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Critical commentary is not allowed in the work description. Details about the milestone of the film go on the film's page. Links to vendors are not allowed in the work description.


This novel was adapted for film twice, in [[Film/Scaramouche1923 1923]] and [[Film/{{Scaramouche}} 1952]]. Much like other Sabatini novels like ''Literature/CaptainBloodHisOdyssey'' and ''Literature/TheSeaHawk'', it lost something in the translation. The 1952 film ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.

The novel is available on public domain and can be read [[https://en.wikisource.org/wiki/Scaramouche here]].

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This novel was adapted for film twice, in [[Film/Scaramouche1923 1923]] and [[Film/{{Scaramouche}} 1952]]. Much like other Sabatini novels like ''Literature/CaptainBloodHisOdyssey'' and ''Literature/TheSeaHawk'', it lost something in the translation. The 1952 film ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.\n\nThe novel is available on public domain and can be read [[https://en.wikisource.org/wiki/Scaramouche here]].\n
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This novel was adapted for film twice, in [[Film/Scaramouche1923 1923]] and [[Film/{{Scaramouche}} 1952]]. Much like other Sabatini novels like ''Film/CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The 1952 film ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.

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This novel was adapted for film twice, in [[Film/Scaramouche1923 1923]] and [[Film/{{Scaramouche}} 1952]]. Much like other Sabatini novels like ''Film/CaptainBlood'' ''Literature/CaptainBloodHisOdyssey'' and ''Film/TheSeaHawk'', ''Literature/TheSeaHawk'', it lost something in the translation. The 1952 film ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.

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This novel was adapted for film twice. Rex Ingram directed and Ramon Novarro starred in a 1923 adaptation that was produced by Metro Pictures shortly before Metro merged into Creator/{{MGM}}. There was also a 1952 film adaptation that [[Film/{{Scaramouche}} has its own page on TV Tropes]]. Much like other Sabatini novels like ''Film/CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The 1952 film ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.

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This novel was adapted for film twice. Rex Ingram directed twice, in [[Film/Scaramouche1923 1923]] and Ramon Novarro starred in a 1923 adaptation that was produced by Metro Pictures shortly before Metro merged into Creator/{{MGM}}. There was also a 1952 film adaptation that [[Film/{{Scaramouche}} has its own page on TV Tropes]].1952]]. Much like other Sabatini novels like ''Film/CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The 1952 film ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.



!!The book and/or the 1923 movie provide examples of:

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!!The book and/or the 1923 movie provide provides examples of:of:



* GettingCrapPastTheRadar: The film manages to convey with nothing but pantomime that the Marquis has fathered a baby with a local village wench.



* GorgeousPeriodDress: The 1923 film did not stint on this. Lots and lots of fancy dresses and wigs used to evoke aristocratic France.



* TorchesAndPitchforks: An angry mob is going around killing aristocrats at the climax of the movie.
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The novel is available on public domain and can be read [[https://en.wikisource.org/wiki/Scaramouche here]].

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Rearranged and renamed tropes.


* HeirToTheDojo: Andre-Louis inherits M. Bertrand de Amis's fencing school when he is killed in a noble-goaded street riot.
* HeroicBastard: Andre-Louis.



* UsefulNotes/TheFrenchRevolution: the setting of the novel.

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* UsefulNotes/TheFrenchRevolution: the The setting of the novel.



* HighDiveEscape: The Marquis is offered this. He takes it.



* HeirToTheDojo: Andre-Louis inherits M. Bertrand de Amis's fencing school when he is killed in a noble-goaded street riot.
* HeroicBastard: Andre-Louis.
* HighDiveEscape: The Marquis is offered this. He takes it.



* LukeIAmYourFather: [[spoiler:The Marquis is Andre-Louis's father]]. The twist remains surprising because until that moment, [[spoiler:Andre's]] parentage had not been important.

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* LukeIAmYourFather: [[spoiler:The Marquis is Andre-Louis's father]]. father.]] The twist remains surprising because until that moment, [[spoiler:Andre's]] parentage had not been important.



