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Gilgamesh is the [[SuperStrength super strong]], ruggedly handsome, two-thirds god and one-third mortal king of Uruk, and he is bored. He spends his free time sleeping with each new bride the night of her wedding, which their husbands are not too happy about, but he is the king, and he can do what he wants. The people of Uruk beg the gods to provide Gilgamesh with something better to do. The gods decide that what the restless, powerful, [[JumpedAtTheCall adventure-hungry]] hero needs is a best friend and WorthyOpponent. So they have the womb goddess Aruru make a wild man named Enkidu, who lives out in the wilderness among the animals, annoying farmers and hunters. One of them convinces a temple harlot Shamhat to [[AManIsNotAVirgin make a civilized man out of him]], by sleeping with him for a week. After his first taste of sex, Shamhat convinces Enkidu to come back with her to the temple and learn how to live like a civilized human, promising she will introduce him to a best friend so he'll never be lonely again. He accepts.

to:

Gilgamesh is the [[SuperStrength super strong]], ruggedly handsome, two-thirds god and one-third mortal king of Uruk, and he is bored. He spends his free time [[DroitDeSeigneur sleeping with each new bride the night of her wedding, wedding]], which their husbands are not too happy about, but he is the king, and he can do what he wants. The people of Uruk beg the gods to provide Gilgamesh with something better to do. The gods decide that what the restless, powerful, [[JumpedAtTheCall adventure-hungry]] hero needs is a best friend and WorthyOpponent. So they have the womb goddess Aruru make a wild man named Enkidu, who lives out in the wilderness among the animals, annoying farmers and hunters. One of them convinces a temple harlot Shamhat to [[AManIsNotAVirgin make a civilized man out of him]], by sleeping with him for a week. After his first taste of sex, Shamhat convinces Enkidu to come back with her to the temple and learn how to live like a civilized human, promising she will introduce him to a best friend so he'll never be lonely again. He accepts.
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Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. Or the {{anime}} [[Anime/{{Gilgamesh}} of the same name]]. Or the [[ComicBook/GilgameshTheImmortal Argentine comic book]]. Or [[MemeticMutation GIRUGAMESHU!!]] Now then...

to:

Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. Or the {{anime}} [[Anime/{{Gilgamesh}} of the same name]]. Or the [[ComicBook/GilgameshTheImmortal Argentine comic book]]. Or [[MemeticMutation GIRUGAMESHU!!]] GIRUGAMESH!!]] Now then...
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Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. Or the {{anime}} [[Anime/{{Gilgamesh}} of the same name]]. Or the [[ComicBook/GilgameshTheImmortal Argentine comic book]]. Or [[MemeticMutation GIRUGAMESH!!]] Now then...

to:

Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. Or the {{anime}} [[Anime/{{Gilgamesh}} of the same name]]. Or the [[ComicBook/GilgameshTheImmortal Argentine comic book]]. Or [[MemeticMutation GIRUGAMESH!!]] GIRUGAMESHU!!]] Now then...
Is there an issue? Send a MessageReason:
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Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. Or the {{anime}} [[Anime/{{Gilgamesh}} of the same name]]. Or [[MemeticMutation GIRUGAMESH!!]] Now then...

to:

Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. Or the {{anime}} [[Anime/{{Gilgamesh}} of the same name]]. Or the [[ComicBook/GilgameshTheImmortal Argentine comic book]]. Or [[MemeticMutation GIRUGAMESH!!]] Now then...

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** Although seeing as this is one of, if not the, oldest tales in existance, it leads to the question of [[CriticalResearchFailure what genre there is to be savvy of...]]
*** [[OralTradition Oral Tradition]], of course.
* GetOnWithItAlready: Most of the long speeches are palatable enough, but there are a handful that get repeated verbatim to several people. On the other hand, this probably shouldn't be too surprising as the work was originally "written" on clay tablets with pictographs impressed into them while still wet. Likely the "template" for these speeches was reused. UrExample of Copy Paste?
** A more likely reason is that despite having been written down and codified, the epic was derived from oral sources and for most people continued to be oral storytelling. Back then most people were illiterate, after all. Repetitions, rhyme and such are essentially mnemonic devices to help people repeat the story verbatim from memory. Repetition is also a common stylistic element of oral storytelling, used for pacing, emphasis and symmetry. Think of song refrains, fairy tales and the like.
*** Recent studies have suggested that people in ancient Mesopotamia (and Egypt) were surprisingly literate. Even so, every tablet had to be hand copied, so some repetitiveness no doubt helped keep things straight and prevent errors.
* GodEmperor: Gilgamesh again (well, they did name it after him). It also points out how the Sumerian kings are specifically ''not'' this.

to:

