Is there an issue? Send a MessageReason:
Warp Whistle is just for shortcuts in video games.
* SuicideByCop: Zeb says the most popular way to kill yourself in the future is to go up a tower with a sniper rifle and start shooting until the Riot Squad show up.
Deleted line(s) 79 (click to see context) :
* WarpWhistle: Gay's command codes. Many lead to safe or relatively safe positions ("Gay Bug Out" leads to an uninhabited field on Mars, for instance); "Gay Bounce" just goes ten kilometers straight up, and is used as part of the failsafe against TeleFrag incidents.
Is there an issue? Send a MessageReason:
None
* GeniusBreedingAct: It's briefly suggested that the four members of the ''Gay Deceiver'' crew ought to have babies together, as they're all extremely intelligent and would presumably pass that on to their offspring. In ''Literature/TheCatWhoWalksThroughWalls'', they and the Longs have had several communal children, all of whom are hypergeniuses.
Deleted line(s) 38 (click to see context) :
* GeniusBreedingAct: It's briefly suggested that the four members of the ''Gay Deceiver'' crew ought to have babies together, as they're all extremely intelligent and would presumably pass that on to their offspring. In ''Literature/TheCatWhoWalksThroughWalls'', they and the Longs have had several communal children, all of whom are hypergeniuses.
Is there an issue? Send a MessageReason:
None
* LaserGuidedAmnesia: In ''Pursuit'' when somebody is in a "fictional" story they're familar with they conveniently forget all major spoilers to that story until they're no longer in a place to do anything about them, Hilda mentioning she forgot all major events after where the Lensmen series was in time. ''Number'' handles it by implaying a variation on NeverTheSelvesShallMeet and that a person and their fictional account simply won't coexist in the same area.
Deleted line(s) 45 (click to see context) :
* LaserGuidedAmnesia: In ''Pursuit'' when somebody is in a "fictional" story they're familar with they conveniently forget all major spoilers to that story until they're no longer in a place to do anything about them, Hilda mentioning she forgot all major events after where the Lensmen series was in time. ''Number'' handles it by implaying a variation on NeverTheSelvesShallMeet and that a person and their fictional account simply won't coexist in the same area.
Is there an issue? Send a MessageReason:
None
Changed line(s) 26 (click to see context) from:
* CollegeWidow: Hilda is explicitly described this way. However, she protests that all her lovers were age-appropriate.
to:
* CollegeWidow: Hilda "Sharpie" Corners is explicitly described this way. However, as a college widow (although she protests that all of her lovers paramours were age-appropriate.age-appropriate). Given Heinlein's history of creating retro-flavored futures, this may be an instance of a deliberate use of an outdated trope to indicate that the book does not, as it initially seems, start TwentyMinutesIntoTheFuture of ''our'' universe.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* LaserGuidedAmnesia: In ''Pursuit'' when somebody is in a "fictional" story they're familar with they conveniently forget all major spoilers to that story until they're no longer in a place to do anything about them, Hilda mentioning she forgot all major events after where the Lensmen series was in time. ''Number'' handles it by implaying a variation on NeverTheSelvesShallMeet and that a person and their fictional account simply won't coexist in the same area.
Is there an issue? Send a MessageReason:
None
Changed line(s) 36 (click to see context) from:
* GenderBender: Among Lazarus Long's family, the Burroughs are surprised to meet a ''female'', resurrected Libby Andrew Long, formerly ''Andy'' Libby and a major figure in ''Methuselah's Children''. It turns out that Lazarus used TimeTravel to find Andy's corpse (which was [[BurialInSpace buried in space]]) in order to rejuvenate/resurrect him with modern technology. In the process of doing so, it was discovered that Andy had a female gender identity (and XXY sex chromosomes), and so they worked some genetic magic to make "him" into Libby Andy.
to:
* GenderBender: Among Lazarus Long's family, the Burroughs are surprised to meet a ''female'', resurrected Libby Andrew Long, formerly ''Andy'' Libby and a major figure in ''Methuselah's Children''. It turns out that Lazarus used TimeTravel to find Andy's corpse (which was [[BurialInSpace buried in space]]) in order to rejuvenate/resurrect him with modern technology. In the process of doing so, it was discovered that Andy had a unexpressed female gender identity (and genetics (with XXY sex chromosomes), and so they worked some genetic magic to make "him" into Libby Andy.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
An original draft of the book has been released called ''The Pursuit Of The Pankera''. There are some major changes to the plot, The biggest one being that the meeting with Lazarus was originally forging an alliance between ''The Lensman'' and the inhabitants of Barsoom with Heinlein's other work never showing up. As far as the story goes it still follows a lot of the same beats and you can see what in the original transformed into the final product.