* NewJobAsThePlotDemands: Andre-Louis starts as a lawyer. Over the course of the story, he becomes an actor, a playwright, a manager, a janitor, a fencing assistant, a fencing master, and finally a senator.



* NotBloodSiblings: Andre-Louis and Aline.



* {{Revenge}}: Andre-Louis' reason for hunting the Marquis.
* NotBloodSiblings: Andre-Louis and Aline.



* {{Revenge}}: Andre-Louis' reason for hunting the Marquis.



* TricksterArchetype: Scaramouche.

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* TricksterArchetype: TheTrickster: Scaramouche.



* WhyDoYouKeepChangingJobs: Andre-Louis starts as a lawyer. Over the course of the story, he becomes an actor, a playwright, a manager, a janitor, a fencing assistant, a fencing master, and finally a senator.

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* HoistByHisOwnPetard The Second Estate's senators typically dispatch the rowdier, more liberal members of the Third Estate by goading them into an honor duel, then killing them, since the rich Second Estate is well versed in fencing, while the commoner Third Estate mostly cannot afford such lessons. Near the end of the story, Andre-Louis uses this very same tactic against the Second Estate's senators, having become a better fencer than any of them.

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* HoistByHisOwnPetard The Second First Estate's senators typically dispatch the rowdier, more liberal members of the Third Estate by goading them into an honor duel, then killing them, since the rich Second First Estate is well versed in fencing, while the commoner Third Estate mostly cannot afford such lessons. Near the end of the story, Andre-Louis uses this very same tactic against the Second First Estate's senators, having become a better fencer than any of them.



* {{Revenge}}: Andre-Louis is initially motivated by the death of his friend Vilmorin, until it gives way to grander motivations
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* HoistByHisOwnPetard The Second Estate's senators typically dispatch the rowdier, more liberal members of the Third Estate by goading them into an honor duel, then killing them, since the rich Second Estate is well versed in fencing, while the commoner Third Estate mostly cannot afford such lessons. Near the end of the story, Andre-Louis uses this very same tactic against the Second Estate's senators, having become a better fencer than any of them.


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* RealNameAsAnAlias: Andre-Louis Moreau splits his first name in half as an alias while he works at the fencing school, becoming just Andre Louis.
* {{Revenge}}: Andre-Louis is initially motivated by the death of his friend Vilmorin, until it gives way to grander motivations
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Fixed spelling mistake in Climene's name; Added spoiler markup to fairly important spoilers.


* FamilyRelationshipSwitcheroo: Comtesse de Plougastel turns out to be Andre's mother.

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* FamilyRelationshipSwitcheroo: Comtesse de Plougastel turns [[spoiler:turns out to be Andre's mother.mother]].



* GoldDigger: Celimene briefly becomes engaged to Andre-Louis, but only because she believes he is of noble birth. Once she finds out he is actually ''adopted'', she breaks it off to become Marquis de La Tour d'Azyr's side mistress. On his side, Marquis dumps Celimene due to personal issues, leaving her with nothing. [[spoiler:Turns out, Andre-Louis actually is of noble birth, meaning she dumped him for nothing.]]

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* GoldDigger: Celimene Climene briefly becomes engaged to Andre-Louis, but only because she believes he is of noble birth. Once she finds out he is actually ''adopted'', she breaks it off to become Marquis de La Tour d'Azyr's side mistress. On his side, the Marquis dumps Celimene Climene due to personal issues, leaving her with nothing. [[spoiler:Turns out, Andre-Louis actually is of noble birth, meaning she dumped him for nothing.]]



* LukeIAmYourFather: The Marquis is Andre-Louis' father. The twist remains surprising because until that moment, Andre's parentage had not been important.

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* LukeIAmYourFather: The [[spoiler:The Marquis is Andre-Louis' father. Andre-Louis's father]]. The twist remains surprising because until that moment, Andre's [[spoiler:Andre's]] parentage had not been important.



* NobodyCallsMeChicken: The Marquis and much of the First Estate exploits this for all its worth, using insults to goad M. Vilmorin, and members of the Third Estate into duels, which they feel obliged by honor to accept. This ends quite badly, as the art of sword-dueling is typically only learned by nobles, leading to many a Curb-Stomp Battle.

