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* $25 million of the $160 million budget for ''Film/Speed2CruiseControl'', almost as much as the entire budget for [[Film/{{Speed}} the first film]], was spent on the climatic scene of the cruise ship crashing into Saint Martin, which included a large village set and a full-scale model of the ship's bow.
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* ''Series/{{Community}}''
** [[Recap/CommunityS1E23ModernWarfare the first]] PaintballEpisode was incredibly popular with fans and agreed to be the episode where the show [[GrowingTheBeard grew its beard]], but it was ''really'' expensive because the episode's very premise demanded they TrashTheSet, so the show had to handle all future paintball episodes very carefully--from relegating it to the [[Recap/CommunityS2E23AFistfulOfPaintballs season]] [[Recap/CommunityS2E24ForAFewPaintballsMore finale]] where they could afford to go nuts to replacing it in the lower-budget seasons with pillow fights (and one snippet in a parodic ClipShow episode) and hot lava games to making the [[Recap/CommunityS6E11ModernEspionage last one]] a pastiche of SpyFiction ''about'' [[BaitAndSwitchTyrant Frankie]] banning paintball on the Greendale campus.
** Because "[[Recap/CommunityS2E21ParadigmsOfHumanMemory Paradigms of Human Memory]]" spoofed the concept of a ClipShow by making all the things the study group flashes back to various {{Noodle Incident}}s instead of actual past episodes, it was actually the most expensive episode of Season 2 besides the aforementioned PaintballEpisode, so [[Recap/CommunityS2E22AppliedAnthropologyAndCulinaryArts the episode in between]] had to be a BottleEpisode.


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* Parodied to Hell and back in the ''VideoGame/{{Deadpool}}'' game by Creator/HighMoonStudios with the RunningGag of Deadpool doing something insane, getting a call [[NoFourthWall from High Moon Studios]] informing him that he broke the budget, and then getting a brief GenreShift into some {{retraux}} level. [[spoiler:During the end credits, he gets a call from High Moon Studios again telling him he never ''really'' broke the budget, which prompts him to set off a large amount of explosives that break the budget for real]].


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* Happense InUniverse in the ''WebAnimation/DeathBattle'' episode pitting [[Recap/DeathBattleS06E15DeadpoolVsTheMask Deadpool against the Mask]] when Deadpool takes out a seventh Infinity Gem he calls the "Continuity Gem". Attempting to use it to make Ipkiss take off the mask results in him blowing the budget and sending both combatants back to the storyboard. The Mask decides the best way to fix this is [[ArtShift for him and Deadpool to raise money in the real world (depicted by a live-action segment)]] to finish the episode.
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* Creator/ConanOBrien invoked this during his last weeks hosting ''Series/TheTonightShow'' in an effort to spite Creator/{{NBC}} for their controversial treatment of his hosting era, making a point to introduce one-shot characters who weren't really that funny, but ''would'' cost NBC boatloads of money to put on the air. The biggest example was the "Bugatti Veyron Mouse," a very expensive car decorated like a mouse, accompanied by the original recording of Music/TheRollingStones' "Satisfaction," which O'Brien claimed would cost NBC $1.5 million. (Though [[https://abcnews.go.com/Business/conan-obrien-nbc-confirms-deal-speeds-nbc-show/story?id=9621682 it may not be that high,]] as the car was likely on loan or at least a less expensive model than presented.)

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* Creator/ConanOBrien invoked this during his last weeks hosting ''Series/TheTonightShow'' in an effort to spite Creator/{{NBC}} for their controversial treatment of his hosting era, making a point to introduce one-shot characters who weren't really that funny, but ''would'' cost NBC boatloads of money to put on the air. The biggest example was the "Bugatti Veyron Mouse," a very expensive car decorated like a mouse, accompanied by the original recording of Music/TheRollingStones' "Satisfaction," which O'Brien Conan claimed would cost NBC $1.5 million. (Though [[https://abcnews.go.com/Business/conan-obrien-nbc-confirms-deal-speeds-nbc-show/story?id=9621682 it may not be that high,]] as the car was likely on loan or at least a less expensive model than presented.)
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* This was the main reason why ''WesternAnimation/ThePowerpuffGirls1998'' episode "Deja View" was scrapped and repurposed for the DC Comics series, since the visual effects costs for when the titular girls jumped to the BizarroUniverse went way overbudget.
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* Demanded that a period-appropriate steam train be transported to the shoot location even though its obsolete gauge meant that it would require a detour through ''five'' different states, increasing the amount spent on it from $15k to ''$150k''.

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* ** Demanded that a period-appropriate steam train be transported to the shoot location even though its obsolete gauge meant that it would require a detour through ''five'' different states, increasing the amount spent on it from $15k to ''$150k''.
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* Demanded that a period-appropriate steam train be transported to the shoot location even though its obsolete gauge meant that it would require a detour through ''five'' different states, increasing the amount spent on it from $15k to ''$150k''.
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* ''Film/TheBonfireOfTheVanities'' second unit director Eric Schwab spent $80,000 on a ''10-second'' long shot of a Concorde landing in New York City involving five cameras to capture a once-a-year sunset against a runway at JFK Airport. Julie Salamon's 1991 book ''The Devil's Candy'' about the film's production dedicates an entire chapter to the shot and Schwab won a bet that the shot ended up in the final film ''at all''. The film's opening title sequence was almost as expensive, to say nothing of the amount of money and effect spent on the nearly [[TheOner five-minute-long tracking shot]] that opens the film.

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* ''Film/TheBonfireOfTheVanities'' second unit director Eric Schwab spent $80,000 on a ''10-second'' long five camera shot of a Concorde landing in New York City involving five cameras to capture a once-a-year sunset against a runway at JFK Airport.Airport. The length of that shot? ''Ten seconds''. Julie Salamon's 1991 book ''The Devil's Candy'' about the film's production dedicates an entire chapter to the shot and Schwab won a bet that the shot ended up in the final film ''at all''. The film's opening title sequence was almost as expensive, to say nothing of the amount of money and effect spent on the nearly [[TheOner five-minute-long tracking shot]] that opens the film.

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Misplaced, moving to the correct tab


->''"If they're gonna be that foolish with their money, then I guess that means we can be foolish with their money. Like spending a bunch of it on a computer-generated cartoon elephant that has nothing to do with the rest of the episode. ''[a cartoon elephant skips across the screen]'' Did you see that? Know what that cost? $58,000. I mean, what a waste. It wasn't even that funny. That's $58,000 that could've gone to curing leukemia. Or muscular dystrophy. Or...what does Michael J. Fox have? That."''

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->''"If they're gonna be that foolish with their money, then I guess that means we can be foolish with their money. Like spending a bunch of it on a computer-generated cartoon elephant that has nothing to do with the rest of the episode. ''[a cartoon elephant skips across the screen]'' Did you see that? Know what that cost? $58,000. I mean, what a waste. It wasn't even that funny. That's $58,000 that could've gone to curing leukemia. Or muscular dystrophy. Or... what does Michael J. Fox have? That."''



* ''Anime/FinalFantasyTheSpiritsWithin'': A large part of the budget was spent animating Aki's hair, which consisted of 60,000 individually rendered hairs.



* ''WesternAnimation/InsideOut'': The soft, bubbly texture on the emotions was ''extraordinarily'' expensive. At first, Joy was the only one who had it, but after eight months, the animators decided to scrap it because it was becoming ridiculously cost-prohibitive. Unfortunately for them, Pixar head John Lasseter saw the texture on Joy and loved it, declaring "Put that on all the characters!" Ralph Eggleston, the production designer, joked "You could hear the core technical staff just hitting the ground, the budget falling through the roof."

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* ''Anime/FinalFantasyTheSpiritsWithin'': A large part of the budget was spent animating Aki's hair, which consisted of 60,000 individually rendered hairs.
* ''WesternAnimation/InsideOut'': The soft, bubbly texture on the emotions was ''extraordinarily'' expensive. At first, Joy was the only one who had it, but after eight months, the animators decided to scrap it because it was becoming ridiculously cost-prohibitive. Unfortunately for them, Pixar head John Lasseter saw the texture on Joy and loved it, declaring "Put that on all the characters!" Ralph Eggleston, the production designer, joked joked: "You could hear the core technical staff just hitting the ground, the budget falling through the roof.""
* In ''WesternAnimation/TheMitchellsVsTheMachines'', a five-second-long gag involving a mule struggling to stay afloat in a river during a rainstorm was called [[https://twitter.com/chrizmillr/status/1389374128801521667 "the most expensive shot in the movie"]] due to the added models and water effects. It was deemed WorthIt:
-->'''Bean Counters:''' You sure you want to spend this for just one joke?\\
'''[[Creator/PhilLordAndChrisMiller Christopher Miller]]:''' [[BluntYes Yes]].
* Out of the $290,000 budget for ''WesternAnimation/SitaSingsTheBlues'', $5,000 were spent on music royalties.



