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Changed line(s) 10,17 (click to see context) from:
The problem: they are the same man, a man who desperately insists on being an English actor named Roberts and who claims both de Lambrière and Buckland to be [[InventedIndividual fake identities]] he made up out of necessity. Neither committee is inclined to believe him, especially given that the actor Roberts has reportedly drowned in a river in England four years ago. The two committees’ rivalry over his true identity is the only thing that keeps Roberts from being sent to the guillotine. For now.
The novel chronicles Roberts’ adventures and misadventures that led to him being arrested under two different fake names. It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith ("M.S."), who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre. The two are constantly broke, however. On their never-ending quest for money, they cross paths with the rich Lizzie Weldon, who has an unusual request – she wants Roberts to play her aristocratic suitor in order to make her chosen one jealous enough to finally propose to her. What initially sounds like easy money ends up causing so much trouble that they are forced to fake their own deaths and flee to Paris where they become entangled in the unfolding Revolution.
The Way to the Lantern is meticulously researched and tells a complex adventure story while providing a vivid impression of the French Revolution through the eyes of the lower class. It has unfortunately been out of print for years.
!!''The Way to the Lantern'' provides examples of:
The novel chronicles Roberts’ adventures and misadventures that led to him being arrested under two different fake names. It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith ("M.S."), who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre. The two are constantly broke, however. On their never-ending quest for money, they cross paths with the rich Lizzie Weldon, who has an unusual request – she wants Roberts to play her aristocratic suitor in order to make her chosen one jealous enough to finally propose to her. What initially sounds like easy money ends up causing so much trouble that they are forced to fake their own deaths and flee to Paris where they become entangled in the unfolding Revolution.
The Way to the Lantern is meticulously researched and tells a complex adventure story while providing a vivid impression of the French Revolution through the eyes of the lower class. It has unfortunately been out of print for years.
!!''The Way to the Lantern'' provides examples of:
to:
The problem: they are the same man, a man who desperately insists on being an English actor named Roberts and who claims both de Lambrière and Buckland to be [[InventedIndividual fake identities]] he made up out of necessity. Neither committee is inclined to believe him, especially given that the actor Roberts has reportedly drowned in a river in England four years ago. The two committees’ committees' rivalry over his true identity is the only thing that keeps Roberts from being sent to the guillotine. For now.
The novel chroniclesRoberts’ Roberts' adventures and misadventures that led to him being arrested under two different fake names. It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith ("M.S."), who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre. The two are constantly broke, however. On their never-ending quest for money, they cross paths with the rich Lizzie Weldon, who has an unusual request – she wants Roberts to play her aristocratic suitor in order to make her chosen one jealous enough to finally propose to her. What initially sounds like easy money ends up causing so much trouble that they are forced to fake their own deaths and flee to Paris where they become entangled in the unfolding Revolution.
The ----
!!The Way to the Lanternis meticulously researched and tells a complex adventure story while providing a vivid impression of the French Revolution through the eyes of the lower class. It has unfortunately been out of print for years.
!!''The Way to the Lantern''provides examples of:
The novel chronicles
!!The Way to the Lantern
!!''The Way to the Lantern''
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* TheRevolutionWillNotBeCivilized: With the [[ReignOfTerror Reign of Terror]], what do you expect?
to:
* TheRevolutionWillNotBeCivilized: With the [[ReignOfTerror Reign of Terror]], ReignOfTerror, what do you expect?
Changed line(s) 53 (click to see context) from:
* WrongGenreSavvy: Roberts consistently makes false predictions. He also mistrusts people who genuinely try to help him.
to:
* WrongGenreSavvy: Roberts consistently makes false predictions. He also mistrusts people who genuinely try to help him.him.
----
----
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Useful Notes/ pages are not tropes
Changed line(s) 6,7 (click to see context) from:
''The Way to the Lantern'' is a 1961 historical adventure novel by Audrey Erskine Lindop set before and during [[TheFrenchRevolution the French Revolution.]]
to:
''The Way to the Lantern'' is a 1961 historical adventure novel by Audrey Erskine Lindop set before and during [[TheFrenchRevolution the French Revolution.]]