** Although seeing as this is one of, if not the, oldest tales in existance, it leads to the question of [[CriticalResearchFailure what genre there is to be savvy of...]]
*** [[OralTradition Oral Tradition]], of course.
* GetOnWithItAlready: Most of the long speeches are palatable enough, but there are a handful that get repeated verbatim to several people. On the other hand, this probably shouldn't be too surprising as the work was originally "written" on clay tablets with pictographs impressed into them while still wet. Likely the "template" for these speeches was reused. UrExample of Copy Paste?
** A more likely reason is that despite having been written down and codified, the epic was derived from oral sources and for most people continued to be oral storytelling. Back then most people were illiterate, after all. Repetitions, rhyme and such are essentially mnemonic devices to help people repeat the story verbatim from memory. Repetition is also a common stylistic element of oral storytelling, used for pacing, emphasis and symmetry. Think of song refrains, fairy tales and the like.
*** Recent studies have suggested that people in ancient Mesopotamia (and Egypt) were surprisingly literate. Even so, every tablet had to be hand copied, so some repetitiveness no doubt helped keep things straight and prevent errors.
* GodEmperor: Gilgamesh again (well, they did name
it after him). It also points out how the Sumerian kings are specifically ''not'' this.



** He ''could'' have been the product of, say, a divine/human breeding experiment where he is the tenth generation descendant of pairings involving 1365 out of 2048 8xgreat-grandparents who were divine, yielding someone who is 66.65% divine. Close enough for government work!



** This is another one of those "life was really different 4,000 years ago" things, but sexual orientation as we know it didn't really exist back then. It's pretty strongly hinted in some translations that Gilgamesh and Enkidu WERE in fact lovers. Sandar's translation gives a line from the Coming of Enkidu as; "When you see him you will be glad; you will love him as a woman and he will never forsake you."



** Really, this is [[ZigzaggedTrope zigzagged]]. The standard Akkadian version dates to ca. 1200 and it borrows material from the ''Epic of Atrahasis'', which dates to 1650. ''Atrahasis'' has a narrative structure similar to ''Genesis'' from the Bible, and it deals with the story of Utnapishtim, so it should qualify as a heroic epic. But the very earliest ''Sumerian'' Gilgamesh poems – including narratives of the Cedar Forest, the Bull of Heaven, and [[BigLippedAlligatorMoment the Underworld]] – date from 2200. Is ''Gilgamesh'' from 1200 or 2200? Doesn't quite matter, since the fictional narratives ''Instructions of Shuruppak'' and ''Legend of Etana'' date to 2600 – during or before the ''actual reign of Gilgamesh''. So ''Gilgamesh'' isn't the oldest bit of fiction or writing, but it is ''considered'' the oldest heroic epic, and it's certainly '''the oldest piece of written fiction which self-consciously uses literary tropes'''.
** [[SureWhyNot Oh, and the Sumerian poems]] ''[[SureWhyNot actually were]]'' [[SureWhyNot written in the Third Dynasty of Ur.]]
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* DownerEnding: It was the first story of a hero going through every trial, a heroic journey to try to achieve something, and in the end, ''he failed''. What message does that send?

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* DownerEnding: It was the first (surviving) story of a hero going through every trial, a heroic journey to try to achieve something, and in the end, ''he failed''. What message does that send?
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Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. Now then...

to:

Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. Or the {{anime}} [[Anime/{{Gilgamesh}} of the same name]]. Or [[MemeticMutation GIRUGAMESH!!]] Now then...

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* MortonsFork: Gilgamesh [[GenreSavvy declines]] Ishtar's [[DeathBySex advances]]. [[WomanScorned So she invokes divine wrath on him.]]

to:

* MortonsFork: Gilgamesh [[GenreSavvy declines]] Ishtar's [[DeathBySex advances]]. [[WomanScorned So she invokes divine wrath the Bull of Heaven on him.]]Uruk.]]
** Enkidu can either has the choice to either a) get killed by the Bull of Heaven or b) be slain by a BoltOfDivineRetribution for killing the Bull of Heaven.
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* MortonsFork: Gilgamesh [[GenreSavvy declines]] Ishtar's [[DeathBySex advances]]. [[WomanScorned So she invokes divine wrath on him.]]
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spelling mistake corrected


*** [[OralTradition Oral Tradtion]], of course.

to:

*** [[OralTradition Oral Tradtion]], Tradition]], of course.
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To provide a comical pointe

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*** [[OralTradition Oral Tradtion]], of course.
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* WhoWantsToLiveForever

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* WhoWantsToLiveForeverWhoWantsToLiveForever Gilgamesh does. The story is largely about him learning that he really shouldn't.
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misuse as emphasis