Is there an issue? Send a MessageReason:
Up To Eleven is a defunct trope
Changed line(s) 32 (click to see context) from:
* FreeLoveFuture: The Burroughs start out fairly conventional, but end up being decidedly casual about who sleeps with whom, and Lazarus takes this UpToEleven in his extended family, with just about everyone sleeping with everyone else by the end.
to:
* FreeLoveFuture: The Burroughs start out fairly conventional, but end up being decidedly casual about who sleeps with whom, and Lazarus takes this UpToEleven up to eleven in his extended family, with just about everyone sleeping with everyone else by the end.
Is there an issue? Send a MessageReason:
Loads And Loads Of Characters is no longer a trope
Deleted line(s) 43 (click to see context) :
* LoadsAndLoadsOfCharacters: In the last third of the book, many characters from other Heinlein books are encountered; including Lazarus Long, [[Literature/TheMoonIsAHarshMistress Hazel Stone]], [[Literature/StrangerInAStrangeLand Jubal Harshaw]], [[Literature/GloryRoad Oscar Gordon, Star, Dr. Rufo]], et al. Earlier on, characters from non-Heinlein books are seen or mentioned; including about a dozen [[Literature/LandOfOz Oz]] characters, [[Literature/AliceInWonderland the White Rabbit]], and [[Literature/{{Lensman}} Worsel]]. Most notably, some real people are mentioned, such as [[Creator/LewisCarroll Charles Dodgson]]. At the convention in the end of the book, several mentions are made that the characters are waiting for "Isaac, Bob, and Arthur," which is a not-so-subtle reference to the "Big Three" authors of the Golden Age of Science Fiction: Creator/IsaacAsimov, Creator/RobertAHeinlein, and Creator/ArthurCClarke. Asimov actually gets discussed more than Heinlein, which is fitting as the two were old friends and colleagues. Heinlein even takes the opportunity to poke some fun at Asimov, mentioning that he's "slowed down" to only writing about 20 books a year, and that he can have his head turned simply by having an attractive woman sit on his lap.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* FourthDateMarriage: Zeb not-entirely-seriously "proposes" to Deety after they share a ''really'' good dance together. Although he's somewhat taken aback when she promptly accepts his "proposal", very shortly thereafter the two characters in fact get married.
Added DiffLines:
* MatingDance: An example of this (a {{Tango}}, naturally enough) leads to Zeb's not-entirely-serious "marriage proposal" to Deety, her immediate acceptance, and the two characters' Fourth-Date Marriage.
Is there an issue? Send a MessageReason:
Dewicking per TRS decision.
Deleted line(s) 21 (click to see context) :
* BiTheWay: Pretty much all the major characters. Deety and Hilda kiss several times and clearly enjoy it, Jake has a quick flashback to a gay encounter from his youth. Only Zeb expresses any significant discomfort with homosexuality. The Longs, of course, have long since discarded any inhibitions in this regard.
Is there an issue? Send a MessageReason:
please see Example Indentation
Changed line(s) 43,44 (click to see context) from:
* LoadsAndLoadsOfCharacters: In the last third of the book, many characters from other Heinlein books are encountered; including Lazarus Long, [[Literature/TheMoonIsAHarshMistress Hazel Stone]], [[Literature/StrangerInAStrangeLand Jubal Harshaw]], [[Literature/GloryRoad Oscar Gordon, Star, Dr. Rufo]], et al. Earlier on, characters from non-Heinlein books are seen or mentioned; including about a dozen [[Literature/LandOfOz Oz]] characters, [[Literature/AliceInWonderland the White Rabbit]], and [[Literature/{{Lensman}} Worsel]]. Most notably, some real people are mentioned, such as [[Creator/LewisCarroll Charles Dodgson]]. At the convention in the end of the book, several mentions are made that the characters are waiting for "Isaac, Bob, and Arthur," which is a not-so-subtle reference to the "Big Three" authors of the Golden Age of Science Fiction: Creator/IsaacAsimov, Creator/RobertAHeinlein, and Creator/ArthurCClarke. Asimov actually gets discussed more than Heinlein, which is fitting as the two were old friends and colleagues.
