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* PetTheDog: Deconstructed; Annie's more humanizing moments towards Paul and Misery the pig highlight how dangerous she is. These include [[spoiler:treating his amputation wounds after he nearly bleeds to death]] Paul even notes that he has to go along with those moments or she'll punish him in some way.

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* PetTheDog: Deconstructed; Annie's more humanizing moments towards Paul and Misery the pig highlight how dangerous she is. These include [[spoiler:treating his amputation wounds after he nearly bleeds to death]] death]]. Paul even notes that he has to go along with those moments or she'll punish him in some way.
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* EarnYourHappyEnding: [[spoiler: After being kidnapped, tortured and maimed, Paul eventually fights his way for freedom and the new ''Misery'' book he wrote during his ordeal is a smashing hit. In the book, he also rediscovers his love of writing after seeing the kid with the skunk]].

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* EarnYourHappyEnding: [[spoiler: After being kidnapped, tortured and maimed, Paul eventually fights his way for to freedom and the new ''Misery'' book he wrote during his ordeal is a smashing hit. In the book, he also rediscovers his love of writing after seeing the kid with the skunk]].
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* BodyHorror: The novel is truly nauseating in describing the damage to Paul's legs: multiple compound fractures that require numerous re-breakings to heal anywhere close to properly. This was thankfully toned down to three simple fractures in te film. The "hobbling" scene in the film also counts - it's a lot less destructive than what's in the book, but actually ''seeing'' a human's foot get mangled like that is horrifying.

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* BodyHorror: The novel is truly nauseating in describing the damage to Paul's legs: multiple compound fractures that require numerous re-breakings to heal anywhere close to properly. This was thankfully toned down to three simple fractures in te the film. The "hobbling" scene in the film also counts - it's a lot less destructive than what's in the book, but actually ''seeing'' a human's foot get mangled like that is horrifying.
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* BodyHorror: The novel is truly nauseating in describing the damage to Paul's legs: multiple compound fractures that require numerous re-breakings to heal anywhere close to properly. This was thankfully toned down to three simple fractures in the film. The "hobbling" scene in the film also counts - it's a lot less destructive than what's in the book, but actually ''seeing'' a human's foot get crippled like that is horrifying.

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* BodyHorror: The novel is truly nauseating in describing the damage to Paul's legs: multiple compound fractures that require numerous re-breakings to heal anywhere close to properly. This was thankfully toned down to three simple fractures in the te film. The "hobbling" scene in the film also counts - it's a lot less destructive than what's in the book, but actually ''seeing'' a human's foot get crippled mangled like that is horrifying.
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** The actual ending of the book. Paul underwent incredible suffering and will be a cripple for the rest of his life, but at least he got his wish to write something fresh (though it was ''Misery'' as a Gothic romance and character study rather than the gritty crime thriller he planned) and he admits it's the best thing he's ever written. He also starts writing again, without needing Annie breathing down his neck and threatening him.

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** The actual ending of the book. Paul underwent incredible suffering and will be a cripple handicapped for the rest of his life, but at least he got his wish to write something fresh (though it was ''Misery'' as a Gothic romance and character study rather than the gritty crime thriller he planned) and he admits it's the best thing he's ever written. He also starts writing again, without needing Annie breathing down his neck and threatening him.
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* CuteAndPsycho: Annie.

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* CuteAndPsycho: Annie.Annie Wilkes, though [[AdaptationalAttractiveness specifically in the movie]].



* MadDoctor: Annie, killer nurse.

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* MadDoctor: Annie, killer nurse.Even before Paul finds out about her sordid history as a nurse, Annie serves this role to Paul himself. She positions herself as his caretaker while blithely mutilating him to prevent his escape, and uses his injuries as an excuse to get him addicted to painkillers as another method of control.
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* NewspaperBackstory: Paul realizes just who he's dealing with when he finds a scrapbook filled with clippings showing that Annie had been charged numerous times for infanticide while she was a nurse. Many of them have normal obits which seem out of place -- til Paul cottons to the fact that while everyone thought they were natural deaths, Annie knew they were people she murdered.