* OutrunTheFireball: Possibly the last trope in the world you'd expect to be OlderThanDirt, but there it is: on his journey to Dilmun, Gilgamesh had to pass through the tunnel through which the [[BeyondTheImpossible sun]] goes at night. The tunnel was long, and before he could get to the other end, the sun god entered from the other side... If that's not a fireball to outrun, I don't know what is.

to:

* OutrunTheFireball: Possibly the last trope in the world you'd expect to be OlderThanDirt, but there it is: on his journey to Dilmun, Gilgamesh had to pass through the tunnel through which the [[BeyondTheImpossible sun]] ''sun'' goes at night. The tunnel was long, and before he could get to the other end, the sun god entered from the other side... If that's not a fireball to outrun, I don't know what is.
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** The ending also combines a lot of useful [[StockAesop Stock Aesops]] - [[WantingIsBetterThanHaving acceptance]], [[YouAreNotAlone appreciation]] and [[LikeYouWereDying living the life you've got]].



----

to:

----
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** Although seeing as this is one of, if not the, oldest tales in exastance, it leads to the question of [[CriticalResearchFailure what genre there is to be savvy of...]]

to:

** Although seeing as this is one of, if not the, oldest tales in exastance, existance, it leads to the question of [[CriticalResearchFailure what genre there is to be savvy of...]]
Is there an issue? Send a MessageReason:
What genre is there to be savvy of if the genre hasn\'t even been established yet?

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** Although seeing as this is one of, if not the, oldest tales in exastance, it leads to the question of [[CriticalResearchFailure what genre there is to be savvy of...]]
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A legend from ancient Babylon and Akkad, the epic of Gilgamesh is the oldest heroic epic that survives to this day and is very much OlderThanDirt. See UrExample below for more details.

to:

A [[MesopotamianMythology legend from ancient Babylon and Akkad, Akkad]], the epic of Gilgamesh is the oldest heroic epic that survives to this day and is very much OlderThanDirt. See UrExample below for more details.
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The partners have their next adventure when Gilgamesh turns down the goddess Ishtar's offer to sleep with her, [[GenreSavvy noting the unsavory fates that befall her lovers]], and she retaliates by unleashing the Bull of Heaven on Uruk. The two heroes manage to slay it, which the gods aren't too happy about and decide Enkidu will have to die because of this.

to:

The partners have their next adventure when Gilgamesh turns down the goddess Ishtar's offer to sleep with her, [[GenreSavvy noting the unsavory unsavoury fates that befall her lovers]], and she retaliates by unleashing the Bull of Heaven on Uruk. The two heroes manage to slay it, which the gods aren't too happy about and decide Enkidu will have to die because of this.
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Taking some liberties with translation...


->''The evil from which there is no escape awaits you now.''
-->--'''The Death of Gilgamesh'''

to:

->''The unescapable evil from which there is no escape awaits you now.''
-->--'''The Death of Gilgamesh'''
Gilgamesh (Sumerian poem, ca. 2200 BC)'''
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* FinalFantasy: This series implies that the dimension-hopping eight-armed warrior that appears in certain games IS the original epic hero, still seeking immortality and ultimate power.
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Suppressing spoilers


Gilgamesh is the [[SuperStrength super strong]], ruggedly handsome, two-thirds god and one-third mortal king of Uruk, [[VisualNovel/FateStayNight King Of Heroes]], and he is bored. He spends his free time sleeping with each new bride the night of her wedding, which their husbands are not too happy about, but he is the king, and he can do what he wants. The people of Uruk beg the gods to provide Gilgamesh with something better to do. The gods decide that what the restless, powerful, [[JumpedAtTheCall adventure-hungry]] hero needs is a best friend and WorthyOpponent. So they have the womb goddess Aruru make a wild man named Enkidu, who lives out in the wilderness among the animals, annoying farmers and hunters. One of them convinces a temple harlot Shamhat to [[AManIsNotAVirgin make a civilized man out of him]], by sleeping with him for a week. After his first taste of sex, Shamhat convinces Enkidu to come back with her to the temple and learn how to live like a civilized human, promising she will introduce him to a best friend so he'll never be lonely again. He accepts.

to:

Gilgamesh is the [[SuperStrength super strong]], ruggedly handsome, two-thirds god and one-third mortal king of Uruk, [[VisualNovel/FateStayNight King Of Heroes]], and he is bored. He spends his free time sleeping with each new bride the night of her wedding, which their husbands are not too happy about, but he is the king, and he can do what he wants. The people of Uruk beg the gods to provide Gilgamesh with something better to do. The gods decide that what the restless, powerful, [[JumpedAtTheCall adventure-hungry]] hero needs is a best friend and WorthyOpponent. So they have the womb goddess Aruru make a wild man named Enkidu, who lives out in the wilderness among the animals, annoying farmers and hunters. One of them convinces a temple harlot Shamhat to [[AManIsNotAVirgin make a civilized man out of him]], by sleeping with him for a week. After his first taste of sex, Shamhat convinces Enkidu to come back with her to the temple and learn how to live like a civilized human, promising she will introduce him to a best friend so he'll never be lonely again. He accepts.
Is there an issue? Send a MessageReason:
None


Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. (Even though the latter IS Gilgamesh.) Now then...

to:

Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. (Even though the latter IS Gilgamesh.) Now then...
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--> Gilgamesh: "Urshanabi, climb up on to the wall of Uruk, inspect its foundation terrace, and examine well the brickwork; see if it is not of burnt bricks, and did not seven wise men lay these foundations?"

to:

--> Gilgamesh: "Urshanabi, "[[DescriptionPorn Urshanabi, climb up on to the wall of Uruk, inspect its foundation terrace, and examine well the brickwork; see if it is not of burnt bricks, and did not seven wise men lay these foundations?" foundations]]?"
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* AbsurdlyCoolCity: Uruk itself. A similar phrasing provides BookEnds for the story.
--> Gilgamesh: "Urshanabi, climb up on to the wall of Uruk, inspect its foundation terrace, and examine well the brickwork; see if it is not of burnt bricks, and did not seven wise men lay these foundations?"


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** So does ten. And twelve. (And ten times twelve)


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* TheFerryMan: Urshanabi, as he transports Gilgamesh to where Utnapishtim is staying.

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->''You must have been told that this is what your being a human involves. You must have been told that this is what the cutting of your umbilical cord involved. The darkest day of humans awaits you now. The solitary place of humans awaits you now. The unstoppable flood-wave awaits you now. The unequal struggle awaits you now. The unavoidable battle awaits you now. The evil from which there is no escape awaits you now.''

to:

->''You must have been told that this is what your being a human involves. You ''
->''You
must have been told that this is what the cutting of your umbilical cord involved. The involved.''
->''The
darkest day of humans awaits you now. The now.''
->''The
solitary place of humans awaits you now. The now.''
->''The
unstoppable flood-wave awaits you now. The now.''
->''The
unequal struggle awaits you now. The now.''
->''The
unavoidable battle awaits you now. The now.''
->''The
evil from which there is no escape awaits you now.''

Changed: 480

Removed: 70

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->''You will not find the life you seek.''
->''When the Gods created Man,''
->''Death for mankind they set aside,''
->''Life in their own hands retaining.''
-->--'''Siduri to Gilgamesh'''

to:

->''You will not find must have been told that this is what your being a human involves. You must have been told that this is what the life cutting of your umbilical cord involved. The darkest day of humans awaits you seek.now. The solitary place of humans awaits you now. The unstoppable flood-wave awaits you now. The unequal struggle awaits you now. The unavoidable battle awaits you now. The evil from which there is no escape awaits you now.''
->''When the Gods created Man,''
->''Death for mankind they set aside,''
->''Life in their own hands retaining.''
-->--'''Siduri to
-->--'''The Death of Gilgamesh'''
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** Really, this is [[ZigzaggedTrope zigzagged]]. The familiar 12-tablet Akkadian version dates to ca. 1200 and it borrows material from the ''Epic of Atrahasis'', which dates to 1650. ''Atrahasis'' has a narrative structure similar to ''Genesis'' from the Bible, and it deals with the story of Utnapishtim, which qualifies it as a heroic epic. But the very earliest Gilgamesh poems, in Sumerian, date from 2200, and they include narratives of the Cedar Forest, the Bull of Heaven, and [[BigLippedAlligatorMoment the Underworld]]. Still, the ''Instructions of Shuruppak'' and the ''Legend of Etana'', both fictional narratives, date to 2600 – during or before the ''actual reign of Gilgamesh'' – and simple Sumerian hieroglyphs date back to 3500. Drawings and oral traditions go back much farther. So ''Gilgamesh'' isn't the oldest bit of fiction or writing, but it is ''considered'' the oldest heroic epic, and it's certainly '''the first piece of sophisticated fiction which self-consciously uses literary tropes'''.

to:

** Really, this is [[ZigzaggedTrope zigzagged]]. The familiar 12-tablet standard Akkadian version dates to ca. 1200 and it borrows material from the ''Epic of Atrahasis'', which dates to 1650. ''Atrahasis'' has a narrative structure similar to ''Genesis'' from the Bible, and it deals with the story of Utnapishtim, which qualifies so it should qualify as a heroic epic. But the very earliest ''Sumerian'' Gilgamesh poems, in Sumerian, date from 2200, and they include poems – including narratives of the Cedar Forest, the Bull of Heaven, and [[BigLippedAlligatorMoment the Underworld]]. Still, Underworld]] – date from 2200. Is ''Gilgamesh'' from 1200 or 2200? Doesn't quite matter, since the fictional narratives ''Instructions of Shuruppak'' and the ''Legend of Etana'', both fictional narratives, Etana'' date to 2600 – during or before the ''actual reign of Gilgamesh'' – and simple Sumerian hieroglyphs date back to 3500. Drawings and oral traditions go back much farther. Gilgamesh''. So ''Gilgamesh'' isn't the oldest bit of fiction or writing, but it is ''considered'' the oldest heroic epic, and it's certainly '''the first oldest piece of sophisticated written fiction which self-consciously uses literary tropes'''.

