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-->[[Music/SunRa Sun Ra]]


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-->[[Music/SunRa Sun Ra]]

-->-- '''Music/SunRa'''



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* ''VideoGame/LeagueOfLegends'' champion Ekko, the Boy Who Shattered Time. A street-smart, anti-authoritarian black kid capable of [[TimeMaster manipulating time with his high-tech equipment.]]

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* ''VideoGame/LeagueOfLegends'' champion Ekko, the Boy Who Shattered Time. Time has an Afrofuturist sensibility: A street-smart, anti-authoritarian black kid capable of [[TimeMaster manipulating time with his high-tech equipment.]]
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[[caption-width-right:350: ''[[Film/BlackPanther2018 Step]] [[Film/{{Blade}} into]] [[Film/GetOut2017 the]] [[VideoGame/LeagueOfLegends spotlight.spot]][[Music/JanelleMonae light.]]'']]

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[[caption-width-right:350: ''[[Film/BlackPanther2018 Step]] [[Film/{{Blade}} into]] [[Film/GetOut2017 the]] [[VideoGame/LeagueOfLegends spotlight.spot]][[Music/JanelleMonae light.]]'']]
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[[caption-width-right:350: [[IncrediblyLamePun Black]] to the future.[[note]]Clockwise from top left: [[Film/BlackPanther2018 T'Challa,]] [[Film/{{Blade}} Blade,]] [[Music/JanelleMonae Cindi Mayweather,]] and [[VideoGame/LeagueOfLegends Ekko.]] Center: [[Film/GetOut Chris]][[/note]]]]

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[[caption-width-right:350: [[IncrediblyLamePun Black]] to the future.[[note]]Clockwise from top left: [[Film/BlackPanther2018 T'Challa,]] ''[[Film/BlackPanther2018 Step]] [[Film/{{Blade}} Blade,]] [[Music/JanelleMonae Cindi Mayweather,]] and into]] [[Film/GetOut2017 the]] [[VideoGame/LeagueOfLegends Ekko.]] Center: [[Film/GetOut Chris]][[/note]]]]
spotlight.spot]][[Music/JanelleMonae light.]]'']]
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* ''Concrete Park'' features a cast comprised of Earth's outcasts (coincidentally all black or brown ethnic people), exiled to a distant desert planet and forgotten, left to their own devices.
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* ComicBook/BlackPanther is probably the first example that comes to mind in discussions of Afrofuturism. Thanks to the amazing capabilities of the metal vibranium, the African nation of Wakanda is the most technologically advanced society on Marvel earth.

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* ComicBook/BlackPanther ''ComicBook/BlackPanther'' is probably the first example that comes to mind in discussions of Afrofuturism. Thanks to the amazing capabilities of the metal vibranium, the African nation of Wakanda is the most technologically advanced society on Marvel earth.



* ComicBook/MoonGirlAndDevilDinosaur features a genius young girl and latent [[ComicBook/TheInhumans Inhuman]] who later develops the ability to [[spoiler:FreakyFridayFlip]] and teams up with a bright Tyrannosaurus Rex from an Main/AlternateUniverse, named [[EverythingsBetterWithDinosaurs Devil Dinosaur]], to battle an evil caveman tribe also from said dimension. They later go on to have adventures in space, encounter [[Main/GeniusLoci Ego the Living Planet]] and join up with the ComicBook/SecretWarriors2017.

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* ComicBook/MoonGirlAndDevilDinosaur ''ComicBook/MoonGirlAndDevilDinosaur'' features a genius young girl and latent [[ComicBook/TheInhumans Inhuman]] who later develops the ability to [[spoiler:FreakyFridayFlip]] and teams up with a bright Tyrannosaurus Rex from an Main/AlternateUniverse, named [[EverythingsBetterWithDinosaurs Devil Dinosaur]], to battle an evil caveman tribe also from said dimension. They later go on to have adventures in space, encounter [[Main/GeniusLoci Ego the Living Planet]] and join up with the ComicBook/SecretWarriors2017.[[ComicBook/SecretWarriors2017 Secret Warriors]].
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* ComicBook/MoonGirlAndDevilDinosaur features a genius young girl and latent [[ComicBook/TheInhumans Inhuman]] who later develops the ability to [[spoiler:FreakyFridayFlip]] and teams up with a bright Tyrannosaurus Rex from an Main/AlternateUniverse, named [[EverythingsBetterWithDinosaurs Devil Dinosaur]], to battle an evil caveman tribe also from said dimension. They later go on to have adventures in space, encounter [[Main/GeniusLoci Ego the Living Planet]] and join up with the ComicBook/SecretWarriors2017.
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Afrofuturism is an artistic genre that melds SpeculativeFiction with the cultures and experiences of Black people around the globe. [[note]] [[https://en.wikipedia.org/wiki/Afrofuturism As]] Wiki/{{Wikipedia}} puts it: "A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of {{science fiction}}, {{historical fiction}}, {{fantasy}}, [[https://www.merriam-webster.com/dictionary/Afrocentric Afrocentrism]], and {{magic realism}} with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences."[[/note]]

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Afrofuturism is an artistic genre that melds SpeculativeFiction with the cultures and experiences of Black people around the globe. [[note]] globe[[note]] [[https://en.wikipedia.org/wiki/Afrofuturism As]] Wiki/{{Wikipedia}} puts it: "A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of {{science fiction}}, {{historical fiction}}, {{fantasy}}, [[https://www.merriam-webster.com/dictionary/Afrocentric Afrocentrism]], and {{magic realism}} with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences."[[/note]]
"[[/note]].

