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* {{God}}: The Divine Nature thought by Greek intellectuals (like Fox) to be a single, [[TheOmnipotent all-powerful]], and unemotional power who created all things and assigns their destinies. While Fox's logical proofs and scholarly arguments suit the needs of priests and politicians, the old Priest of Ungit maintain that gods must be found in mystery and sacrifice rather than writing and navel-gazing and every worshipper in the novel affirms his view.

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* {{God}}: The Divine Nature is thought by Greek intellectuals (like Fox) to be a single, [[TheOmnipotent all-powerful]], and unemotional power who created all things and assigns their destinies. While Fox's logical proofs and scholarly arguments suit the needs of priests and politicians, the old Priest of Ungit maintain that gods must be found in mystery and sacrifice rather than writing and navel-gazing and every navel-gazing. Every worshipper in the novel affirms his view.the Priest's criticism of Fox.

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%%* DarkFantasy



* LoveMakesYouEvil: Lewis believed that human love -- absent divine grace -- is selfishness in a pretty mask, which ultimately destroys the object of affection. (He says elsewhere, "[Love] is a stronger angel, and therefore, when it falls, a fiercer devil.")
* LowFantasy / DarkFantasy: This book is definitely much darker than Lewis's [[Literature/TheChroniclesOfNarnia more famous fantasy novels.]]

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* LoveMakesYouEvil: Lewis believed that human love -- absent divine grace -- is selfishness in a pretty mask, which ultimately destroys the object of affection. (He says elsewhere, "[Love] is In the novel, this selfish love manifests both in Ungit, a stronger angel, goddesswho has those her worshippers love in her stead starved to death, and therefore, when it falls, a fiercer devil.")
* LowFantasy / DarkFantasy: This book is definitely much darker than Lewis's [[Literature/TheChroniclesOfNarnia more famous fantasy novels.]]
Orual, our protagonist and narrator who sabotages her sister's marriage, keeps her mentor from returning to his home country, and works her crush to death all so that these loved ones from her won't leave her.
-->''"Did I hate him, then? Indeed, I believe so. A love like that can grow to be nine-tenths hatred and still call itself love."''
%%* LowFantasy:



* RealityWarper:

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* %%* RealityWarper:
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* CunningLikeAFox: The Fox is so called for his knowledge. (Well, and his red hair.)

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* CunningLikeAFox: The Fox is so called for his knowledge.cunning. As Orual puts it, he can twist his words to make a "no" seem an excited affirmation and to make an enemy's "yes" look like a declaration of war. (Well, and his red hair.)



* {{Demythification}}: [[spoiler:initially.]]

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* {{Demythification}}: [[spoiler:initially.]]Despite what the old myths would indicate, Aphrodite here seems to just be an obsidian rock instead of a divine woman. Similarly, her son Cupid isn't an angelic archer, but a living shadow that Fox believes is just a shadow. While all this sounds more mundane, over time it becomes clear that the gods aren't less mythic than in the old stories, it's just that they're scarier and more obscure in reality.
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* WorldsMostBeautifulWoman: Istra. In keeping with the ClassicalMythology tradition, this causes problems when she receives BlasphemousPraise as "prettier than Aphrodite herself."

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* WorldsMostBeautifulWoman: Istra. In keeping with the ClassicalMythology [[Myth/ClassicalMythology Greek]] tradition, this causes problems when she receives BlasphemousPraise as "prettier than Aphrodite herself."

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* CelibateHero: Orual, appropriately enough, given her antagonism to the local love deities.

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* CelibateHero: Orual, Orual never gets married, appropriately enough, given her antagonism to the local love deities.



* CostumeTestMontage: The first (and most difficult) preparation for Orual's [[ChallengingTheChief royal duel]] is to try to find an outfit that the old man Fox will look decent in without rejecting it for looking "barbarous." He settles on wearing his rotting old Greek gown after Orual gives up on making him look good.



* HonoraryUncle: Orual calls the Fox "Grandfather."

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* HonoraryUncle: Orual calls the Fox "Grandfather.""Grandfather," since the old man taught the three sisters everything they know and shows them more love than their blood father ever would.



* InsaneTrollLogic: The gods, according to Orual.

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* %%* InsaneTrollLogic: The gods, according to Orual.