** Heinlein even takes the opportunity to poke some fun at Asimov, mentioning that he's "slowed down" to only writing about 20 books a year, and that he can have his head turned simply by having an attractive woman sit on his lap.
** Heinlein even takes the opportunity to poke some fun at Asimov, mentioning that he's "slowed down" to only writing about 20 books a year, and that he can have his head turned simply by having an attractive woman sit on his lap.
to:
* LoadsAndLoadsOfCharacters: In the last third of the book, many characters from other Heinlein books are encountered; including Lazarus Long, [[Literature/TheMoonIsAHarshMistress Hazel Stone]], [[Literature/StrangerInAStrangeLand Jubal Harshaw]], [[Literature/GloryRoad Oscar Gordon, Star, Dr. Rufo]], et al. Earlier on, characters from non-Heinlein books are seen or mentioned; including about a dozen [[Literature/LandOfOz Oz]] characters, [[Literature/AliceInWonderland the White Rabbit]], and [[Literature/{{Lensman}} Worsel]]. Most notably, some real people are mentioned, such as [[Creator/LewisCarroll Charles Dodgson]]. At the convention in the end of the book, several mentions are made that the characters are waiting for "Isaac, Bob, and Arthur," which is a not-so-subtle reference to the "Big Three" authors of the Golden Age of Science Fiction: Creator/IsaacAsimov, Creator/RobertAHeinlein, and Creator/ArthurCClarke. Asimov actually gets discussed more than Heinlein, which is fitting as the two were old friends and colleagues.
**colleagues. Heinlein even takes the opportunity to poke some fun at Asimov, mentioning that he's "slowed down" to only writing about 20 books a year, and that he can have his head turned simply by having an attractive woman sit on his lap.
**
Changed line(s) 48,49 (click to see context) from:
* MeaningfulName: Zebediah ''John Carter'' and ''Dejah Thoris'' Burroughs were both intentionally named (by their parents) for characters in the ''Literature/JohnCarterOfMars'' series. This is {{Lampshaded}} by the characters themselves, who are naturally both fans of it.
** Every villain's name is an anagram of either Heinlein's name, or of his wife Virginia's.
** Every villain's name is an anagram of either Heinlein's name, or of his wife Virginia's.
to:
* MeaningfulName: Zebediah ''John Carter'' and ''Dejah Thoris'' Burroughs were both intentionally named (by their parents) for characters in the ''Literature/JohnCarterOfMars'' series. This is {{Lampshaded}} by the characters themselves, who are naturally both fans of it.
**it. Every villain's name is an anagram of either Heinlein's name, or of his wife Virginia's.
**
Changed line(s) 61,62 (click to see context) from:
* PhonyDegree: Zeb twists this trope into a pretzel. His doctorate in education came from a legitimate university, and he met all academic requirements. He freely admits to deliberately gaming the system to get that degree, to show that degrees ''per se'' are meaningless.
** Apparently Lazarus owns a diploma mill in his home timeline/universe.
** Apparently Lazarus owns a diploma mill in his home timeline/universe.
to:
* PhonyDegree: Zeb twists this trope into a pretzel. His doctorate in education came from a legitimate university, and he met all academic requirements. He freely admits to deliberately gaming the system to get that degree, to show that degrees ''per se'' are meaningless.
** Apparentlymeaningless. Apparently, Lazarus owns a diploma mill in his home timeline/universe.
** Apparently
* TeleFrag: After a moment of in-universe FridgeHorror, Gay gets programmed with steps to avoid this. Not that it keeps them from almost crashing into things at their destination by normal means.
Changed line(s) 74,76 (click to see context) from:
** TeleportersAndTransporters: The Borroughs device. Also Gay Deceiver after the device is mounted in her.
** TeleFrag: After a moment of in-universe FridgeHorror, Gay gets programmed with steps to avoid this. Not that it keeps them from almost crashing into things at their destination by normal means...
