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  • Parks and Rec

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* ''Series/ParksAndRecreation'': Harris, a recurring character who works for Pawnee's animal control department, is a huge fan of the jam band Music/{{Phish}}, and boasts about seeing 300 of their concerts. He's also a huge stoner, which is stereotypical of Phish's fanbase. Harris' love of Phish was based on that of his actor, Harris Wittels, who was a devoted fan who had really seen that concerts.
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don't do CMOA like this


** Eddie Munson is a full blown metal head, having tapes of Iron Maiden and Metallica. His greatest Crowning Moment of Awesome involves him playing "Master of Puppets" - which, having released shortly before Season Four started (March 3, 1986; the season takes place between March 16 and March 29) means he is playing that by the ear.

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** Eddie Munson is a full blown metal head, having tapes of Iron Maiden and Metallica. His greatest Crowning Moment of Awesome moment involves him playing "Master of Puppets" - which, having released shortly before Season Four started (March 3, 1986; the season takes place between March 16 and March 29) means he is playing that it by the ear.
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** Jonathan Byers is a fan of The Clash, Joy Division and The Smiths: all bands that are far from Top 40 and not common for Hawkins; showcasing how he stands out.

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** Jonathan Byers is a fan of The Clash, Joy Division Music/TheClash, Music/JoyDivision, and The Smiths: Music/TheSmiths: all bands that are far from Top 40 and not common for Hawkins; showcasing how he stands out.
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* [[CuteGhostGirl Evelyn]] from ''Podcast/LessIsMorgue'' is a ''huge'' fan of Nickelback, as well as a number of other "corny" late-nineties/early-2000s bands. Initially, it just seems like a goofy joke, but as time goes on, it becomes a symbol of Evelyn's willingness to love what she loves, regardless of what other people think.

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* [[CuteGhostGirl Evelyn]] from ''Podcast/LessIsMorgue'' is a ''huge'' fan of Nickelback, Music/{{Nickelback}}, as well as a number of other "corny" late-nineties/early-2000s bands. Initially, it just seems like a goofy joke, but as time goes on, it becomes a symbol of Evelyn's willingness to love what she loves, regardless of what other people think.
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** ''Film/StarTrek2009''. In the Creator/JJAbrams reboot, our first encounter with a young James T. Kirk is him hanging up on his step-father in favor of blasting the Music/BeastieBoys' "Sabotage" (a song that InUniverse is a hundred-plus years old) over the radio, establishing his disregard for authority (and a certain degree of love for GoodOldWays, even if they clash with Federation standards) even before the character says a single word. The detail about "Sabotage" being so old it's considered "classic" (and Kirk loving it) gets a CallBack gag on ''Film/StarTrekBeyond''.

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** ''Film/StarTrek2009''. In the Creator/JJAbrams reboot, our first encounter with a young James T. Kirk is him hanging up on his step-father in favor of blasting the Music/BeastieBoys' "Sabotage" (a song that InUniverse is a hundred-plus years old) over the radio, establishing his disregard for authority (and a certain degree of love for GoodOldWays, even if they clash with Federation standards) even before the character says a single word. The detail about "Sabotage" being so old it's considered "classic" (and Kirk loving it) gets a CallBack gag on ''Film/StarTrekBeyond''.



* The family in ''Film/FunnyGames'' listens to opera music in their car which establishes them as being cultured and upper class as they drive to their lakeside vacation home. The villain duo listens to Death Metal.

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* The family in ''Film/FunnyGames'' listens to opera music in their car which establishes them as being cultured and upper class as they drive to their lakeside vacation home. The villain duo listens to Death Metal.[[Music/JohnZorn Naked City]].
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** ''Film/CaptainMarvel'' shows in a flashback Carol Danvers wearing a Music/GunsNRoses T-shirt, making it clear she was always a maverick (and not always an EmotionlessGirl). Nick Fury singing The Marvelettes also indicates slightly old-fashioned manners.

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** ''Film/CaptainMarvel'' ''Film/{{Captain Marvel|2019}}'' shows in a flashback Carol Danvers wearing a Music/GunsNRoses T-shirt, making it clear she was always a maverick (and not always an EmotionlessGirl). Nick Fury singing The Marvelettes also indicates slightly old-fashioned manners.
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It's in there twice.