* In ''WesternAnimation/TheMitchellsVsTheMachines'' a five-second-long gag involving a mule struggling to stay afloat in a river during a rainstorm was called [[https://twitter.com/chrizmillr/status/1389374128801521667 "the most expensive shot in the movie"]] due to the added models and water effects. It was deemed WorthIt:
-->'''Bean Counters:''' You sure you want to spend this for just one joke?
-->'''[[Creator/PhilLordAndChrisMiller Christopher Miller]]:''' [[BluntYes Yes]].



* ''Film/KingKong1976'': Nearly $2 million of the film's $24 million budget (ballooned from an initial $16 million) was spent on a full-body, forty-foot tall King Kong animatronic. It was intended to be used for the majority of the movie, but it proved inoperable (even breaking down once during filming) and looked unconvincing, so it only appears for about ten seconds total in the final film, while most of the rest was Creator/RickBaker in an ape suit.

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* ''Film/KingKong1976'': ''Film/{{King Kong|1976}}'': Nearly $2 million of the film's $24 million budget (ballooned from an initial $16 million) was spent on a full-body, forty-foot tall King Kong animatronic. It was intended to be used for the majority of the movie, but it proved inoperable (even breaking down once during filming) and looked unconvincing, so it only appears for about ten seconds total in the final film, while most of the rest was Creator/RickBaker in an ape suit.



* About a tenth of the multimillion-dollar budget for ''Film/{{Spectre}}'' went to destroying luxury cars in action scenes, particularly several Aston Martin models specifically produced for the film.

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* About a tenth of the multimillion-dollar multi-million-dollar budget for ''Film/{{Spectre}}'' went to destroying luxury cars in action scenes, particularly several Aston Martin models specifically produced for the film.



* Although it enjoyed a modest financial return, Simon Wells' ''[[Film/TheTimeMachine2002 The Time Machine]]'' used a significant portion of its budget on the props in Alexander's laboratory, namely the Time Machine itself and his collection of pocket watches.

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* Although it enjoyed a modest financial return, Simon Wells' ''[[Film/TheTimeMachine2002 The ''Film/{{The Time Machine]]'' Machine|2002}}'' used a significant portion of its budget on the props in Alexander's laboratory, namely the Time Machine itself and his collection of pocket watches.



* In story example from Film/TropicThunder, the Filming of the Movie "Tropic Thunder" goes wildly over budget because they spent millions on the opening shot that didn't have anyone filming it. The fix involves making the film more grounded to cut overhead costs and to get the picture out on time. Les Grossman even says that the death of one of the actors would be more profitable (on an insurance claim) than the film would ever make.

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* In story In-story example from Film/TropicThunder, ''Film/TropicThunder'', the Filming of the Movie "Tropic Thunder" "''Tropic Thunder''" goes wildly over budget because they spent millions on the opening shot that didn't have anyone filming it. The fix involves making the film more grounded to cut overhead costs and to get the picture out on time. Les Grossman even says that the death of one of the actors would be more profitable (on an insurance claim) than the film would ever make.



* ''Series/BattlestarGalactica2003'': A significant chunk of the Season 3 budget was used for ''Exodus Part 1'' and ''Exodus Part 2'' right at the start of the season. Somewhat downplayed in that those two episodes are considered some of the best episodes of the season, if not the whole show, and have several iconic moments including the ''Adama Manouvre''. However, it also meant that the rest of the season lacked action or major setpieces. As a result, the season ended up running on a much slower pace, and had a few meandering episodes that are considered the worst in the show.
* ''Series/CrazyExGirlfriend'': At the end of the song "Love Kernels," Rebecca breaks the fourth wall to say that the artsy music video, with its various scene changes and costumes to symbolize Rebecca's LoveMartyr status, ate up the show's production budget, so they now have to recast Darryl with a broom. WordOfGod confirmed this song actually ''did'' use a good chunk of the production budget.
-->'''Creator/RachelBloom:''' But yes, that number was expensive -- we went out to the desert for a day in preproduction to film those sweeping desert scenes, we built another set on stage with all that lavish, beautiful furniture. The costumes alone, I mean especially that cactus costume, it's expensive.

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* ''Series/BattlestarGalactica2003'': ''Series/{{Battlestar Galactica|2003}}'' (2003): A significant chunk of the Season 3 budget was used for ''Exodus "Exodus Part 1'' 1" and ''Exodus "Exodus Part 2'' 2" right at the start of the season. Somewhat downplayed in that those two episodes are considered some of the best episodes of the season, if not the whole show, and have several iconic moments including the ''Adama Manouvre''. Maneuvre''. However, it also meant that the rest of the season lacked action or major setpieces.set pieces. As a result, the season ended up running on a much slower pace, and had a few meandering episodes that are considered the worst in the show.
* ''Series/CrazyExGirlfriend'': At the end of the song "Love Kernels," Kernels", Rebecca breaks the fourth wall to say that the artsy music video, with its various scene changes and costumes to symbolize Rebecca's LoveMartyr status, ate up the show's production budget, so they now have to recast Darryl with a broom. WordOfGod confirmed this song actually ''did'' use a good chunk of the production budget.
-->'''Creator/RachelBloom:''' But yes, that number was expensive -- we went out to the desert for a day in preproduction pre-production to film those sweeping desert scenes, we built another set on stage with all that lavish, beautiful furniture. The costumes alone, I mean especially that cactus costume, it's expensive.



** In the episode, "Tricia Tanaka is Dead", a random meteorite destroys Mr Cluck's Chicken Shack, killing the Episode's titular character and her cameraman. Despite the scene having not much importance to the episode or the series, it was alleged to be one of the most expensive shots in ''Lost'', according to Visual Effects Supervisor Kevin Blank.
** During Season 4, Creator/AlanDale was slated to appear in 2 separate episodes. However, Dale could not leave London, due to his stage commitments to the West End's production of Theatre/Spamalot. Instead of writing him out, production decided to film Dale's scenes ''on location'' in London. This meant flying Creator/MichaelEmerson, Creator/KimYunjin, and a crew out to London. In addition, Charles Widmore's apartment had to be built at Shepperton Studios, to be featured in "The Shape of Things to Come".

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** In the episode, "Tricia Tanaka is Dead", a random meteorite destroys Mr Cluck's Chicken Shack, killing the Episode's titular title character and her cameraman. Despite the scene having not much importance to the episode or the series, it was alleged to be one of the most expensive shots in ''Lost'', according to Visual Effects Supervisor Kevin Blank.
** During Season 4, Creator/AlanDale was slated to appear in 2 two separate episodes. However, Dale could not leave London, due to his stage commitments to the West End's production of Theatre/Spamalot.''Theatre/{{Spamalot}}''. Instead of writing him out, production decided to film Dale's scenes ''on location'' in London. This meant flying Creator/MichaelEmerson, Creator/KimYunjin, and a crew out to London. In addition, Charles Widmore's apartment had to be built at Shepperton Studios, to be featured in "The Shape of Things to Come".



* ''Series/MysteryScienceTheater3000:'' During the host segments of ''[[Recap/MysteryScienceTheater3000S07E04TheIncredibleMeltingMan The Incredible Melting Man]]'', Crow's screenplay for ''Earth vs. Soup'' is bought by the Mads and greenlit. They land a budget of $30 million, but between bonuses for Pearl and Clayton and several fees such as insurance and a completion bond, Crow is only given $800 to work with. And they expect him to get Creator/KevinBacon to star. This is meant as a TakeThat to how the crew was treated when shooting [[Recap/MysteryScienceTheater3000TheMovie The MST3K Movie]].

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* ''Series/MysteryScienceTheater3000:'' ''Series/MysteryScienceTheater3000'': During the host segments of ''[[Recap/MysteryScienceTheater3000S07E04TheIncredibleMeltingMan The Incredible Melting Man]]'', Crow's screenplay for ''Earth vs. Soup'' is bought by the Mads and greenlit. They land a budget of $30 million, but between bonuses for Pearl and Clayton and several fees such as insurance and a completion bond, Crow is only given $800 to work with. And they expect him to get Creator/KevinBacon to star. This is meant as a TakeThat to how the crew was treated when shooting [[Recap/MysteryScienceTheater3000TheMovie The MST3K Movie]].