UsefulNotes/TheFrenchRevolution.
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* TheFrenchRevolution: The setting for most of the story.
Changed line(s) 54 (click to see context) from:
* WrongGenreSavvy: Roberts consistently makes false predictions. He also mistrusts people who genuinely try to help him.
to:
* WrongGenreSavvy: Roberts consistently makes false predictions. He also mistrusts people who genuinely try to help him.
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The Way to the Lantern is meticulously researched and tells a complex adventure story while providing a vivid impression of the French Revolution through the eyes of the lower class. It has unfortunately been out of print for years and [[NeedsMoreLove needs much, much more love.]]
to:
The Way to the Lantern is meticulously researched and tells a complex adventure story while providing a vivid impression of the French Revolution through the eyes of the lower class. It has unfortunately been out of print for years and [[NeedsMoreLove needs much, much more love.]]
years.
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* EccentricMentor: M.S. to Roberts, who is initially a bit scared of him.
Added DiffLines:
* GrumpyOldMan: M.S., most of the time.
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* TheManTheyCouldntHang: [[spoiler:Roberts.]]
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* OffWithHisHead!: The preferred method of execution during the revolution.
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The novel chronicles Roberts’ adventures and misadventures that led to him being arrested under two different fake names. It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith ("M.S."), who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre. The two are constantly broke, however. On their never-ending quest for money, they cross paths with the rich Lizzie Weldon, who has an unusual request – she wants Roberts to play her aristocratic suitor. What initially sounds like easy money ends up causing so much trouble that they are forced to fake their own deaths and flee to Paris where they become entangled in the unfolding Revolution.
to:
The novel chronicles Roberts’ adventures and misadventures that led to him being arrested under two different fake names. It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith ("M.S."), who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre. The two are constantly broke, however. On their never-ending quest for money, they cross paths with the rich Lizzie Weldon, who has an unusual request – she wants Roberts to play her aristocratic suitor.suitor in order to make her chosen one jealous enough to finally propose to her. What initially sounds like easy money ends up causing so much trouble that they are forced to fake their own deaths and flee to Paris where they become entangled in the unfolding Revolution.
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* HandsomeLech: Roberts is described as being quite attractive and he takes adveantage of that whenever he can.
to:
* HandsomeLech: Roberts is described as being quite attractive and he takes adveantage advantage of that whenever he can.
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* UpperClassTwit: An noblewoman who hits on Roberts and whom he promptly nicknames Lecherina, Marquise du Lit.
to:
* UpperClassTwit: An A noblewoman who hits on Roberts and whom he promptly nicknames Lecherina, Marquise du Lit.
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* InventedIndividual: Both Anthony Buckland and the Vicomte de Lambrière.
to:
* InventedIndividual: Both Anthony Buckland and the Vicomte de Lambrière.Lambrière.
* JerkWithAHeartOfGold: Roberts behaves like a real bastard several times, but it's clear he loves his friends and does everything in his power to save them when they're in danger. He even [[spoiler:confesses to being de Lambrière, meaning he will be executed,]] in exchange for [[spoiler:Puce's and M.S.'s safety.]]
* MrViceGuy: Roberts, definitely. His womanizing gets him and his friends in very serious trouble on several occassions.
* JerkWithAHeartOfGold: Roberts behaves like a real bastard several times, but it's clear he loves his friends and does everything in his power to save them when they're in danger. He even [[spoiler:confesses to being de Lambrière, meaning he will be executed,]] in exchange for [[spoiler:Puce's and M.S.'s safety.]]
* MrViceGuy: Roberts, definitely. His womanizing gets him and his friends in very serious trouble on several occassions.
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* DefrostingIceQueen: Lizzie Weldon, once she realizes she actually [[spoiler:cares about Roberts.]]
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* IceQueen: Lizzie Weldon, before she [[spoiler:falls in love with Roberts.]]
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* TheChessmaster: Lizzie Weldon.