* ''Film/FunnyGames'': Early on in the movie, the targeted family is listening to classical music on the way to their vacation home. The killers are listening to incoherent screeching that marginally qualifies as music.
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** Then, he actually [[MagicMusic weaponises it]], with the aid of a {{Magitek}} structure that functions as "an amp the size of the Empire State." It's sufficiently powerful that, properly used, a litany of songs chosen almost exclusively to annoy the shit out of the ArcVillain can stabilise the planet. Featured music includes "Duel of the Fates", the [[Film/Ghostbusters1984 Ghostbusters theme]], [[Music/BonJovi "You Give Love A Bad Name"]], [[{{Music/REM}} "It's The End Of The World As We Know It (And I Feel Fine)"]], [[{{Music/Queen}} "Another One Bites The Dust"]], and at the end, a touch of ''Music/TheBlackEyedPeas''.

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** Then, he actually [[MagicMusic weaponises it]], with the aid of a {{Magitek}} structure that functions as "an amp the size of the Empire State." It's sufficiently powerful that, properly used, a litany of songs chosen almost exclusively to annoy the shit out of the ArcVillain can stabilise the planet. Featured music includes "Duel of the Fates", the [[Film/Ghostbusters1984 Ghostbusters theme]], [[Music/BonJovi "You Give Love A Bad Name"]], [[{{Music/REM}} "It's The End Of The World As We Know It (And I Feel Fine)"]], [[{{Music/Queen}} [[Music/QueenBand "Another One Bites The Dust"]], and at the end, a touch of ''Music/TheBlackEyedPeas''.



*** After Tony Stark's birthday party is ruined by an Iron Man suit-wearing James Rhodes, Tony requests for the DJ to play Music/{{Queen}}'s "Another One Bites the Dust" as a way to show he doesn't take Rhodes' threat even remotely seriously.

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*** After Tony Stark's birthday party is ruined by an Iron Man suit-wearing James Rhodes, Tony requests for the DJ to play Music/{{Queen}}'s Music/{{Queen|Band}}'s "Another One Bites the Dust" as a way to show he doesn't take Rhodes' threat even remotely seriously.
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** In ''Hammerhead Ranch Motel'', City and Country happily dance to "Long Cool Woman in a Black Dress" by Music/TheHollies, a rock and pop band from the same era as many of Serge’s favorite artists, but one that doesn't have an overlapping fanbase with many of them. This may reference how they can mingle with Serge without the same kind of hostility he had with his previous girlfriend, Sharon, but still have personality conflicts with him.


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** As part of BunnyEarsLawyer stoner Ziggy Blades' EstablishingCharacterMoment in ''Shark Skin Suite'', his radio is blaring "Lawyers, Guns, and Money," a loud, angry song about living on the edge.
** Kyle Lovitt from ''Naked Came the Florida Man'' is a Type I {{Eagleland}} kind of guy who proudly plays "This Land is Your Land" in the face of a PoliticallyIncorrectVillain.
** Maggie Crenshaw, who is briefly neighbors with Serge in ''Mermaid Confidential'', fondly listens to jazz music by [[Music/HerbAlpert the Tijuana Brass]] and has a mellow, easygoing attitude that is reminiscent of their music.
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Adjusting to make it clear that this is referring to the Schilling song and not "Space Oddity" by David Bowie.


* In ''Literature/AmericanPsycho'', Patrick Bateman tends to listen to what was regarded as generic and cheesy 1980's pop music while dismissing anything more experimental (some of the artists he likes have since become popular or well-regarded again, though). This is used to show what a shallow and banal person he is; he just goes along with whatever he thinks is popular in order to fit in, rather than developing his own unique tastes. In the film adaptation, he plays Music/PhilCollins' "Sussudio" (''"one of my personal favorites"'') of all things while having sex with two prostitutes.

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* In ''Literature/AmericanPsycho'', Patrick Bateman tends to listen to what was regarded as generic and cheesy 1980's pop music while dismissing anything more experimental (some of the artists he likes have since become popular or well-regarded again, though). He additionally praises the artists he likes for selling well and appealing to Top 40 radio and says little about their songwriting or artistic intentions. This is used to show what a shallow and banal WickedPretentious person he is; he just goes along with whatever he thinks is popular in order to fit in, rather than developing his own unique tastes. In This also carries over to [[Film/AmericanPsycho the film adaptation, adaptation]], where he sings praises of Music/HueyLewisAndTheNews, Music/WhitneyHouston, and Music/PhilCollins while dismissing Music/PeterGabriel's "lame" solo career and Music/{{Genesis|Band}}' pre-''Music/{{Duke}}'' output. He even plays Music/PhilCollins' "Sussudio" (''"one Collins' [[Music/NoJacketRequired "Sussudio"]], which he describes as "one of my personal favorites"'') of all things favorites," while having sex with two prostitutes.