* ItsAllAboutMe: The king.
* JerkassGods: Most of the people of Glome see their gods as petty, self-serving forces of nature and try to avoid attracting their attention as much as possible. Orual ''wishes'' the gods were just mindless brutes. The truth is...complicated.
* JustSoStory: Orual mentions there is a story that explains why pigs are not suitable as sacrifices to Ungit, but does not tell it. Later, she discovers that [[spoiler:Istra's rejection by, and eventual reunion with, the God of the Grey Mountain]] has become one for the seasons changing, which inspires her to write the novel.

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* %%* ItsAllAboutMe: The king.
* JerkassGods: Most of the people of Glome see their gods as petty, scary, self-serving forces of nature and try to avoid attracting their attention as much as possible. Orual ''wishes'' the gods were just mindless brutes. The truth is... complicated.
* JustSoStory: Orual mentions there is a story that explains why pigs are not suitable as sacrifices to Ungit, but does not tell it. Later, she discovers that [[spoiler:Istra's rejection by, what happened between Psyche and eventual reunion with, the God of the Grey Mountain]] Brute has become one for a myth to explain the seasons changing, changing seasons, which inspires her to write the novel.



* ScaryScarecrows: The Queen's battle-veil covers her whole face and makes her look like a walking scarecrow with human eyes and a sword. Even her best soldiers are put off-guard when they see the veil at first and it gives her an edge when dueling with a cowardly prince.



* UnreliableNarrator: Orual realizes she is one after finishing the first half of the book.
* VirginSacrifice: Istra.

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* UnderestimatingBadassery: Prince Argan begins his battle with the Queen by lazily flailing his sword at her, assuming a veiled woman would fall quickly in combat. His estimation allows the Queen to cut the skin clean off his knuckles and press the offensive against him, which hurts him enough to take the duel seriously.
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UnreliableNarrator: Orual realizes she is one after finishing the first half of the book.
* %%* VirginSacrifice: Istra.
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* ChallengingTheChief: A complicated bit of international politics leads to Orual fighting as the champion of a foreign prince against his father in a duel to decide which of the two should be king of their country. The whole dueling bit was wholly Orual's idea as a way to prove her worth to the other kingdom, to establish herself as the queen, and to distract herself from her all-consuming guilt.

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* AllTakeAndNoGive: Orual is the Giver. [[spoiler:Or so she claims herself to be.]]

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* %%* AllTakeAndNoGive: Orual is the Giver. [[spoiler:Or so she claims herself to be.]]



* BecomingTheMask: Orual.

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* %%* BecomingTheMask: Orual.Orual.
* TheBlank: The Queen's favorite InUniverse bit of WildMassGuessing about her veil is that she wears it to hide the emptiness where her face would be if she had one. This theory in particular helps her intimidate wily politicians and brave soldiers into ceding to her demands.



* DissonantSerenity: The sweet voice of the god of the Grey Mountain lacks any hint of anger as it announces that forces beyond control will harm his wife and that Orual will meet the same horrible fate. Orual compares it to "a bird singing on branch above a hanged man."



* TheFaceless: Orual in her mask.

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* TheFaceless: Orual in The narration emphasizes the importance of faces, but almost never mentions her mask.own. Outside of a traumatic incident with a mirror, the narrator's face goes largely undescribed and spends most of the book hidden behind a veil. Plot-wise, the narrator does this because she's ugly; thematically, the hiddenness of her face reflects her inability to honestly assess her motivations and character, especially she has a divine encounter.



** If she isn't an UnreliableNarrator, Orual has a personal encounter with the god of the Grey Mountain, the Shadowbrute. As a pagan of Glome would know, the Brute is wrathful enough to flatten a forest and so radically present as to make everything else in reality seem like a dream. Yet, he (or maybe He) may be the {{God}} known to Greek philosophy, as the Shadow is [[GodIsGood benevolent enough to love Psyche more than her foster mother]], metaphysical enough that [[YouCannotGraspTheTrueForm Orual cannot see if he has a shape]], and [[TheOmnipotent omnipotent]] enough to change the past at will.

