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* BellyDancer: In issue #126, the "[[http://4.bp.blogspot.com/-jJXIac6VVYQ/UMUf4bGvPTI/AAAAAAAANk4/CoY30yc92OY/s1600/Cracked+Magazine+126+034.jpg Products]] [[http://3.bp.blogspot.com/-CQ6e5b5P6ck/UMUhLxYihPI/AAAAAAAANlE/Sc5dJlOXhbI/s1600/Cracked+Magazine+126+035.jpg and]] [[http://1.bp.blogspot.com/-a5LKUkNv_IQ/UMUijpWsYZI/AAAAAAAANlQ/R-Ox74D1yZg/s1600/Cracked+Magazine+126+036.jpg Ads]] [[http://4.bp.blogspot.com/-TCB8QzRSazU/UMUjy1bO9yI/AAAAAAAANlc/miVBcMXulSY/s1600/Cracked+Magazine+126+037.jpg Designed]] for the Arab Market" comic feature gadgets and tools for Arab sheiks in mind, with many a dancer and harem girl showing off their usefulness.
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* SultryBellyDancer: In issue #126, the "[[http://4.bp.blogspot.com/-jJXIac6VVYQ/UMUf4bGvPTI/AAAAAAAANk4/CoY30yc92OY/s1600/Cracked+Magazine+126+034.jpg Products]] [[http://3.bp.blogspot.com/-CQ6e5b5P6ck/UMUhLxYihPI/AAAAAAAANlE/Sc5dJlOXhbI/s1600/Cracked+Magazine+126+035.jpg and]] [[http://1.bp.blogspot.com/-a5LKUkNv_IQ/UMUijpWsYZI/AAAAAAAANlQ/R-Ox74D1yZg/s1600/Cracked+Magazine+126+036.jpg Ads]] [[http://4.bp.blogspot.com/-TCB8QzRSazU/UMUjy1bO9yI/AAAAAAAANlc/miVBcMXulSY/s1600/Cracked+Magazine+126+037.jpg Designed]] for the Arab Market" comic feature gadgets and tools for Arab sheiks in mind, with many a dancer and harem girl showing off their usefulness.
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Changed line(s) 66 (click to see context) from:
** Issue 326's "A TV Commercial We'd Pay to See" is a faithful recreation of Creator/JerrySeinfeld's [[https://www.youtube.com/watch?v=L8fj_Zo5x24 American Express commercial]] where he travels through England and experiences its culture to increase his reference pool... except his stand-up routine still bombs the second time around.
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** Issue 326's "A TV Commercial We'd Pay to See" is a faithful recreation of Creator/JerrySeinfeld's [[https://www.youtube.com/watch?v=L8fj_Zo5x24 com/watch?v=h4bYZP-OGp8 American Express commercial]] where he travels through England and experiences its culture to increase his reference pool... except his stand-up routine still bombs the second time around.
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Changed line(s) 64 (click to see context) from:
* TakeThat: Countless attacks at ''MAD'' over time, such as a cover gag where Alfred E. Neuman steals the "A" from the ''Cracked'' logo, or a column pointing out that both magazines did similar cover art spoofing the front cover of ''Literature/HarryPotterAndThePhilosophersStone'' only a couple months apart. ''MAD'', being the high-class mag that it is, [[UnknownRival never once counterattacked]].
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* TakeThat: TakeThat:
** Countless attacks at ''MAD'' over time, such as a cover gag where Alfred E. Neuman steals the "A" from the ''Cracked'' logo, or a column pointing out that both magazines did similar cover art spoofing the front cover of ''Literature/HarryPotterAndThePhilosophersStone'' only a couple months apart. ''MAD'', being the high-class mag that it is, [[UnknownRival never oncecounterattacked]].counterattacked]].
** Issue 326's "A TV Commercial We'd Pay to See" is a faithful recreation of Creator/JerrySeinfeld's [[https://www.youtube.com/watch?v=L8fj_Zo5x24 American Express commercial]] where he travels through England and experiences its culture to increase his reference pool... except his stand-up routine still bombs the second time around.
