymphonyX's album "V-The New Mythology Suite", there are [[RockMeAmadeus interspersed excerpts]] of Bach's cantata [[https://www.youtube.com/watch?v=xjuuJHutQ8g "Ich habe meine Zuversicht"]] (BWV 188)[[labelnote: 188).[[labelnote: Translation]]I have (placed) my confidence[[/labelnote]],confidence[[/labelnote]]

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* Music/BenjaminBritten's [[https://www.youtube.com/watch?v=VsZP-IH8XbM "Rejoice in the Lamb"]] cantata freely uses and shifts [[UncommonTime nonconventional tempos]].



* Music/LesLuthiers[='=]s LongTitle[[https://www.youtube.com/watch?v=trQy3IUk-Ek "Cantata del Adelantado Don Rodrigo Díaz de Carreras, de sus hazañas en tierras de Indias, de los singulares acontecimientos en que se vio envuelto, y de cómo se desenvolvió"]][[labelnote: Translation]]Precocious Don Rodrigo Díaz de Carreras's Cantata, about his feats in the land of the Indies, about the unique events in which he got involved, and about the ways in which he untangled himself from them[[/labelnote]]. It has a narrator (non-sung) offering DeadpanSnarker commentary.

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* Music/LesLuthiers[='=]s LongTitle[[https://www.LongTitle [[https://www.youtube.com/watch?v=trQy3IUk-Ek piece]] "Cantata del Adelantado Don Rodrigo Díaz de Carreras, de sus hazañas en tierras de Indias, de los singulares acontecimientos en que se vio envuelto, y de cómo se desenvolvió"]][[labelnote: desenvolvió"[[labelnote: Translation]]Precocious Don Rodrigo Díaz de Carreras's Cantata, about his feats in the land of the Indies, about the unique events in which he got involved, and about the ways in which he untangled himself from them[[/labelnote]]. It has a narrator (non-sung) offering DeadpanSnarker commentary.

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** [[https://www.youtube.com/watch?v=jn4zEYWjejA "Ein feste Burg ist unser Gott"]][[labelnote: Translation]]A Mighty Fortress Is Our God[[/labelnote]] (BWV 80) [[LyricalColdOpen starts right away with the vocals]] instead of the traditional instrumental beginning.



* Danish composer Music/NielsGade's [[https://www.youtube.com/watch?v=MMJvFd1hJvg "Elverskud"]] cantata.

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* Danish composer Music/NielsGade's [[https://www.youtube.com/watch?v=MMJvFd1hJvg "Elverskud"]] cantata., with special mention to the "Morning Song" movement.
* Music/OverClockedRemix: The two-part "Cantata for Dancing" (comprised of [[https://www.youtube.com/watch?v=3GRogMz0Q8I "Mors ego sum mortis"]] and [[https://www.youtube.com/watch?v=vGJs4OEwSHY "Fuga Kefka"]]) is a remix of [[https://www.youtube.com/watch?v=g6UgxJtHIVY "Dancing Mad"]] from ''VideoGame/FinalFantasyVI''.



* Cantata-of-the-depths, the gem god and patron of the Irugu clan, from ''ComicBook/''{{Exalted}}''.

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* Cantata-of-the-depths, the gem god and patron of the Irugu clan, from ''ComicBook/''{{Exalted}}''.''ComicBook/{{Exalted}}''.

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See also {{Opera}} (much lenghtier than both the {{Oratorio}} and the Cantata), and OneWomanWail.

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See also {{Opera}} (much lenghtier lengthier than both the {{Oratorio}} and the Cantata), and OneWomanWail.
OneWomanWail. For that matter, ballads are vocal compositions in verse and were originally written to accompany dances.



* ''Film/{{Amadeus}}'': Music/WolfgangAmadeusMozart and [[BasedOnAGreatBigLie his rival]] Antonio Salieri collaborate to compose a four-minute cantata in 1785.