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** If she isn't an UnreliableNarrator, Orual has a personal encounter with the god of the Grey Mountain, the Shadowbrute. Mountain. As a pagan of Glome would know, the Brute god is wrathful violent enough to flatten a forest and so radically present as to make everything else in reality seem like a dream. Yet, he (or maybe He) may be the {{God}} known to Greek philosophy, as the Shadow god is [[GodIsGood benevolent enough to love Psyche more than her foster mother]], metaphysical enough that [[YouCannotGraspTheTrueForm Orual cannot see if he has a shape]], and [[TheOmnipotent omnipotent]] enough to change the past at will.



* ReleaseYourSlaves: Orual did quite a bit, starting with the Fox. [[DeliberateValuesDissonance Appropriately]] for [[ValuesDissonance her time]], she never regards slavery as a bad thing; rather, she thinks it's just (and prudent) for a good mistress to give freedom as a reward to faithful and hard-working slaves, and she expects (and receives) gratitude in return.

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* RealityWarper:
* ReleaseYourSlaves: Orual did quite a bit, starting with the Fox. [[DeliberateValuesDissonance Appropriately]] Appropriately for [[ValuesDissonance her time]], she never regards slavery as a bad thing; rather, she thinks it's just (and prudent) for a good mistress to give freedom as a reward to faithful and hard-working slaves, and she expects (and receives) gratitude in return.


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* TimeMaster: Orual's experience makes her suspect [[Creator/{{Homer}} the poets]] were lying when they said the gods couldn't change the past. It may be her own wishful thinking, but Orual believes the god of the Grey Mountain changed her history so that she always knew he was a true god.


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* WarriorPrincess: The Queen of Glome is a sword-fighting prodigy who trains ceaselessly with her top guard to become a master. She makes a show of her expertise when she kills [[ChallengingTheChief a warrior king in a duel for the throne]]. She continues to lead her men on the front line, and despite not doing many great deeds after her first duel, the people of Glome exaggerate her deeds so that she is known as one of the greatest warriors in the country's history.

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* CrossoverCosmology: Implied in the final chapters. (Not to the characters themselves, it should be noted. Modern readers, however, may be able to discern the connections.)

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* CrossoverCosmology: Implied in The novel retells a story from Myth/ClassicalMythology involving the final chapters. (Not to gods Aphrodite and Eros from the characters themselves, it should be noted. Modern readers, however, may be able to discern perspective of a girl who worships them as members of a foreign, fictional pantheon. The story also offers some hints that some of the connections.)gods are also the {{God}} of UsefulNotes/{{Christianity}}, his angels, or the demons of {{Hell}}.



* DarkIsNotEvil: The god of the Grey Mountain is known as the Shadowbrute, may be a LivingShadow, hides its face in darkness, and can only be encountered in the depths of lightless caves and foggy mountains. Everything indicates it is either a sinister lie or an evil specter, except the Shadow saves Istra's life and makes her happier as its bride than ever before. Its affinity for darkness seems to more a result of humans [[YouCannotGraspTheTrueForm inability]] or [[IRejectYourReality refusal]] while it is an example of GodIsGood that is implied to become UsefulNotes/{{Jesus}}.



* TheDitz: Orual's other sister, Redival.

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* TheDitz: Orual's other sister, Redival.Redival, is unable to focus on the Fox's classes and at times misunderstands his teachings. She ends up lacking the foresight to see her gossip and slander against her sister will do great harm to her family.



* {{God}}: The Divine Nature thought by Greek intellectuals (like Fox) to be a single, [[TheOmnipotent all-powerful]], and unemotional power who created all things and assigns their destinies. While Fox's logical proofs and scholarly arguments suit the needs of priests and politicians, the old Priest of Ungit maintain that gods must be found in darkness and sacrifice rather than writing and navel-gazing and every worshipper in the novel affirms his view.

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* {{God}}: The Divine Nature thought by Greek intellectuals (like Fox) to be a single, [[TheOmnipotent all-powerful]], and unemotional power who created all things and assigns their destinies. While Fox's logical proofs and scholarly arguments suit the needs of priests and politicians, the old Priest of Ungit maintain that gods must be found in darkness mystery and sacrifice rather than writing and navel-gazing and every worshipper in the novel affirms his view.

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* DeathByChildbirth: Istra/Psyche's mother.

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* DeathByChildbirth: Istra/Psyche's mother.The king's second wife, largely due to being so tiny and fragile, dies giving birth to his third daughter, leaving him without an heir. Although enraged by this, the daughter reflects the [[HeroicSacrifice sacrificial love]] of her mother in her [[BeautyEqualsGoodness complete humility and divine beauty]].