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* NobodyCallsMeChicken: The Marquis and much of the First Estate exploits this for all its worth, using insults to goad M. Vilmorin, and members of the Third Estate into duels, which they feel obliged by honor to accept. This ends quite badly, as the art of sword-dueling sword-duelling is typically only learned by nobles, leading to many a Curb-Stomp Battle.



* WhereAreTheyNowEpilogue: Interestingly, it happens about two-thirds of the way into the story- the acting troupe, M. Binet, and Celimine do not appear again after Andre-Louis flees them after [[spoiler:shooting Binet]]. We are informed that M. Binet and Celimine, without the rest of the troupe, stay destitute for the rest of their lives, while the other actors step up to make their own plays and comedic routines, and end up thriving without them.
* WhyDoYouKeepChangingJobs: Andre-Louis starts as a lawyer. Over the course of the story, he becomes an actor, a playwright, a manager, a janitor, a fencing assistant, a fencing master, and finally a senator(who is in essence an assassin in disguise).

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* WhereAreTheyNowEpilogue: Interestingly, it happens about two-thirds of the way into the story- the acting troupe, M. Binet, and Celimine Climene do not appear again after Andre-Louis flees them after [[spoiler:shooting Binet]]. We are informed that M. Binet and Celimine, Climene, without the rest of the troupe, stay destitute for the rest of their lives, while the other actors step up to make their own plays and comedic routines, and end up thriving without them.
* WhyDoYouKeepChangingJobs: Andre-Louis starts as a lawyer. Over the course of the story, he becomes an actor, a playwright, a manager, a janitor, a fencing assistant, a fencing master, and finally a senator(who is in essence an assassin in disguise).senator.
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Republican should not be capitalised when not referring to a specific party; André-Louis does not take a position at the royal court, but becomes a deputy in the Estates General.


* BeatThemAtTheirOwnGame: Andre-Louis uses the Marquis's plan of goading Republican sympathizers into duels to legally kill them against him when he takes position in Court and starts goading First Estate nobles into duels to kill them.

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* BeatThemAtTheirOwnGame: Andre-Louis uses reverses the Marquis's plan of goading Republican legally killing republican sympathizers by provoking them into duels to legally kill them against him duels, when he takes a position in Court the States General, and starts goading in turn provokes duellist members of the First Estate nobles into duels to kill them.challenging ''him''.
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* GoldDigger: Celimene briefly becomes engaged to Andre-Louis, but only because she believes he is of noble birth. Once she finds out he is actually ''adopted'', she breaks it off to become Marquis de La Tour d'Azyr's side mistress. On his side, Marquis dumps Celimene due to personal issues, leaving her with nothing. [[spoiler:Turns out, Andre-Louis actually is of noble birth, meaning she dumped him for nothing.]]


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* PointyHairedBoss: M. Binet may be the original founder of his acting troupe, but his controlling nature and mismanagement of funds and effort is keeping his actors from greatness.
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* WhereAreTheyNowEpilogue: Interestingly, it happens about two-thirds of the way into the story- the acting troupe, M. Binet, and Celimine do not appear again after Andre-Louis flees them after [[spoiler:shooting Binet]]. We are informed that M. Binet and Celimine, without the rest of the troupe, stay destitute for the rest of their lives, while the other actors step up to make their own plays and comedic routines, and end up thriving without them.

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* HeirToTheDojo: Andre-Louis inherits Maître en fait d'Armes's fencing school

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* HeirToTheDojo: Andre-Louis inherits Maître en fait d'Armes's M. Bertrand de Amis's fencing schoolschool when he is killed in a noble-goaded street riot.


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* WhyDoYouKeepChangingJobs: Andre-Louis starts as a lawyer. Over the course of the story, he becomes an actor, a playwright, a manager, a janitor, a fencing assistant, a fencing master, and finally a senator(who is in essence an assassin in disguise).

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* BeatThemAtTheirOwnGame: Andre-Louis uses the Marquis's plan of goading Republican sympathizers into duels to legally kill them against him when he takes position in Court and starts goading First Estate nobles into duels to kill them.
* BecomingTheMask: By the end of the story Andre-Louis believes the revolutionary ideals he initially professed in the sake of revenge.