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* NewspaperBackstory: Paul realizes just who he's dealing with when he finds a scrapbook filled with clippings showing that Annie had been charged numerous times for infanticide while she was a nurse. Many of them have normal obits which seem out of place -- til – until Paul cottons to the fact that while everyone thought ''thought'' they were natural deaths, Annie knew they were people she she'd murdered.
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** Subverted and zigzagged in the film: at first the sheriff Buster seems to be just a rustic old man warming a chair, but he turns out to be quite competent and thorough despite a bickering [[CluelessDeputy deputy]] who doubles as his wife. In the end he is however [[spoiler:taken by surprise and killed, but not in vain.]]
** Justified and averted in the book. The first cop that comes out to talk to Annie is young, inexperienced, and alone, and he was sent out on a shit detail to look for some numbnuts author who most likely wrecked his car in a snowstorm, then wandered off into the woods to die. However, when he doesn't report back in (because Annie killed him when Paul got his attention by breaking the bedroom window), the cops not only send out a more experienced cop, they send two of them. However, Paul weighs his chances and decides not to try alerting the pair, as there is still an outside chance that Annie might be able to kill both of them as well. The pair is ''not'' stupid, however. They get a search warrant for Annie's house, sensing all is not right, and [[spoiler:successfully break in when Paul kills Annie and calls for help]].

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** Subverted and zigzagged in the film: at first the sheriff Buster sheriff, Buster, seems to be just a rustic old man warming a chair, but he turns out to be quite competent and thorough despite a bickering [[CluelessDeputy deputy]] who doubles as his wife. In the end he [[spoiler:he is however [[spoiler:taken nonetheless taken by surprise and killed, but murdered by Annie, though not in vain.]]
** Justified and averted in the book. novel. The first cop that who comes out to talk to Annie is young, rather inexperienced, and alone, and he was sent out on a shit detail to look for some numbnuts author who most likely wrecked his car in a snowstorm, then wandered the snowstorm before wandering off into the woods to die. However, when he doesn't report back in (because Annie killed him when Paul got his attention by breaking the bedroom window), the cops not only send out a more experienced cop, cop – they send two ''two'' of them. However, Paul weighs his chances and decides not to try alerting the pair, as there is still an outside chance that Annie might be able to kill both of them as well. The pair is These cops are ''not'' stupid, however. They get Sensing all is not right, they obtain a search warrant for Annie's house, sensing all is not right, and [[spoiler:successfully break in when Paul kills Annie and calls for help]]. help.]]



** Annie Wilkes in the book, with her usage of the N-word to refer to the character Hezekiah in Paul Sheldon's Misery series

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** Annie Wilkes in the book, novel, with her usage of the N-word to refer to the character Hezekiah in Paul Sheldon's Misery seriesPaul's ''Misery'' series.
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** The Roydmans, Annie's oft-mentioned but never seen neighbors, whom she detests (and vice-versa, apparently)[[note]]If Annie can be believed on that point. She's not the most reliable narrator[[/note]].

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** The Roydmans, Annie's oft-mentioned but never seen neighbors, whom she detests (and vice-versa, apparently)[[note]]If apparently).[[note]] If Annie can be believed on that point. point, that is. She's [[UnreliableNarrator not the most reliable narrator[[/note]].narrator]]. [[/note]]
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* GoshDangItToHeck: Annie doesn't like it when your characters are dirty birds who use cockadoodie foul language... Paul also comes to realize that on the few occasions [[OOCIsSeriousBusiness she actually uses outright swearwords]] he should be even more afraid of her than usual.

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* GoshDangItToHeck: Annie really doesn't like it when your characters are dirty birds who use cockadoodie foul language... Paul also comes to realize that on the few occasions [[OOCIsSeriousBusiness she actually uses outright swearwords]] he should be even more afraid of her than usual.
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Novelist Paul Sheldon crashes his car in a Colorado snowstorm while drunk-driving to Los Angeles to celebrate finishing the manuscript for his latest book. His legs shattered, he is rescued by Annie Wilkes, a former nurse, who takes him to her isolated house in the countryside. Annie claims she's Paul's "number one fan" and loves his ''Misery'' romance novels as well as their main heroine Misery Chastain. However, the latest ''Misery'' novel is released while he's in her care, and on finding out that Misery dies at the end, the mentally-unstable Annie becomes enraged and coerces Paul – who, being too injured to leave her house and thus entirely dependent on her, has no choice but to comply – to write a new ''Misery'' novel that undoes her death. Paul therefore must fight to find a way to write Misery back to life, even while Annie subjects him to all manner of deranged (and sometimes horrific) ministrations.

to:

