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** A DecompositeCharacter variation with [[Characters/MCUCompaniesStarkIndustries Edwin Jarvis]]. Due to AgeLift, he is active in the 1950s to the 1970s, and thus doesn't fulfill his comic counterpart's role as TheJeeves to Iron Man and the Avengers. This support role is instead fulfilled by Tony Stark's JARVIS, which was named after him and began as a [[https://en.wikipedia.org/wiki/Natural-language_user_interface natural-language user interface]] but upgraded over time to a more advanced {{AI}} and eventually uploaded to [[Characters/MCUNewAvengers Vision]]. As JARVIS [[Film/IronMan1 appeared]] in the MCU seven years before Edwin Jarvis [[Series/AgentCarter did]], this trope was played straight for some time.

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** A DecompositeCharacter variation with [[Characters/MCUCompaniesStarkIndustries Edwin Jarvis]]. Due to AgeLift, he is active in the 1950s 1940s to the 1970s, and thus doesn't fulfill his comic counterpart's role as TheJeeves to Iron Man and the Avengers. This support role is instead fulfilled by Tony Stark's JARVIS, which was named after him and began as a [[https://en.wikipedia.org/wiki/Natural-language_user_interface natural-language user interface]] but upgraded over time to a more advanced {{AI}} and eventually uploaded to [[Characters/MCUNewAvengers Vision]]. As JARVIS [[Film/IronMan1 appeared]] in the MCU seven years before Edwin Jarvis [[Series/AgentCarter did]], this trope was played straight for some time.
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* Tootsie in ''WesternAnimation/DuckTales2017'' is now a realistic ''Triceratops'' showing none of the anthropomorphism of her counterpart from the [[WesternAnimation/DuckTales1987 original show]].

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* Tootsie in ''WesternAnimation/DuckTales2017'' is now a realistic the ''Triceratops'' showing none of the anthropomorphism of her counterpart from the [[WesternAnimation/DuckTales1987 original show]].was a NearlyNormalAnimal in ''WesternAnimation/DuckTales1987''. In ''WesternAnimation/DuckTales2017'', she is now completely non-anthropmorphic and given a realistic appearance to match.
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* Tootsie in ''WesternAnimation/DuckTales2017'' is now a realistic ''Triceratops'' showing none of the anthropomorphism of her counterpart from the [[WesternAnimation/DuckTales1987 original show]].
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* In ''WesternAnimation/YoungJustice,'' [[Comicbook/{{Shazam}} Captain Marvel]] names a giant, mutant tiger he fights "Mr. Tawny." Tawky Tawny is an anthropomorphic tiger (sometimes reimagined as some sort of tiger spirit) in the original comics.
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[[folder:Fan Works]]
* Scooby Doo can't speak in the ''Scooby Doo'' rewrite ''Fanfic/NowThatICanSeeYourFaceICanStandUpToAnything''.
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[[folder:Theatre]]
* In ''Theatre/TwistedTheUntoldStoryOfARoyalVizier'', Ja'far's pet Bird (based on Iago from ''Disney/{{Aladdin}}'') is a non-sapient parrot.
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* WesternAnimation/MagillaGorilla in ''WesternAnimation/ScoobyDooAndGuessWho'' is now a normal gorilla that doesn't speak.

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* WesternAnimation/MagillaGorilla in ''WesternAnimation/ScoobyDooAndGuessWho'' is now a normal gorilla that doesn't speak. He is still fairly intelligent though, bordering on SpeechImpairedAnimal.
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[[folder:Video Games]]
* ''VideoGame/SuperRobotWarsT'': Wendy from ''Anime/GunXSword'' has a pet tortoise named Kameo that she wears like a pendant around her neck. In this game, she never brings up that she has a pet, but she has a pendant in her character sprites that resembles his shell. Kameo's role is replaced by other contrivances that occur (e.g. In the anime, he [[PocketProtector blocked a bullet]] intended for Wendy with his shell but in this game, her gun blocked it).
[[/folder]]
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* ''Film/BedtimeStories'' has an InUniverse example meant to exploit a literal LifeImitatesArt, in a subversion from an already normal beast to an inanimate object. Skeeter tries to abuse the power of a bedtime story (an alternate interpretation of the words of the story will happen in RealLife) by telling a [[TheWestern Western]] where someone gives his {{Cowboy}} AuthorAvatar a red Ferrari (the horse) for free so that someone in real life would do the same for him but with a red Ferrari ''car''. It doesn't work the way he expected.