* HeirToTheDojo: Andre-Louis inherits Maître en fait d'Armes's fencing school



* DramaticUnmask: Andre-Louis, in character as Scramouche, whips off his mask and delivers a TheReasonYouSuckSpeech to the Marquis, who is in the audience at the theater.

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* DramaticUnmask: Andre-Louis, in character as Scramouche, Scaramouche, whips off his mask and delivers a TheReasonYouSuckSpeech to the Marquis, who is in the audience at the theater.



* HardWorkHardlyWorks: Andre-Louis manages to become a master swordsman in a very short time through reading, soon besting his teacher, who has been training all his life in the sword but never bothered to study.

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* HardWorkHardlyWorks: Andre-Louis manages to become a master swordsman in a very short time through reading, soon besting his teacher, who has been training all his life in the sword but never bothered to study.study fencing literature.

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A bit of clean-up.


* CurbStompBattle: the Marquis de La Tour d'Azyr is a skilled fencer, and knows it- he duels M. de Vilmorin, well aware Wilmorin has scarcely held a sword in his life.

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* CurbStompBattle: the The Marquis de La Tour d'Azyr is a skilled fencer, and knows it- he duels M. it. He provokes Phillipe de Vilmorin, Vilmorin into a duel with the deliberate intention of killing him, well aware Wilmorin that Vilmorin, who is studying for ''priesthood'', has scarcely held a sword in his life.



* FakeRealTurn: Andre-Louis comes to believe the ideals he espouses

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* FakeRealTurn: Andre-Louis comes to believe in the republican ideals he espousesinitially supported out of revenge.



* JerkassHasAPoint: In the climax of Volume I, The Marquis claims that the bloody revolution sparked by master orators like Vilmorin and Moreau retroactively justifies the death of Vilmorin, and that a revolution brings nothing but bloodshed before [[FullCircleRevolution the revolutionariees become the new aristocrats.]]

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* JerkassHasAPoint: In the climax of Volume I, The Marquis claims that the bloody revolution sparked by master orators like Vilmorin and Moreau retroactively justifies the death his killing of Vilmorin, that the revolutionaries do not hesitate to kill ''their'' enemies any more than he did, and that a revolution brings nothing but bloodshed before [[FullCircleRevolution the revolutionariees revolutionaries become the new aristocrats.]]



* NiceToTheWaiter: Comtesse de Plougastel is nice to the coachman, which saves her life.
* NobodyCallsMeChicken: The Marquis and much of the First Estate exploits this for all its worth, using insults to goad M. Vilmorin members of the Third Estate into duels, which they are too honorable to turn down. This ends quite badly, as the art of sword-dueling is typically only learned by nobles, leading to many a Curb-Stomp Battle.
* NotInThisForYourRevolution: In the beginning, Andre-Louis doesn't believe in the ideals he's espousing, he's just using the crowds to get back at the Marquis and his ilk.

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* NiceToTheWaiter: Comtesse de Plougastel is nice to the her coachman, which saves her life.
* NobodyCallsMeChicken: The Marquis and much of the First Estate exploits this for all its worth, using insults to goad M. Vilmorin Vilmorin, and members of the Third Estate into duels, which they are too honorable feel obliged by honor to turn down.accept. This ends quite badly, as the art of sword-dueling is typically only learned by nobles, leading to many a Curb-Stomp Battle.
* NotInThisForYourRevolution: In the beginning, Andre-Louis doesn't believe in the ideals he's espousing, he's supporting, he just using the uses republican rhetoric to inflame crowds to get back at the Marquis and attach his ilk.enemies.



* PowderKegCrowd: Andre-Louis just keeps setting them off...

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* PowderKegCrowd: Andre-Louis just keeps setting them off...off.



* WeWorkWellTogether: Andre-Louis to Pantaloon's troupe. It takes him about a week to take over.