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Breaking up this big text block


Afrofuturism is an artistic genre that melds SpeculativeFiction with the cultures and experiences of Black people around the globe. [[https://en.wikipedia.org/wiki/Afrofuturism As]] Wiki/{{Wikipedia}} puts it:

->A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of {{science fiction}}, {{historical fiction}}, {{fantasy}}, [[https://www.merriam-webster.com/dictionary/Afrocentric Afrocentrism]], and {{magic realism}} with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.

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Afrofuturism is an artistic genre that melds SpeculativeFiction with the cultures and experiences of Black people around the globe. [[note]] [[https://en.wikipedia.org/wiki/Afrofuturism As]] Wiki/{{Wikipedia}} puts it:

->A
it: "A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of {{science fiction}}, {{historical fiction}}, {{fantasy}}, [[https://www.merriam-webster.com/dictionary/Afrocentric Afrocentrism]], and {{magic realism}} with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.
experiences."[[/note]]
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->''I'm playing dark history. It's beyond black. I'm dealing with the dark things of the cosmos.''
-->[[Music/SunRa Sun Ra]]

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[[caption-width-right:350: ''[[Film/BlackPanther2018 Step]] [[Film/{{Blade}} into]] [[Film/GetOut2017 the]] [[VideoGame/LeagueOfLegends spot]][[Music/JanelleMonae light.]]'']]

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[[caption-width-right:350: ''[[Film/BlackPanther2018 Step]] [[IncrediblyLamePun Black]] to the future.[[note]]Clockwise from top left: [[Film/BlackPanther2018 T'Challa,]] [[Film/{{Blade}} into]] [[Film/GetOut2017 the]] Blade,]] [[Music/JanelleMonae Cindi Mayweather,]] and [[VideoGame/LeagueOfLegends spot]][[Music/JanelleMonae light.]]'']]
Ekko.]] Center: [[Film/GetOut Chris]][[/note]]]]
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/picsart_11_28_101207.jpg]]
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[[caption-width-right:350: ''[[Film/BlackPanther2018 Step]] [[Film/{{Blade}} into]] [[Film/GetOut2017 the]] [[VideoGame/LeagueOfLegends spotlight.spot]][[Music/JanelleMonae light.]]'']]
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--> '''George Clinton, describing the inspiration for ''Mothership Connection'':''' We had put black people in situations nobody ever thought they would be in, like the White House. I figured another place you wouldn't think black people would be was in outer space. I was a [[OneOfUs big fan]] of ''StarTrek'', so we did a thing with a pimp sitting in a spaceship shaped like a Cadillac, and we did all these James Brown-type grooves, but with street talk and ghetto slang.

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--> '''George Clinton, describing the inspiration for ''Mothership Connection'':''' We had put black people in situations nobody ever thought they would be in, like the White House. I figured another place you wouldn't think black people would be was in outer space. I was a [[OneOfUs big fan]] of ''StarTrek'', ''Franchise/StarTrek'', so we did a thing with a pimp sitting in a spaceship shaped like a Cadillac, and we did all these James Brown-type grooves, but with street talk and ghetto slang.

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When adding examples, bear in mind this trope is not simply "black people IN SPACE!" It refers to science fiction and fantasy that specifically draws on the aesthetics and history of African and African American cultures.

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When adding examples, bear in mind this trope is not simply "black people IN SPACE!" It refers to science fiction and fantasy that specifically draws on the aesthetics and history of African and African American cultures.African-American cultures.






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* The ''Pan-African Judges'' comics set in the ''Comicbook/JudgeDredd'' universe.

[[AC:Film - Live Action]]
* The movie version of Wakanda (as seen in the trailers for ''Film/BlackPanther2018''), like its comic counterpart, hosts technology on par with (if not far in advanced of) any of the technology we've seen so far in the [[Franchise/MarvelCinematicUniverse MCU]].

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* The ''Pan-African Judges'' comics set in the ''Comicbook/JudgeDredd'' universe.

[[AC:Film - Live Action]]
''ComicBook/JudgeDredd'' universe.
[[/folder]]

[[folder:Films -- Live-Action]]
* The movie version of Wakanda (as seen in the trailers for ''Film/BlackPanther2018''), like its comic counterpart, hosts technology on par with (if not far in advanced of) any of the technology we've seen so far in the [[Franchise/MarvelCinematicUniverse MCU]].Franchise/MarvelCinematicUniverse.




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--> ''[[{{Determinator}} "Imma keep leading like a young Harriet Tubman]]''
--> ''You can take my wings but I'm still gonna fly''
--> ''And even when you edit me the booty don't lie''
--> ''Yeah keep singing, I'mma keep writing songs''
--> ''I'm tired of [[Creator/MarvinGaye Marvin]] asking me, "What's Going On?"''
--> ''March to the streets 'cause I'm willing and I'm able''
--> ''[[BadassBoast Categorize me, I defy every label]]''
--> ''And while you're selling dope, we're gonna keep selling hope''
--> ''We risin' up now, you gotta deal you gotta cope''
--> ''Will you be electric sheep? Electric ladies, will you sleep?''
--> ''[[DareToBeBadass Or will you preach?]]''