* TheCityNarrows: The Étuve.
* TheCityNarrows: The Étuve.
* TheFrenchRevolution: The setting for most of the story.
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* TheCityNarrows: The Étuve.
* TheFrenchRevolution: The setting of most of the story.
* TheFrenchRevolution: The setting of most of the story.
to:
* TheCityNarrows: The Étuve.
* TheFrenchRevolution: The setting of most of the story.ThisIsMyStory
* TheFrenchRevolution: The setting of most of the story.
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Changed line(s) 10,11 (click to see context) from:
The problem: they are the same man, a man who desperately insists on being an English actor named Roberts and who claims both de Lambrière and Buckland to be fake identities he made up out of necessity. Neither committee is inclined to believe him, especially given that the actor Roberts has reportedly drowned in a river in England four years ago. The two committees’ rivalry over his true identity is the only thing that keeps Roberts from being sent to the guillotine. For now.
to:
The problem: they are the same man, a man who desperately insists on being an English actor named Roberts and who claims both de Lambrière and Buckland to be [[InventedIndividual fake identities identities]] he made up out of necessity. Neither committee is inclined to believe him, especially given that the actor Roberts has reportedly drowned in a river in England four years ago. The two committees’ rivalry over his true identity is the only thing that keeps Roberts from being sent to the guillotine. For now.
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None
Changed line(s) 39,40 (click to see context) from:
* TheReignOfTerror: The real life version is the Trope Namer.
* TheRevolutionWillNotBeCivilized: With the [[TheReignOfTerror Reign of Terror]], what do you expect?
* TheRevolutionWillNotBeCivilized: With the [[TheReignOfTerror Reign of Terror]], what do you expect?
to:
* TheReignOfTerror: ReignOfTerror: The real life version is the Trope Namer.
* TheRevolutionWillNotBeCivilized: With the[[TheReignOfTerror [[ReignOfTerror Reign of Terror]], what do you expect?
* TheRevolutionWillNotBeCivilized: With the
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Paris, 1793. Philippe Vicomte de Lambrière is brought before the Committee of General Security on accusation of counterrevolutionary intentions, a crime punishable by death.
At the same time, the Committee of Public Safety seeks to execute an English spy named Anthony Buckland.
The problem: they are the same man, a man who desperately insists on being an English actor named Roberts and who claims both de Lambrière and Buckland to be fake identities he made up out of necessity.
Neither committee is inclined to believe him, especially given that the actor Roberts has reportedly drowned in a river in England four years ago.
The two committees’ rivalry over his true identity is the only thing that keeps Roberts from being sent to the guillotine. For now.
The novel chronicles Roberts’ adventures and misadventures that led to him being arrested under two different fake names.
It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith ("M.S."), who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre.
The two are constantly broke, however. On their never-ending quest for money, they cross paths with the rich Lizzie Weldon, who has an unusual request – she wants Roberts to play her aristocratic suitor. What initially sounds like easy money ends up causing so much trouble that they are forced to fake their own deaths and flee to Paris where they become entangled in the unfolding Revolution.
At the same time, the Committee of Public Safety seeks to execute an English spy named Anthony Buckland.
The problem: they are the same man, a man who desperately insists on being an English actor named Roberts and who claims both de Lambrière and Buckland to be fake identities he made up out of necessity.
Neither committee is inclined to believe him, especially given that the actor Roberts has reportedly drowned in a river in England four years ago.
The two committees’ rivalry over his true identity is the only thing that keeps Roberts from being sent to the guillotine. For now.
The novel chronicles Roberts’ adventures and misadventures that led to him being arrested under two different fake names.
It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith ("M.S."), who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre.
The two are constantly broke, however. On their never-ending quest for money, they cross paths with the rich Lizzie Weldon, who has an unusual request – she wants Roberts to play her aristocratic suitor. What initially sounds like easy money ends up causing so much trouble that they are forced to fake their own deaths and flee to Paris where they become entangled in the unfolding Revolution.
to:
Paris, 1793. Philippe Vicomte de Lambrière is brought before the Committee of General Security on accusation of counterrevolutionary intentions, a crime punishable by death.
death. At the same time, the Committee of Public Safety seeks to execute an English spy named Anthony Buckland.