* Music/CarlOrff's ''Music/CarminaBurana'' cantata is [[AdaptationDistillation based]] on a collection of eponymous Medieval poems. Its opening and closing cantus [[https://www.youtube.com/watch?v=H4U9QJ1nzrg "Fortuna Imperatrix Mundi]] has become a StandarSnippet for {{Epic Movie}}s, particularly, the "StandardSnippet/OFortuna" movement.[[labelnote: Translations]]Respectively, "Songs of Beuern" and "Fortuna, Empress of the World"[[/labenote]]

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* Music/CarlOrff's ''Music/CarminaBurana'' cantata is [[AdaptationDistillation based]] on a collection of eponymous Medieval poems. Its opening and closing cantus [[https://www.youtube.com/watch?v=H4U9QJ1nzrg "Fortuna Imperatrix Mundi]] has become a StandarSnippet StandardSnippet for {{Epic Movie}}s, particularly, the "StandardSnippet/OFortuna" movement.[[labelnote: Translations]]Respectively, "Songs of Beuern" and "Fortuna, Empress of the World"[[/labenote]]



** [[http://youtu.be/o73shN739YU?t=17m57s Erfreut euch, ihr Herzen]][[labelnote: Translation]]Rejoice, You Hearts[[/labelnote]]. Its fourth and fifth movements feature a CounterpointDuet.

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** [[http://youtu.be/o73shN739YU?t=17m57s [[https://www.youtube.com/watch?v=nrq626ro5VU "Christ lag in Todes Banden"]] (BWV 4).[[labelnote: Translation]]Christ Lay in the Snares of Death[[/labelnote]] Its third stanza features a StopAndGo in the word "nicht" (nothing remains).
** [[https://www.youtube.com/watch?v=qFlTRAhCav8
Erfreut euch, ihr Herzen]][[labelnote: Translation]]Rejoice, You Hearts[[/labelnote]].Hearts[[/labelnote]], a [[LyricalDissonance lyrically disonant]] celebration of Jesus' resurrection. Its fourth and fifth movements feature a CounterpointDuet.



** [[https://www.youtube.com/watch?v=qFlTRAhCav8 "Erfreut euch, ihr Herzen"]], a [[LyricalDissonance lyrically disonant]] celebration of Jesus' resurrection.

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** [[https://www.youtube.com/watch?v=qFlTRAhCav8 "Erfreut euch, ihr Herzen"]], com/watch?v=YZQ3pPLGwvY "Weinen, Klagen, Sorgen, Zagen"]] (BWV 12)[[labelnote: Translation]]Weeping, Lamenting, Worrying, Fearing[[/labelnote]] boasts a [[LyricalDissonance lyrically disonant]] celebration of Jesus' resurrection.four-bar ostinato bass-line pattern (aka, a FallingBass).



* Music/WendyCarlos's album ''Music/SwitchedOnBach'' can be described as "Bach meets the synthesizer". It features a pair of Bach's cantatas, namely:

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* Music/WendyCarlos's album ''Music/SwitchedOnBach'' can be described as "Bach "[[Music/JohannSebastianBach Bach]] meets the synthesizer". It features a pair of Bach's cantatas, namely:


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* Music/JohannSebastianBach's "The Coffee Cantata" which, as explained above, is not actually a cantata.
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* Carl Orff's ''Music/CarminaBurana'', based on a [[AdaptationDistillation collection of Medieval poems]].

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* Carl Orff's ''Music/CarminaBurana'', based on a Music/CarlOrff's ''Music/CarminaBurana'' cantata is [[AdaptationDistillation based]] on a collection of eponymous Medieval poems]].poems. Its opening and closing cantus [[https://www.youtube.com/watch?v=H4U9QJ1nzrg "Fortuna Imperatrix Mundi]] has become a StandarSnippet for {{Epic Movie}}s, particularly, the "StandardSnippet/OFortuna" movement.[[labelnote: Translations]]Respectively, "Songs of Beuern" and "Fortuna, Empress of the World"[[/labenote]]



* Cantata-of-the-depths, the gem god and patron of the Irugu clan, from ''ComicBook/''Exalted}}''.

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* Cantata-of-the-depths, the gem god and patron of the Irugu clan, from ''ComicBook/''Exalted}}''.''ComicBook/''{{Exalted}}''.



* Kathy Cantata from ''VideoGame/CSI''.

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* Kathy Cantata from ''VideoGame/CSI''.''VideoGame/{{CSI}}''.

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