Novelist Paul Sheldon crashes his car in a Colorado snowstorm while drunk-driving to Los Angeles to celebrate finishing the manuscript for his latest book. His legs shattered, he is rescued by Annie Wilkes, a former nurse, who takes him to her isolated house in the countryside. Annie claims she's Paul's "number one fan" and loves his ''Misery'' romance novels as well as their main heroine Misery Chastain. However, the latest ''Misery'' novel is released while he's in her care, and on finding out that Misery dies at the end, the mentally-unstable Annie becomes enraged and coerces Paul – who, being too injured to leave her house and thus entirely dependent on her, has no hasn't any choice but to comply – to write a new ''Misery'' novel that undoes her death. Paul therefore must fight to find a way to write Misery back to life, even while Annie subjects him to all manner of deranged (and sometimes horrific) ministrations.
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Novelist Paul Sheldon crashes his car in a Colorado snowstorm while drunk-driving to Los Angeles to celebrate finishing the manuscript for his latest book. His legs shattered, he is rescued by Annie Wilkes, a former nurse, who takes him to her isolated house in the countryside. Annie claims she's Paul's "number one fan" and loves his ''Misery'' romance novels as well as their main heroine Misery Chastain. However, the latest ''Misery'' novel is released while he's in her care, and on finding out that Misery dies at the end, the mentally-unstable Annie becomes enraged and coerces Paul – who, being too injured to leave her house and thus entirely dependent on her, has no choice comply – begins his fight to find a way to write Misery back to life, all while Annie subjects him to all manner of deranged (and sometimes horrific) ministrations.

to:

Novelist Paul Sheldon crashes his car in a Colorado snowstorm while drunk-driving to Los Angeles to celebrate finishing the manuscript for his latest book. His legs shattered, he is rescued by Annie Wilkes, a former nurse, who takes him to her isolated house in the countryside. Annie claims she's Paul's "number one fan" and loves his ''Misery'' romance novels as well as their main heroine Misery Chastain. However, the latest ''Misery'' novel is released while he's in her care, and on finding out that Misery dies at the end, the mentally-unstable Annie becomes enraged and coerces Paul – who, being too injured to leave her house and thus entirely dependent on her, has no choice but to comply – begins his to write a new ''Misery'' novel that undoes her death. Paul therefore must fight to find a way to write Misery back to life, all even while Annie subjects him to all manner of deranged (and sometimes horrific) ministrations.

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* EarnYourHappyEnding: [[spoiler: After being kidnapped, tortured and maimed, Paul eventually fights his way for freedom and the new Misery book he wrote during his ordeal is a smashing hit. In the book, he also rediscovers his love of writing after seeing the kid with the skunk]].

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* DrunkDriver: Paul at the start of the novel, which contributes to his accident. Omitted in the film, where he loses control of his car after taking one hand off the wheel to keep his manuscript from sliding to the floor.
* EarnYourHappyEnding: [[spoiler: After being kidnapped, tortured and maimed, Paul eventually fights his way for freedom and the new Misery ''Misery'' book he wrote during his ordeal is a smashing hit. In the book, he also rediscovers his love of writing after seeing the kid with the skunk]].
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Novelist Paul Sheldon crashes his car in a Colorado snowstorm while driving west to celebrate finishing his latest book. His legs shattered, he is rescued by Annie Wilkes, a former nurse, who takes him to her isolated house in the countryside. She claims that she is his number one fan and loves his ''Misery'' novels, as well as their main heroine Misery Chastain. However, the next Misery novel is released while he's in her care, and Annie finds out that Misery dies at the end. She becomes enraged and forces Paul to write a new novel that undoes Misery's death. Paul, being too injured to leave her house, is totally dependent on Annie, and so begins his fight to find a way to write Misery back to life, all while Annie subjects him to all manner of deranged (and sometimes horrific) ministrations.

Creator/RobReiner directed a [[TheFilmOfTheBook film adaptation]] in 1990, starring Creator/JamesCaan as Paul and then-unknown stage actress Creator/KathyBates as Annie, with Creator/LaurenBacall in a minor role as Paul's editor and Creator/RichardFarnsworth as the local sheriff. Bates won an UsefulNotes/AcademyAward for Best Actress for her acclaimed performance as Annie, making her the first (and to date the only) person to win an Oscar for a performance in an adaptation of a Stephen King novel. Her Oscar is also the only one received for any of Reiner's films as a director.

In 2015, a stage adaptation, written by Creator/WilliamGoldman (who also adapted the screenplay for the film version), and starring Creator/BruceWillis as Paul and Creator/LaurieMetcalf as Annie, premiered on Broadway, closing in early 2016.