Changed: 1627

Removed: 434

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A legend from ancient Babylon and Akkad, the epic of Gilgamesh is the oldest heroic epic that survives to this day and is very much OlderThanDirt. Even older than ''Literature/TheIliad'' and ''Literature/TheBible''. In fact, ''The Epic of Gilgamesh'' is the oldest written narrative ever discovered -- thus making it the UrExample of quite literally every trope found within it.

to:

A legend from ancient Babylon and Akkad, the epic of Gilgamesh is the oldest heroic epic that survives to this day and is very much OlderThanDirt. Even older than ''Literature/TheIliad'' and ''Literature/TheBible''. In fact, ''The Epic of Gilgamesh'' is the oldest written narrative ever discovered -- thus making it the See UrExample of quite literally every trope found within it.
below for more details.



To make a long story short, Gilgamesh ultimately fails Utanapishtim's test of staying awake for seven nights (he doesn't even last seven seconds). But Utanapishtim's wife convinces him to be nice and give the seeker ''something'' for his trouble. So he tells Gilgamesh where to find a plant that will grant eternal life and youth. The good news is he finds it. The bad news is a snake eats it when he takes a break on the way home to bathe. Tough luck. Looks like Gilgamesh the NotSoInvincibleAfterAll has to come to terms with the fact that WeAreAsMayflies and content himself with the beauty and majesty of his mighty kingdom. [[FantasticAesop Or he could always go back for more]].

Some versions have him decide that the only way to live forever is by becoming a legend and living on in memory. When it comes to ''that'' kind of immortality, he succeeded.

As noted, this is the oldest surviving written story in existence. (That is to say, currently. There may be older manuscripts which archaeologists have yet to discover, but for now, Gilgamesh is it.) Thus, ''all'' of the tropes on this page are {{Ur Example}}s.

to:

To make a long story short, Gilgamesh ultimately fails Utanapishtim's test of staying awake for seven nights (he doesn't even last seven seconds). But Utanapishtim's wife convinces him to be nice and give the seeker ''something'' for his trouble. So he tells Gilgamesh where to find a plant that will grant eternal life and youth. The good news is he finds it. The bad news is a snake eats it when he takes a break on the way home to bathe. Tough luck. Looks like Gilgamesh the NotSoInvincibleAfterAll has to come to terms with the fact that WeAreAsMayflies and content himself with the beauty and majesty of his mighty kingdom. [[FantasticAesop Or he could always go back for more]].

Some versions have him decide that the only way to live forever is by becoming a legend and living on in memory. When it comes to ''that'' kind of immortality, he succeeded.

As noted, this is the oldest surviving written story in existence. (That is to say, currently. There may be older manuscripts which archaeologists have yet to discover, but for now, Gilgamesh is it.) Thus, ''all'' of the tropes on this page are {{Ur Example}}s.
kingdom.



* UrExample: Since this is literally the oldest written story that scholars know of, almost all of the examples on this page fall into this category.
** Which, ironically, takes place in Uruk, not Ur.
** This presumably makes it the UrExample of [[UrExample Ur Examples]].

to:

* UrExample: Since this This story is literally considered the oldest written story that scholars know of, almost heroic epic, older than ''Literature/TheIliad'' and ''Literature/TheBible''. Thus all of the examples on this page fall into this category.
** Which, ironically, takes place in Uruk, not Ur.
** This presumably makes it the UrExample of
tropes listed here are [[UrExample Ur Examples]].Examples]].
** Really, this is [[ZigzaggedTrope zigzagged]]. The familiar 12-tablet Akkadian version dates to ca. 1200 and it borrows material from the ''Epic of Atrahasis'', which dates to 1650. ''Atrahasis'' has a narrative structure similar to ''Genesis'' from the Bible, and it deals with the story of Utnapishtim, which qualifies it as a heroic epic. But the very earliest Gilgamesh poems, in Sumerian, date from 2200, and they include narratives of the Cedar Forest, the Bull of Heaven, and [[BigLippedAlligatorMoment the Underworld]]. Still, the ''Instructions of Shuruppak'' and the ''Legend of Etana'', both fictional narratives, date to 2600 – during or before the ''actual reign of Gilgamesh'' – and simple Sumerian hieroglyphs date back to 3500. Drawings and oral traditions go back much farther. So ''Gilgamesh'' isn't the oldest bit of fiction or writing, but it is ''considered'' the oldest heroic epic, and it's certainly '''the first piece of sophisticated fiction which self-consciously uses literary tropes'''.
** [[SureWhyNot Oh, and the Sumerian poems]] ''[[SureWhyNot actually were]]'' [[SureWhyNot written in the Third Dynasty of Ur.]]
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->''"You will not find the life you seek.''

to:

->''"You ->''You will not find the life you seek.''