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* WeWorkWellTogether: Andre-Louis to Pantaloon's troupe.troupe of actors. It takes him about a week to take over.
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* [[JerkassHasAPoint Classism Has A Point]]: In the climax of Volume I, The Marquis claims that the bloody revolution sparked by master orators like Vilmorin and Moreau retroactively justifies the death of Vilmorin, and that a revolution brings nothing but bloodshed before [[FullCircleRevolution the revolutionariees become the new aristocrats.]]
* [[spoiler: LukeIAmYourFather: The Marquis is Andre-Louis' father. The twist remains surprising because until that moment, Andre's parentage had not been important.]]

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* [[JerkassHasAPoint Classism Has A Point]]: JerkassHasAPoint: In the climax of Volume I, The Marquis claims that the bloody revolution sparked by master orators like Vilmorin and Moreau retroactively justifies the death of Vilmorin, and that a revolution brings nothing but bloodshed before [[FullCircleRevolution the revolutionariees become the new aristocrats.]]
* [[spoiler: LukeIAmYourFather: The Marquis is Andre-Louis' father. The twist remains surprising because until that moment, Andre's parentage had not been important.]]

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So begins Creator/RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in UsefulNotes/TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster. This novel was adapted for film twice, but much like ''Film/CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.

to:

So begins Creator/RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in UsefulNotes/TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster.

This novel was adapted for film twice, but much twice. Rex Ingram directed and Ramon Novarro starred in a 1923 adaptation that was produced by Metro Pictures shortly before Metro merged into Creator/{{MGM}}. There was also a 1952 film adaptation that [[Film/{{Scaramouche}} has its own page on TV Tropes]]. Much like other Sabatini novels like ''Film/CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] 1952 film ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.



!!The book provides examples of:

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!!The book provides and/or the 1923 movie provide examples of:



* ArrangedMarriage: Subverted in that M. de Kercadiou allows Aline to make her own choice as to whom she marries.



* DuelToTheDeath: Andre-Louis and several members of the Privileged Party, most notably the Marquis de La Tour d'Azyr and M. de Chabrillane.
* FamilyRelationshipSwitcheroo: [[spoiler: Comtesse de Plougastel]].

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* DramaticUnmask: Andre-Louis, in character as Scramouche, whips off his mask and delivers a TheReasonYouSuckSpeech to the Marquis, who is in the audience at the theater.
* DuelToTheDeath: Andre-Louis and several members of the Privileged Party, most notably the Marquis de La Tour d'Azyr and M. de Chabrillane.
Chabrillane. The Marquis's killing of Andre's friend Philippe de Vilmorin starts off the conflict between them.
* FamilyRelationshipSwitcheroo: [[spoiler: Comtesse de Plougastel]].Plougastel turns out to be Andre's mother.



* HighDiveEscape: [[spoiler: The Marquis is offered this. He takes it.]]

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* GettingCrapPastTheRadar: The film manages to convey with nothing but pantomime that the Marquis has fathered a baby with a local village wench.
* GorgeousPeriodDress: The 1923 film did not stint on this. Lots and lots of fancy dresses and wigs used to evoke aristocratic France.
* HighDiveEscape: [[spoiler: The Marquis is offered this. He takes it.]]


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* TorchesAndPitchforks: An angry mob is going around killing aristocrats at the climax of the movie.
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So begins Creator/RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster. This novel was adapted for film twice, but much like ''Film/CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.

to:

So begins Creator/RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in TheFrenchRevolution.UsefulNotes/TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster. This novel was adapted for film twice, but much like ''Film/CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.



* AristocratsAreEvil: The Marquis de La Tour d'Azyr is the main example, although, since this is the FrenchRevolution, this trope comes up a lot.

to:

* AristocratsAreEvil: The Marquis de La Tour d'Azyr is the main example, although, since this is the FrenchRevolution, UsefulNotes/TheFrenchRevolution, this trope comes up a lot.



* BasedOnATrueStory: The novel takes place during the FrenchRevolution, and closely follows the events of that time, while outlining an entirely fictional plot.
* BeenThereShapedHistory: Andre-Louis is shown ''starting the FrenchRevolution''.