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Novelist Paul Sheldon crashes his car in a Colorado snowstorm while driving west drunk-driving to Los Angeles to celebrate finishing the manuscript for his latest book. His legs shattered, he is rescued by Annie Wilkes, a former nurse, who takes him to her isolated house in the countryside. She Annie claims that she is his number she's Paul's "number one fan fan" and loves his ''Misery'' novels, romance novels as well as their main heroine Misery Chastain. However, the next Misery latest ''Misery'' novel is released while he's in her care, and Annie finds on finding out that Misery dies at the end. She end, the mentally-unstable Annie becomes enraged and forces coerces Paul to write a new novel that undoes Misery's death. Paul, – who, being too injured to leave her house, is totally house and thus entirely dependent on Annie, and so her, has no choice comply – begins his fight to find a way to write Misery back to life, all while Annie subjects him to all manner of deranged (and sometimes horrific) ministrations.

Creator/RobReiner directed a [[TheFilmOfTheBook film adaptation]] in 1990, starring Creator/JamesCaan as Paul and then-unknown stage actress Creator/KathyBates as Annie, along with Creator/RichardFarnsworth as the local sheriff, Creator/FrancesSternhagen as the sheriff's wife (and deputy), and Creator/LaurenBacall in a minor role as Paul's editor and Creator/RichardFarnsworth as the local sheriff. New York agent. Bates won an UsefulNotes/AcademyAward for Best Actress for her acclaimed performance as Annie, making her the first (and to date the (and, thus far, only) person to win an Oscar for a performance in an adaptation of a Stephen King novel. Her Bates's Oscar is also the only one received for any of Reiner's films as a director.

In 2015, a A stage adaptation, written by Creator/WilliamGoldman (who also adapted penned the screenplay for the film version), version) and starring Creator/BruceWillis as Paul and Creator/LaurieMetcalf as Annie, premiered on Broadway, closing Broadway in 2015 and closed early 2016.
the following year.
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* AffablyEvil: Annie Wilkes is very cordial when she isn't throwing a fit, but her madness makes it hard to guess if it's genuine, fake or even both.

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* AffablyEvil: Annie Wilkes is very cordial when she isn't throwing a fit, but her madness makes it hard to guess if it's genuine, fake [[FauxAffablyEvil fake]] or even both.

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[[caption-width-right:350:''"I'm your number one fan..."'']]

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[[caption-width-right:350:''"I'm your number one fan..."'']][[caption-width-right:350:''[[TagLine Paul Sheldon used to write for a living.\\
Now, he's writing to stay alive.]]'']]
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* ForcedEuthanasia: Downplayed due to Annie's clear insanity. She had started off "mercy-killing" people when she worked as a nurse to take people out of their "poor, unfortunate" circumstances. It's clear that, due to her God complex, "they were all poor unfortunate souls."
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* DownerEnding: Averted when Stephen King found Paul to be a more resourceful character than he anticipated; the original ending had us fade in on Annie's cabin and find a shrine bearing the only copy of ''Misery's Return''... bound in the skin of one Paul Sheldon. Misery the pig would have eaten the rest of him.

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* DownerEnding: Averted when Stephen King found Paul to be a more resourceful character than he anticipated; the The original ending had us ending. It was to fade in on Annie's cabin and find a shrine bearing the only copy of ''Misery's Return''... bound in the skin of one Paul Sheldon. Misery the pig would have eaten the rest of him. Ulimately averted when Stephen King found Paul to be a more resourceful character than he anticipated.
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--> '''Paul''' (thinking about the Roydmans Annie insists are out to get her): ''I don't know about them... but '''I''' sure am.''

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--> '''Paul''' (thinking -->'''Paul:''' ''(thinking about the Roydmans Annie insists are out to get her): ''I her)'' I don't know about them... but '''I''' ''I'' sure am.''
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-->"If you can get into that chair all by yourself, Paul," she said at last, "then I think you can [[PrecisionFStrike fill in your own fucking n's]]."

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-->"If --->"If you can get into that chair all by yourself, Paul," she said at last, "then I think you can [[PrecisionFStrike fill in your own fucking n's]]."



-->"It's all right here..." ''*clicks lighter*''

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-->"It's --->"It's all right here..." ''*clicks lighter*''
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** Paul surmises that he can't fault Annie for just being hurt by Misery's death, reflecting that rousing such a response in a reader is the goal of any author, and remembering feeling grief-sticking by the death of [[spoiler: Garp's son Walt]] in ''Literature/TheWorldAccordingToGarp.''