* Creator/ConanOBrien invoked this during his last weeks hosting ''Series/TheTonightShow'' in an effort to spite Creator/{{NBC}} for their controversial treatment of his hosting era, making a point to introduce one-shot characters who weren't really that funny, but ''would'' cost NBC boatloads of money to put on the air. The biggest example was the "Bugatti Veyron Mouse," a very expensive car decorated like a mouse, accompanied by the original recording of Music/TheRollingStones' "Satisfaction," which O'Brien claimed would cost NBC $1.5 million. (though [[https://abcnews.go.com/Business/conan-obrien-nbc-confirms-deal-speeds-nbc-show/story?id=9621682 it may not be that high,]] as the car was likely on loan or at least a less expensive model than presented).

to:

* Creator/ConanOBrien invoked this during his last weeks hosting ''Series/TheTonightShow'' in an effort to spite Creator/{{NBC}} for their controversial treatment of his hosting era, making a point to introduce one-shot characters who weren't really that funny, but ''would'' cost NBC boatloads of money to put on the air. The biggest example was the "Bugatti Veyron Mouse," a very expensive car decorated like a mouse, accompanied by the original recording of Music/TheRollingStones' "Satisfaction," which O'Brien claimed would cost NBC $1.5 million. (though (Though [[https://abcnews.go.com/Business/conan-obrien-nbc-confirms-deal-speeds-nbc-show/story?id=9621682 it may not be that high,]] as the car was likely on loan or at least a less expensive model than presented). presented.)



[[folder:Music]]

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[[folder:Music]][[folder:Music Videos]]



--> ''"If you ask yourself "What is the game about?" and break down a game by its core gameplay mechanics, the main component of the game, the shooting, had better be present in all major parts of the game. ''Unreal 2'' is a {{first person shooter}}. And you don't shoot on Atlantis. Instead, you do all the things that slow down the shooting action during an actual mission: exploration and talking. (...) I love the ambition and effort that we put into the level. It works. But all that effort also distracted and took resources from the other areas of the game that could have used extra help. Putting more focus on the Kai (our version of the Nali) for example. Or finishing the SP missions I had to abandon during development."''

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--> ''"If -->'''Matthias Worch:''' If you ask yourself "What is the game about?" and break down a game by its core gameplay mechanics, the main component of the game, the shooting, had better be present in all major parts of the game. ''Unreal 2'' is a {{first person shooter}}. And you don't shoot on Atlantis. Instead, you do all the things that slow down the shooting action during an actual mission: exploration and talking. (...) I love the ambition and effort that we put into the level. It works. But all that effort also distracted and took resources from the other areas of the game that could have used extra help. Putting more focus on the Kai (our version of the Nali) for example. Or finishing the SP missions I had to abandon during development."''



[[folder:Web Video]]

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[[folder:Web Video]]Videos]]



-->'''Melissa Fahn:''' Is that right? Was it really expensive?
-->'''Vasquez:''' Well, we were gonna have the season end with a giant space battle, but they had blown the budget on the walnuts, so... it was upsetting.
* Out of the $290,000 budget for ''WesternAnimation/SitaSingsTheBlues,'' $5,000 were spent on music royalties.

to:

-->'''Melissa Fahn:''' Is that right? Was it really expensive?
-->'''Vasquez:'''
expensive?\\
'''Vasquez:'''
Well, we were gonna have the season end with a giant space battle, but they had blown the budget on the walnuts, so... it was upsetting.
* Out of the $290,000 budget for ''WesternAnimation/SitaSingsTheBlues,'' $5,000 were spent on music royalties.
upsetting.



* Mentioned InUniverse in ''WesternAnimation/StarWarpd'', when Captain Kwirk asks where the crew is after they emerge from a time warp over modern day Earth. Mr. Spuck replies "Not in the budget Captain". Later lampshaded when they need an engineering miracle and Captain Kwirk says that he hopes Mr. Squat was spared by the budget cuts.

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* Mentioned InUniverse in ''WesternAnimation/StarWarpd'', when Captain Kwirk asks where the crew is after they emerge from a time warp over modern day Earth. Mr. Spuck replies "Not in the budget budget, Captain". Later lampshaded when they need an engineering miracle and Captain Kwirk says that he hopes Mr. Squat was spared by the budget cuts.
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* ''WesternAnimation/InsideOut'': The soft, bubbly texture on the emotions was ''extraordinarily'' expensive. At first, Joy was the only one who had it, but after eight months, the animators decided to scrap it because it was becoming ridiculously cost-prohibitive. Unfortunately for them, Pixar head John Lasseter saw the texture on Joy and loved it, declaring "Put that on all the characters!" Ralph Eggleston, the production designer, joked "You could hear the core technical staff just hitting the ground, the budget falling through the roof."
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* ''Series/GameOfThrones'': In the later seasons, Dany's dragons ended up eating a significant chunk of the CGI budget, which led to the Stark siblings' direwolves being written out of the series, as well as the Golden Company losing their war elephants in the final season.
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in story example - Tropic Thunder

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* In story example from Film/TropicThunder, the Filming of the Movie "Tropic Thunder" goes wildly over budget because they spent millions on the opening shot that didn't have anyone filming it. The fix involves making the film more grounded to cut overhead costs and to get the picture out on time. Les Grossman even says that the death of one of the actors would be more profitable (on an insurance claim) than the film would ever make.
Is there an issue? Send a MessageReason:
None


** Demanded that the buildings on both sides of a western town set set be torn down and rebuilt a few feet wider apart, at a cost of $1.2 million, all the while overruling the crew's objections that it would be much cheaper and easier to tear down only one side and move it the full distance away.

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** Demanded that the buildings on both sides of a western town set set be torn down and rebuilt a few feet wider apart, at a cost of $1.2 million, all the while overruling the crew's objections that it would be much cheaper and easier to tear down only one side and move it the full distance away.

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* ''Film/HeavensGate'' ended up costing approximately $44 million to make. Director Creator/{{Michael Cimino|Director}} famously demanded that the buildings on both sides of a western street set be torn down and rebuilt a few feet wider apart, at a cost of $1.2 million, all the while overruling the crew's objections that it would be much cheaper to tear down only one side and move it the full distance away.

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* ''Film/HeavensGate'' ended up costing approximately $44 million (in 1970s money) to make. Director Amongst the many things that Creator/{{Michael Cimino|Director}} famously demanded did that ramped up the budget:
** Based the production office in Whitefish, Montana, but chose a shooting location that was a further two-and-half hour drive away, meaning that the entire crew earned five hours pay just driving to and from the set, essentially going into overtime pay every single day
** Forced the studio to buy acres of Montana land months in advance so that he could plant grass in the early spring, because he had a vision of shooting the climactic final sequences in a field of autumn grass
** Demanded
that the buildings on both sides of a western street town set set be torn down and rebuilt a few feet wider apart, at a cost of $1.2 million, all the while overruling the crew's objections that it would be much cheaper and easier to tear down only one side and move it the full distance away.
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None

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* Mentioned InUniverse in ''WesternAnimation/StarWarpd'', when Captain Kwirk asks where the crew is after they emerge from a time warp over modern day Earth. Mr. Spuck replies "Not in the budget Captain". Later lampshaded when they need an engineering miracle and Captain Kwirk says that he hopes Mr. Squat was spared by the budget cuts.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ''Series/BattlestarGalactica2003'': A significant chunk of the Season 3 budget was used for ''Exodus Part 1'' and ''Exodus Part 2'' right at the start of the season. Somewhat downplayed in that those two episodes are considered some of the best episodes of the season, if not the whole show, and have several iconic moments including the ''Adama Manouvre''. However, it also meant that the rest of the season lacked action or major setpieces. As a result, the season ended up running on a much slower pace, and had a few meandering episodes that are considered the worst in the show.
Is there an issue? Send a MessageReason:
None


-->'''Bean Counters''': You sure you want to spend this for just one joke?
-->'''[[Creator/PhilLordAndChrisMiller Christopher Miller]]''': [[BluntYes Yes]].

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-->'''Bean Counters''': Counters:''' You sure you want to spend this for just one joke?
-->'''[[Creator/PhilLordAndChrisMiller Christopher Miller]]''': Miller]]:''' [[BluntYes Yes]].



* ''Film/StreetFighter'' had a budget of $35 million, of which $8 million was spent - [[ExecutiveMeddling at Capcom's insistence]] - on hiring Creator/JeanClaudeVanDamme to play protagonist Guile. To balance out the books, a number of roles had to be filled by unknown actors, and some of the special effects ended up being quite shoddy because there wasn't enough money left for anything better. Worse still, the casting of the [[NotEvenBotheringWithTheAccent conspicuously Belgian]] Van Damme as the canonically all-American Guile ended up being a notorious case of QuestionableCasting.