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* ''Film/BedtimeStories'' has an InUniverse example meant to exploit a literal LifeImitatesArt, in a subversion from that involves an already normal beast to turned into an inanimate object. Skeeter tries to abuse the power of a bedtime story (an alternate interpretation of the words of the story will happen in RealLife) by telling a [[TheWestern Western]] where someone gives his {{Cowboy}} AuthorAvatar a red Ferrari (the horse) for free so that someone in real life would do the same for him but with a red Ferrari ''car''. It doesn't work the way he expected.
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* ''Film/BedtimeStories'' has an InUniverse example meant to exploit a literal LifeImitatesArt. Skeeter tries to abuse the power of a bedtime story (an alternate interpretation of the words of the story will happen in RealLife) by telling a [[TheWestern Western]] where someone gives his {{Cowboy}} AuthorAvatar a red Ferrari (the horse) for free so that someone in real life would do the same for him but with a red Ferrari ''car''. It doesn't work the way he expected.

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* ''Film/BedtimeStories'' has an InUniverse example meant to exploit a literal LifeImitatesArt.LifeImitatesArt, in a subversion from an already normal beast to an inanimate object. Skeeter tries to abuse the power of a bedtime story (an alternate interpretation of the words of the story will happen in RealLife) by telling a [[TheWestern Western]] where someone gives his {{Cowboy}} AuthorAvatar a red Ferrari (the horse) for free so that someone in real life would do the same for him but with a red Ferrari ''car''. It doesn't work the way he expected.



** When they adapted [[Series/KaizokuSentaiGokaiger Machalcon]], a son of two Partner Engines from ''Go-onger'', into ''[[Series/PowerRangersMegaforce Power Rangers Super Megaforce]]'' as Turbo Falcon Zord, it was given a beastly {{AI}}.

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** When they Creator/SabanBrands adapted [[Series/KaizokuSentaiGokaiger Machalcon]], a son of two Partner Engines from ''Go-onger'', into ''[[Series/PowerRangersMegaforce Power Rangers Super Megaforce]]'' as Turbo Falcon Zord, it was given a beastly {{AI}}.{{AI}}



* A DecompositeCharacter example for Barbara Gordon in ''WebAnimation/DCSuperHeroGirls''. While she is still ComicBook/{{Batgirl}}, her Oracle personality, an identity she first took when ComicBook/TheJoker crippled her in ''ComicBook/TheKillingJoke'', was given to a computer A.I.

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* A DecompositeCharacter example for Barbara Gordon in ''WebAnimation/DCSuperHeroGirls''. While she is still ComicBook/{{Batgirl}}, her Oracle personality, an personality (an identity she first took when ComicBook/TheJoker crippled her in ''ComicBook/TheKillingJoke'', ''ComicBook/TheKillingJoke'') was given to a computer A.I.



* In ''WesternAnimation/PhineasAndFerbStarWars'' (a FakeCrossover between ''WesternAnimation/PhineasAndFerb'' and ''Film/ANewHope''), the ship Centennial Chihuahua stands in for Pinky, Isabella's pet chihuahua in the regular ''Phineas and Ferb'' cartoon.

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* In ''WesternAnimation/PhineasAndFerbStarWars'' (a FakeCrossover between ''WesternAnimation/PhineasAndFerb'' and ''Film/ANewHope''), the ship Centennial Chihuahua stands in for Pinky, Isabella's pet chihuahua (who's also a DeepCoverAgent PartiallyCivilizedAnimal) in the regular ''Phineas and Ferb'' cartoon.
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** When they adapted [[Series/KaizokuSentaiGokaiger Machalcon]], a son of two Partner Engines from ''Go-onger'', into ''[[Series/PowerRangersMegaforce Power Rangers Super Megaforce]]'' as Turbo Falcon Zord, it was given a beastly {{AI}}, averting this trope but inverting AdaptationalIntelligence.