* ExternalRetcon: Orual writes her book to set the record straight after hearing a priest's false story about Psyche. Eventually, [[spoiler: Orual retcons her own story when she comes to realize her true motivations were selfish.]] (Of course, ''Till We Have Faces'' functions as this in real life as well.)

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* ExternalRetcon: Orual writes her book to set the record straight after hearing a priest's false story about Psyche. Eventually, [[spoiler: Orual [[spoiler:Orual retcons her own story when she comes to realize her true motivations were selfish.]] (Of course, ''Till We Have Faces'' functions as this in real life as well.)



* FlyingDutchman: [[spoiler: Istra, after disobeying her husband, is exiled to wander the earth until she can be reunited with the God of the Mountain.]]

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* FlyingDutchman: [[spoiler: Istra, [[spoiler:Istra, after disobeying her husband, is exiled to wander the earth until she can be reunited with the God of the Mountain.]]]]
* {{God}}: The Divine Nature thought by Greek intellectuals (like Fox) to be a single, [[TheOmnipotent all-powerful]], and unemotional power who created all things and assigns their destinies. While Fox's logical proofs and scholarly arguments suit the needs of priests and politicians, the old Priest of Ungit maintain that gods must be found in darkness and sacrifice rather than writing and navel-gazing and every worshipper in the novel affirms his view.



-->Orual: He spoke it as kindly and heartily as could be; as if a man dashed a gallon of cold water in your broth and never doubted you'd like it all the better.

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-->Orual: -->'''Orual''': He spoke it as kindly and heartily as could be; as if a man dashed a gallon of cold water in your broth and never doubted you'd like it all the better.



* MindScrew
* MyBelovedSmother: Orual, to Istra.

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* %%* MindScrew
* MyBelovedSmother: Orual, Orual takes on the role of Istra's dead mother, but as a young girl, lacks the maturity or honesty to Istra.realize that she doesn't always know whats best for her. In fact, what Orual most wants is often the worst thing for Istra and herself, like when she [[spoiler:stabs her arm and threatens to commit suicide in order to force Istra to betray her divine husband]].



* OurGodsAreDifferent: The novels presents the theologies of Greece and Glome before hinting at the truth about the gods:
** In the Greeklands, the people recognize a single, abstract [[{{God}} Divine Nature]] who controls providence and exists outside of physical reality. This makes the Divine Nature impersonal, so the Greek known as Fox scoffs at intercessory prayer and idol worship as baseless superstitions. Some of Glome's priests come around to Fox's views, but non-intellectuals have no need for such a safe and uninvolved god.
** In Glome, the people worship and fear an obsidian rock that they call Ungit, a LoveGoddess and mother of the divine [[EldritchAbomination Shadowbrute]]. The gods are associated darkness, the rotting smell of their sacrificial lambs, and the plagues they send to punish blasphemous mortals they known as the Accursed. This person is devoured and/or married to the Brute in a ritual like a HumanSacrifice. Bardia and most of the characters find these gods real as air, far more than any type of "Divine Nature."
** If she isn't an UnreliableNarrator, Orual has a personal encounter with the god of the Grey Mountain, the Shadowbrute. As a pagan of Glome would know, the Brute is wrathful enough to flatten a forest and so radically present as to make everything else in reality seem like a dream. Yet, he (or maybe He) may be the {{God}} known to Greek philosophy, as the Shadow is [[GodIsGood benevolent enough to love Psyche more than her foster mother]], metaphysical enough that [[YouCannotGraspTheTrueForm Orual cannot see if he has a shape]], and [[TheOmnipotent omnipotent]] enough to change the past at will.



* PaintingTheMedium: The last paragraph of the book is in italics, signifying that it's in a different handwriting from the rest of the book, namely that of [[spoiler:Arnom, who found Orual dead, her head resting on the scroll she was writing the story on]].

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* PaintingTheMedium: The last paragraph of the book is in italics, signifying that it's in a different handwriting from the rest of the book, namely that of [[spoiler:Arnom, who Arnom. [[spoiler:He found Orual dead, her head resting on the scroll she was writing the story on]].
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* AbusiveParent: The King, particularly to Orual. He has no problem calling her ugly to her face and beats her several times.