--->'''Seinfeld:''' Why aren't you laughing?\\
'''Audience Member 1:''' 'Cause you ain't funny, mate.\\
'''Audience Member 2:''' Where's [[Series/{{Seinfeld}} George, Kramer and Elaine]]? They're funny!\\
'''Audience Member 3:''' You should never leave home without them.\\
'''Narrator:''' American Express -- You can get everything except laughs.
** Countless attacks at ''MAD'' over time, such as a cover gag where Alfred E. Neuman steals the "A" from the ''Cracked'' logo, or a column pointing out that both magazines did similar cover art spoofing the front cover of ''Literature/HarryPotterAndThePhilosophersStone'' only a couple months apart. ''MAD'', being the high-class mag that it is, [[UnknownRival never once
** Issue 326's "A TV Commercial We'd Pay to See" is a faithful recreation of Creator/JerrySeinfeld's [[https://www.youtube.com/watch?v=L8fj_Zo5x24 American Express commercial]] where he travels through England and experiences its culture to increase his reference pool... except his stand-up routine still bombs the second time around.
--->'''Seinfeld:''' Why aren't you laughing?\\
'''Audience Member 1:''' 'Cause you ain't funny, mate.\\
'''Audience Member 2:''' Where's [[Series/{{Seinfeld}} George, Kramer and Elaine]]? They're funny!\\
'''Audience Member 3:''' You should never leave home without them.\\
'''Narrator:''' American Express -- You can get everything except laughs.
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* CalculatorSpelling: The magazine once had [[http://crackedreviews.blogspot.com/2007/09/addenudm-to-issue-147-review.html an article]] that played with this concept. For example -- Mary wanted something sweet for her birthday, so John gave her a box of ____ and told her to wait a week. (81 x 81 - 1223). The answer: [[spoiler: 5338, or "Bees".]]
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:A typical cover from 1975, featuring mascot Sylvester P. Smythe and drawn by ''Cracked'' mainstay John Severin. ([[FunnyAneurysmMoment Ignore the plane crashing into the tower.]])]]
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[[caption-width-right:350:A typical cover from 1975, featuring mascot Sylvester P. Smythe and drawn by ''Cracked'' mainstay John Severin. ([[FunnyAneurysmMoment ([[HarsherInHindsight Ignore the plane crashing into the tower.]])]]
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Changed line(s) 53,55 (click to see context) from:
** Rurik Tyler's first few articles were credited to Bo Badman, since he was also working for ''MAD'' at the time.
** Greg Grabianski occasionally wrote as "Judd Stomp", most notably on the parody of ''WesternAnimation/BeavisAndButtHeadDoAmerica'' since he was also a writer on the show.
** Greg Theakston drew a few articles under the name "Earl P. Whooton", also likely due to him having contributed to ''MAD'' as well.
** Greg Grabianski occasionally wrote as "Judd Stomp", most notably on the parody of ''WesternAnimation/BeavisAndButtHeadDoAmerica'' since he was also a writer on the show.
** Greg Theakston drew a few articles under the name "Earl P. Whooton", also likely due to him having contributed to ''MAD'' as well.
to:
** Rurik Tyler's first few articles were credited to Bo Badman, since he was also working for ''MAD'' and ''Cracked'' had a policy that contributors could submit material to both magazines, but had to use a pen name at one of the time.
two. Known examples included Rurik Tyler calling himself "Bo Badman" on his early ''Cracked'' work and Greg Theakston crediting himself as "Earl P. Whooton".
** Greg Grabianski occasionally wrote as "Judd Stomp", most notably on the parody of''WesternAnimation/BeavisAndButtHeadDoAmerica'' ''WesternAnimation/BeavisAndButtHeadDoAmerica'', since he was also a writer on [[WesternAnimation/BeavisAndButtHead the show.
** Greg Theakston drew a few articles under the name "Earl P. Whooton", also likely due to him having contributed to ''MAD'' as well.show.]]
** Greg Grabianski occasionally wrote as "Judd Stomp", most notably on the parody of
** Greg Theakston drew a few articles under the name "Earl P. Whooton", also likely due to him having contributed to ''MAD'' as well.