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* ''Film/StreetFighter'' had a budget of $35 million, of which $8 million was spent - -- [[ExecutiveMeddling at Capcom's insistence]] - -- on hiring Creator/JeanClaudeVanDamme to play protagonist Guile. To balance out the books, a number of roles had to be filled by unknown actors, and some of the special effects ended up being quite shoddy because there wasn't enough money left for anything better. Worse still, the casting of the [[NotEvenBotheringWithTheAccent conspicuously Belgian]] Van Damme as the canonically all-American Guile ended up being a notorious case of QuestionableCasting.

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* ''Film/StreetFighter'' had a budget of $35 million, of which $8 million was spent - [[ExecutiveMeddling at Capcom's insistence]] - on hiring Creator/JeanClaudeVanDamme to play protagonist Guile. To balance out the books, a number of roles had to be filled by unknown actors, and some of the special effects ended up being quite shoddy because there wasn't enough money left for anything better. Worse still, the casting of the [[NotEvenBotheringWithTheAccent conspicuously Belgian]] Van Damme as the canonically all-American Guile ended up being a notorious case of QuestionableCasting.



** In the episode, "Tricia Tanaka is Dead", a random meteorite destroys Mr Cluck's Chicken Shack, killing the Episode's Titular character and her cameraman. Despite the scene having not much importance to the episode or the series, it was alleged to be one of the most expensive shots in ''Lost'', according to Visual Effects Supervisor Kevin Blank.

to:

** In the episode, "Tricia Tanaka is Dead", a random meteorite destroys Mr Cluck's Chicken Shack, killing the Episode's Titular titular character and her cameraman. Despite the scene having not much importance to the episode or the series, it was alleged to be one of the most expensive shots in ''Lost'', according to Visual Effects Supervisor Kevin Blank.
Is there an issue? Send a MessageReason:
None


* ''Film/TheBonfireOfTheVanities'' second unit director Eric Schwab spent $80,000 on a ''10-second'' long shot of a Concorde in New York City involving five cameras just to capture a once-a-year sunset against a runway at JFK Airport. Julie Salamon's 1991 book ''The Devil's Candy'' about the production of the film dedicates an entire chapter to the shot and Schwab won a bet that the shot ended up in the final film ''at all''. The film's opening title sequence was almost as expensive, to say nothing of the amount of money and effect spent on the nearly [[TheOner five-minute-long tracking shot]] that opens the film.

to:

* ''Film/TheBonfireOfTheVanities'' second unit director Eric Schwab spent $80,000 on a ''10-second'' long shot of a Concorde landing in New York City involving five cameras just to capture a once-a-year sunset against a runway at JFK Airport. Julie Salamon's 1991 book ''The Devil's Candy'' about the film's production of the film dedicates an entire chapter to the shot and Schwab won a bet that the shot ended up in the final film ''at all''. The film's opening title sequence was almost as expensive, to say nothing of the amount of money and effect spent on the nearly [[TheOner five-minute-long tracking shot]] that opens the film.
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* ''Film/TheBonfireOfTheVanities'' second unit director Eric Schwab spent $80,000 on a five-camera ''10-second'' shot of a Concorde in New York City just to capture a once-a-year sunset against a runway at JFK Airport. Julie Salamon's 1991 book ''The Devil's Candy'' about the production of the film dedicates an entire chapter to the shot and Schwab won a bet that the shot ended up in the final film ''at all''. The film's opening title sequence was almost as expensive, to say nothing of the amount of money and effect spent on the nearly [[TheOner five-minute-long tracking shot]] that opens the film.

to:

* ''Film/TheBonfireOfTheVanities'' second unit director Eric Schwab spent $80,000 on a five-camera ''10-second'' long shot of a Concorde in New York City involving five cameras just to capture a once-a-year sunset against a runway at JFK Airport. Julie Salamon's 1991 book ''The Devil's Candy'' about the production of the film dedicates an entire chapter to the shot and Schwab won a bet that the shot ended up in the final film ''at all''. The film's opening title sequence was almost as expensive, to say nothing of the amount of money and effect spent on the nearly [[TheOner five-minute-long tracking shot]] that opens the film.
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* ''Film/BonfireOfTheVanities'' second unit director Eric Schwab spent $80,000 on a five-camera ''10-second'' shot of a Concorde in New York City just to capture a once-a-year sunset against a runway at JFK Airport. Julie Salamon's 1991 book ''The Devil's Candy'' about the production of the film dedicates an entire chapter to the shot and Schwab won a bet that the shot ended up in the final film ''at all''.

to:

* ''Film/BonfireOfTheVanities'' ''Film/TheBonfireOfTheVanities'' second unit director Eric Schwab spent $80,000 on a five-camera ''10-second'' shot of a Concorde in New York City just to capture a once-a-year sunset against a runway at JFK Airport. Julie Salamon's 1991 book ''The Devil's Candy'' about the production of the film dedicates an entire chapter to the shot and Schwab won a bet that the shot ended up in the final film ''at all''. The film's opening title sequence was almost as expensive, to say nothing of the amount of money and effect spent on the nearly [[TheOner five-minute-long tracking shot]] that opens the film.
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* ''Film/BonfireOfTheVanities'' second unit director Eric Schwab spent $80,000 on a five-camera ''10-second'' shot of a Concorde in New York City just to capture a once-a-year sunset against a runway at JFK Airport. Julie Salamon's 1991 book ''The Devil's Candy'' about the production of the film dedicates an entire chapter to the shot and Schwab won a bet that the shot ended up in the final film ''at all''.
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* The TV adaptation of ''Radio/TheHitchHikersGuideToTheGalaxy'' had two disproportionately big spends on relatively small elements.

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* The TV adaptation of ''Radio/TheHitchHikersGuideToTheGalaxy'' ''Radio/TheHitchhikersGuideToTheGalaxy'' had two disproportionately big spends on relatively small elements.
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* To date, ''WesternAnimation/TreasurePlanet'' was the most expensive animated film in history, with a budget of $140 million. Because it was the first Disney film released with an Creator/{{IMAX}} release in mind, most of that budget was dedicated to integrating CGI and hand-drawn elements and creating immaculate line-work suitable for such a high-quality screen. The film was a financial failure, only grossing $109 million.

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* To date, ''WesternAnimation/TreasurePlanet'' was the most expensive traditionally animated film in history, with a budget of $140 million. Because it was the first Disney film released with an Creator/{{IMAX}} release in mind, most of that budget was dedicated to integrating CGI and hand-drawn elements and creating immaculate line-work suitable for such a high-quality screen. The film was a financial failure, only grossing $109 million.
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* ''WesternAnimation/FostersHomeForImaginaryFriends'': InUniverse. In "One False Movie", Mac is tasked with creating a movie to be shown at a film festival, with Bloo directing. Bloo immediately blows their budget a megaphone (said to have once belonged to Creator/CecilBDeMille) to boss everyone around with, leaving Mac to sell some of his stuff online to scrounge up more money.

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* ''WesternAnimation/FostersHomeForImaginaryFriends'': InUniverse. In "One False Movie", Mac is tasked with creating a movie to be shown at a film festival, with Bloo directing. Bloo immediately blows their budget for a megaphone (said to have once belonged to Creator/CecilBDeMille) to boss everyone around with, leaving Mac to sell some of his stuff online to scrounge up more money.
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* Legal fees to any other sort of expensive intellectual property, especially the rights to play a certain song. Even mere seconds of a particularly expensive pop song can send a film's budget to shambles.

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* [[ScrewedByTheLawyers Legal fees to any other sort of expensive intellectual property, property]], especially the rights to play a certain song. Even mere seconds of a particularly expensive pop song can send a film's budget to shambles.
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* In ''WesternAnimation/TheMitchellsVsTheMachines'' a five-second-long gag involving a mule struggling to stay afloat in a river during a rainstorm was called [[https://twitter.com/chrizmillr/status/1389374128801521667 "the most expensive shot in the movie"]] due to the added models and water effects. It was deemed WorthIt:
-->'''Bean Counters''': You sure you want to spend this for just one joke?
-->'''[[Creator/PhilLordAndChrisMiller Christopher Miller]]''': [[BluntYes Yes]].
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Spelling/grammar fix(es)


->''"If they're gonna be that foolish with their money, then I guess that means we can be foolish with their money. Like spending a bunch of it on a computer-generated cartoon elephant that has nothing to do with the rest of the episode. ''[a cartoon elephant skips across the screen]'' Did you see that? Know what that cost? $58,000. I mean, what a waste. It wasn't even that funny. That's $58,000 that could've gone to curing leukemia. Or muscular dystrophy. Or... what does Michael J. Fox have? That."''

to:

->''"If they're gonna be that foolish with their money, then I guess that means we can be foolish with their money. Like spending a bunch of it on a computer-generated cartoon elephant that has nothing to do with the rest of the episode. ''[a cartoon elephant skips across the screen]'' Did you see that? Know what that cost? $58,000. I mean, what a waste. It wasn't even that funny. That's $58,000 that could've gone to curing leukemia. Or muscular dystrophy. Or... what does Michael J. Fox have? That."''