** A few examples: PrettyFlyForAWhiteGuy Jesse Pinkman likes club-banger hip-hop. PsychopathicManchild Todd has a fondness for cheesy yacht rock, underscoring how [[DissonantSerenity eerily calm and chipper]] he is while committing heinous acts. Smart-but-eccentric Gale Boetticher can be spotted singing along to Italian jazz and show tunes (memorably, he also has a karaoke video of himself singing "Major Tom").

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** A few examples: PrettyFlyForAWhiteGuy Jesse Pinkman likes club-banger hip-hop. PsychopathicManchild Todd has a fondness for cheesy yacht rock, underscoring how [[DissonantSerenity eerily calm and chipper]] he is while committing heinous acts. Smart-but-eccentric Gale Boetticher can be spotted singing along to Italian jazz and show tunes (memorably, he also has a karaoke video of himself singing "Major Tom").Tom (Coming Home)" by Music/PeterSchilling).
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** In Prequel series ''Series/BetterCallSaul'', Chuck [=McGill=] loves classical and jazz music, showing his intellectual, snobbish personality.

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** Park is a fan of NewWave and PunkRock bands such as The Smiths, Joy Division and XTC, showing his alternative side and his disconnect from his peers in suburban Omaha.

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** Park is a fan of NewWave NewWaveMusic and PunkRock bands such as The Smiths, Joy Division and XTC, showing his alternative side and his disconnect from his peers in suburban Omaha.



* ''Literature/BothCanBeTrue'': At first Ash, who is genderfluid, listens to classical music only when they're a girl and hard rock only when they're a boy. Eventually they realize that their dad has made them feel like everything they do has to be gendered, and there's no reason they can't listen to "girl music" as a boy or vice versa.



* In the ''Series/MiamiVice'' pilot, Tubbs looks through Crockett's music collection and finds Music/GeorgeJones, Music/JimmyBuffett, Dickey Betts, and Music/WaylonJennings.

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* In the ''Series/MiamiVice'' pilot, Tubbs looks through Crockett's music collection and finds Music/GeorgeJones, Music/JimmyBuffett, Dickey Betts, Music/DickeyBetts, and Music/WaylonJennings.
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** Picard's and Riker's tastes in music receive a CallBack in season 3 of ''Series/StarTrekPicard'', courtesy of Captain Liam Shaw. He listens to similar classical music to what Picard likes while expressing disdain for Riker's be-bop, as it speaks to his "freewheeling, loosey-goosey, Kentucky mash kind of style".
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* ''Film/FunnyGames'': Early on in the movie, the targeted family is listening to classical music on the way to their vacation home. The killers are listening to incoherent screeching that marginally qualifies as music.
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* ''VideoGame/BrutalLegend'': The proagonist, Eddie Riggs, is a huge fan of classic hard rock and heavy metal music, and expresses disdain for the modern state of music.

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* ''VideoGame/BrutalLegend'': The proagonist, Eddie Riggs, is a huge fan of classic hard rock and heavy metal music, and expresses disdain for the modern state of music.music (specifically NuMetal).
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** In ''The Stingray Shuffle'', outgoing, assertive, and (generally) rational and logical Jamaican criminal Zigzag finds reggae artists like Music/JimmyCliff relaxing while his more high-strung Russian associate can't quite get into it.
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* ''[[Creator/TimDorsey Serge A. Storms]]'':
** Serge's taste in music runs toward classical rock musicians like Music/JimMorrison, Music/TheAnimals, and Music/LynyrdSkynyrd, as befitting his sense of nonstop nostalgia.
** In ''Atomic Lobster'', Serge is quite peeved when his companion Rachael, who lives for the hedonism of the moment, turns out to prefer the modern PopPunk band Music/GoodCharlotte and turns off "House of the Rising Sun" to listen to one of their hits. Although [[DistractedByTheSexy he forgets his annoyance after she starts doing an erotic dance to the music]].
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Better formatting.


** ''Film/Transformers2007''. Bumblebee, the first Transformer our protagonist meets, actually has no real voice capabilities and instead does all of his vocalizations through playing songs on his stereo.

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** ''Film/Transformers2007''. ''Film/{{Transformers|2007}}'' where Bumblebee, the first Transformer our protagonist meets, actually has no real voice capabilities and instead does all of his vocalizations through playing songs on his stereo.