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** When they adapted [[Series/KaizokuSentaiGokaiger Machalcon]], a son of two Partner Engines from ''Go-onger'', into ''[[Series/PowerRangersMegaforce Power Rangers Super Megaforce]]'' as Turbo Falcon Zord, it was given a beastly {{AI}}, averting this trope but inverting AdaptationalIntelligence.{{AI}}.
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Examples transferred from the Adaptational Inanimation TLP entry. Similar idea but I couldn't find the right words for it. Discarding that entry now.

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[[folder:Anime & Manga]]
* ''Franchise/{{Gundam}}''
** Inverted in the WidgetSeries ''Manga/KidouSenshiGundamSan'', where some mobile suits from ''Anime/MobileSuitGundam'' are sentient. The Gundam, Big Zam, and Gyan are depicted as females.
** Also inverted in several ''Franchise/SDGundam'' stories that have SuperDeformed versions of various mobile suits depicted as {{Mechanical Lifeform}}s or {{Ridiculously Human Robot}}s. The ''Anime/MobileSuitSDGundam'' series in particular has human characters from the early Universal Century interacting with sentient versions of the mobile suits they piloted in their original anime.
* ''Anime/SoukouNoStrain'' is an [[LikeThatShowButWithMecha anime based on]] ''Literature/ALittlePrincess'' with characters from other Frances Hodgson Burnett books (''Literature/LittleLordFauntleroy'' and ''Literature/TheSecretGarden'') appearing as well. Most of the characters have [[NotAsYouKnowThem little in common]] with their book counterparts.
** Ram Dass is an Indian assistant to the rich man who saved Sara from Miss Minchin's abuse in the book. In the anime, Ram-Dass is a HumongousMecha. In a way, it retains its role as Sara's protector.
** Zigzagged with Emily, who's just a doll in the book. In the anime, the Emily that Sara found is a Mimic, a machine fused with brain cells taken from a Reasoner before birth. To further explain the {{Technobabble}}, Reasoners are mecha pilots while Mimics are "[[{{Synchronization}} keys]]" for the titular [[AMechByAnyOtherName Strains]], which are HumongousMecha biometrically locked to those with Mimics and superior to those mecha that don't require it. The Mimic enables a PsychicLink with the person from whom the brain cells are taken from. A Reasoner who lost their Mimic can no longer pilot a Strain. Sara lost her personal Mimic but, somehow, she was able to use the Emily Mimic to pilot the Ram-Dass Strain. It's then revealed that Emily is a Mimic of [[spoiler:an alien race who consisted of pale-skinned identical girls, all of whom share a [[HiveMind telepathic connection to one another]] and the Emily Mimic that Sara found contains the mind of one of two surviving Emilys]].
[[/folder]]


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* ''Film/BedtimeStories'' has an InUniverse example meant to exploit a literal LifeImitatesArt. Skeeter tries to abuse the power of a bedtime story (an alternate interpretation of the words of the story will happen in RealLife) by telling a [[TheWestern Western]] where someone gives his {{Cowboy}} AuthorAvatar a red Ferrari (the horse) for free so that someone in real life would do the same for him but with a red Ferrari ''car''. It doesn't work the way he expected.


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** A DecompositeCharacter variation with [[Characters/MCUCompaniesStarkIndustries Edwin Jarvis]]. Due to AgeLift, he is active in the 1950s to the 1970s, and thus doesn't fulfill his comic counterpart's role as TheJeeves to Iron Man and the Avengers. This support role is instead fulfilled by Tony Stark's JARVIS, which was named after him and began as a [[https://en.wikipedia.org/wiki/Natural-language_user_interface natural-language user interface]] but upgraded over time to a more advanced {{AI}} and eventually uploaded to [[Characters/MCUNewAvengers Vision]]. As JARVIS [[Film/IronMan1 appeared]] in the MCU seven years before Edwin Jarvis [[Series/AgentCarter did]], this trope was played straight for some time.