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* CuteKitten: John Severin loved to draw Siamese cats in the background of his work.
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** Early on, Sylvester P. Smythe was a lot uglier. John Severin refined his character design into a more UglyCute appearance, as seen on the page image.
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** Early on, Sylvester P. Smythe was a lot uglier.uglier; this was especially true of the covers that Jack Davis drew before he went back to ''Magazine/{{MAD}}''. John Severin refined his character design into a more UglyCute appearance, as seen on the page image.
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* MsFanservice: Nanny Dickering
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* MsFanservice: Nanny DickeringDickering, a buxom lady who interviews various famous people or expies thereof, was always drawn to be very attractive.
* ParodiesForDummies: Collectors Edition #119 came with an insert titled ''Franchise/StarWars for Dummies''.
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** John Severin was fond of switching out his signature for something silly, such as "[[Franchise/JamesBond O. O. Severin]]", "[[SignificantAnagram Seneriv]]", "[[SdrawkcabAlias Nireves]]", "Le Poer" (the Irish form of his middle name, Powers), "Sigbjorn" (the Swedish form of his last name), etc.
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** As John Severin was their most common illustrator, he was fond of switching out his signature for something silly, such as "[[Franchise/JamesBond O. O. Severin]]", "[[SignificantAnagram Seneriv]]", "[[SdrawkcabAlias Nireves]]", "Le Poer" (the Irish form of his middle name, Powers), "Sigbjorn" (the Swedish form of his last name), etc.
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Changed line(s) 4,5 (click to see context) from:
Before it became a humor website, ''Cracked'' was a magazine. Specifically, it was a [[FollowTheLeader knockoff]] of ''Magazine/{{Mad}}'' (in their own words, their fanbase was "primarily comprised of people who got to the store after MAD sold out"), using a similar formula of movie and television parodies with deconstructive humor and otherwise (ostensibly) humorous articles, as well as its own UglyCute "mascot," Sylvester P. Smythe. It was by far the longest-surviving ''MAD'' knockoff, lasting in print form from 1958 until 2004, when a great deal of ExecutiveMeddling reduced the mag to an erratic printing schedule and many of the original contributors left. For its last few issues, it was published by Rick Nielsen of Cheap Trick. Finally, it was {{Retool}}ed as a "lad mag." This format didn't last long, and the magazine went under in 2007, only to re-establish itself as a website.
to:
Before it became a humor website, ''Cracked'' was a magazine. Specifically, it was a [[FollowTheLeader knockoff]] of ''Magazine/{{Mad}}'' (in their own words, their fanbase was "primarily comprised of people who got to the store after MAD sold out"), using a similar formula of movie and television parodies with deconstructive humor and otherwise (ostensibly) humorous articles, as well as its own UglyCute "mascot," Sylvester P. Smythe. It was by far the longest-surviving ''MAD'' knockoff, lasting in print form from 1958 until 2004, when a great deal of ExecutiveMeddling reduced the mag to an erratic printing schedule and many of the original contributors left. For its last few issues, it was published by Rick Nielsen of Cheap Trick.Music/CheapTrick. Finally, it was {{Retool}}ed as a "lad mag." This format didn't last long, and the magazine went under in 2007, only to re-establish itself as a website.
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* LighterAndSofter: At least compared to MAD. Even moreso in the mid-late 80s when the focus became more about doing parodies of pop culture and celebrities, almost all of which were more lighthearted spoofs than satirical jabs.
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Changed line(s) 32 (click to see context) from:
* HistoricalInJoke: Issue #325, the 40th anniversary issue, includes a fictitious guide to collecting ''Cracked''. Included in the guide to said issues are entries reading "Ghost of editor's dead wife hired as art director", "Ghost of editor's dead wife promoted to editor", and "1st appearance of editor's son as cover artist". All of these actually did happen during Paul Laikin's short-lived tenure as editor in TheEighties.
to:
* HistoricalInJoke: Issue #325, the 40th anniversary issue, includes a fictitious guide to collecting ''Cracked''. Included in the guide to said issues are entries reading "Ghost of editor's dead wife hired as art director", "Ghost of editor's dead wife promoted to editor", and "1st appearance of editor's son as cover artist". All of these actually did happen during Paul Laikin's short-lived tenure During his short stint as editor in TheEighties.TheEighties, Paul Laikin really did credit his dead wife as art director and editor, and hire his son to draw the covers.