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--> ''[[{{Determinator}} "Imma -->''[[{{Determinator}} Imma keep leading like a young Harriet Tubman]]''
--> ''You
Tubman]]\\
You
can take my wings but I'm still gonna fly''
--> ''And
fly\\
And
even when you edit me the booty don't lie''
--> ''Yeah
lie\\
Yeah
keep singing, I'mma keep writing songs''
--> ''I'm
songs\\
I'm
tired of [[Creator/MarvinGaye Marvin]] asking me, "What's Going On?"''
--> ''March
On?"\\
March
to the streets 'cause I'm willing and I'm able''
--> ''[[BadassBoast
able\\
[[BadassBoast
Categorize me, I defy every label]]''
--> ''And
label]]\\
And
while you're selling dope, we're gonna keep selling hope''
--> ''We
hope\\
We
risin' up now, you gotta deal you gotta cope''
--> ''Will
cope\\
Will
you be electric sheep? Electric ladies, will you sleep?''
--> ''[[DareToBeBadass
sleep?\\
[[DareToBeBadass
Or will you preach?]]''




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* ''LeagueOfLegends'' champion Ekko, the Boy Who Shattered Time. A street-smart, anti-authoritarian black kid capable of [[TimeMaster manipulating time with his high-tech equipment.]]

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* ''LeagueOfLegends'' ''VideoGame/LeagueOfLegends'' champion Ekko, the Boy Who Shattered Time. A street-smart, anti-authoritarian black kid capable of [[TimeMaster manipulating time with his high-tech equipment.]]]]
[[/folder]]
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The connected trope is more recycled plot ideas and less actual space


When adding examples, bear in mind this trope is not simply "black people [[RecycledInSpace IN SPACE!]]" It refers to science fiction and fantasy that specifically draws on the aesthetics and history of African and African American cultures.

to:

When adding examples, bear in mind this trope is not simply "black people [[RecycledInSpace IN SPACE!]]" SPACE!" It refers to science fiction and fantasy that specifically draws on the aesthetics and history of African and African American cultures.
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None

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* ''LeagueOfLegends'' champion Ekko, the Boy Who Shattered Time. A street-smart, anti-authoritarian black kid capable of [[TimeMaster manipulating time with his high-tech equipment.]]
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->A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of ScienceFiction, HistoricalFiction, {{Fantasy}}, [[https://www.merriam-webster.com/dictionary/Afrocentric Afrocentrism]], and MagicRealism with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.

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->A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of ScienceFiction, HistoricalFiction, {{Fantasy}}, {{science fiction}}, {{historical fiction}}, {{fantasy}}, [[https://www.merriam-webster.com/dictionary/Afrocentric Afrocentrism]], and MagicRealism {{magic realism}} with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.
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None


This trope is not simply "black people [[RecycledInSpace IN SPACE!]]" It refers to science fiction and fantasy that specifically draws on the aesthetics and history of African and African American cultures.

to:

This When adding examples, bear in mind this trope is not simply "black people [[RecycledInSpace IN SPACE!]]" It refers to science fiction and fantasy that specifically draws on the aesthetics and history of African and African American cultures.




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* ''Film/GetOut'': A blend of science fiction and horror which satirizes modern-day racism in the United States.
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->A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of ScienceFiction, HistoricalFiction, {{Fantasy}}, Afrocentrism, and MagicRealism with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.

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->A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of ScienceFiction, HistoricalFiction, {{Fantasy}}, Afrocentrism, [[https://www.merriam-webster.com/dictionary/Afrocentric Afrocentrism]], and MagicRealism with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.

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Afrofuturism is an artistic genre that melds SpeculativeFiction with the cultures and experiences of Black people around the globe. [[https://en.wikipedia.org/wiki/Afrofuturism As]] TheOtherWiki puts it:

-->A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of ScienceFiction, HistoricalFiction, {{Fantasy}}, Afrocentrism, and MagicRealism with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.

to:

Afrofuturism is an artistic genre that melds SpeculativeFiction with the cultures and experiences of Black people around the globe. [[https://en.wikipedia.org/wiki/Afrofuturism As]] TheOtherWiki Wiki/{{Wikipedia}} puts it:

-->A ->A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of ScienceFiction, HistoricalFiction, {{Fantasy}}, Afrocentrism, and MagicRealism with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.



* ''VideoGame/{{Overwatch}}'' has the city of Numbani in the West-African savanna. It is a gorgeous, technologically advanced metropolis built after the [[GreatOffscreenWar Omnic Crisis]] and is one of the few places where humans and [[RidiculouslyHumanRobots omnics]] live side by side in peace, working together to create a Utopian Africa. As a result, it is unofficially known as "The City of Harmony". Certain characters have special dialog on the location, ranging from admiring its peace to rage and disgust at the idea of tolerating omnics.

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* ''VideoGame/{{Overwatch}}'' has the city of Numbani in the West-African savanna. It is a gorgeous, technologically advanced metropolis built after the [[GreatOffscreenWar Omnic Crisis]] and is one of the few places where humans and [[RidiculouslyHumanRobots omnics]] live side by side in peace, working together to create a Utopian Africa. As a result, it is unofficially known as "The City of Harmony". Certain characters have special dialog on the location, ranging from admiring its peace to rage and disgust at the idea of tolerating omnics.omnics.
----
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While black artists have been writing science fiction since the 1860s[[note]] Martin R. Delaney's [[https://www.encyclopediavirginia.org/Blake_or_the_Huts_of_America_1859-1861#start_entry Blake, or the Huts of America]], an AlternateHistory novel about an attempted slave insurrection in the antebellum South, was published in 1859[[/note]], the concept and term were coined in the early 1990s by Mark Dery's essay/interview series [[https://www.kit.ntnu.no/sites/www.kit.ntnu.no/files/Black%20to%20the%20Future%20(Dery)_0.pdf Black to the Future"]], which contrasted the seeming lack of African-American science fiction writers with the preponderance of sci-fi/fantasy elements found in the work of other African-American musicians and artists at the time.