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* ''Franchise/PowerRangers''
** The [[MechanicalLifeform Partner Engines]] that are on par with humans in intellect from ''Series/EngineSentaiGoOnger'' are adapted into the nonsentient Zord Attack Vehicles that Dr. K made in ''Series/PowerRangersRPM''.
** When they adapted [[Series/KaizokuSentaiGokaiger Machalcon]], a son of two Partner Engines from ''Go-onger'', into ''[[Series/PowerRangersMegaforce Power Rangers Super Megaforce]]'' as Turbo Falcon Zord, it was given a beastly {{AI}}, averting this trope but inverting AdaptationalIntelligence.


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* A DecompositeCharacter example for Barbara Gordon in ''WebAnimation/DCSuperHeroGirls''. While she is still ComicBook/{{Batgirl}}, her Oracle personality, an identity she first took when ComicBook/TheJoker crippled her in ''ComicBook/TheKillingJoke'', was given to a computer A.I.


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* In ''WesternAnimation/PhineasAndFerbStarWars'' (a FakeCrossover between ''WesternAnimation/PhineasAndFerb'' and ''Film/ANewHope''), the ship Centennial Chihuahua stands in for Pinky, Isabella's pet chihuahua in the regular ''Phineas and Ferb'' cartoon.
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None

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* WesternAnimation/MagillaGorilla in ''WesternAnimation/ScoobyDooAndGuessWho'' is now a normal gorilla that doesn't speak.
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Talking animals and monsters tend to have an intellect reduced to those of normal beasts, [[AmplifiedAnimalAptitude by fiction's standards anyway]], while robots and AIs will be reduced to something along the lines of a normal computer. Depending on fans reception of the character in their original form, this will either cause backlash or [[TheScrappy joy.]]

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Talking animals and monsters tend to have an intellect reduced to those of normal beasts, [[AmplifiedAnimalAptitude by fiction's standards anyway]], while robots and AIs will be reduced to something along the lines of a normal computer. Depending on fans fan reception of the character in their original form, this will either cause backlash or [[TheScrappy joy.]]
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* In the 1979 film adaption of ''Literature/SalemsLot'', the charismatic and cultured vampire Kurt Barlow is changed into a growling Nosferatu clone, with his familiar Richard Straker playing a bigger role, always speaking for him. However, the 2003 adaption stays more faithful to the source material (at least where Barlow is concerned) finally allowing many of his iconic lines from the book to be brought to life (by the great Creator/RutgerHauer no less).

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* In the 1979 film adaption of ''Literature/SalemsLot'', the charismatic and cultured vampire Kurt Barlow is changed into a growling Nosferatu clone, with his familiar Richard Straker playing a bigger role, always speaking for him. However, the 2003 adaption 2004 TV miniseries stays more faithful to the source material (at least where Barlow is concerned) finally allowing many of his iconic lines from the book to be brought to life (by the great Creator/RutgerHauer no less).
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* In the 1979 film adaption of ''Literature/SalemsLot'', the charismatic and cultured vampire Kurt Barlow is changed into a growling Nosferatu clone, with his familiar Richard Straker playing a bigger role, always speaking for him. However, the 2003 adaption stays more faithful to the source material (at least where Barlow is concerned) finally allowing many of his iconic lines from the book to be brought to life by the great Creator/RutgerHauer.

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* In the 1979 film adaption of ''Literature/SalemsLot'', the charismatic and cultured vampire Kurt Barlow is changed into a growling Nosferatu clone, with his familiar Richard Straker playing a bigger role, always speaking for him. However, the 2003 adaption stays more faithful to the source material (at least where Barlow is concerned) finally allowing many of his iconic lines from the book to be brought to life by (by the great Creator/RutgerHauer.Creator/RutgerHauer no less).
Is there an issue? Send a MessageReason:
None


* In the 1979 film adaption of ''Literature/SalemsLot'', the charismatic and cultured vampire Kurt Barlow is changed into a growling Nosferatu clone, with his familiar Richard Straker playing a bigger role, always speaking for him. However, the 2003 adaption stays more faithful to the source material (at least where Barlow is concerned) finally allowing many of his iconic lines from the book to be brought to life.

to:

* In the 1979 film adaption of ''Literature/SalemsLot'', the charismatic and cultured vampire Kurt Barlow is changed into a growling Nosferatu clone, with his familiar Richard Straker playing a bigger role, always speaking for him. However, the 2003 adaption stays more faithful to the source material (at least where Barlow is concerned) finally allowing many of his iconic lines from the book to be brought to life. life by the great Creator/RutgerHauer.
Is there an issue? Send a MessageReason:
None


* In the 1979 film adaption of ''Literature/Salem’sLot'', the charismatic and cultured vampire Kurt Barlow is changed into a growling Nosferatu clone, with his familiar Richard Straker playing a bigger role, always speaking for him. However, the 2003 adaption stays more faithful to the source material and Barlow is finally allowed to speak many of his iconic lines from the book.

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* In the 1979 film adaption of ''Literature/Salem’sLot'', ''Literature/SalemsLot'', the charismatic and cultured vampire Kurt Barlow is changed into a growling Nosferatu clone, with his familiar Richard Straker playing a bigger role, always speaking for him. However, the 2003 adaption stays more faithful to the source material and (at least where Barlow is concerned) finally allowed to speak allowing many of his iconic lines from the book.book to be brought to life.
Is there an issue? Send a MessageReason:
None

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* In the 1979 film adaption of ''Literature/Salem’sLot'', the charismatic and cultured vampire Kurt Barlow is changed into a growling Nosferatu clone, with his familiar Richard Straker playing a bigger role, always speaking for him. However, the 2003 adaption stays more faithful to the source material and Barlow is finally allowed to speak many of his iconic lines from the book.
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None

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* In the original ''WesternAnimation/LooneyTunes'' shorts, Taz the Tazmanian Devil was as sapient as the other {{Civilized Animal}}s, he was just [[AxCrazy violent]], [[DumbMuscle stupid]], and [[TheUnintelligible prone to wildly spouting gibberish]]. In ''WesternAnimation/TheLooneyTunesShow'', Taz is purely animalistic ([[FurryConfusion unlike the other animal characters]]), and even walks on four legs.

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%%The folders and examples on this page have been sorted alphabetically. Please help keep this page tidy by adding new ones in order. Thank you!
%%



[[folder:Films -- Animation]]
* ''Animation/TheMysteryOfTheThirdPlanet'': Downplayed concerning the indicator. It's not sapient in [[Literature/TheVoyageOfAlice the original novella]], but it has a very high level of intelligence, most notably being an EvilDetectingDog towards [[spoiler:the diamond turtle]] and understanding a lot of what goes on during the climactic scenes, so much that one of the villains' mooks mistakes it for a sapient creature and tries to handcuff it. In the movie, however, it only displays the most basic ColorCodedEmotions and [[DemotedToExtra does nothing]] plot-relevant.
[[/folder]]



* Rare human example comes from ''Film/BatmanAndRobin.'' Bane was a GeniusBruiser in the comics, but in the film he can only communicate in grunts and is implied to be simply too dumb to speak.
* Happens with [[WesternAnimation/DoraTheExplorer Boots]] in ''Film/DoraAndTheLostCityOfGold''. [[spoiler:Later subverted when [[Creator/DannyTrejo Danny Trejo's]] voice comes out of him in one instance just before the climax]].
* The Monster in the original ''Literature/{{Frankenstein}}'' novel was not only capable of speech, he was quite eloquent (and more than a bit broody). In the most famous adaptation, the [[Film/Frankenstein1931 1931 film]], and in most adaptations using that as a launch pad, he becomes a lumbering, thoughtless, non-speaking brute.
* Fenrir in ''Film/ThorRagnarok'' is just a monster serving Hela. He could speak in the original comics and the myths they are based on.
* In ''Film/AvengersInfinityWar'', Black Dwarf (known in the movie as Cull Obsidian) and the Outriders are little more than mindless brutes. Which is a shame in the case of the former, as he was quite the eloquent talker in the comics.
* In ''Film/TheJungleBook2016'', the elephants and the monkeys, who could both talk in both [[Literature/TheJungleBook the book]] and [[Disney/TheJungleBook the animated version]], show no capability to speak. In the elephants' case it's not to make them seem less intelligent, but rather more mysterious and dignified. ''Film/{{Mowgli}}'' makes exactly the same artistic choice, making the elephants and monkeys (plus Rann the kite, who could also talk in the book) TheSpeechless.
* In ''Film/OneHundredAndOneDalmatians'', none of the animals talk. The [[Disney/OneHundredAndOneDalmatians original cartoon]] showed dogs and other animals [[AnimalTalk talk to each other, but not to humans]].