** WarpWhistle: Gay's command codes. Many lead to safe or relatively safe positions ("Gay Bug Out" leads to an uninhabited field on Mars, for instance); "Gay Bounce" just goes ten kilometers straight up, and is used as part of the failsafe against TeleFrag incidents.
** TeleFrag: After a moment of in-universe FridgeHorror, Gay gets programmed with steps to avoid this. Not that it keeps them from almost crashing into things at their destination by normal means...
** WarpWhistle: Gay's command codes. Many lead to safe or relatively safe positions ("Gay Bug Out" leads to an uninhabited field on Mars, for instance); "Gay Bounce" just goes ten kilometers straight up, and is used as part of the failsafe against TeleFrag incidents.
to:
** TeleFrag: After a moment of in-universe FridgeHorror, Gay gets programmed with steps to avoid this. Not that it keeps them from almost crashing into things at their destination by normal means...
** WarpWhistle: Gay's command codes. Many lead to safe or relatively safe positions ("Gay Bug Out" leads to an uninhabited field on Mars, for instance); "Gay Bounce" just goes ten kilometers straight up, and is used as part of the failsafe against TeleFrag incidents.
Changed line(s) 78,80 (click to see context) from:
* TimeTravel: Thanks to the Burroughs device. It turns out that time is only one of the major dimensional axes that one can travel on; there are two others in addition to the traditional four, and any of them can be accessed by rotation or translation, providing a number of possible universes approaching infinity.
** It is notable that Lazarus' universe ''already'' featured TimeTravel prior to the Burroughs' arrival; it was merely inconvenient and difficult to calculate properly, and only worked within the one universe.
* TitleDrop: The "NumberOfTheBeast" is mentioned several times. Also, at one point near the end, Jubal Harshaw is discussing culture shock, and calls himself a "Literature/StrangerInAStrangeLand," which is the title of the book that he's from. Deety also claims ''not'' to be a "stranger in a strange land" in Oz, as she is so familiar with the stories.
** It is notable that Lazarus' universe ''already'' featured TimeTravel prior to the Burroughs' arrival; it was merely inconvenient and difficult to calculate properly, and only worked within the one universe.
* TitleDrop: The "NumberOfTheBeast" is mentioned several times. Also, at one point near the end, Jubal Harshaw is discussing culture shock, and calls himself a "Literature/StrangerInAStrangeLand," which is the title of the book that he's from. Deety also claims ''not'' to be a "stranger in a strange land" in Oz, as she is so familiar with the stories.
to:
* TimeTravel: Thanks to the Burroughs device. It turns out that time is only one of the major dimensional axes that one can travel on; there are two others in addition to the traditional four, and any of them can be accessed by rotation or translation, providing a number of possible universes approaching infinity.
** It is notable thatinfinity. Lazarus' universe ''already'' featured TimeTravel prior to the Burroughs' arrival; it was merely inconvenient and difficult to calculate properly, and only worked within the one universe.
* TitleDrop: The "NumberOfTheBeast" is mentioned several times. Also, at one point near the end, Jubal Harshaw is discussing cultureshock, shock and calls himself a "Literature/StrangerInAStrangeLand," which is the title of the book that he's from. Deety also claims ''not'' to be a "stranger in a strange land" in Oz, as she is so familiar with the stories.stories.
* WarpWhistle: Gay's command codes. Many lead to safe or relatively safe positions ("Gay Bug Out" leads to an uninhabited field on Mars, for instance); "Gay Bounce" just goes ten kilometers straight up, and is used as part of the failsafe against TeleFrag incidents.
** It is notable that
* TitleDrop: The "NumberOfTheBeast" is mentioned several times. Also, at one point near the end, Jubal Harshaw is discussing culture
* WarpWhistle: Gay's command codes. Many lead to safe or relatively safe positions ("Gay Bug Out" leads to an uninhabited field on Mars, for instance); "Gay Bounce" just goes ten kilometers straight up, and is used as part of the failsafe against TeleFrag incidents.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* CollegeWidow: Hilda is explicitly described this way. However, she protests that all her lovers were age-appropriate.