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While black artists have been writing science fiction since the 1860s[[note]] Martin R. Delaney's [[https://www.encyclopediavirginia.org/Blake_or_the_Huts_of_America_1859-1861#start_entry Blake, or the Huts of America]], an AlternateHistory novel about an attempted slave insurrection in the antebellum South, was published in 1859[[/note]], the concept and term were coined in the early 1990s by Mark Dery's essay/interview series [[https://www.kit.ntnu.no/sites/www.kit.ntnu.no/files/Black%20to%20the%20Future%20(Dery)_0.pdf Black "Black to the Future"]], which contrasted the seeming lack of African-American science fiction writers with the preponderance of sci-fi/fantasy elements found in the work of other African-American musicians and artists at the time.



This trope is not simply "black people [[RecycledInSpace IN SPACE!]]" It refers to science fiction and fantasy that is specifically draws on the aesthetics and history of African and African American cultures.

to:

This trope is not simply "black people [[RecycledInSpace IN SPACE!]]" It refers to science fiction and fantasy that is specifically draws on the aesthetics and history of African and African American cultures.



* Creator/DwayneMcDuffie's early work with DC imprint Milestone Media was centered around creating minority heroes, many with a sci-fi bent. One of his creations, ''WesternAnimation/StaticShock'', became popular enough to star in his own award-winning TV show.

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* Creator/DwayneMcDuffie's early work with DC imprint [[Creator/MilestoneComics Milestone Media Media]] was centered around creating minority heroes, many with a sci-fi bent. One of his creations, ''WesternAnimation/StaticShock'', became popular enough to star in his own award-winning TV show.



* The move version of Wakanda (as seen in the trailers for ''Film/BlackPanther2018''), like its comic counterpart, hosts technology on par with (if not far in advanced of) any of the technology we've seen so far in the [[Franchise/MarvelCinematicUniverse MCU]].

to:

* The move movie version of Wakanda (as seen in the trailers for ''Film/BlackPanther2018''), like its comic counterpart, hosts technology on par with (if not far in advanced of) any of the technology we've seen so far in the [[Franchise/MarvelCinematicUniverse MCU]].



* Steven Barnes: Final member of the "Big Three". A frequent collaborator with Creator/LarryNiven, and writer on sci-fi shows such as ''Outer Limits'' and ''Stargate SG-1''
* Creator/NKJemisin tends to get labelled as an Afrofuturist writer given that she's who writes science fiction and fantasy. She [[https://www.tor.com/2016/05/09/author-event-nk-jemisin-nnedi-okorafor-brooklyn-museum/ contests]] the label, however, finding it reductive and ill-defined.

to:

* Steven Barnes: Final member of the "Big Three". A frequent collaborator with Creator/LarryNiven, and writer on sci-fi shows such as ''Outer Limits'' and ''Stargate SG-1''
SG-1''.
* Creator/NKJemisin tends to get labelled as an Afrofuturist writer given that she's who she writes science fiction and fantasy. She [[https://www.tor.com/2016/05/09/author-event-nk-jemisin-nnedi-okorafor-brooklyn-museum/ contests]] the label, however, finding it reductive and ill-defined.



* The novel ''Literature/InvisibleMan'' uses the power of {{Invisibility}} as a metaphor for living as a black person in America.
* ''Literature/MumboJumbo'': AlternateHistory novel (with elements of UrbanFantasy) set in TheRoaringTwenties about a millennia-old AncientConspiracy devoted to suppressing black history and culture

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* The novel ''Literature/InvisibleMan'' (not to be mistaken for [[Literature/TheInvisibleMan that other novel with a similar title]]) uses the power of {{Invisibility}} as a metaphor for living as a black person in America.
* ''Literature/MumboJumbo'': AlternateHistory novel (with elements of UrbanFantasy) set in TheRoaringTwenties about a millennia-old AncientConspiracy devoted to suppressing black history and culture culture.



* In [[Creator/IsaacAsimov Isaac Asimov's]], ''Literature/IRobot'' universe, the Tropic Region (a unified Africa, South America, Latin America and Mexico) eventually becomes Earth's primary economic driver, while Europe sinks into a sleepy backwater that's more of a retirement community writ-large than anything else.
* ''Literature/AlienInASmallTown.'' Set in the 24th century, only a brief section near the end of the book is set in [[UsefulNotes/{{Zimbabwe}} Zimbabwe,]] but we learn that Earth's capital city is located there, and it seems to be a generally good place to live. Tendai grew up here, and he shows his wife Indira the country's [[AncientAfrica ancient stone cities,]] wildlife preserves, etc. Notably, there is a monument to all who died in the AIDS plague of our own time, and to those who died under "the vile 21st century tyrant Mugabe."


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* In [[Creator/IsaacAsimov Isaac Asimov's]], Asimov's]] ''Literature/IRobot'' universe, the Tropic Region (a unified Africa, South America, Latin America and Mexico) eventually becomes Earth's primary economic driver, while Europe sinks into a sleepy backwater that's more of a retirement community writ-large than anything else.
* ''Literature/AlienInASmallTown.'' Set in the 24th century, only a brief section near the end of the book is set in [[UsefulNotes/{{Zimbabwe}} Zimbabwe,]] UsefulNotes/{{Zimbabwe}}, but we learn that Earth's capital city is located there, and it seems to be a generally good place to live. Tendai grew up here, and he shows his wife Indira the country's [[AncientAfrica ancient stone cities,]] wildlife preserves, etc. Notably, there is a monument to all who died in the AIDS plague of our own time, and to those who died under "the vile 21st century tyrant Mugabe."