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* AbusiveParent: The King, particularly to Orual. He King has no problem calling her his daughter ugly to her face and beats her several times.times for speaking out of turn. He has to fake concern when one of his children is doomed to die because he's too relieved that his own hide is saved.
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* TitleDrop: "How can they meet us face to face till we have faces?"

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* TitleDrop: "How can they meet us face to face till we have faces?"faces?" A slight subversion in that the title was chosen from this passage after the fact. Lewis originally wanted to call the book ''Bareface'', but this was vetoed by his publisher on the grounds that it sounded too much like a [[TheWestern Western]]. [[note]]Lewis suggested it might do readers some good to pick up what they thought was a Western and instead find a book of Greek mythology to broaden their horizons, but that didn't fly either.[[/note]]
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* OverlyNarrowSuperlative: When listing her achievements as queen, Orual takes pride in having built the library of Glome, "what was, for a barbarous land, a noble library-- eighteen works in all."
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* LadyOfWar: Orual.

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* LadyOfWar: Orual.Orual, as queen, becomes a successful commander of Glome's armies and is also skilled in single combat.



* MaybeMagicMaybeMundane: It's kept ambiguous whether the mysterious events attributed to the Gods actually ''are'' divine in nature. [[spoiler: Up until the moment that Orual sees the God of the Mountain with her own eyes.]]

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* MaybeMagicMaybeMundane: It's kept ambiguous whether the mysterious events attributed to the Gods actually ''are'' divine in nature. [[spoiler: Up until the moment that Orual sees the God of the Mountain with her own eyes.]]]] This is one of Orual's chief complaints throughout the narrative: the gods expect us to believe in them but refuse to provide any clear evidence.
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* WorldsMostBeautifulWoman: Istra.

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* WorldsMostBeautifulWoman: Istra. In keeping with the ClassicalMythology tradition, this causes problems when she receives BlasphemousPraise as "prettier than Aphrodite herself."
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** In the early part of the book, between the Fox's Greek philosophy and the beliefs of Glome, which sanction the occasional human sacrifice, castration of a man who flirts with the King's daughter, among other [[SarcasmMode pleasant things]].

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** In the early part of the book, between the Fox's Greek philosophy and the beliefs of Glome, which sanction the occasional human sacrifice, sacrifice and castration of a man who flirts with the King's daughter, among other [[SarcasmMode pleasant things]].things.
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* OneOfTheBoys: Orual becomes this. She's not ''trying'' to appear more masculine, but her ugliness makes it hard for Glomish men to perceive her as a woman, and so they treat her more like a man. When she takes her veil people at least start to acknowledge her as a ''Queen'', but old acquaintances like Bardia still treat her more like they would a younger male relative than a woman. Orual has... mixed feelings about all this.

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* OneOfTheBoys: Orual becomes this. She's not ''trying'' to appear more masculine, but her ugliness makes it hard for Glomish men to perceive her as a woman, and so they treat her more like a man. When she takes her veil people at least start to acknowledge her as a ''Queen'', queen, but old acquaintances like Bardia still treat her more like they would a younger male relative than a woman. Orual has... mixed feelings about all this.

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* OneOfTheBoys: Orual becomes this. She's not ''trying'' to appear more masculine, but her ugliness makes it hard for Glomish men to perceive her as a woman, and so they treat her more like a man. When she takes her veil people at least start to acknowledge her as a ''Queen'', but old acquaintances like Bardia still treat her more like they would a younger male relative than a woman. Orual has... mixed feelings about all this.
* OnlyKnownByTheirNickname: The Fox is simply the Fox for nearly the entire novel, and is only once referred to by his real name, Lysias.



* OnlyKnownByTheirNickname: The Fox is simply the Fox for nearly the entire novel, and is only once referred to by his real name, Lysias.
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* AlwaysSecondBest: Redival is beautiful, but not nearly as beautiful as Istra, which is a major source of bitterness for her. Towards the end, [[spoiler: it's revealed that Redival felt abandoned by Orual and the Fox after Psyche was born. Orual realizes it's a valid grievance, even if Redival was bratty about it]].