->''Life in their own hands retaining."''

to:

->''Life in their own hands retaining."''''
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None

Added DiffLines:

->''"You will not find the life you seek.''
->''When the Gods created Man,''
->''Death for mankind they set aside,''
->''Life in their own hands retaining."''
-->--'''Siduri to Gilgamesh'''

Before we get started, ''[[{{Catchphrase}} mongrels]]'', we're not talking about the recurring ''FinalFantasy'' and ''FateStayNight'' characters. (Even though the latter IS Gilgamesh.) Now then...

A legend from ancient Babylon and Akkad, the epic of Gilgamesh is the oldest heroic epic that survives to this day and is very much OlderThanDirt. Even older than ''Literature/TheIliad'' and ''Literature/TheBible''. In fact, ''The Epic of Gilgamesh'' is the oldest written narrative ever discovered -- thus making it the UrExample of quite literally every trope found within it.

Gilgamesh is the [[SuperStrength super strong]], ruggedly handsome, two-thirds god and one-third mortal king of Uruk, [[VisualNovel/FateStayNight King Of Heroes]], and he is bored. He spends his free time sleeping with each new bride the night of her wedding, which their husbands are not too happy about, but he is the king, and he can do what he wants. The people of Uruk beg the gods to provide Gilgamesh with something better to do. The gods decide that what the restless, powerful, [[JumpedAtTheCall adventure-hungry]] hero needs is a best friend and WorthyOpponent. So they have the womb goddess Aruru make a wild man named Enkidu, who lives out in the wilderness among the animals, annoying farmers and hunters. One of them convinces a temple harlot Shamhat to [[AManIsNotAVirgin make a civilized man out of him]], by sleeping with him for a week. After his first taste of sex, Shamhat convinces Enkidu to come back with her to the temple and learn how to live like a civilized human, promising she will introduce him to a best friend so he'll never be lonely again. He accepts.

So Gilgamesh and Enkidu [[MagneticHero become]] [[HeterosexualLifePartners inseparable friends]] (after [[DefeatMeansFriendship beating each other to a pulp in the streets]]). To celebrate, Gilgamesh decides they should go on an adventure to the Forest of Cedars, defeat the guardian monster Humbaba, and cut down the giant cedar. Why? Why not, when you [[WeAreAsMayflies only live once]]. Against the advice of ''everybody'', they go through with it.

The partners have their next adventure when Gilgamesh turns down the goddess Ishtar's offer to sleep with her, [[GenreSavvy noting the unsavory fates that befall her lovers]], and she retaliates by unleashing the Bull of Heaven on Uruk. The two heroes manage to slay it, which the gods aren't too happy about and decide Enkidu will have to die because of this.

His friend's death only intensifies Gilgamesh's fear of dying and hatred of his own mortality -- curse those one-third mortal genes! There's only one thing to do -- go to the ends of the Earth and find the secret of eternal life. His advisors tell him that's crazy and that he should get over it. The Scorpion Men who guard the underground tunnel that the sun uses to reach the other side of the Earth every night tell him to turn back and get over it. Siduri, keeper of the inn at the end of the tunnel, tells him to stop causing himself so much stress and [[LikeYouWereDying enjoy life while he has the chance]] and get over his obsession. Utanapishtim, the survivor of the great flood who was made immortal, tells Gilgamesh immortality isn't for humans and he should get over his crazy wish of living forever. Sensing the pattern yet?

To make a long story short, Gilgamesh ultimately fails Utanapishtim's test of staying awake for seven nights (he doesn't even last seven seconds). But Utanapishtim's wife convinces him to be nice and give the seeker ''something'' for his trouble. So he tells Gilgamesh where to find a plant that will grant eternal life and youth. The good news is he finds it. The bad news is a snake eats it when he takes a break on the way home to bathe. Tough luck. Looks like Gilgamesh the NotSoInvincibleAfterAll has to come to terms with the fact that WeAreAsMayflies and content himself with the beauty and majesty of his mighty kingdom. [[FantasticAesop Or he could always go back for more]].

Some versions have him decide that the only way to live forever is by becoming a legend and living on in memory. When it comes to ''that'' kind of immortality, he succeeded.