Alternatively, the cost may not be ''too'' outlandish by budgetary standards... except this element only shows up for an extremely brief amount of time (such as a scene shot on-location at a famous monument for less than a minute, or a CelebrityCameo from an expensive A-lister).

to:

Alternatively, the cost may not be ''too'' outlandish by budgetary standards... except this element only shows up for an extremely brief amount of time (such as a scene shot on-location at a famous monument for less than a minute, minute or a CelebrityCameo from an expensive A-lister).



In fiction, this may be exaggerated to illustrated a PrimaDonnaDirector's SkewedPriorities. Some shows may even waste the producers' money ''deliberately'' (or at least joke about doing it) to take BitingTheHandHumor to the extreme.

to:

In fiction, this may be exaggerated to illustrated illustrate a PrimaDonnaDirector's SkewedPriorities. Some shows may even waste the producers' money ''deliberately'' (or at least joke about doing it) to take BitingTheHandHumor to the extreme.



* ''Anime/CarnivalPhantasm'': Parodied in the first and second episodes' Tiger Dojos. In the first one, Taiga is so excited about the Dojo finally being animated that she goes hog-wild with [[AnimationBump ultra-fluid movement]]. This blows so much of the animation budget (325,500 yen in 23 seconds) that in the second episode she's just black-and-white line art, while Ilya has no intermediate frames.

to:

* ''Anime/CarnivalPhantasm'': Parodied in the first and second episodes' Tiger Dojos. In the first one, Taiga is so excited about the Dojo finally being animated that she goes hog-wild with [[AnimationBump ultra-fluid movement]]. This blows so much of the animation budget (325,500 yen in 23 seconds) that in the second episode episode, she's just black-and-white line art, while Ilya has no intermediate frames.



* ''Film/TheGeneral'': The film's total budget was $750,000 (in 1926), of which approximately $42,000 was spent on a fifteen second-long shot of a train crashing from a burning bridge into a river. It was the single most expensive shot in silent movie history. This was because it was a genuine train being crashed into the river and had six cameras filming at once to insure they caught it, because they could only do the stunt once (the wreckage remained submerged until it was salvaged for scrap in World War II).

to:

* ''Film/TheGeneral'': The film's total budget was $750,000 (in 1926), of which approximately $42,000 was spent on a fifteen second-long fifteen-second-long shot of a train crashing from a burning bridge into a river. It was the single most expensive shot in silent movie history. This was because it was a genuine train being crashed into the river and had six cameras filming at once to insure ensure they caught it, it because they could only do the stunt once (the wreckage remained submerged until it was salvaged for scrap in World War II).



* ''Film/VanillaSky'' spent $1 million of its $68 million budget renting out all of Times Square to film a short-but-symbolic scene where David dreams about the bustling city being completely empty.

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* ''Film/VanillaSky'' spent $1 million of its $68 million budget renting out all of Times Square to film a short-but-symbolic short but symbolic scene where David dreams about the bustling city being completely empty.



** In the episode, "Tricia Tanaka is Dead", a random metorite destroys Mr Cluck's Chicken Shack, killing the Episode's Titular character and her cameraman. Despite the scene having not much importance to the episode or the series, it was alleged to be one of the most expensive shots in ''Lost'', according to Visual Effects Supervisor Kevin Blank.
** During Season 4, Creator/AlanDale was slated to appear in 2 seperate episodes. However, Dale could not leave London, due to his stage commitments to the West End's production of Theatre/Spamalot. Instead of writing him out, production decided to film Dale's scenes ''on location'' in London. This meant flying Creator/MichaelEmerson, Creator/KimYunjin and a crew out to London. In addition, Charles Widmore's apartment had to be built at Shepperton Studios, to be featured in "The Shape of Things to Come".

to:

** In the episode, "Tricia Tanaka is Dead", a random metorite meteorite destroys Mr Cluck's Chicken Shack, killing the Episode's Titular character and her cameraman. Despite the scene having not much importance to the episode or the series, it was alleged to be one of the most expensive shots in ''Lost'', according to Visual Effects Supervisor Kevin Blank.
** During Season 4, Creator/AlanDale was slated to appear in 2 seperate separate episodes. However, Dale could not leave London, due to his stage commitments to the West End's production of Theatre/Spamalot. Instead of writing him out, production decided to film Dale's scenes ''on location'' in London. This meant flying Creator/MichaelEmerson, Creator/KimYunjin Creator/KimYunjin, and a crew out to London. In addition, Charles Widmore's apartment had to be built at Shepperton Studios, to be featured in "The Shape of Things to Come".



* ''Series/OnlyMurdersInTheBuilding'' features an in-universe example; one of the major expenses that caused Oliver's musical adaptation of ''Film/{{Splash}}'' to go over-budget was an elaborate set that was supposed to open onto an actual pool of water. Unfortunately for Oliver, the hydraulics failed during previews, and when the chorus boys all dove for the pool, they hit the stage instead, causing multiple injuries and a string of expensive insurance investigations.

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* ''Series/OnlyMurdersInTheBuilding'' features an in-universe example; one of the major expenses that caused Oliver's musical adaptation of ''Film/{{Splash}}'' to go over-budget over budget was an elaborate set that was supposed to open onto an actual pool of water. Unfortunately for Oliver, the hydraulics failed during previews, and when the chorus boys all dove for the pool, they hit the stage instead, causing multiple injuries and a string of expensive insurance investigations.



* ''Series/TheSopranos'': In the episode "Proshai, Livushka", the producers had to deal with the fact Livia's actress died in between Season 2 and 3, so they hastily made a brief last scene between her and Tony using a DigitalHeadswap which cost $250,000 for about 90 seconds of altered footage (although the production company behind the effect cut the bill in half in hopes of gaining publicity). Each episode cost about $2-6 million total to make (with the budget growing larger with each season).

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* ''Series/TheSopranos'': In the episode "Proshai, Livushka", the producers had to deal with the fact Livia's actress died in between Season Seasons 2 and 3, so they hastily made a brief last scene between her and Tony using a DigitalHeadswap which cost $250,000 for about 90 seconds of altered footage (although the production company behind the effect cut the bill in half in hopes of gaining publicity). Each episode cost about $2-6 million total to make (with the budget growing larger with each season).



* The infamous ''VideoGame/ETTheExtraTerrestrial'' game cost at least $20 million to obtain the license to ''E.T.'' alone. It was developed in less than five weeks, sold less than three million copies overall, and unsold copies of it and other pieces of Creator/{{Atari}} hardware and software were buried in a landfill in the middle of New Mexico. ''E.T'' is widely blamed for the MediaNotes/TheGreatVideoGameCrashOf1983, but it was just the straw that broke the shovelware-laden camel's back.

to:

* The infamous ''VideoGame/ETTheExtraTerrestrial'' game cost at least $20 million to obtain the license to ''E.T.'' alone. It was developed in less than five weeks, sold less fewer than three million copies overall, and unsold copies of it and other pieces of Creator/{{Atari}} hardware and software were buried in a landfill in the middle of New Mexico. ''E.T'' is widely blamed for the MediaNotes/TheGreatVideoGameCrashOf1983, but it was just the straw that broke the shovelware-laden camel's back.



* Parodied by ''WebVideo/SonicTheHedgehog2SpecialEdition.'' In an bonus video about the making of the game, an anonymous member of Sonic Team admits that they had a lot of money left over and decided to splurge on a bunch of computer-animated 3D segments that served no purpose [[RuleOfCool beyond looking cool]]. Then those 3D segments ended up running significantly over budget--and now Sonic Team will be in deep financial trouble if the game doesn't sell.

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* Parodied by ''WebVideo/SonicTheHedgehog2SpecialEdition.'' In an a bonus video about the making of the game, an anonymous member of Sonic Team admits that they had a lot of money left over and decided to splurge on a bunch of computer-animated 3D segments that served no purpose [[RuleOfCool beyond looking cool]]. Then those 3D segments ended up running significantly over budget--and now Sonic Team will be in deep financial trouble if the game doesn't sell.



** In "Road to the Multiverse", the show receives an AnimationBump due to Brian and Stewie ending up in a [[{{Disneyfication}} Disney-style]] universe. WordOfGod states that the ''season's'' entire budget went towards animating that three minute segment.

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** In "Road to the Multiverse", the show receives an AnimationBump due to Brian and Stewie ending up in a [[{{Disneyfication}} Disney-style]] universe. WordOfGod states that the ''season's'' entire budget went towards animating that three minute three-minute segment.