The problem: they are the same man, a man who desperately insists on being an English actor named Roberts and who claims both de Lambrière and Buckland to be fake identities he made up out of necessity. \n Neither committee is inclined to believe him, especially given that the actor Roberts has reportedly drowned in a river in England four years ago.
ago. The two committees’ rivalry over his true identity is the only thing that keeps Roberts from being sent to the guillotine. For now.
The novel chronicles Roberts’ adventures and misadventures that led to him being arrested under two different fake names. \n It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith ("M.S."), who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre.
theatre. The two are constantly broke, however. On their never-ending quest for money, they cross paths with the rich Lizzie Weldon, who has an unusual request – she wants Roberts to play her aristocratic suitor. What initially sounds like easy money ends up causing so much trouble that they are forced to fake their own deaths and flee to Paris where they become entangled in the unfolding Revolution.
The problem: they are the same man, a man who desperately insists on being an English actor named Roberts and who claims both de Lambrière and Buckland to be fake identities he made up out of necessity.
The novel chronicles Roberts’ adventures and misadventures that led to him being arrested under two different fake names.
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None
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* Wide-EyedIdealist: The friendly next-door undertaker Pêche and Roberts' aristocratic love-interest Marie-Clarice. [[Both suffer the consequences of their naiveté.]]
* Wrong Genre Savvy: Roberts consistently makes false predictions. He also mistrusts people who genuinely try to help him.
* Wrong Genre Savvy: Roberts consistently makes false predictions. He also mistrusts people who genuinely try to help him.
to:
* Wide-EyedIdealist: WideEyedIdealist: The friendly next-door undertaker Pêche and Roberts' aristocratic love-interest Marie-Clarice. [[Both [[spoiler:Both suffer the consequences of their naiveté.]]
*Wrong Genre Savvy: WrongGenreSavvy: Roberts consistently makes false predictions. He also mistrusts people who genuinely try to help him.
*
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* ShelteredAristocrat: Most aristocrats have no idea what's going on with the lower classes or why they should be worried.
* SnowballLie: A rare case in which the net of lies does not come crashing down on the protagonist, but is rather so tightly woven that it threatens to strangle him. Roberts gets so tangled up in maintaining his fake identities that by the time of his arrest, all the evidence points to him being either Buckland or de Lambrière.
* TemptingFate: Roberts is fond of making exceedingly optimistic predictions about the future, most of which turn out to be the opposite.
* TheCityNarrows: The Étuve.
* TheFrenchRevolution: The setting of most of the story.
* TheReignOfTerror: The real life version is the Trope Namer.
* TheRevolutionWillNotBeCivilized: With the [[TheReignOfTerror Reign of Terror]], what do you expect?
* TorchesAndPitchforks: When the fury of the mob is unleashed, nobody is safe, aristocrat or not.
* UpperClassTwit: An noblewoman who hits on Roberts and whom he promptly nicknames Lecherina, Marquise du Lit.
* Wide-EyedIdealist: The friendly next-door undertaker Pêche and Roberts' aristocratic love-interest Marie-Clarice. [[Both suffer the consequences of their naiveté.]]
* Wrong Genre Savvy: Roberts consistently makes false predictions. He also mistrusts people who genuinely try to help him.
* SnowballLie: A rare case in which the net of lies does not come crashing down on the protagonist, but is rather so tightly woven that it threatens to strangle him. Roberts gets so tangled up in maintaining his fake identities that by the time of his arrest, all the evidence points to him being either Buckland or de Lambrière.
* TemptingFate: Roberts is fond of making exceedingly optimistic predictions about the future, most of which turn out to be the opposite.
* TheCityNarrows: The Étuve.
* TheFrenchRevolution: The setting of most of the story.
* TheReignOfTerror: The real life version is the Trope Namer.
* TheRevolutionWillNotBeCivilized: With the [[TheReignOfTerror Reign of Terror]], what do you expect?