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* Rare ''Film/BatmanAndRobin'' features a rare human example comes from ''Film/BatmanAndRobin.'' example. Bane was a GeniusBruiser in the comics, but in the film he can only communicate in grunts and is implied to be simply too dumb to speak.
* Happens with [[WesternAnimation/DoraTheExplorer Boots]] in ''Film/DoraAndTheLostCityOfGold''.''Film/DoraAndTheLostCityOfGold'' has it happen to Boots the monkey. [[spoiler:Later subverted when [[Creator/DannyTrejo Danny Trejo's]] voice comes out of him in one instance just before the climax]].
* The ''Literature/{{Frankenstein}}'': Not only was the Monster in the original ''Literature/{{Frankenstein}}'' novel was not only capable of speech, he was quite eloquent (and more than a bit broody). In the most famous adaptation, the [[Film/Frankenstein1931 1931 film]], and in most adaptations using that as a launch pad, he becomes a lumbering, thoughtless, non-speaking brute.
* Fenrir in ''Film/ThorRagnarok'' is just a monster serving Hela. He could speak in the original comics and the myths they are based on.
* In ''Film/AvengersInfinityWar'', Black Dwarf (known in the movie as Cull Obsidian) and the Outriders are little more than mindless brutes. Which is a shame in the case of the former, as he was quite the eloquent talker in the comics.
* In ''Film/TheJungleBook2016'', the elephants and the monkeys, who could both talk in both [[Literature/TheJungleBook the book]] and [[Disney/TheJungleBook the animated version]], show no capability to speak. In the elephants' case it's not to make them seem less intelligent, but rather more mysterious and dignified. ''Film/{{Mowgli}}'' makes exactly the same artistic choice, making the elephants and monkeys (plus Rann the kite, who could also talk in the book) TheSpeechless.
* In ''Film/OneHundredAndOneDalmatians'', none of the animals talk. The [[Disney/OneHundredAndOneDalmatians original cartoon]] showed dogs and other animals [[AnimalTalk talk to each other, but not to humans]].
brute.



* In the [[Film/TheNeverendingStory film adaptation]] of ''Literature/TheNeverendingStory'', Atreyu's horse Artax is a regular horse and does not speak, while in the book the two of them conversed.

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* ''Literature/TheJungleBook'''s adaptations often remove the power of speech from several animal characters:
** In ''Film/TheJungleBook2016'', the elephants and the monkeys, who could both talk in both [[Literature/TheJungleBook the book]] and [[Disney/TheJungleBook the animated version]], show no capability to speak.
In the [[Film/TheNeverendingStory film adaptation]] elephants' case it's not to make them seem less intelligent, but rather more mysterious and dignified.
** ''Film/{{Mowgli}}'' makes the same artistic choice as ''Film/TheJungleBook2016'', making the elephants and monkeys (plus Rann the kite, who could also talk in the book) TheSpeechless.
* Franchise/MarvelCinematicUniverse:
** ''Film/ThorRagnarok'': Fenrir is just a monster serving Hela. He could speak in the original comics and the myths they're based on.
** In ''Film/AvengersInfinityWar'', Black Dwarf (known in the movie as Cull Obsidian) and the Outriders are little more than mindless brutes. Which is a shame in the case
of ''Literature/TheNeverendingStory'', the former, as he was quite the eloquent talker in the comics.
* ''Film/TheNeverendingStory'': In the first movie,
Atreyu's horse Artax is a regular horse and does not speak, while in [[Literature/TheNeverendingStory the book original book]] the two of them conversed.conversed.
* In ''Film/OneHundredAndOneDalmatians'', none of the animals talk. The [[Disney/OneHundredAndOneDalmatians original cartoon]] showed dogs and other animals [[AnimalTalk talk to each other, but not to humans]].