* {{Beyonce}} incorporates Afrofuturist elements into her music videos and live performances, such as her [[https://robobeyonce.wordpress.com/2015/03/30/beyonce-the-queen-of-afrofuturism/ robotic costuming in the music video and live performance of "Sweet Dreams"]], and her cyborg hand in the "Single Ladies" video. Most notably ''Music/{{Lemonade}}'' leans heavily into the "fantasy" side of Afrofuturism, using religious imagery inspired by Yoruba and Christianity as well as referencing famous African-American legends such as [[https://en.wikipedia.org/wiki/Igbo_Landing Igbo Landing]].

to:

* {{Beyonce}} Music/{{Beyonce}} incorporates Afrofuturist elements into her music videos and live performances, such as her [[https://robobeyonce.wordpress.com/2015/03/30/beyonce-the-queen-of-afrofuturism/ robotic costuming in the music video and live performance of "Sweet Dreams"]], and her cyborg hand in the "Single Ladies" video. Most notably ''Music/{{Lemonade}}'' leans heavily into the "fantasy" side of Afrofuturism, using religious imagery inspired by Yoruba and Christianity as well as referencing famous African-American legends such as [[https://en.wikipedia.org/wiki/Igbo_Landing Igbo Landing]].



* ''Star Trek: Deep Space Nine''

to:

* ''Star Trek: Deep Space Nine''''Series/StarTrekDeepSpaceNine''



* ''Franchise/{{Halo}}'': New Mombasa, Kenya is a high-tech city and spaceport. At least when ''VideoGame/{{Halo 2}}'' begins, before there's lots of StuffBlowingUp. The horrible nature of the place is brought up in ''VideoGame/Halo3ODST'', when we learn that TheLeader of the police is a DirtyCop and molester.
* One of the campaigns of ''VideoGame/EmpireEarth 2: The Art of Supremacy'' takes place during [[TwentyMinutesIntoTheFuture the "Synthetic Age" (202X-204X)]] (featuring things like nanotech enhanced soldiers and giant mecha) in Africa, and deals with the poor native taking up arms against the exploitative [[MegaCorp megacorps]]. It ends with Africa becoming a technologically advanced world superpower.
* Played with in ''VideoGame/DreamfallTheLongestJourney'' and its sequel ''VideoGame/DreamfallChapters'', which takes place in a {{Cyberpunk}} future where most of Africa has risen as one of the world's leading economic superpowers following several economic collapses and crises in Europe and America. As a result, most African countries is consistently portrayed and described as peaceful, idyllic, and prosperous; a stark contrast to the run-down and polluted, borderline dystropic Europe.

to:

* ''Franchise/{{Halo}}'': New Mombasa, Kenya Kenya, is a high-tech city and spaceport. At least when ''VideoGame/{{Halo 2}}'' begins, before there's lots of StuffBlowingUp. The horrible nature of the place is brought up in ''VideoGame/Halo3ODST'', when we learn that TheLeader of the police is a DirtyCop and molester.
* One of the campaigns of ''VideoGame/EmpireEarth 2: The Art of Supremacy'' takes place during [[TwentyMinutesIntoTheFuture the "Synthetic Age" (202X-204X)]] (featuring things like nanotech enhanced soldiers and giant mecha) in Africa, and deals with the poor native natives taking up arms against the exploitative [[MegaCorp megacorps]]. It ends with Africa becoming a technologically advanced world superpower.
* Played with in ''VideoGame/DreamfallTheLongestJourney'' and its sequel ''VideoGame/DreamfallChapters'', which takes place in a {{Cyberpunk}} future where most of Africa has risen as one of the world's leading economic superpowers following several economic collapses and crises in Europe and America. As a result, most African countries is are consistently portrayed and described as peaceful, idyllic, and prosperous; a stark contrast to the run-down and polluted, borderline dystropic Europe.
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* Creator/SamuelRDelany: One of the "Big Three" in afrofuturism (specifically he was one of the author's name dropped in Dery's 1994 essay), famous for being one of the first major black science fiction writers to break into the mainstream[[note]]That we know of; given the prevalence of anonymous authors during the earlier eras of science-fiction it's quite possible some of said authors were black, or at least non-white[[/note]]. Works such as "Aye, and Gomorrah..." were groundbreaking in their time for their explorations of race and sexuality.

to:

* Creator/SamuelRDelany: One of the "Big Three" in afrofuturism (specifically he was one of the author's name dropped authors name-dropped in Dery's 1994 essay), famous for being one of the first major black science fiction writers to break into the mainstream[[note]]That we know of; given the prevalence of anonymous authors during the earlier eras of science-fiction it's quite possible some of said authors were black, or at least non-white[[/note]]. Works such as "Aye, and Gomorrah..." were groundbreaking in their time for their explorations of race and sexuality.
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This trope is not simply Black People IN SPACE! It refers to science fiction and fantasy that is specifically draws on the aesthetics and history of African and African American cultures.

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This trope is not simply Black People "black people [[RecycledInSpace IN SPACE! SPACE!]]" It refers to science fiction and fantasy that is specifically draws on the aesthetics and history of African and African American cultures.
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This is important to mention

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This trope is not simply Black People IN SPACE! It refers to science fiction and fantasy that is specifically draws on the aesthetics and history of African and African American cultures.
Is there an issue? Send a MessageReason:
None


* Music/SunRa combined alien and space motifs with African and Egyptian imagery.