* TorchesAndPitchforks: When the fury of the mob is unleashed, nobody is safe, aristocrat or not.
* UpperClassTwit: An noblewoman who hits on Roberts and whom he promptly nicknames Lecherina, Marquise du Lit.
* Wide-EyedIdealist: The friendly next-door undertaker Pêche and Roberts' aristocratic love-interest Marie-Clarice. [[Both suffer the consequences of their naiveté.]]
* Wrong Genre Savvy: Roberts consistently makes false predictions. He also mistrusts people who genuinely try to help him.
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''An actor has a thousand souls, not one to call his own.''
to:
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Added DiffLines:
[[quoteright:270:http://static.tvtropes.org/pmwiki/pub/images/020189_576.jpg]]
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Changed line(s) 13 (click to see context) from:
It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith, who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre.
to:
It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith, Smith ("M.S."), who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre.
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* FaceDeathWithDignity: [[spoiler:Marie-Clarice]], when being sent to the guillotine. [[spoiler:Roberts]] also attempts this.
to:
* FaceDeathWithDignity: [[spoiler:Marie-Clarice]], when being sent to the guillotine. [[spoiler:Roberts]] also attempts this.this.
* ForegoneConclusion: Roberts' adventures are going to lead to his arrest.
* FramingDevice: Roberts tells his story from within the Mousetrap, the conciergerie's overcrowded prison.
* FriendlyEnemy: The Lieutenant of Police has nothing against Roberts personally and remains polite and amiable, it's just that Roberts causes him so much trouble that he'd rather have him executed.
* HandsomeLech: Roberts is described as being quite attractive and he takes adveantage of that whenever he can.
* HistoricalDomainCharacter: Quite a few make an appearance, such as Robespierre, Danton or Marat.
* HowWeGotHere: The story opens with Roberts already incarcerated and is then told in flashback.
* InventedIndividual: Both Anthony Buckland and the Vicomte de Lambrière.
* ParentalSubstitute: M.S. becomes this for Puce.
* PublicExecution
* PunchclockVillain: The Lieutenant of Police is just doing his job. If he didn't, he would end up on the scaffold himself.
* RaisedByGrandparents: Puce
* ForegoneConclusion: Roberts' adventures are going to lead to his arrest.
* FramingDevice: Roberts tells his story from within the Mousetrap, the conciergerie's overcrowded prison.
* FriendlyEnemy: The Lieutenant of Police has nothing against Roberts personally and remains polite and amiable, it's just that Roberts causes him so much trouble that he'd rather have him executed.
* HandsomeLech: Roberts is described as being quite attractive and he takes adveantage of that whenever he can.
* HistoricalDomainCharacter: Quite a few make an appearance, such as Robespierre, Danton or Marat.
* HowWeGotHere: The story opens with Roberts already incarcerated and is then told in flashback.
* InventedIndividual: Both Anthony Buckland and the Vicomte de Lambrière.
* ParentalSubstitute: M.S. becomes this for Puce.
* PublicExecution
* PunchclockVillain: The Lieutenant of Police is just doing his job. If he didn't, he would end up on the scaffold himself.
* RaisedByGrandparents: Puce
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Changed line(s) 16,17 (click to see context) from:
The Way to the Lantern is meticulously researched and tells a complex adventure story while providing a vivid impression of the French Revolution through the eyes of the lower class. It has unfortunately been out of print for years and needs much, much more love.
to:
The Way to the Lantern is meticulously researched and tells a complex adventure story while providing a vivid impression of the French Revolution through the eyes of the lower class. It has unfortunately been out of print for years and [[NeedsMoreLove needs much, much more love.
love.]]
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None
Changed line(s) 3,4 (click to see context) from:
''The Way to the Lantern'' is a 1961 historical adventure novel by Audrey Erskine Lindop set before and during the French Revolution.
to:
''The Way to the Lantern'' is a 1961 historical adventure novel by Audrey Erskine Lindop set before and during [[TheFrenchRevolution the French Revolution.
Revolution.]]