As noted, this is the oldest surviving written story in existence. (That is to say, currently. There may be older manuscripts which archaeologists have yet to discover, but for now, Gilgamesh is it.) Thus, ''all'' of the tropes on this page are {{Ur Example}}s.
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!!This legend provides examples of:
* TheAce: Gilgamesh.
* ArcNumber: Seven comes up a lot.
* AuthorityEqualsAsskicking: King Gilgamesh.
* {{Badass}}: Gilgamesh and Enkidu.
* {{BFS}}:
--> "They cast great daggers\\
Their blades were 120 pounds each\\
The cross guards of their handles thirty pounds each\\
They carried daggers worked with thirty pounds of gold\\
Gilgamesh and Enkidu bore ten times sixty pounds each."
* BittersweetEnding
* CharacterDevelopment: The introduction implies that after his adventure, Gilgamesh became a decent king.
* ComingOfAgeStory
* ContractualImmortality: The gods put it to a vote about whether Gilgamesh or Enkidu should die. One guess who they choose...
* DeadSidekick: Gilgamesh completely falls apart after Enkidu's death.
* DeathBySex: Enkidu blames Shamhat for leading him to an early death by seducing him. And Ishtar's lovers all died because of her, as noted below.
* DefeatMeansFriendship: How Enkidu and Gilgamesh meet and become best buddies: by beating the crap out of each other.
* {{Determinator}}: Gilgamesh.
* DiabolusExMachina: Apparently, HappilyEverAfter is NewerThanTheyThink.
* DidYouJustFlipOffCthulhu: After killing the Bull of Heaven, Enkidu throws its 'hindquarters' in Ishtar's face.
* DownerEnding: It was the first story of a hero going through every trial, a heroic journey to try to achieve something, and in the end, ''he failed''. What message does that send?
** This is actually a staple of hero epics in itself, enough so that it occupies threads 16-20 of Lord Raglan's 22-part Hero Pattern. The hero typically fails or is abandoned or goes into exile due to the [[HumansAreBastards general shittiness of mankind]], and then dies on top of a hill (or other high place), signifying that they were in fact too good for this [[CrapsackWorld sinful Earth]]. See Jesus, Moses, Krishna, Romulus, Hercules, the Prince of Wei, etc. The more divine and greater than human a hero is, the more likely they are to die alone and unloved (until their story is remembered in epic verse). Contrast Achilles and Ulysses, for instance.
** It really isn't a downer ending, as Gilgamesh comes to realize that mortality is the lot of all mankind and responds to this information by building high his city walls (i.e. creating works that perpetuate mankind and expand upon our knowledge.)
** Having the hero fail is what proves this is a ''civilized'' peoples' tale, not merely the account of a tribal folk hero.
* DreamSequence: Several.
* DualWielding: Gilgamesh uses a [[HeroesPreferSwords sword]] and an [[AnAxeToGrind axe]], sometimes both at once.
* FemmeFatale: The goddess Ishtar.
* FinalFantasy: This series implies that the dimension-hopping eight-armed warrior that appears in certain games IS the original epic hero, still seeking immortality and ultimate power.
* FloweryInsults: When Enkidu curses Shamhat for indirectly leading to his death, he lets off a whole string of these, which (in at least one translation) ends with the... [[{{Squick}} memorable]] "May the drunkard soil with his vomit any place you enjoy."
* GenreSavvy: Gilgamesh, when it comes to [[DeathBySex sleeping with Ishtar]].
* GetOnWithItAlready: Most of the long speeches are palatable enough, but there are a handful that get repeated verbatim to several people. On the other hand, this probably shouldn't be too surprising as the work was originally "written" on clay tablets with pictographs impressed into them while still wet. Likely the "template" for these speeches was reused. UrExample of Copy Paste?
** A more likely reason is that despite having been written down and codified, the epic was derived from oral sources and for most people continued to be oral storytelling. Back then most people were illiterate, after all. Repetitions, rhyme and such are essentially mnemonic devices to help people repeat the story verbatim from memory. Repetition is also a common stylistic element of oral storytelling, used for pacing, emphasis and symmetry. Think of song refrains, fairy tales and the like.
*** Recent studies have suggested that people in ancient Mesopotamia (and Egypt) were surprisingly literate. Even so, every tablet had to be hand copied, so some repetitiveness no doubt helped keep things straight and prevent errors.
* GodEmperor: Gilgamesh again (well, they did name it after him). It also points out how the Sumerian kings are specifically ''not'' this.