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* Music/SunRa is widely considered the TropeCodifier, with the way he combined alien and space motifs with African and Egyptian imagery. imagery.



--> '''George Clinton, describing the inspiration for ''Mothership Connection'':''' We had put black people in situations nobody ever thought they would be in, like the White House. I figured another place you wouldn't think black people would be was in outer space. I was a [[OneOfUs big fan]] of Star Trek, so we did a thing with a pimp sitting in a spaceship shaped like a Cadillac, and we did all these James Brown-type grooves, but with street talk and ghetto slang.

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--> '''George Clinton, describing the inspiration for ''Mothership Connection'':''' We had put black people in situations nobody ever thought they would be in, like the White House. I figured another place you wouldn't think black people would be was in outer space. I was a [[OneOfUs big fan]] of Star Trek, ''StarTrek'', so we did a thing with a pimp sitting in a spaceship shaped like a Cadillac, and we did all these James Brown-type grooves, but with street talk and ghetto slang.
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Created from YKTTW

Added DiffLines:

Afrofuturism is an artistic genre that melds SpeculativeFiction with the cultures and experiences of Black people around the globe. [[https://en.wikipedia.org/wiki/Afrofuturism As]] TheOtherWiki puts it:

-->A cultural aesthetic, philosophy of science, and philosophy of history that combines elements of ScienceFiction, HistoricalFiction, {{Fantasy}}, Afrocentrism, and MagicRealism with non-Western cosmologies in order to critique not only the present-day dilemmas of black people, but also to revise, interrogate, and re-examine the historical events of the past...Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.

While black artists have been writing science fiction since the 1860s[[note]] Martin R. Delaney's [[https://www.encyclopediavirginia.org/Blake_or_the_Huts_of_America_1859-1861#start_entry Blake, or the Huts of America]], an AlternateHistory novel about an attempted slave insurrection in the antebellum South, was published in 1859[[/note]], the concept and term were coined in the early 1990s by Mark Dery's essay/interview series [[https://www.kit.ntnu.no/sites/www.kit.ntnu.no/files/Black%20to%20the%20Future%20(Dery)_0.pdf Black to the Future"]], which contrasted the seeming lack of African-American science fiction writers with the preponderance of sci-fi/fantasy elements found in the work of other African-American musicians and artists at the time.

A key point of Dery's essay (and a driving force behind much Afrofuturistic work) is [[DoesThisRemindYouOfAnything the amount of overlap between sci-fi tropes and African-American history]] - as an example, he cites the similarity between African slaves and [[AlienAbduction alien abductees:]] captured by unknown and incomprehensible beings with advanced technology, shipped to a strange and alien world for sinister purposes, and frequently subjected to horrific medical abuse. Another common aspect of Afrofuturism is deliberate pushback against the lack of [[WhiteMaleLead black (or at least non-white) characters]] in science fiction, and stereotypes of Africa as a [[DarkestAfrica primitive]] [[{{Bulungi}} third-world nation]] and its people as [[HollywoodNatives savages]] or poverty-stricken waifs who can't grasp superior Western technology.

While most Afrofuturist art tends to be retroactively labelled as such, an increasing number of contemporary creators have consciously adopted the genre, and now incorporate it into their work.
----

!!Examples:

[[AC:Comics]]
* ComicBook/BlackPanther is probably the first example that comes to mind in discussions of Afrofuturism. Thanks to the amazing capabilities of the metal vibranium, the African nation of Wakanda is the most technologically advanced society on Marvel earth.
* Creator/DwayneMcDuffie's early work with DC imprint Milestone Media was centered around creating minority heroes, many with a sci-fi bent. One of his creations, ''WesternAnimation/StaticShock'', became popular enough to star in his own award-winning TV show.
* ''ComicBook/{{Elephantmen}}'': The eponymous Elephantmen were created and trained by [[MegaCorp MAPPO]] at a huge lab/base somewhere in Northern Africa.
* The ''Pan-African Judges'' comics set in the ''Comicbook/JudgeDredd'' universe.

[[AC:Film - Live Action]]
* The move version of Wakanda (as seen in the trailers for ''Film/BlackPanther2018''), like its comic counterpart, hosts technology on par with (if not far in advanced of) any of the technology we've seen so far in the [[Franchise/MarvelCinematicUniverse MCU]].
* ''Film/SpaceIsThePlace'': A film starring Music/SunRa (see his personal example below), who attempts to relocate African-Americans to a new planet. The film has been said to be a response to the Black Panther Party, represented by the Overseer.
* ''Film/{{Kuso}}'': A horror-comedy anthology film set TwentyMinutesIntoTheFuture in a [[AfterTheEnd post-apocalyptic Los Angeles]], directed by music producer FlyingLotus
* ''Film/{{Blade}}'': A science-fiction-fantasy superhero movie starring an African-American hero, it also references Afro-American syncretic religions such as Santeria.