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* BasedOnATrueStory: The novel takes place during the FrenchRevolution, UsefulNotes/TheFrenchRevolution, and closely follows the events of that time, while outlining an entirely fictional plot.
* BeenThereShapedHistory: Andre-Louis is shown ''starting the FrenchRevolution''.UsefulNotes/TheFrenchRevolution''.



* FrenchRevolution: the setting of the novel.

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* FrenchRevolution: UsefulNotes/TheFrenchRevolution: the setting of the novel.
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* FakeRealTurn: Andre-Louis comes to believe the ideals he espouses


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* [[JerkassHasAPoint Classism Has A Point]]: In the climax of Volume I, The Marquis claims that the bloody revolution sparked by master orators like Vilmorin and Moreau retroactively justifies the death of Vilmorin, and that a revolution brings nothing but bloodshed before [[FullCircleRevolution the revolutionariees become the new aristocrats.]]
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* HardWorkHardlyWorks: Andre-Louis manages to become a master swordsman in a very short time through reading, soon besting his teacher, who has been training all his life in the sword but never bothered to study.


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* MoralityPet: Aline, for M. de La Tour D'Azyr.


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* NobodyCallsMeChicken: The Marquis and much of the First Estate exploits this for all its worth, using insults to goad M. Vilmorin members of the Third Estate into duels, which they are too honorable to turn down. This ends quite badly, as the art of sword-dueling is typically only learned by nobles, leading to many a Curb-Stomp Battle.
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* CurbStompBattle: the Marquis de La Tour d'Azyr is a skilled fencer, and knows it- he duels M. de Vilmorin, well aware Wilmorin has scarcely held a sword in his life.
* DeadpanSnarker: Andre-Louis.


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* NotSoStoic: Andre-Louis admits as much in a letter. Despite his best efforts at detachment and comforting himself with the words of Epictetus, he recoils at the idea that he might die of starvation.
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So begins Creator/RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster. This novel was adapted for film twice, but much like ''Film/CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid.

to:

So begins Creator/RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster. This novel was adapted for film twice, but much like ''Film/CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid.
celluloid, clocking in at eight minutes of combat that reportedly required eight weeks of preparation and training to film.
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Badass Longhair has been disambiguated. Zero Context Examples are being deleted.


* BadassLonghair: Andre-Louis, justified by the fact that most men of the era wore their hair long.
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* TalkingToTheDead: Andre-Louis to Phillipe Vilmorin before the duel with the Marquis.

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* TalkingToTheDead: Andre-Louis to Phillipe Vilmorin before after the duel with the Marquis.
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fixed a typo


* BeenThereSHapedHistory: Andre-Louis is shown ''starting the FrenchRevolution''.

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* BeenThereSHapedHistory: BeenThereShapedHistory: Andre-Louis is shown ''starting the FrenchRevolution''.
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Zero Context Example of renamed trope


* HairOfGold

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Removed: 66

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Rename


* BeenThereSHapedHistory: Andre-Louis is shown ''starting the FrenchRevolution''.



* TheGump: Andre-Louis is shown ''starting the FrenchRevolution''.
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So begins Creator/RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster. This novel was adapted for film twice, but much like ''CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid.

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So begins Creator/RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster. This novel was adapted for film twice, but much like ''CaptainBlood'' ''Film/CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid.
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None


So begins RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster. This novel was adapted for film twice, but much like ''CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid.

to:

So begins RafaelSabatini's Creator/RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster. This novel was adapted for film twice, but much like ''CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid.
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Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/Scaramouche_7201.JPG]]

->''"He was born with a gift of laughter and a sense that the world was mad."''

So begins RafaelSabatini's classic novel of revenge. First published in 1921, this is the story of Andre-Louis Moreau's life in TheFrenchRevolution. After his friend is killed by a powerful noble, the Marquis de La Tour d'Azyr, Andre-Louis' quest for vengeance leads him to become an orator inciting the people of France to rebel. Along the way, he becomes a renowned actor for his role as [[MeaningfulName Scaramouche]] — the sly, roguish trickster. This novel was adapted for film twice, but much like ''CaptainBlood'' and ''Film/TheSeaHawk'', it lost something in the translation. The [[{{Film/Scaramouche}} second movie]] ''does'', however, feature one of the most epic [[{{Flynning}} sword fights]] ever committed to celluloid.