* GoingToSeeTheElephant: Why did Gilgamesh drag Enkidu on a mission to defeat Humbaba and cut down the giant cedar? Because it was there! [[hottip:* :It's entirely possible that the reason is in one of the missing sections.]]
** According to Bilgames and Ḫuwawa, the Sumerian original, it's for glory and by Utu's suggestion.
* HalfHumanHybrid: Well, "one third human" hybrid, anyway. Yeah, genetically not possible, but it works if you take into account that the ancient Babylonians didn't know about genetics: divine + divine + human = [=2/3=] divine and [=1/3=] human.
** He ''could'' have been the product of, say, a divine/human breeding experiment where he is the tenth generation descendant of pairings involving 1365 out of 2048 8xgreat-grandparents who were divine, yielding someone who is 66.65% divine. Close enough for government work!
* HeroicBSOD: He could have gone back for more of the Flower of Youth, but turns out having everyone say something is impossible and reckless, going out and doing it, then having it snatched away at the last second can change your outlook on things a bit.
* HomoeroticSubtext: Enkidu and Gilgamesh. Honestly, do things ''ever'' change?
** This is another one of those "life was really different 4,000 years ago" things, but sexual orientation as we know it didn't really exist back then. It's pretty strongly hinted in some translations that Gilgamesh and Enkidu WERE in fact lovers. Sandar's translation gives a line from the Coming of Enkidu as; "When you see him you will be glad; you will love him as a woman and he will never forsake you."
* HookerWithAHeartOfGold: Shamhat
* IfYouEverDoAnythingToHurtHer: Ishtar runs crying to her father after Gilgamesh spurns her, so he gives her the Bull of Heaven to [[DisproportionateRetribution terrorize Uruk in revenge]]. He only does it because Ishtar was being a BrattyTeenageDaughter about it, even after he warned her that making the Bull will cause a seven-year drought.
* ILoveYouBecauseICantControlYou
* ImmortalitySeeker: Gilgamesh spends a good chunk of the story trying to win immortality.
* JumpedAtTheCall: Gilgamesh has a craving for adventure.
* KillHimAlready: After Gilgamesh defeats the Humbaba and has him at knife-point, Humbaba begs for mercy. Gilgamesh seems ready to grant it, but his friend Enkidu persuades him to get on with it.
* KnowWhenToFoldEm: Gilgamesh doesn't.
* LostEpisode: Thanks to the ''very'' old age of the work, the story had to be reconstructed from various fragments on tablets. Not all of them have been found.
* MakingASplash: Gilgamesh goes to find the survivors of the flood, who were granted {{immortality}}.
* AManIsNotAVirgin: Enkidu isn't really truly human until Shamhat has sex with him.
* MoodSwinger: Ishtar. At least Gilgamesh was GenreSavvy enough to know not to sleep with someone who's goddess of love by night, but goddess of war by day...
* MoreExpendableThanYou
* NarrativePoem: The UrExample
* TheNothingAfterDeath: Irkalla, the underworld, isn't fun.
* OverprotectiveDad
* OurGiantsAreBigger: Humbaba -- "His maw is fire, his breath is death... Who, even among gods, could attack him?"
* OutrunTheFireball: Possibly the last trope in the world you'd expect to be OlderThanDirt, but there it is: on his journey to Dilmun, Gilgamesh had to pass through the tunnel through which the [[BeyondTheImpossible sun]] goes at night. The tunnel was long, and before he could get to the other end, the sun god entered from the other side... If that's not a fireball to outrun, I don't know what is.
* RuleOfCool: ''Two-thirds'' god...
* ScienceMarchesOn: The "two-thirds god" thing can be [[YouFailBiologyForever a head-scratcher]], until you learn that ancient Sumerians believed that if a woman became pregnant after sleeping with multiple partners, ''all'' of them helped father the child.
* SemiDivine: Gilgamesh is two-thirds god.
* {{Sex As Rite-Of-Passage}}: Shamhat and Enkidu
* SpannerInTheWorks: That darn snake...
* SuperStrength: Gilgamesh has it.
* ThresholdGuardians: The Scorpion Men.
* TragicBromance: [[spoiler:Gilgamesh and Enkidu]].
* UrExample: Since this is literally the oldest written story that scholars know of, almost all of the examples on this page fall into this category.
** Which, ironically, takes place in Uruk, not Ur.
** This presumably makes it the UrExample of [[UrExample Ur Examples]].
* WalkingTheEarth: Gilgamesh after Enkidu's death.
* WeAreAsMayflies
* WhoWantsToLiveForever
* WildHair: Enkidu has it.
* WomanScorned: Ishtar
* WorthyOpponent: Enkidu and Gilgamesh.
* {{Yandere}}: Ishtar.
* YouCantFightFate: You can't escape your mortality (unless you're Utnapishtim).
* ZombieApocalypse: Ishtar threatens to knock down the doors of the underworld to bring the dead up, who will eat the living.
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