* ''WesternAnimation/WanderOverYonder'': InUniverse. In "[[Recap/WanderOverYonderS2E13TheCartoonTheBot The Cartoon]]" in Hater's cartoon, when it finally becomes time The battle between Cartoon Hater and Cartoon Awesome, [[OffscreenMomentOfAwesome the camera just cuts to two Watchdogs watching the fight]]. When the real Hater complains about this, the Watchdogs reveal the blew all the animation budget on the [[HerCodeNameWasMarySue Watchdogs fight]], claiming they felt it was "[[BlatantLies more important to the narrative]]."

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* ''WesternAnimation/WanderOverYonder'': InUniverse. In "[[Recap/WanderOverYonderS2E13TheCartoonTheBot The Cartoon]]" in Hater's cartoon, when it finally becomes time for The battle between Cartoon Hater and Cartoon Awesome, [[OffscreenMomentOfAwesome the camera just cuts to two Watchdogs watching the fight]]. When the real Hater complains about this, the Watchdogs reveal the they blew all the animation budget on the [[HerCodeNameWasMarySue Watchdogs fight]], claiming they felt it was "[[BlatantLies more important to the narrative]]."

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* ''Anime/CarnivalPhantasm'': Parodied in the first and second episodes' Tiger Dojos. In the first one, Taiga is so excited about the Dojo finally being animated that she goes hog-wild with [[AnimationBump ultra-fluid movement]]. This blows so much of the animation budget (325,500 yen in 23 seconds) that in the second episode she's just black-and-white line art, while Ilya has no intermediate frames.



* ''Film/MontyPythonAndTheHolyGrail'' was made on a shoestring budget of just $400,000 - reportedly, a large chunk of that was spent just on the pyrotechnics for the Tim the Enchanter scene. Parodied during the film's opening credits, which are twice interrupted after going on bizarre tangents about moose, and are eventually finished "at the last minute and at great expense", implying that most of the film's budget went on the opening sequence.

to:

* ''Film/MontyPythonAndTheHolyGrail'' was made on a shoestring budget of just $400,000 - -- reportedly, a large chunk of that was spent just on the pyrotechnics for the Tim the Enchanter scene. Parodied during the film's opening credits, which are twice interrupted after going on bizarre tangents about moose, and are eventually finished "at the last minute and at great expense", implying that most of the film's budget went on the opening sequence.



-->'''Creator/RachelBloom''': But yes, that number was expensive -- we went out to the desert for a day in preproduction to film those sweeping desert scenes, we built another set on stage with all that lavish, beautiful furniture. The costumes alone, I mean especially that cactus costume, it's expensive.

to:

-->'''Creator/RachelBloom''': -->'''Creator/RachelBloom:''' But yes, that number was expensive -- we went out to the desert for a day in preproduction to film those sweeping desert scenes, we built another set on stage with all that lavish, beautiful furniture. The costumes alone, I mean especially that cactus costume, it's expensive.






-->'''Melissa Fahn''': Is that right? Was it really expensive?
-->'''Vasquez''': Well, we were gonna have the season end with a giant space battle, but they had blown the budget on the walnuts, so... it was upsetting.

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-->'''Melissa Fahn''': Fahn:''' Is that right? Was it really expensive?
-->'''Vasquez''': -->'''Vasquez:''' Well, we were gonna have the season end with a giant space battle, but they had blown the budget on the walnuts, so... it was upsetting.
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Indexes: {{Trivia}}, MoneyTropes, ShowBusiness, DisproportionateIndex
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Indexes: {{Trivia}}, MoneyTropes, ShowBusiness, DisproportionateIndex
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->''"If they're gonna be that foolish with their money, then I guess that means we can be foolish with their money. Like spending a bunch of it on a computer-generated cartoon elephant that has nothing to do with the rest of the episode. ''[a cartoon elephant skips across the screen]'' Did you see that? Know what that cost? $58,000. I mean, what a waste. It wasn't even that funny. That's $58,000 that could've gone to curing leukemia. Or muscular dystrophy. Or... what does Michael J. Fox have? That."''
-->-- '''OpeningScroll''', ''WesternAnimation/FamilyGuy'', "[[WesternAnimation/FamilyGuyPresentsLaughItUpFuzzball Something Something Something Dark Side]]"

There are many important aspects to consider when budgeting a project. High-quality sets, lighting, and sound equipment aren't cheap, and all the cast and crew need to be paid fairly and treated humanely to ensure good performances and good graces. But some directors insist that one element deserves far more attention than the rest, and will direct as much money as possible towards making ''that thing'' as good as it can be -- even if it means cutting corners for the rest of the work or going outside of your budget altogether.

Alternatively, the cost may not be ''too'' outlandish by budgetary standards... except this element only shows up for an extremely brief amount of time (such as a scene shot on-location at a famous monument for less than a minute, or a CelebrityCameo from an expensive A-lister).

Compare and contrast NoBudget; a budget-breaking element may result in the rest of the work appearing as if they had no money to begin with. However, if a work was already designed around having NoBudget, they may toss their extra money towards something gratuitous just to flaunt their own wealth. See also ShootTheMoney, when the expensive item is utilized as much as possible to account for the cost. May lead to a TroubledProduction and/or the work being a CreatorKiller if the risks don't lead to big enough rewards. See WhatCouldHaveBeen for some cut ideas that the director decided ''weren't'' worth the expense.

Some aspects that can require more money than the rest of the film:
* A scene employing a lot of unique visual effects, such as an alien world or a DisneyAcidSequence. This could be due to the amount of time and effort spent building an original set, or due to the use of expensive CGI technology (though the latter has become increasingly more common and accessible to filmmakers). This is especially true for fully animated sequences.
* Filming on-location in a profitable space, such as a landmark; renting out the space so no tourists interfere while filming will likely necessitate millions of dollars to compensate for the loss in revenue.
* Particularly expensive props, such as a CoolCar, especially if they get destroyed in a fight scene.
* Hiring an AllStarCast, or even just one actor with a much bigger paycheck than their colleagues.
* Legal fees to any other sort of expensive intellectual property, especially the rights to play a certain song. Even mere seconds of a particularly expensive pop song can send a film's budget to shambles.

In fiction, this may be exaggerated to illustrated a PrimaDonnaDirector's SkewedPriorities. Some shows may even waste the producers' money ''deliberately'' (or at least joke about doing it) to take BitingTheHandHumor to the extreme.

Please only list examples confirmed by WordOfGod or within the work itself, not audience speculation on where the budget must have gone.
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!!Examples:

[[foldercontrol]]

[[folder:Anime & Manga]]
* ''Anime/FinalFantasyTheSpiritsWithin'': A large part of the budget was spent animating Aki's hair, which consisted of 60,000 individually rendered hairs.
* ''Anime/GhostInTheShellStandAloneComplex'': During the production of the series in 2002, Creator/ProductionIG ended up setting a new record for the highest budget spent on any anime production for its time. Much of the money went towards showing off new animation technologies in 3D CelShading, specifically on vehicles such as helicopters, cars, and especially the Tachikomas themselves. The entire series could've just been done in traditional 2D animation, but it was a choice to render the vehicles in 3D and apply lighting filters to make them look 2D.
[[/folder]]

[[folder:Films -- Animated]]
* To date, ''WesternAnimation/TreasurePlanet'' was the most expensive animated film in history, with a budget of $140 million. Because it was the first Disney film released with an Creator/{{IMAX}} release in mind, most of that budget was dedicated to integrating CGI and hand-drawn elements and creating immaculate line-work suitable for such a high-quality screen. The film was a financial failure, only grossing $109 million.
[[/folder]]