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* ''Film/{{Transformers}}''. Bumblebee, the first Transformer our protagonist meets, actually has no real voice capabilities and instead does all of his vocalizations through playing songs on his stereo.
* ''Film/{{Bumblebee}}'' explores how Bumblebee came to love earth music and make use of this trope so much. The human protagonist, Charlie Watson, is introduced waking up and playing Music/TheSmiths' "Bigmouth Strikes Again" and rocking out to it, which immediately establishes her as both an angsty rocker chick. Bumblebee learns earth music from her, and while he uses a variety of songs to communicate, he seems to favour upbeat songs personally.

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* ''Film/{{Transformers}}''.''Film/TransformersFilmSeries'':
** ''Film/Transformers2007''.
Bumblebee, the first Transformer our protagonist meets, actually has no real voice capabilities and instead does all of his vocalizations through playing songs on his stereo.
* ** ''Film/{{Bumblebee}}'' explores how Bumblebee came to love earth music and make use of this trope so much. The human protagonist, Charlie Watson, is introduced waking up and playing Music/TheSmiths' "Bigmouth Strikes Again" and rocking out to it, which immediately establishes her as both an angsty rocker chick. Bumblebee learns earth music from her, and while he uses a variety of songs to communicate, he seems to favour upbeat songs personally.
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** ''Film/GuardiansOfTheGalaxyVol3'' is, unsurprisingly, full of this:
*** Over the opening credits, Rocket puts on a stripped-down acoustic version of Music/{{Radiohead}}'s "Creep" and sings along to part of it, emphasizing his self-loathing (and the film's DarkerAndEdgier tone).
*** The High Evolutionary enjoys classical operas, emphasizing his interest in the technical aspects of composition and cultured persona in contrast to the Guardians, who are by this point thoroughly associated with rock and pop from the 60s through the 80s.
*** In the [[TheStinger mid-credits scene]], [[spoiler:the new Guardians discuss their favorite Earth music before going on a mission. Phyla name-drops pop diva Music/BritneySpears and NuMetal group Music/{{Korn}} - while the former is someone that a girl her age would be expected to enjoy, the latter shows that she has an edge to her. Kraglin favors Music/GarthBrooks, which gels perfectly with his typical rough-hewn masculinity. Cosmo shows off her sentimental side by revealing that she is a huge Music/{{Carpenters}} fan. Adam Warlock reveals that he's an admirer of Adrian Belew, specifically noting his work with prog-rock innovators Music/KingCrimson, showing that he is cultured with somewhat alternative tastes but not a snob. Finally, Rocket, who replaces Quill as the captain of the new lineup, emphasizes the passing of the torch by putting on "[[Music/{{Redbone}} Come and Get Your Love]]", which was used in the first film's iconic opening scene.]]
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trope rename


* Film/{{Deadpool|2016}}'s quirky and less-than-serious nature is indicated by his soundtrack, at times brought on-screen by request: he listens to Music/SaltNPepa waiting to ambush a convoy, asks for Music/DollyParton during a fight montage... but still knows to request something more badass, such as Music/{{DMX}} for a PowerWalk and Music/{{ACDC}} for a parachuting deployment.

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* Film/{{Deadpool|2016}}'s quirky and less-than-serious nature is indicated by his soundtrack, at times brought on-screen by request: he listens to Music/SaltNPepa waiting to ambush a convoy, asks for Music/DollyParton during a fight montage... but still knows to request something more badass, such as Music/{{DMX}} for a PowerWalk TeamPowerWalk and Music/{{ACDC}} for a parachuting deployment.
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* In Film/EverybodyWantsSome, Wiloughby brings the rest of the team into the living room to listen to "Fearless" by Music/PinkFloyd with him - not only do the music and lyrics suit his EruditeStoner personality, but the song itself was released almost 10 years before the movie's 1980 setting, {{foreshadowing}} that the character is [[spoiler: [[OlderThanTheyLook older than he looks.]]]]