[[AC:Literature]]
* Creator/SamuelRDelany: One of the "Big Three" in afrofuturism (specifically he was one of the author's name dropped in Dery's 1994 essay), famous for being one of the first major black science fiction writers to break into the mainstream[[note]]That we know of; given the prevalence of anonymous authors during the earlier eras of science-fiction it's quite possible some of said authors were black, or at least non-white[[/note]]. Works such as "Aye, and Gomorrah..." were groundbreaking in their time for their explorations of race and sexuality.
* Creator/OctaviaButler: Second of the "Big Three" mentioned in Dery's essay. Works like the Xenogenesis trilogy (which often feature black female protagonists) emphasize the importance of diversity and change in protecting and preserving the human race.
* Steven Barnes: Final member of the "Big Three". A frequent collaborator with Creator/LarryNiven, and writer on sci-fi shows such as ''Outer Limits'' and ''Stargate SG-1''
* Creator/NKJemisin tends to get labelled as an Afrofuturist writer given that she's who writes science fiction and fantasy. She [[https://www.tor.com/2016/05/09/author-event-nk-jemisin-nnedi-okorafor-brooklyn-museum/ contests]] the label, however, finding it reductive and ill-defined.
* Most of Creator/NnediOkorafor's books take place in a technologically updated future or alternate universe Africa that is also a MagicalLand. Some examples are ''Literature/ZahrahTheWindseeker'', ''Literature/TheShadowSpeaker'', and ''Literature/WhoFearsDeath''.
%%Creator/NaloHopkinson - '''Administrivia/ZeroContextExample'''
* The novel ''Literature/InvisibleMan'' uses the power of {{Invisibility}} as a metaphor for living as a black person in America.
* ''Literature/MumboJumbo'': AlternateHistory novel (with elements of UrbanFantasy) set in TheRoaringTwenties about a millennia-old AncientConspiracy devoted to suppressing black history and culture
* ''Literature/TheEarTheEyeAndTheArm'' takes place in [[UsefulNotes/{{Zimbabwe}} Zimbabwe,]] in the year 2194.
* In ''Literature/{{Otherland}}'' the PostCyberpunk applies to everywhere in the world, but notable is that Renie and !Xabbu are from Durban, South Africa.
* Jon Courtenay Grimwood's ''Ashraf Bey'' books are set in an alternate universe North Africa.
* The Watekni subculture in a TwentyMinutesIntoTheFuture Kenya in Creator/IanMcDonald's ''Chaga''.
* ''Zoo City'' is a {{Cyberpunk}} novel with fantasy elements set in South Africa. It has an endorsement from Creator/WilliamGibson himself and has the same kind of grey market protagonist that Gibson's novels favor.
* Creator/AlastairReynolds's novel ''Literature/BlueRememberedEarth''. While not everything is perfect in the African countries, they've become new economic and technological powers and the overall tone is quite optimistic. A PostCyberpunk sensibility is present, but it's mostly set dressing.
* Raphael Carter's ''The Fortunate Fall,'' a PostCyberpunk novel set in a 24th century where everywhere but Africa is a third-world crapsack. Africa, on the other hand, is the hypertechnological promised land where, in an inversion of the "one drop" rule, only those who prove via blood test to have African ancestry are allowed entry. And did we mention the possibly real/possibly cyber versions of the Egyptian gods?
* In [[Creator/IsaacAsimov Isaac Asimov's]], ''Literature/IRobot'' universe, the Tropic Region (a unified Africa, South America, Latin America and Mexico) eventually becomes Earth's primary economic driver, while Europe sinks into a sleepy backwater that's more of a retirement community writ-large than anything else.
* ''Literature/AlienInASmallTown.'' Set in the 24th century, only a brief section near the end of the book is set in [[UsefulNotes/{{Zimbabwe}} Zimbabwe,]] but we learn that Earth's capital city is located there, and it seems to be a generally good place to live. Tendai grew up here, and he shows his wife Indira the country's [[AncientAfrica ancient stone cities,]] wildlife preserves, etc. Notably, there is a monument to all who died in the AIDS plague of our own time, and to those who died under "the vile 21st century tyrant Mugabe."


[[AC:Music]]
* Music/SunRa combined alien and space motifs with African and Egyptian imagery.
* Music/ParliamentFunkadelic uses crazy sci-fi costuming and imagery in their music and live shows.
--> '''George Clinton, describing the inspiration for ''Mothership Connection'':''' We had put black people in situations nobody ever thought they would be in, like the White House. I figured another place you wouldn't think black people would be was in outer space. I was a [[OneOfUs big fan]] of Star Trek, so we did a thing with a pimp sitting in a spaceship shaped like a Cadillac, and we did all these James Brown-type grooves, but with street talk and ghetto slang.
* Music/JanelleMonae uses futuristic and android imagery to discuss contemporary issues faced by the African-American community.
--> ''[[{{Determinator}} "Imma keep leading like a young Harriet Tubman]]''
--> ''You can take my wings but I'm still gonna fly''
--> ''And even when you edit me the booty don't lie''
--> ''Yeah keep singing, I'mma keep writing songs''
--> ''I'm tired of [[Creator/MarvinGaye Marvin]] asking me, "What's Going On?"''
--> ''March to the streets 'cause I'm willing and I'm able''
--> ''[[BadassBoast Categorize me, I defy every label]]''
--> ''And while you're selling dope, we're gonna keep selling hope''
--> ''We risin' up now, you gotta deal you gotta cope''
--> ''Will you be electric sheep? Electric ladies, will you sleep?''
--> ''[[DareToBeBadass Or will you preach?]]''
%% Music/{{MFDOOM}} - '''Administrivia/ZeroContextExample'''
%% Music/FlyingLotus - '''Administrivia/ZeroContextExample'''
* {{Beyonce}} incorporates Afrofuturist elements into her music videos and live performances, such as her [[https://robobeyonce.wordpress.com/2015/03/30/beyonce-the-queen-of-afrofuturism/ robotic costuming in the music video and live performance of "Sweet Dreams"]], and her cyborg hand in the "Single Ladies" video. Most notably ''Music/{{Lemonade}}'' leans heavily into the "fantasy" side of Afrofuturism, using religious imagery inspired by Yoruba and Christianity as well as referencing famous African-American legends such as [[https://en.wikipedia.org/wiki/Igbo_Landing Igbo Landing]].