[[folder:Films -- Live-Action]]
* ''Film/AmericanGraffiti'' was made on a low budget ($777,000 in 1973 money) and more than a tenth of that ($80,000) was spent on music licensing.
* A large portion of ''Film/AChristmasStory'''s $3.3 million budget was spent on an ultimately DeletedScene. The scene features Ralphie having an ImagineSpot taking place in the ''ComicStrip/FlashGordon'' universe where he uses the Red Ryder BB gun to save Gordon from Ming the Merciless on the planet Mongo. Despite the resources used to create the scene, including the large soundstage and set for the planet, the scene was forced to be cut by the studio to keep the runtime close to 90 minutes.
* The unproduced [[Franchise/TheMuppets Muppet]] movie script, ''The Cheapest Muppet Movie Ever Made'' provides an in-universe example. In the film, Gonzo is trying to make a film based on a nonsensical script that he wrote. It's supposed to be a globetrotting mystery. Unfortunately, he blows half the budget on the opening credits forcing him to cut more and more corners until eventually a single street corner is standing in for every location.
* ''Film/TheGeneral'': The film's total budget was $750,000 (in 1926), of which approximately $42,000 was spent on a fifteen second-long shot of a train crashing from a burning bridge into a river. It was the single most expensive shot in silent movie history. This was because it was a genuine train being crashed into the river and had six cameras filming at once to insure they caught it, because they could only do the stunt once (the wreckage remained submerged until it was salvaged for scrap in World War II).
* ''Film/HeavensGate'' ended up costing approximately $44 million to make. Director Creator/{{Michael Cimino|Director}} famously demanded that the buildings on both sides of a western street set be torn down and rebuilt a few feet wider apart, at a cost of $1.2 million, all the while overruling the crew's objections that it would be much cheaper to tear down only one side and move it the full distance away.
* ''Film/IAmLegend'' spent about $5 million alone on the bridge collapse scene, due to a combination of expensive CGI and the extensive costs and bureaucracy of shooting a destructive action scene on-location in New York City.
* ''Film/KingKong1976'': Nearly $2 million of the film's $24 million budget (ballooned from an initial $16 million) was spent on a full-body, forty-foot tall King Kong animatronic. It was intended to be used for the majority of the movie, but it proved inoperable (even breaking down once during filming) and looked unconvincing, so it only appears for about ten seconds total in the final film, while most of the rest was Creator/RickBaker in an ape suit.
* ''Film/KingRichard'' had an overall budget of about fifty million USD. Forty million was used just to get Creator/WillSmith on to play the main character (the film ended up making slightly less than forty million at the box office, [[AcclaimedFlop despite excellent reviews]], in part due to releasing simultaneously on streaming).
* ''Film/TheMatrixReloaded'' spent $2.5 million to construct and destroy a freeway set for a car chase scene.
* ''Film/MontyPythonAndTheHolyGrail'' was made on a shoestring budget of just $400,000 - reportedly, a large chunk of that was spent just on the pyrotechnics for the Tim the Enchanter scene. Parodied during the film's opening credits, which are twice interrupted after going on bizarre tangents about moose, and are eventually finished "at the last minute and at great expense", implying that most of the film's budget went on the opening sequence.
* About a tenth of the multimillion-dollar budget for ''Film/{{Spectre}}'' went to destroying luxury cars in action scenes, particularly several Aston Martin models specifically produced for the film.
* ''Film/SupermanReturns'' spent $10 million on Superman's return to Krypton due to the high cost of animation at the time. Unfortunately, this became a DeletedScene due to clashing with the rest of the film's tone.
* Although it enjoyed a modest financial return, Simon Wells' ''[[Film/TheTimeMachine2002 The Time Machine]]'' used a significant portion of its budget on the props in Alexander's laboratory, namely the Time Machine itself and his collection of pocket watches.
* ''Film/TimAndEricsBillionDollarMovie'': InUniverse. A big reason the ShowWithinAShow ''Bonjour, Diamond Jim'' cost a billion dollars to make was because Tim and Eric insisted on having the protagonist wear a suit covered in thousands of genuine diamonds. It ate up so much of the budget that they could only afford to shoot three minutes of footage, and they had to cast a CelebrityImpersonator as Diamond Jim instead of the real Creator/JohnnyDepp.
* ''Film/VanillaSky'' spent $1 million of its $68 million budget renting out all of Times Square to film a short-but-symbolic scene where David dreams about the bustling city being completely empty.
* According to Creator/JossWhedon, the various things that drove up the budget on ''Film/{{Waterworld}}'' was a functional water tank set constructed on the ocean, a personal chef for Creator/KevinCostner, and a VFX team devoted to digitally hiding Costner's receding hairline. The result of these many expenses was the most expensive shoot in history up until the release of ''Film/{{Titanic|1997}}''.
[[/folder]]

[[folder:Live-Action TV]]
* ''Series/CrazyExGirlfriend'': At the end of the song "Love Kernels," Rebecca breaks the fourth wall to say that the artsy music video, with its various scene changes and costumes to symbolize Rebecca's LoveMartyr status, ate up the show's production budget, so they now have to recast Darryl with a broom. WordOfGod confirmed this song actually ''did'' use a good chunk of the production budget.
-->'''Creator/RachelBloom''': But yes, that number was expensive -- we went out to the desert for a day in preproduction to film those sweeping desert scenes, we built another set on stage with all that lavish, beautiful furniture. The costumes alone, I mean especially that cactus costume, it's expensive.
* The TV adaptation of ''Radio/TheHitchHikersGuideToTheGalaxy'' had two disproportionately big spends on relatively small elements.
** Firstly, the prosthetic second head for Zaphod Beeblebrox, which only intermittently worked, consumed more time and money than had been budgeted for.
** Secondly, the animation sequences representing The Guide itself. These were done with conventional cel animation, to represent CGI which would in 1980 have been way ahead of what computing could actually do. This also cost a bomb -- but did work.
* ''Series/{{Lost}}'':
** In the episode, "Tricia Tanaka is Dead", a random metorite destroys Mr Cluck's Chicken Shack, killing the Episode's Titular character and her cameraman. Despite the scene having not much importance to the episode or the series, it was alleged to be one of the most expensive shots in ''Lost'', according to Visual Effects Supervisor Kevin Blank.
** During Season 4, Creator/AlanDale was slated to appear in 2 seperate episodes. However, Dale could not leave London, due to his stage commitments to the West End's production of Theatre/Spamalot. Instead of writing him out, production decided to film Dale's scenes ''on location'' in London. This meant flying Creator/MichaelEmerson, Creator/KimYunjin and a crew out to London. In addition, Charles Widmore's apartment had to be built at Shepperton Studios, to be featured in "The Shape of Things to Come".
** Averted for "The End". The finale was intended to feature a volcanic eruption on the island, during the climatic fight between [[spoiler:the Man in Black and Jack]]. Despite it being the GrandFinale, the network actually shot the idea down, due to the Final Season already being expensive. The show would ultimately change the location of the fight to a stormy cliffside.
* ''Series/MysteryScienceTheater3000:'' During the host segments of ''[[Recap/MysteryScienceTheater3000S07E04TheIncredibleMeltingMan The Incredible Melting Man]]'', Crow's screenplay for ''Earth vs. Soup'' is bought by the Mads and greenlit. They land a budget of $30 million, but between bonuses for Pearl and Clayton and several fees such as insurance and a completion bond, Crow is only given $800 to work with. And they expect him to get Creator/KevinBacon to star. This is meant as a TakeThat to how the crew was treated when shooting [[Recap/MysteryScienceTheater3000TheMovie The MST3K Movie]].
* ''Series/OnlyMurdersInTheBuilding'' features an in-universe example; one of the major expenses that caused Oliver's musical adaptation of ''Film/{{Splash}}'' to go over-budget was an elaborate set that was supposed to open onto an actual pool of water. Unfortunately for Oliver, the hydraulics failed during previews, and when the chorus boys all dove for the pool, they hit the stage instead, causing multiple injuries and a string of expensive insurance investigations.
* ''Series/PowerRangersSPD'' infamously blew so much of their budget on the final battle between the SPD SWAT Megazord and Grumm's fortress that they didn't have any money to have an actual actor for the Omega Ranger to have an actual identity outside the suit.
* ''Series/TheSopranos'': In the episode "Proshai, Livushka", the producers had to deal with the fact Livia's actress died in between Season 2 and 3, so they hastily made a brief last scene between her and Tony using a DigitalHeadswap which cost $250,000 for about 90 seconds of altered footage (although the production company behind the effect cut the bill in half in hopes of gaining publicity). Each episode cost about $2-6 million total to make (with the budget growing larger with each season).
* Creator/ConanOBrien invoked this during his last weeks hosting ''Series/TheTonightShow'' in an effort to spite Creator/{{NBC}} for their controversial treatment of his hosting era, making a point to introduce one-shot characters who weren't really that funny, but ''would'' cost NBC boatloads of money to put on the air. The biggest example was the "Bugatti Veyron Mouse," a very expensive car decorated like a mouse, accompanied by the original recording of Music/TheRollingStones' "Satisfaction," which O'Brien claimed would cost NBC $1.5 million. (though [[https://abcnews.go.com/Business/conan-obrien-nbc-confirms-deal-speeds-nbc-show/story?id=9621682 it may not be that high,]] as the car was likely on loan or at least a less expensive model than presented).
[[/folder]]

[[folder:Music]]
* The video for Custom's "Hey Mister," shot on NoBudget with a handheld camera with the artist and his girlfriend going to the beach, was almost finished when the label gave the band more money. Most of the money was spent on a luxury car and a trip to Vegas, with the rest of the video still using that cheap handheld camera.
[[/folder]]