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** Paul surmises that he can't fault Annie for just being hurt by Misery's death, reflecting that rousing such a response in a reader is the goal of any author, and remembering feeling grief-sticking grief-stricken by the death of [[spoiler: Garp's [[spoiler:Garp's son Walt]] in ''Literature/TheWorldAccordingToGarp.''

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* HardTruthAesop: There's no romanticizing having only one copy of your books. Always have a backup, in case circumstances destroy it. In this case, a lady that wants it all burned.

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* HardTruthAesop: HardTruthAesop:
**
There's no romanticizing having only one copy of your books. Always have a backup, in case circumstances destroy it. In this case, a lady that wants it all burned.
** For all the potential Annie Wilkeses in the world, it's that authors and other creatives don't ''owe'' you anything. They are under no obligation to make what ''you'' want them to make.
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* AuthorAppeal: Paul dislikes using a word processor to write; to this day so does Creator/StephenKing, much preferring a typewriter or writing out his books by hand.
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not a trope anymore


* ADateWithRosiePalms: Paul privately admits this:
--> ...he was his own dream-woman when he grabbed hold of himself and jacked off to the feverish beat of his fantasies.
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* {{Cloudcuckoolanguage}}: Annie swears very colorfully, using expressions like "You cockadoodie dirty birdie" and "I don't care if you're John Q. Jesus Johnnycake Christ from the planet Mars!", which highlights her deranged personality.

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* {{Cloudcuckoolanguage}}: Annie swears very colorfully, using expressions like "You cockadoodie dirty birdie" and "I don't care if you're John Q. Jesus Johnnycake Christ from the planet Mars!", which highlights her deranged personality. Paul calls these expressions "Wilkesisms".
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* {{Cloudcuckoolanguage}}: Annie swears very colorfully, using expressions like "You cockadoodie dirty birdie" and "I don't care if you're John Q. Jesus Johnnycake Christ from the planet Mars!", which highlights her deranged personality.

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fixing the indentation (the third bullet could be clearer about what "those patients?" means but i don't think it quite hits ZCE levels yet)


* StealthPun: In the book, Annie killed a young deputy. In the film, Annie [[Music/BobMarley shot the sheriff, but she did not shoot the deputy]].

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* StealthPun: StealthPun:
**
In the book, Annie killed a young deputy. In the film, Annie [[Music/BobMarley shot the sheriff, but she did not shoot the deputy]].



** Also, those [[spoiler:patients]]? She thought she was [[spoiler: putting them out of their MISERY]].
*** Which, [[spoiler:considering the psychosis (i.e. the actual cause of the deaths) and her possessive desire of the title character, means she was putting them out of HER MISERY.]]

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** Also, those Those [[spoiler:patients]]? She Annie thought she was [[spoiler: putting them out of their MISERY]].
*** Which, [[spoiler:considering the ** Considering [[spoiler:the psychosis (i.e. the actual cause of the deaths) and her possessive desire of the title character, means she was putting them out of HER MISERY.]]
Willbyr MOD

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crosswicking a new trope

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* ForcedAddiction: Though Paul does have a prior disposition towards addictive behavior (having been a heavy smoker and drinker in the past), he is at present "Mr Clean". When Annie "rescues" him from the car accident, she gets him addicted to painkillers so she can use them to keep him in line.
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Annie's only marriage ended in divorce, initiated by her husband. So far as we know, he got away safely.


* NotTheFirstVictim: When he manages to escape from the bedroom, Paul finds a [[OrgyOfEvidence scrapbook]] kept by Annie where she reveals that she murdered her father, one of her husbands, and multiple babies at the hospital where she worked prior to holding Paul captive and killing a police officer to hide him, and has not been caught.

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* NotTheFirstVictim: When he manages to escape from the bedroom, Paul finds a [[OrgyOfEvidence scrapbook]] kept by Annie where she reveals that she murdered her father, one of her husbands, college roommate, and multiple babies at the hospital where she worked prior to holding Paul captive and killing a police officer to hide him, and has not been caught.
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* HairpinLockpick: Paul opens the door of the bedroom with a hairpin lost by Annie. Lampshaded by the fact that he says that it must work because it works in his books.

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* HairpinLockpick: Paul opens the door of the bedroom with a hairpin lost by Annie. Lampshaded by the fact that he says that it must work because it works in his books. Of course, he does mention having done his research, including lessons in lockpicking from an expert.

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