[[AC: Live-Action TV]]
* Also from the MCU, ''Series/LukeCage'' takes a comic book setup (superpowered hero defends his hometown from evildoers) and uses it as a springboard for exploring police brutality, racial identity, and fighting white supremacy.
* The South African/Canadian sci-fi series ''Series/CharlieJade'' involves [[AlternateUniverse three different universes]] in its storyline. One of them, the "Alphaverse", is dystopian and completely cyberpunk, including [[CyberpunkWithAChanceOfRain lots of rain]]. Its counterpoint is the ecotopian "Gammaverse" ([[NotSoDifferent unpolluted, but rife with political corruption and social engineering]]). The neutral one is the "Betaverse", which is our own early 21st century world. The whole series takes place in the Cape Town region and very little info about the rest of the world is ever given. According to the series's script, both the Alphaverse and Gammaverse are supposedly [[AlternateHistory alternate histories]] of the Betaverse, with a divergence occuring shortly after WWII or during the early UsefulNotes/ColdWar period.
* ''Star Trek: Deep Space Nine''
** "Far Beyond The Stars": Sisko experiences a series of visions of himself as Benny Russell, a black sci-fi writer in TheFifties. Russell ends up inspired by Sisko's memories to write a short story called "Deep Space Nine" only to have it rejected by his publisher for featuring a black captain of a space ship. The editor finally agrees to print the story, only for the publisher to pulp that entire magazine issue because of Russell's story, and Russell is ultimately fired. As he experiences an epic breakdown Russell delivers the following speech:
--->I am a human being, dammit! You can deny me all you want, but you can't deny Ben Sisko - he exists! That future, that space station, all those people, they exist in here [pointing to his head], in my mind...You can pulp a story, but you cannot destroy an idea. Don't you understand? That's ancient knowledge. You cannot destroy an idea! That future, I created it and it's real! Don't you understand? It is REAL! It's REAL!

[[AC: Tabletop Gaming]]
* The ''TabletopGame/{{Trinity}}'' roleplaying game subverts this; Africa is a leading force in 22nd century Earth, though not without its problems. It helps that Africa managed to avoid the worst damage of the Aberrant War, and the more modern Europe and North America got hit hard.
* ''TabletopGame/TranshumanSpace'' has a lot of preppy PostCyberpunk, but one of the biggest themes is that the degree of penetration is horribly uneven and the full benefits of the Fifth Wave of technological advancement are only available to the richest parts of the world. Africa is not one of the richest parts of the world, and it's straight {{cyberpunk}} if you're ''lucky''.
* While ''TabletopGame/{{Shadowrun}}'' is primarily focused on North America (especially Seattle), Africa receives no small amount of attention, with both the setting's worst WretchedHive and its most advanced space port (and SpaceElevator) being situated on the continent, along with several other places of note.

[[AC: Video Games]]
* ''Franchise/{{Halo}}'': New Mombasa, Kenya is a high-tech city and spaceport. At least when ''VideoGame/{{Halo 2}}'' begins, before there's lots of StuffBlowingUp. The horrible nature of the place is brought up in ''VideoGame/Halo3ODST'', when we learn that TheLeader of the police is a DirtyCop and molester.
* One of the campaigns of ''VideoGame/EmpireEarth 2: The Art of Supremacy'' takes place during [[TwentyMinutesIntoTheFuture the "Synthetic Age" (202X-204X)]] (featuring things like nanotech enhanced soldiers and giant mecha) in Africa, and deals with the poor native taking up arms against the exploitative [[MegaCorp megacorps]]. It ends with Africa becoming a technologically advanced world superpower.
* Played with in ''VideoGame/DreamfallTheLongestJourney'' and its sequel ''VideoGame/DreamfallChapters'', which takes place in a {{Cyberpunk}} future where most of Africa has risen as one of the world's leading economic superpowers following several economic collapses and crises in Europe and America. As a result, most African countries is consistently portrayed and described as peaceful, idyllic, and prosperous; a stark contrast to the run-down and polluted, borderline dystropic Europe.
* The People's African Union is one of the factions colonizing space in ''VideoGame/CivilizationBeyondEarth''. In-universe, it's said to have come about as part of a sub-Saharan renaissance, and has an AI focusing on the [[BioPunk Harmony]] affinity and eschewing the [[CyberPunk Supremacy]] affinity. However, while they're likely to make and keep alliances and their faction bonus is a boost to food production, their leader is a stern ReasonableAuthorityFigure who, behind [[NiceGuy his jovial front]], harbours a measure of resentment over how the the African people were exploited and humiliated by foreign powers in the past few centuries, and is determined to make sure that never happens again. A faction of BewareTheNiceOnes, basically.
* ''VideoGame/{{Overwatch}}'' has the city of Numbani in the West-African savanna. It is a gorgeous, technologically advanced metropolis built after the [[GreatOffscreenWar Omnic Crisis]] and is one of the few places where humans and [[RidiculouslyHumanRobots omnics]] live side by side in peace, working together to create a Utopian Africa. As a result, it is unofficially known as "The City of Harmony". Certain characters have special dialog on the location, ranging from admiring its peace to rage and disgust at the idea of tolerating omnics.

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