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!!The book provides examples of:
* AbhorrentAdmirer: The Marquis becomes this to Aline; twisted in that, although she had been quite receptive to the thought of marrying him before, discovering some unsavory facts about him destroys her interest.
* AffablyEvil: The Marquis is so polite during his conversation with Andre-Louis and Phillipe Vilmorin that you almost miss the insult.
* AristocratsAreEvil: The Marquis de La Tour d'Azyr is the main example, although, since this is the FrenchRevolution, this trope comes up a lot.
* ArrangedMarriage: Subverted in that M. de Kercadiou allows Aline to make her own choice as to whom she marries.
* BadassBoast: Andre-Louis to the Assembly:
--> "I have been detained by an engagement of a pressing nature. I bring you also the excuses of M. de Chabrillane. He, unfortunately, will be permanently absent from this Assembly in future."
* BadassBookworm: Although Andre-Louis is a lawyer by trade, he is able to--through studying fencing theory--devise a method of fencing that destroys even the most skilled of opponents.
* BadassLonghair: Andre-Louis, justified by the fact that most men of the era wore their hair long.
* BasedOnATrueStory: The novel takes place during the FrenchRevolution, and closely follows the events of that time, while outlining an entirely fictional plot.
* BettyAndVeronica: Aline and Climene.
* BlueBlood: The Marquis, Aline and M. de Kercadiou.
* HeroicBastard: Andre-Louis.
* BoisterousBruiser: M. Danton, a violent man described as having "herculean stature".
* DistractedByTheLuxury: Climene falls for the Marquis's money.
* DramaticIrony: We as readers know that Aline faints out of concern for Andre-Louis, not the Marquis. Andre-Louis, however...
* DuelToTheDeath: Andre-Louis and several members of the Privileged Party, most notably the Marquis de La Tour d'Azyr and M. de Chabrillane.
* FamilyRelationshipSwitcheroo: [[spoiler: Comtesse de Plougastel]].
* FrenchRevolution: the setting of the novel.
* FunetikAksent: Danton speaks this way.
* TheGump: Andre-Louis is shown ''starting the FrenchRevolution''.
* HairOfGold
* HighDiveEscape: [[spoiler: The Marquis is offered this. He takes it.]]
* [[spoiler: LukeIAmYourFather: The Marquis is Andre-Louis' father. The twist remains surprising because until that moment, Andre's parentage had not been important.]]
* MayDecemberRomance: The Marquis and Aline.
* MeaningfulName: Andre-Louis believes that his role in the theater, the witty, roguish Scaramouche, is the best description of who he is in real life.
* NiceToTheWaiter: Comtesse de Plougastel is nice to the coachman, which saves her life.
* NotInThisForYourRevolution: In the beginning, Andre-Louis doesn't believe in the ideals he's espousing, he's just using the crowds to get back at the Marquis and his ilk.
* {{Revenge}}: Andre-Louis' reason for hunting the Marquis.
* NotBloodSiblings: Andre-Louis and Aline.
* ParentalSubstitute: M. De Kercadiou for Andre-Louis.
* PowderKegCrowd: Andre-Louis just keeps setting them off...
* RoyalRapier: Moreau's weapon of choice.
* SaveTheVillain: Mme. la Comtesse de Plougastel throws herself between Andre-Louis and the [[BigBad Marquis de La Tour d'Azyr]].
* ScrewTheRulesIMakeThem: The Marquis kills Phillipe with impunity because he, as a noble, will not be punished for it.
* TalkingToTheDead: Andre-Louis to Phillipe Vilmorin before the duel with the Marquis.
* TricksterArchetype: Scaramouche.
* VillainousValor: Say what you will about the Marquis but he is NOT a coward, even when the odds are against him.
* WeWorkWellTogether: Andre-Louis to Pantaloon's troupe. It takes him about a week to take over.
* WickedCultured: The Marquis, naturally.
* YourMom: The insult which sets the whole plot off.
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