Is there an issue? Send a MessageReason:
None
Changed line(s) 42 (click to see context) from:
* LoadsAndLoadsOfCharacters: In the last third of the book, many characters from other Heinlein books are encountered; including Lazarus Long, [[Literature/TheMoonIsAHarshMistress Hazel Stone]], [[Literature/StrangerInAStrangeLand Jubal Harshaw]], [[Literature/GloryRoad Oscar Gordon, Star, Dr. Rufo]], et al. Earlier on, characters from non-Heinlein books are seen or mentioned; including about a dozen [[Literature/LandOfOz Oz]] characters, [[Literature/AliceInWonderland the White Rabbit]], and [[Literature/{{Lensman}} Worsel]]. Most notably, some real people are mentioned, such as [[Creator/LewisCarroll Charles Dodgson]]. At the convention in the end of the book, several mentions are made that the characters are waiting for "Isaac, Bob, and Arthur," which is a not-so-subtle reference to the "Big Three" authors of the Golden Age of Science Fiction: Creator/IsaacAsimov, Creator/RobertAHeinlein, and ArthurCClarke. Asimov actually gets discussed more than Heinlein, which is fitting as the two were old friends and colleagues.
to:
* LoadsAndLoadsOfCharacters: In the last third of the book, many characters from other Heinlein books are encountered; including Lazarus Long, [[Literature/TheMoonIsAHarshMistress Hazel Stone]], [[Literature/StrangerInAStrangeLand Jubal Harshaw]], [[Literature/GloryRoad Oscar Gordon, Star, Dr. Rufo]], et al. Earlier on, characters from non-Heinlein books are seen or mentioned; including about a dozen [[Literature/LandOfOz Oz]] characters, [[Literature/AliceInWonderland the White Rabbit]], and [[Literature/{{Lensman}} Worsel]]. Most notably, some real people are mentioned, such as [[Creator/LewisCarroll Charles Dodgson]]. At the convention in the end of the book, several mentions are made that the characters are waiting for "Isaac, Bob, and Arthur," which is a not-so-subtle reference to the "Big Three" authors of the Golden Age of Science Fiction: Creator/IsaacAsimov, Creator/RobertAHeinlein, and ArthurCClarke.Creator/ArthurCClarke. Asimov actually gets discussed more than Heinlein, which is fitting as the two were old friends and colleagues.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* CosmicHorror: One of the first things Zeb asks the others, once they realize they're voyaging among their own favorite fictional realities, is whether anyone but him likes Creator/HPLovecraft ... because he'd rather they turn around and go home than risk ending up in a Verse where ''this'' trope prevails!
Is there an issue? Send a MessageReason:
None
Changed line(s) 8,9 (click to see context) from:
The plot centers around four geniuses, Zebediah ("Zeb") John Carter, Dejah Thoris ("Deety") Burroughs, her father Jacob, and their friend Hilda Mae, who find themselves embarking on a zany romp through TheMultiverse thanks to Jacob's newly invented time machine. Along the way, they discover that every single fictional universe ever invented by anyone is real and can be accessed by shifting one's dimensional coordinates appropriately, which ends up taking them into the ''Literature/{{Lensman}}'' series, Literature/JohnCarterOfMars, the [[Literature/LandOfOz Oz stories]], and many other fictional worlds before they end up in the world of Heinlein's own archprotagonist Lazarus Long. Throughout this process, they are pursued by marauding interdimensional adversaries with the power to rewrite history, who end up possibly being controlled by a rival Author. The book ends with the Burroughs and Carters (as Zeb and Hilda have married Deety and Jacob, respectively) joining Lazarus Long's extended family and staging a convention for all the fictional heroes of the multiverse.
to:
The plot centers around four geniuses, Zebediah ("Zeb") John Carter, Dejah Thoris ("Deety") Burroughs, her father Jacob, and their friend Hilda Mae, who find themselves embarking on a zany romp through TheMultiverse thanks to Jacob's newly invented time machine. Along the way, they discover that every single fictional universe ever invented by anyone is real and can be accessed by shifting one's dimensional coordinates appropriately, which ends up taking them into the ''Literature/{{Lensman}}'' series, Literature/JohnCarterOfMars, worlds of ''Literature/{{Lensman}}'', ''Literature/JohnCarterOfMars'', the [[Literature/LandOfOz Oz stories]], ''Literature/LandOfOz'', and many other fictional worlds others before they end up in the world of Heinlein's own archprotagonist Lazarus Long. Throughout this process, they are pursued by marauding interdimensional adversaries with the power to rewrite history, who end up possibly being controlled by a rival Author. The book ends with the Burroughs and Carters (as Zeb and Hilda have married Deety and Jacob, respectively) joining Lazarus Long's extended family and staging a convention for all the fictional heroes of the multiverse.