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Changed line(s) 20,21 (click to see context) from:
** Mike Ricigliano initially drew the "Shut-Ups" in a very lumpy style that seemed to emulate predecessor Charles Rodrigues before finding his own more sketchy style in TheEighties.
** Walter James Brogan's art shifted greatly over the years. His early drawings had a more jagged and pointy appearance.
** Walter James Brogan's art shifted greatly over the years. His early drawings had a more jagged and pointy appearance.
to:
** Mike Ricigliano initially drew the was originally tasked to draw "Shut-Ups" in a very lumpy style that seemed to emulate predecessor imitative of the installment's previous artist, Charles Rodrigues before finding Rodrigues. This resulted in very lumpy, OffModel looking art. After a short time, he was allowed to divert into his own more sketchy radically different style in TheEighties.
which stuck to the very end.
** WalterJames Brogan's art shifted greatly over the years. His early drawings had a more jagged and pointy appearance. Later issues have the art looking somewhat sloppy, due mainly to him being overworked.
** Walter
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* CaptionHumor: The premise of "The ''Cracked'' Lens", which applied captions to stock photos or scenes from public-domain movies.
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* CaptionHumor: The premise of "The ''Cracked'' Lens", which applied captions (typically written by Randy Epley) to stock photos or scenes from public-domain movies.
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** Nanny Dickering's appearance also varied greatly from artist to artist,
to:
** Nanny Dickering's appearance also varied greatly from artist to artist,artist.
* EarlyInstallmentWeirdness: The first ten years or so didn't have movie or TV parodies, and usually relied on short, slapdash gag articles. Other than John Severin, none of the artists were regulars, instead cribbed from comics talents of the day (with only Bill Ward staying for a significant period of time). Features like Hudd & Dini, Ye Hang-Ups, Nanny Dickering, and the parodies didn't come until TheSeventies.
* EarlyInstallmentWeirdness: The first ten years or so didn't have movie or TV parodies, and usually relied on short, slapdash gag articles. Other than John Severin, none of the artists were regulars, instead cribbed from comics talents of the day (with only Bill Ward staying for a significant period of time). Features like Hudd & Dini, Ye Hang-Ups, Nanny Dickering, and the parodies didn't come until TheSeventies.
Changed line(s) 34,35 (click to see context) from:
* LastOfHisKind / LongRunners: By far the longest-lived of all the ''MAD'' knockoffs. For the last two decades of ''Cracked'''s print run, only it and ''MAD'' itself were still in print.
* LaterInstallmentWeirdness: The Dick Kulpa era featured attempts at a much "hipper" writing style, with far more edgy humor than the predecessors and frequent use of street slang. The "lad mag" retool was an even further example.
* LaterInstallmentWeirdness: The Dick Kulpa era featured attempts at a much "hipper" writing style, with far more edgy humor than the predecessors and frequent use of street slang. The "lad mag" retool was an even further example.
to:
* LastOfHisKind / LongRunners: LastOfHisKind: By far the longest-lived of all the ''MAD'' knockoffs. For the last two decades of ''Cracked'''s print run, only it and ''MAD'' itself were still in print.
* LaterInstallmentWeirdness: The Dick Kulpa era featured attempts at a much "hipper" writing style, with far more edgy humor than thepredecessors predecessors, shiny tabloid-esque covers laden with headlines, and frequent use of street slang. The "lad mag" retool was an even further example.