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* AlwaysSecondBest: Redival is beautiful, but not nearly as beautiful as Istra, which is a major source of bitterness for her. Towards the end, [[spoiler: it's revealed that Redival felt abandoned by Orual and the Fox after Psyche Istra was born. Orual realizes it's a valid grievance, even if Redival was bratty about it]].
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* AlwaysSecondBest: Redival is beautiful, but not nearly as beautiful as Psyche, which is a major source of bitterness for her. Towards the end, [[spoiler: it's revealed that Redival felt abandoned by Orual and the Fox after Psyche was born. Orual realizes it's a valid grievance, even if Redival was bratty about it]].

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* AlwaysSecondBest: Redival is beautiful, but not nearly as beautiful as Psyche, Istra, which is a major source of bitterness for her. Towards the end, [[spoiler: it's revealed that Redival felt abandoned by Orual and the Fox after Psyche was born. Orual realizes it's a valid grievance, even if Redival was bratty about it]].
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* OutgrownSuchSillySuperstitions: The Fox paints Greek society as the Classical Era equivalent, and makes it a point that the Greek philosophers of his time have a much less mystical understanding of the gods than the people of Glome. He doesn't exactly disbelieve, but he equates the gods with natural forces, and discourages Orual from anthropomorphizing them. [[spoiler: Subverted in the end.]]
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* AlwaysSecondBest: Redival is beautiful, but not nearly as beautiful as Psyche, which is a major source of bitterness for her. Towards the end, [[spoiler: it's revealed that Redival felt abandoned by Orual and the Fox after Psyche was born. Orual realizes it's a valid grievance, even if Redival was bratty about it]].

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* IJustWantToBeLoved: Arguably Redival; almost all named characters hold her in contempt, and her flirtatiousness could be seen as a desperate attempt to find ''somebody'' who likes her. Hammered home close to the end.



* StarCrossedLovers: Orual and the married Bardia.

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* StarCrossedLovers: Orual and the married Bardia.Bardia, though Bardia only really sees Orual as a comrade-in-arms.
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'''This novel provides examples of:'''

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'''This novel provides examples of:'''
!!''Till We Have Faces'' includes the following tropes:
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** Orual: He spoke it as kindly and heartily as could be; as if a man dashed a gallon of cold water in your broth and never doubted you'd like it all the better.

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** Orual: -->Orual: He spoke it as kindly and heartily as could be; as if a man dashed a gallon of cold water in your broth and never doubted you'd like it all the better.
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* InnocentlyInsensitive: Bardia is genuinely fond of Orual, and very impressed with her proficiency at swordplay. Unfortunately, he expresses the latter to her by saying "It's a thousand pities [the gods] didn't make [Orual] a man."
** Orual: He spoke it as kindly and heartily as could be; as if a man dashed a gallon of cold water in your broth and never doubted you'd like it all the better.
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''Till We Have Faces: A Myth Retold'' (1956) is Creator/CSLewis's last novel, the one he considered his best and most mature. It relates the myth of Cupid and Psyche (found in Apuleius' Latin novel ''The Golden Ass'') from a very different perspective than the original.

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''Till We Have Faces: A Myth Retold'' (1956) is Creator/CSLewis's last novel, and the one he considered his best and most mature. It relates the myth of Cupid and Psyche (found in Apuleius' Latin novel ''The Golden Ass'') from a very different perspective than the original.
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''Till We Have Faces: A Myth Retold'' is Creator/CSLewis's last novel, the one he considered his best and most mature. It relates the myth of Cupid and Psyche (found in Apuleius' Latin novel ''The Golden Ass'') from a very different perspective than the original.

to:

''Till We Have Faces: A Myth Retold'' (1956) is Creator/CSLewis's last novel, the one he considered his best and most mature. It relates the myth of Cupid and Psyche (found in Apuleius' Latin novel ''The Golden Ass'') from a very different perspective than the original.
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* ItsAllAboutMe: The king their father.

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* ItsAllAboutMe: The king their father.king.



* MysteriousVeil: Orual's most noticeable wardrobe piece is a veil that covers her entire face, staring a number of rumors as to what she looks like underneath.

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* MysteriousVeil: Orual's most noticeable wardrobe piece is a veil that covers her entire face, staring starting a number of rumors as to what she looks like underneath.
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Added DiffLines:

* MysteriousVeil: Orual's most noticeable wardrobe piece is a veil that covers her entire face, staring a number of rumors as to what she looks like underneath.

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