Is there an issue? Send a MessageReason:
None
Changed line(s) 8,9 (click to see context) from:
The plot centers around four geniuses, Zebediah ("Zeb") John Carter, Dejah Thoris ("Deety") Burroughs, her father Jacob, and their friend Hilda Mae, who find themselves embarking on a zany romp through TheMultiverse thanks to Jacob's newly invented time machine. Along the way, they discover that every single fictional universe ever invented by anyone is real and can be accessed by shifting one's dimensional coordinates appropriately, which ends up taking them into the Literature/{{Lensman}} series, Literature/JohnCarterOfMars, the [[Literature/LandOfOz Oz stories]], and many other fictional worlds before they end up in the world of Heinlein's own archprotagonist Lazarus Long. Throughout this process, they are pursued by marauding interdimensional adversaries with the power to rewrite history, who end up possibly being controlled by a rival Author. The book ends with the Burroughs and Carters (as Zeb and Hilda have married Deety and Jacob, respectively) joining Lazarus Long's extended family and staging a convention for all the fictional heroes of the multiverse.
to:
The plot centers around four geniuses, Zebediah ("Zeb") John Carter, Dejah Thoris ("Deety") Burroughs, her father Jacob, and their friend Hilda Mae, who find themselves embarking on a zany romp through TheMultiverse thanks to Jacob's newly invented time machine. Along the way, they discover that every single fictional universe ever invented by anyone is real and can be accessed by shifting one's dimensional coordinates appropriately, which ends up taking them into the Literature/{{Lensman}} ''Literature/{{Lensman}}'' series, Literature/JohnCarterOfMars, the [[Literature/LandOfOz Oz stories]], and many other fictional worlds before they end up in the world of Heinlein's own archprotagonist Lazarus Long. Throughout this process, they are pursued by marauding interdimensional adversaries with the power to rewrite history, who end up possibly being controlled by a rival Author. The book ends with the Burroughs and Carters (as Zeb and Hilda have married Deety and Jacob, respectively) joining Lazarus Long's extended family and staging a convention for all the fictional heroes of the multiverse.
Is there an issue? Send a MessageReason:
None
Changed line(s) 8,9 (click to see context) from:
The plot centers around four geniuses, Zebediah ("Zeb") John Carter, Dejah Thoris ("Deety") Burroughs, her father Jacob, and their friend Hilda Mae, who find themselves embarking on a zany romp through TheMultiverse thanks to Jacob's newly invented time machine. Along the way, they discover that every single fictional universe ever invented by anyone is real and can be accessed by shifting one's dimensional coordinates appropriately, which ends up taking them into the Literature/{{Lensman}} series, Literature/JohnCarterOfMars, the [[Literature/LandOfOz Oz stories]], and many other fictional worlds before they end up in the world of Heinlein's own archprotagonist Lazarus Long. Throughout this process, they are pursued by marauding interdimensional adversaries with the power to rewrite history, who end up possibly being controlled by a rival Author. The book ends with the Burroughs (as Zeb and Hilda have married Deety and Jacob, respectively) joining Lazarus Long's extended family and staging a convention for all the fictional heroes of the multiverse.
to:
The plot centers around four geniuses, Zebediah ("Zeb") John Carter, Dejah Thoris ("Deety") Burroughs, her father Jacob, and their friend Hilda Mae, who find themselves embarking on a zany romp through TheMultiverse thanks to Jacob's newly invented time machine. Along the way, they discover that every single fictional universe ever invented by anyone is real and can be accessed by shifting one's dimensional coordinates appropriately, which ends up taking them into the Literature/{{Lensman}} series, Literature/JohnCarterOfMars, the [[Literature/LandOfOz Oz stories]], and many other fictional worlds before they end up in the world of Heinlein's own archprotagonist Lazarus Long. Throughout this process, they are pursued by marauding interdimensional adversaries with the power to rewrite history, who end up possibly being controlled by a rival Author. The book ends with the Burroughs and Carters (as Zeb and Hilda have married Deety and Jacob, respectively) joining Lazarus Long's extended family and staging a convention for all the fictional heroes of the multiverse.