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* In Film/EverybodyWantsSome, ''Film/EverybodyWantsSome'', Wiloughby brings the rest of the team into the living room to listen to "Fearless" by Music/PinkFloyd with him - not only do the music and lyrics suit his EruditeStoner personality, but the song itself was released almost 10 years before the movie's 1980 setting, {{foreshadowing}} that the character is [[spoiler: [[OlderThanTheyLook older than he looks.]]]]
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* In Film/EverybodyWantsSome, Wiloughby brings the rest of the team into the living room to listen to "Fearlessly" by Music/PinkFloyd - not only do the music and lyrics suit his EruditeStoner personality, but the song itself was released almost 10 years before the movie's 1980 setting, {{foreshadowing}} that the character is [[spoiler: [[OlderThanTheyLook older than he looks]]]]

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* In Film/EverybodyWantsSome, Wiloughby brings the rest of the team into the living room to listen to "Fearlessly" "Fearless" by Music/PinkFloyd with him - not only do the music and lyrics suit his EruditeStoner personality, but the song itself was released almost 10 years before the movie's 1980 setting, {{foreshadowing}} that the character is [[spoiler: [[OlderThanTheyLook older than he looks]]]]looks.]]]]
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* Hilariously subverted in the opening of ''Film/OfficeSpace'', where a character listens to bad-ass rap music on his way to work, but then is shown to get nervous about a harmless ([[HypocriticalHumor black]]) street vendor [[https://www.youtube.com/watch?v=GKlDBi0cyIA approaching his car]].

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* Hilariously subverted Subverted in the opening of ''Film/OfficeSpace'', where a character listens to bad-ass rap music on his way to work, but then is shown to get nervous about a harmless ([[HypocriticalHumor black]]) street vendor [[https://www.youtube.com/watch?v=GKlDBi0cyIA approaching his car]].



* "Hold On" also makes an appearance in ''Film/HaroldAndKumarGoToWhiteCastle'' on a tape in a truck belonging to a group of supposed "extreme" sports enthusiasts signifying that they're all talk.

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* "Hold On" also makes an appearance in ''Film/HaroldAndKumarGoToWhiteCastle'' has "Hold On" by Wilson Phillips playing on a tape in a truck belonging to a group of supposed "extreme" sports enthusiasts enthusiasts, signifying that they're all talk.
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** Eddie Munson is a full blown metal head, having tapes of Iron Maiden and Metallica. His greatest CrowningMomentOfAwesome involves him playing "Master of Puppets" - which, having released shortly before Season Four started (March 3, 1986; the season takes place between March 16 and March 29) means he is playing that by the ear.

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** Eddie Munson is a full blown metal head, having tapes of Iron Maiden and Metallica. His greatest CrowningMomentOfAwesome Crowning Moment of Awesome involves him playing "Master of Puppets" - which, having released shortly before Season Four started (March 3, 1986; the season takes place between March 16 and March 29) means he is playing that by the ear.
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** Eddie Munson is a full blown metal head, having tapes of Iron Maiden and Metallica.

to:

** Eddie Munson is a full blown metal head, having tapes of Iron Maiden and Metallica. His greatest CrowningMomentOfAwesome involves him playing "Master of Puppets" - which, having released shortly before Season Four started (March 3, 1986; the season takes place between March 16 and March 29) means he is playing that by the ear.
Is there an issue? Send a MessageReason:
None

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* In Film/EverybodyWantsSome, Wiloughby brings the rest of the team into the living room to listen to "Fearlessly" by Music/PinkFloyd - not only do the music and lyrics suit his EruditeStoner personality, but the song itself was released almost 10 years before the movie's 1980 setting, {{foreshadowing}} that the character is [[spoiler: [[OlderThanTheyLook older than he looks]]]]
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* ''WesternAnimation/TheLEGOMovie2TheSecondPart'': Rex Dangervest has several hard rock songs playing during his introduction, including Music/MotleyCrue's "Kickstart My Heart", Music/{{Steppenwolf}}'s "Born to Be Wild", and Music/ZZTop's "Tush", to establish him as a hardcore tough guy.
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** A few examples: PrettyFlyForAWhiteGuy Jesse Pinkman likes club-banger hip-hop. PsychopathicManchild Todd has a fondness for cheesy yacht rock, underscoring how [[DissonantSerenity eerily calm and chipper]] he is while committing heinous acts. Smart-but-eccentric Gale Boetticher can be spotted singing along to Italian jazz and show tunes (memorably, he also has a karaoke video of himself singing "Major Tom").
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None


** Even Benny Hammond, a middle aged diner owner and minor character who only appears in season 1, episode 1, gets some musical characterization: While the series is set in the 80s and most characters listen to contemporary music of the era, Benny is apparently still big on Music/JeffersonAirplane.

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** Even Benny Hammond, a middle aged diner owner and minor character who only appears in season 1, episode 1, gets some musical characterization: While the series is set in the 80s and most characters listen to contemporary music of the era, Benny is apparently still big on Music/JeffersonAirplane.Music/JeffersonAirplane - he has ''Music/SurrealisticPillow'' playing in the diner when he first meets Eleven.

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