[[folder:Films -- Animation]]
* Downplayed in ''Animation/TheMysteryOfTheThirdPlanet'' concerning the indicator. It is not sapient in [[Literature/TheVoyageOfAlice the original novella]], but it has a very high level of intelligence, most notably being an EvilDetectingDog towards [[spoiler:the diamond turtle]] and understanding a lot of what goes on during the climactic scenes, so much that one of the villains' mooks mistakes it for a sapient creature and tries to handcuff it. In the movie, however, it only displays the most basic ColorCodedEmotions and [[DemotedToExtra does nothing]] plot-relevant.
[[/folder]]

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[[folder:Films -- Animation]]
* Downplayed in ''Animation/TheMysteryOfTheThirdPlanet'' concerning the indicator. It is not sapient in [[Literature/TheVoyageOfAlice the original novella]], but it has a very high level of intelligence, most notably being an EvilDetectingDog towards [[spoiler:the diamond turtle]] and understanding a lot of what goes on during the climactic scenes, so much that one of the villains' mooks mistakes it for a sapient creature and tries to handcuff it. In the movie, however, it only displays the most basic ColorCodedEmotions and [[DemotedToExtra does nothing]] plot-relevant.
[[/folder]]






[[/folder]]

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[[/folder]][[/folder]]
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[[folder:Films Animation]]

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[[folder:Films -- Animation]]
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* Happens with [[WesternAnimation/DoraTheExplorer Boots]] in ''Film/DoraAndTheLostCityOfGold''. [[spoiler:Later subverted when [[Creator/DannyTrejo Danny Trejo's]] voice comes out of him in one instance just before the climax]].
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* In ''Film/AvengersInfinityWar'', Black Dwarf and the Outriders are little more than mindless brutes. Which is a shame in the case of the former, as he was quite the eloquent talker in the comics.

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* In ''Film/AvengersInfinityWar'', Black Dwarf (known in the movie as Cull Obsidian) and the Outriders are little more than mindless brutes. Which is a shame in the case of the former, as he was quite the eloquent talker in the comics.
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Fix HTML entity gibberish, hopefully.


* In ''Literature/TheHobbit'' there are several TalkingAnimal characters, such as the eagles (especially the Lord of the Eagles), the thrush and the raven Roäc. While these animals all appear in Creator/PeterJackson's ''Film/TheHobbit'' film trilogy, they are relegated to relatively small, non-talking roles. The [[SavageWolves Wargs]], who had their own language in the books and were even counted as a separate army at the Battle of Five Armies, also seem to be less sapient and presented as simple beasts ridden by the orcs.

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* In ''Literature/TheHobbit'' there are several TalkingAnimal characters, such as the eagles (especially the Lord of the Eagles), the thrush and the raven Roäc.Roäc. While these animals all appear in Creator/PeterJackson's ''Film/TheHobbit'' film trilogy, they are relegated to relatively small, non-talking roles. The [[SavageWolves Wargs]], who had their own language in the books and were even counted as a separate army at the Battle of Five Armies, also seem to be less sapient and presented as simple beasts ridden by the orcs.
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Add The Neverending Story.

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* In the [[Film/TheNeverendingStory film adaptation]] of ''Literature/TheNeverendingStory'', Atreyu's horse Artax is a regular horse and does not speak, while in the book the two of them conversed.
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* In ''Film/AvengersInfinityWar'', Black Dwarf and the Outriders are little more than mindless brutes. Which is a shame in the case of the latter, as he was quite the eloquent talker in the comics.

to:

* In ''Film/AvengersInfinityWar'', Black Dwarf and the Outriders are little more than mindless brutes. Which is a shame in the case of the latter, former, as he was quite the eloquent talker in the comics.
Is there an issue? Send a MessageReason:
None

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* In ''Film/AvengersInfinityWar'', Black Dwarf and the Outriders are little more than mindless brutes. Which is a shame in the case of the latter, as he was quite the eloquent talker in the comics.
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None


* Snarf in ''WesternAnimation/ThunderCats2011'' can now only say his name and is treated more like a pet.