* LaterInstallmentWeirdness: The Dick Kulpa era featured attempts at a much "hipper" writing style, with far more edgy humor than the
Changed line(s) 47 (click to see context) from:
** Paul Laikin often padded out the writing credits with pseudonyms (most prominently "Pula Kinlai"). Initially, this was done to hide the fact that he wrote several issues by himself. But upon his short-lived return in the 1980s, it was done to cover up that he was recycling material from other magazines he had worked on and/or was giving kickbacks to friends and family who did not actually contribute).
to:
** Paul Laikin often padded out the writing credits with pseudonyms (most prominently "Pula Kinlai")."[[SignificantAnagram Pula Kinlai]]"). Initially, this was done to hide the fact that he wrote several issues by himself. But upon his short-lived return in the 1980s, it was done to cover up that he was recycling material from other magazines he had worked on and/or was giving kickbacks to friends and family who did not actually contribute).contribute.
Changed line(s) 49 (click to see context) from:
** Rurik Tyler's first few articles were credited to Bo Badman, since he was also writing for ''MAD'' at the time.
to:
** Rurik Tyler's first few articles were credited to Bo Badman, since he was also writing working for ''MAD'' at the time.
Changed line(s) 53 (click to see context) from:
** When Barry Dutter served as co-editor alongside Kulpa, he often credited his work to pseudonyms. Going the other way, he also submitted two articles to ''MAD'' as "Larry Sutter".
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** When During the Kulpa era, both Barry Dutter served as co-editor alongside Kulpa, he often credited his and Dick Kulpa were fond of using pseudonyms to cover up that they were doing most of the work to pseudonyms. Going the other way, he also submitted two articles to ''MAD'' as "Larry Sutter".themselves.
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Changed line(s) 35 (click to see context) from:
* LaterInstallmentWeirdness: The Dick Kulpa era featured attempts at a much "hipper" writing style, with far more edgy humor than the predecessors. The "lad mag" retool was an even further example.
to:
* LaterInstallmentWeirdness: The Dick Kulpa era featured attempts at a much "hipper" writing style, with far more edgy humor than the predecessors.predecessors and frequent use of street slang. The "lad mag" retool was an even further example.
Changed line(s) 53 (click to see context) from:
** Barry Dutter often used a myriad of pen names, most of which varied from issue to issue.
to:
** When Barry Dutter served as co-editor alongside Kulpa, he often used a myriad of pen names, most of which varied from issue credited his work to issue.pseudonyms. Going the other way, he also submitted two articles to ''MAD'' as "Larry Sutter".
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Changed line(s) 4,5 (click to see context) from:
Before it became a humor website, ''Cracked'' was a magazine. Specifically, it was a [[FollowTheLeader knockoff]] of ''Magazine/{{Mad}}'' (in their own words, their fanbase was "primarily comprised of people who got to the store after MAD sold out"), using a similar formula of movie and television parodies with deconstructive humor and otherwise (ostensibly) humorous articles, as well as its own UglyCute "mascot," Sylvester P. Smythe. It was by far the longest-surviving ''MAD'' knockoff, lasting in print form from 1958 until 2004, when a great deal of ExecutiveMeddling reduced the mag to an erratic printing schedule and many of the original contributors left. For its last few issues, it was published by Rick Nielsen of Cheap Trick. Finally, it was {{ReTool}}ed as a "lad mag." This format didn't last long, and the magazine went under in 2007, only to re-establish itself as a website.
to:
Before it became a humor website, ''Cracked'' was a magazine. Specifically, it was a [[FollowTheLeader knockoff]] of ''Magazine/{{Mad}}'' (in their own words, their fanbase was "primarily comprised of people who got to the store after MAD sold out"), using a similar formula of movie and television parodies with deconstructive humor and otherwise (ostensibly) humorous articles, as well as its own UglyCute "mascot," Sylvester P. Smythe. It was by far the longest-surviving ''MAD'' knockoff, lasting in print form from 1958 until 2004, when a great deal of ExecutiveMeddling reduced the mag to an erratic printing schedule and many of the original contributors left. For its last few issues, it was published by Rick Nielsen of Cheap Trick. Finally, it was {{ReTool}}ed {{Retool}}ed as a "lad mag." This format didn't last long, and the magazine went under in 2007, only to re-establish itself as a website.
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** Barry Dutter often used a myriad of pen names, most of which varied from issue to issue.