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None
Added DiffLines:
''An actor has a thousand souls, not one to call his own.''
''The Way to the Lantern'' is a 1961 historical adventure novel by Audrey Erskine Lindop set before and during the French Revolution.
Paris, 1793. Philippe Vicomte de Lambrière is brought before the Committee of General Security on accusation of counterrevolutionary intentions, a crime punishable by death.
At the same time, the Committee of Public Safety seeks to execute an English spy named Anthony Buckland.
The problem: they are the same man, a man who desperately insists on being an English actor named Roberts and who claims both de Lambrière and Buckland to be fake identities he made up out of necessity.
Neither committee is inclined to believe him, especially given that the actor Roberts has reportedly drowned in a river in England four years ago.
The two committees’ rivalry over his true identity is the only thing that keeps Roberts from being sent to the guillotine. For now.
The novel chronicles Roberts’ adventures and misadventures that led to him being arrested under two different fake names.
It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith, who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre.
The two are constantly broke, however. On their never-ending quest for money, they cross paths with the rich Lizzie Weldon, who has an unusual request – she wants Roberts to play her aristocratic suitor. What initially sounds like easy money ends up causing so much trouble that they are forced to fake their own deaths and flee to Paris where they become entangled in the unfolding Revolution.
The Way to the Lantern is meticulously researched and tells a complex adventure story while providing a vivid impression of the French Revolution through the eyes of the lower class. It has unfortunately been out of print for years and needs much, much more love.
!!''The Way to the Lantern'' provides examples of:
*AngryMobSong: Ah! Ça ira
*BrutalHonesty: One of Lizzie Weldon's defining characteristics.
*DisproportionateRetribution: People are sent to the guillotine for having aristocratic friends.
*EmbarrassingNickname: Roberts calls the orphan Suzon who they befriend "Puce", which is French for flea.
*FaceDeathWithDignity: [[spoiler:Marie-Clarice]], when being sent to the guillotine. [[spoiler:Roberts]] also attempts this.
''The Way to the Lantern'' is a 1961 historical adventure novel by Audrey Erskine Lindop set before and during the French Revolution.
Paris, 1793. Philippe Vicomte de Lambrière is brought before the Committee of General Security on accusation of counterrevolutionary intentions, a crime punishable by death.
At the same time, the Committee of Public Safety seeks to execute an English spy named Anthony Buckland.
The problem: they are the same man, a man who desperately insists on being an English actor named Roberts and who claims both de Lambrière and Buckland to be fake identities he made up out of necessity.
Neither committee is inclined to believe him, especially given that the actor Roberts has reportedly drowned in a river in England four years ago.
The two committees’ rivalry over his true identity is the only thing that keeps Roberts from being sent to the guillotine. For now.
The novel chronicles Roberts’ adventures and misadventures that led to him being arrested under two different fake names.
It starts with his early days in a third-rate theatre group and his first meeting with Manager Smith, who becomes a friend and mentor to him and tries his best to help Roberts make a name for himself at a renowned theatre.
The two are constantly broke, however. On their never-ending quest for money, they cross paths with the rich Lizzie Weldon, who has an unusual request – she wants Roberts to play her aristocratic suitor. What initially sounds like easy money ends up causing so much trouble that they are forced to fake their own deaths and flee to Paris where they become entangled in the unfolding Revolution.
The Way to the Lantern is meticulously researched and tells a complex adventure story while providing a vivid impression of the French Revolution through the eyes of the lower class. It has unfortunately been out of print for years and needs much, much more love.
!!''The Way to the Lantern'' provides examples of:
*AngryMobSong: Ah! Ça ira
*BrutalHonesty: One of Lizzie Weldon's defining characteristics.
*DisproportionateRetribution: People are sent to the guillotine for having aristocratic friends.
*EmbarrassingNickname: Roberts calls the orphan Suzon who they befriend "Puce", which is French for flea.
*FaceDeathWithDignity: [[spoiler:Marie-Clarice]], when being sent to the guillotine. [[spoiler:Roberts]] also attempts this.