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* Snarf in ''WesternAnimation/ThunderCats2011'' can now only [[PokemonSpeak say his name name]] and is treated more like a pet.
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Created from YKTTW

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A character who was able to talk in the original no longer has the mental capability to form and communicate complex ideas in an adaptation.

See, life can be pretty hard for non-human characters. In addition to being [[WhatMeasureIsANonHuman treated as more disposable,]] some higher-ups seem to believe that these sorts of characters [[WillingSuspensionOfDisbelief reduce the believability of the work.]] So if they aren't cut wholesale to reduce the effects budget, they tend to be reduced to a non-speaking role.

Talking animals and monsters tend to have an intellect reduced to those of normal beasts, [[AmplifiedAnimalAptitude by fiction's standards anyway]], while robots and AIs will be reduced to something along the lines of a normal computer. Depending on fans reception of the character in their original form, this will either cause backlash or [[TheScrappy joy.]]

An extreme form of AdaptationalDumbass and AdaptationalPersonalityChange. Something of a reverse AnthropomorphicShift.
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!!Examples:

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[[folder:Films -- Live-Action]]
* In ''Film/Aladdin2019'', unlike the [[{{Disney/Aladdin}} original movie]], Iago does not appear capable of coherent speech (although he's still smarter than a regular parrot)
* Rare human example comes from ''Film/BatmanAndRobin.'' Bane was a GeniusBruiser in the comics, but in the film he can only communicate in grunts and is implied to be simply too dumb to speak.
* The Monster in the original ''Literature/{{Frankenstein}}'' novel was not only capable of speech, he was quite eloquent (and more than a bit broody). In the most famous adaptation, the [[Film/Frankenstein1931 1931 film]], and in most adaptations using that as a launch pad, he becomes a lumbering, thoughtless, non-speaking brute.
* Fenrir in ''Film/ThorRagnarok'' is just a monster serving Hela. He could speak in the original comics and the myths they are based on.
* In ''Film/TheJungleBook2016'', the elephants and the monkeys, who could both talk in both [[Literature/TheJungleBook the book]] and [[Disney/TheJungleBook the animated version]], show no capability to speak. In the elephants' case it's not to make them seem less intelligent, but rather more mysterious and dignified. ''Film/{{Mowgli}}'' makes exactly the same artistic choice, making the elephants and monkeys (plus Rann the kite, who could also talk in the book) TheSpeechless.
* In ''Film/OneHundredAndOneDalmatians'', none of the animals talk. The [[Disney/OneHundredAndOneDalmatians original cartoon]] showed dogs and other animals [[AnimalTalk talk to each other, but not to humans]].
* In ''Literature/TheHobbit'' there are several TalkingAnimal characters, such as the eagles (especially the Lord of the Eagles), the thrush and the raven Roäc. While these animals all appear in Creator/PeterJackson's ''Film/TheHobbit'' film trilogy, they are relegated to relatively small, non-talking roles. The [[SavageWolves Wargs]], who had their own language in the books and were even counted as a separate army at the Battle of Five Armies, also seem to be less sapient and presented as simple beasts ridden by the orcs.
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[[folder:Films Animation]]
* Downplayed in ''Animation/TheMysteryOfTheThirdPlanet'' concerning the indicator. It is not sapient in [[Literature/TheVoyageOfAlice the original novella]], but it has a very high level of intelligence, most notably being an EvilDetectingDog towards [[spoiler:the diamond turtle]] and understanding a lot of what goes on during the climactic scenes, so much that one of the villains' mooks mistakes it for a sapient creature and tries to handcuff it. In the movie, however, it only displays the most basic ColorCodedEmotions and [[DemotedToExtra does nothing]] plot-relevant.
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[[folder:Live Action TV]]
* Salem in ''Series/ChillingAdventuresOfSabrina'' doesn't speak, unlike his counterpart in ''Series/SabrinaTheTeenageWitch.'' However, [[DownplayedTrope he still seems capable of intelligent thought]] as Sabrina's familiar.
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[[folder:Western Animation]]
* Snarf in ''WesternAnimation/ThunderCats2011'' can now only say his name and is treated more like a pet.
[[/folder]]

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