[[folder:Video Games]]
* The [[https://arstechnica.com/gaming/2010/09/the-death-and-rebirth-of-duke-nukem-forever-a-history/ need to keep up to date with the latest engine and fanciest graphics]] doomed ''VideoGame/DukeNukemForever'' and took down Creator/GeorgeBroussard's career with him (Creator/ThreeDRealms barely survived this one). ''Forever'' began to be developed in Creator/IdSoftware's Id Tech 2 engine (the same one that powered ''VideoGame/QuakeII'' and ''VideoGame/{{SiN|1998}}''). Before development started on the game, it was decided that Creator/EpicGames's Unreal Engine 1 (''VideoGame/UnrealI'' and ''VideoGame/UnrealTournament'') was the engine of choice; the 2001 leaked version was even running under this engine. By the time they switched to Creator/ValveSoftware's Source engine, they had more or less a working game and were putting the final touches. ''Then'' they switched to the Unreal Engine 2, but by then the game just went overbudget and the morale of the team was quite low; 5 years later the game was cancelled, and Creator/GearboxSoftware (already having established a name by themselves thanks to the SleeperHit ''VideoGame/Borderlands1'') bought the franchise and [[SavedFromDevelopmentHell resumed development in the game]], finally managing to finish and release the game.
* The infamous ''VideoGame/ETTheExtraTerrestrial'' game cost at least $20 million to obtain the license to ''E.T.'' alone. It was developed in less than five weeks, sold less than three million copies overall, and unsold copies of it and other pieces of Creator/{{Atari}} hardware and software were buried in a landfill in the middle of New Mexico. ''E.T'' is widely blamed for the MediaNotes/TheGreatVideoGameCrashOf1983, but it was just the straw that broke the shovelware-laden camel's back.
* As shared by various Creator/RitualEntertainment employees (among them former Ritual QA Manager Michael Russell), the ''VideoGame/{{SiN}}'' franchise and the company itself weren't sunk by the lack of success of ''VideoGame/SiNEpisodesEmergence''; the game actually did well enough to fund most of the planned 9 episodes. It was instead all the resources spent on a failed ''VideoGame/QuakeIV'' expansion pack called ''Quake IV: Awakening'', whose development was dropped after the main game didn't perform as expected. This led to ''Emergence'' having a very short budget (and the reuse of ''VideoGame/HalfLife2'' assets due to the game using the ''Source'' game engine) and later Ritual being sold to [=MumboJumbo=] and dissolved.
* ''VideoGame/TooHuman'' was, at the time of its release, estimated to have a budget of between $60-$100 million USD, due to the fact that development moved from the Platform/{{Playstation}} to the Platform/NintendoGamecube before ending up on the Platform/Xbox360, and the shift in [=SKUs=] required development to restart from scratch. Developer Silicon Knights ended up trying to save money by not paying Creator/EpicGames's licensing fee for its Unreal Engine, a move which resulted in a legal battle that eventually led to the destruction of all unsold physical copies of the game and the shuttering of Silicon Knights.
* [[http://www.worch.com/portfolio/unreal-2/ According to]] former Creator/LegendEntertainment mapper Matthias Worch, the dip in quality of ''VideoGame/UnrealIITheAwakening'' had to do with the team trying to cram as many things as possible into the TCA Atlantis intermission sequences. They ended up diverting resources into those sections that ''didn't'' feature shooting in a game that's basically a FirstPersonShooter.
--> ''"If you ask yourself "What is the game about?" and break down a game by its core gameplay mechanics, the main component of the game, the shooting, had better be present in all major parts of the game. ''Unreal 2'' is a {{first person shooter}}. And you don't shoot on Atlantis. Instead, you do all the things that slow down the shooting action during an actual mission: exploration and talking. (...) I love the ambition and effort that we put into the level. It works. But all that effort also distracted and took resources from the other areas of the game that could have used extra help. Putting more focus on the Kai (our version of the Nali) for example. Or finishing the SP missions I had to abandon during development."''

[[/folder]]

[[folder:Web Video]]
* Parodied by ''WebVideo/SonicTheHedgehog2SpecialEdition.'' In an bonus video about the making of the game, an anonymous member of Sonic Team admits that they had a lot of money left over and decided to splurge on a bunch of computer-animated 3D segments that served no purpose [[RuleOfCool beyond looking cool]]. Then those 3D segments ended up running significantly over budget--and now Sonic Team will be in deep financial trouble if the game doesn't sell.
[[/folder]]

[[folder:Western Animation]]
* ''WesternAnimation/{{Chowder}}:'' During the episode "Shopping Spree", the main cast goes overboard spending money on luxury items when they were meant to just buy a replacement machine; they go completely broke, which results in the animation ceasing and the show temporarily switching to live-action as the voice actors organize a car wash to raise enough money to get back into animated form.
* ''WesternAnimation/FamilyGuy'':
** In "You May Now Kiss the... Uh... Guy Who Receives", Quagmire randomly launches into the chorus of "Witch Doctor" when refusing to sign Brian's petition. On the commentary track, Creator/SethMacFarlane called it "the $10,000 joke" because of how much they had to pay to use the song.
** In "Road to the Multiverse", the show receives an AnimationBump due to Brian and Stewie ending up in a [[{{Disneyfication}} Disney-style]] universe. WordOfGod states that the ''season's'' entire budget went towards animating that three minute segment.
** ''WesternAnimation/FamilyGuyPresentsLaughItUpFuzzball'': The opening crawl in "Something Something Something Dark Side" is full of BitingTheHandHumor at Creator/{{Fox}} for their lack of faith in the ''Franchise/StarWars'' franchise, boasting that if Fox can be foolish with their money, so can ''Family Guy.'' They then throw a random CG-animated elephant onscreen and point out that it wasted $58,000.
* ''WesternAnimation/FostersHomeForImaginaryFriends'': InUniverse. In "One False Movie", Mac is tasked with creating a movie to be shown at a film festival, with Bloo directing. Bloo immediately blows their budget a megaphone (said to have once belonged to Creator/CecilBDeMille) to boss everyone around with, leaving Mac to sell some of his stuff online to scrounge up more money.
* ''WesternAnimation/{{Futurama}}'': InUniverse. In "That's Lobstertainment!", post-production on Harold Zoid's movie is reduced to less than a week because they blew the budget on pies for a background pie fight.
* ''WesternAnimation/InvaderZim'': "A Room with a Moose" has a scene with some computer-generated walnuts. On the episode commentary, Creator/JhonenVasquez jokes that they weren't meant to be CGI and it blew the entire animation budget for the season.
-->'''Melissa Fahn''': Is that right? Was it really expensive?
-->'''Vasquez''': Well, we were gonna have the season end with a giant space battle, but they had blown the budget on the walnuts, so... it was upsetting.
* Out of the $290,000 budget for ''WesternAnimation/SitaSingsTheBlues,'' $5,000 were spent on music royalties.
* ''WesternAnimation/TheSimpsons'': Parodied in "The Fight Before Christmas," where the final scene is done in puppetry and features Music/KatyPerry as a SpecialGuest. Mr. Burns is only able to release one of his trademark hounds, which is just a cheap sock puppet, because they blew the budget on Perry.
* ''WesternAnimation/SpaceGhostCoastToCoast'': Joked about (among many other things) in the low-budget show. According to Zorak, "every time I move my arm, it costs the Cartoon Network 42 bucks," and he then proceeds to demonstrate by barely shifting his arm and counting how much money even small movements cost and seeing how much money he can run up.
* ''WesternAnimation/TheVentureBros'': The season two premiere "[[Recap/TheVentureBrosS2E1PowerlessInTheFaceOfDeath Powerless in the Face of Death]]" uses the licensed song "Everybody's Free (To Feel Good)" by Rozalla in its opening montage. The creators had to fight tooth and nail with Creator/CartoonNetwork as, according to creator Creator/DocHammer, the licensing cost 1/8 of the season's ''entire budget''. They included some BitingTheHandHumor in both the episode and the DVDCommentary (which includes a voicemail from a network exec initially denying them the money) poking fun at the situation. It was only after Hammer played them the scene cut to some (intentionally) awful music he had written that they agreed to pay for the rights.
* ''WesternAnimation/WanderOverYonder'': InUniverse. In "[[Recap/WanderOverYonderS2E13TheCartoonTheBot The Cartoon]]" in Hater's cartoon, when it finally becomes time The battle between Cartoon Hater and Cartoon Awesome, [[OffscreenMomentOfAwesome the camera just cuts to two Watchdogs watching the fight]]. When the real Hater complains about this, the Watchdogs reveal the blew all the animation budget on the [[HerCodeNameWasMarySue Watchdogs fight]], claiming they felt it was "[[BlatantLies more important to the narrative]]."
[[/folder]]
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