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* AsianStoreOwner: To be expected in a majority-Asian colony, such as the Dos Hermanos ("Two Brothers") tailors, who are native Filipinos despite their Spanish appellation.
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* MightyWhiteyAndMellowYellow: Josefa, the native (or mestiza?) girl who works as househelp to the Ayalas, quickly sets herself up as Saulsbury's native mistress and squeezes quite a bit of money out of him that way, despite also having a native boyfriend in the persona of Estéban. It was perhaps only inevitable that there would be interracial (and coloniser-colonised) relationships in this kind of setting.

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* MightyWhiteyAndMellowYellow: Josefa, the native (or mestiza?) girl who works as househelp to the Ayalas, quickly sets herself up as Saulsbury's native mistress and squeezes quite a bit of money out of him that way, despite also having a native boyfriend in the persona of Estéban.Estéban, on whom she spends what she gets from Saulsbury and co. It was perhaps only inevitable that there would be interracial (and coloniser-colonised) relationships in this kind of setting.
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* MightyWhiteyAndMellowYellow: Josefa, the native (or mestiza?) girl who works as househelp to the Ayalas, quickly sets herself up as Saulsbury's native mistress and squeezes quite a bit of money out of him that way, despite also having a native boyfriend in the persona of Esteban. It was perhaps only inevitable that there would be interracial (and coloniser-colonised) relationships in this kind of setting.

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* MightyWhiteyAndMellowYellow: Josefa, the native (or mestiza?) girl who works as househelp to the Ayalas, quickly sets herself up as Saulsbury's native mistress and squeezes quite a bit of money out of him that way, despite also having a native boyfriend in the persona of Esteban.Estéban. It was perhaps only inevitable that there would be interracial (and coloniser-colonised) relationships in this kind of setting.
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* MightyWhiteyAndMellowYellow: Josefa, the native (or mestiza?) girl who works as househelp to the Ayalas, quickly sets herself up as Saulsbury's native mistress and squeezes quite a bit of money out of him that way, despite also having a native boyfriend in the persona of Esteban. It was perhaps only inevitable that there would be interracial (and coloniser-colonised) relationships in this kind of setting.

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* EthnicMenialLabor: Naturally. Chinese houseboys and servants work in the U.S. Army and Navy Club, and Filipino servants and cooks are everywhere, like the waiters and kitchen staff at Clarke's ice-cream parlour, or the cook-boy who prepares breakfast at the Ermita hostel where Charlotte stays.

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* EthnicMenialLabor: Naturally. Chinese houseboys and servants work in the U.S. Army and Navy Club, and Filipino servants and cooks are everywhere, like the waiters and kitchen staff at Clarke's ice-cream parlour, or the cook-boy who prepares breakfast at the Ermita hostel where Charlotte stays.first stays, or the ''muchachos'' in the Intramuros hostel where she moves in with Ellen Halsey.


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* GoingNative:


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* HistoricalDomainCharacter: General Emilio Aguinaldo, RebelLeader and sometime president of the First Philippine Republic, is mentioned from time to time in the context of fighting the Spaniards and then the Americans (before ultimately surrendering to them). Some of the named characters are obliquely linked to him: the Ayalas lost a son to his forces, and native (but mestiza?) woman Josefa and her native boyfriend, Estéban Perez, were apparently Katipunan / Revolutionary Army supporters.

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* TwentyMinutesIntoThePast: It's not explicitly said what year ''Heat'' takes place in, but subtle hints if matched to RealLife Philippine history at the time (e.g. the rarity of motorcars, the recency of the Philippine Revolution and Philippine-American War, the absence of any mention of UsefulNotes/WorldWarI—which Vernay and co. would almost certainly be called upon to fight in, etc.) suggest that it takes place some years before the novel's publication, probably in the 1900s-decade, also the first decade of U.S. colonial rule.

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* TwentyMinutesIntoThePast: It's not explicitly said what year ''Heat'' takes place in, but subtle hints if matched to RealLife Philippine history at the time (e.g. the rarity of motorcars, the recency of the Philippine Revolution and Revolution, Philippine-American War, War and U.S.-Moro wars in Mindanao, the absence of any mention of UsefulNotes/WorldWarI—which Vernay and co. would almost certainly be called upon to fight in, etc.) suggest that it takes place some years before the novel's publication, probably in the 1900s-decade, also the first decade of U.S. colonial rule.


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* LovingAShadow: What Vernay's attraction to Dolores turns out to be.
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* LoveTriangle: Charlotte loves Vernay, who loves Dolores Ayala.
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* TwentyMinutesIntoThePast: It's not explicitly said what year ''Heat'' takes place in, but subtle hints if matched to RealLife Philippine history at the time (e.g. the rarity of motorcars, the absence of any mention of UsefulNotes/WorldWarI—which Vernay and co. would almost certainly be called upon to fight in, etc.) suggest that it takes place some years before the novel's publication, probably in the 1900s-decade, also the first decade of U.S. colonial rule.

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* TwentyMinutesIntoThePast: It's not explicitly said what year ''Heat'' takes place in, but subtle hints if matched to RealLife Philippine history at the time (e.g. the rarity of motorcars, the recency of the Philippine Revolution and Philippine-American War, the absence of any mention of UsefulNotes/WorldWarI—which Vernay and co. would almost certainly be called upon to fight in, etc.) suggest that it takes place some years before the novel's publication, probably in the 1900s-decade, also the first decade of U.S. colonial rule.
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* HaveAGayOldTime: "Gay" as in "happy", of course, since this ''was'' written in TheRoaringTwenties and set perhaps a decade or two earlier.
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* CitadelCity: Intramuros, the heavily fortified Spanish-colonial boundaries of Manila. Vernay is sometimes told that only Spaniards and Filipinos call it that whereas Americans generally just call it the "Walled City"—and he feels kind of down that American military engineers are blowing holes in it to let fresh air into the stale streets inside, all for the sake of modern (read: American) public-health standards.

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* CitadelCity: Intramuros, the heavily fortified Spanish-colonial boundaries of Manila. Vernay is sometimes told that only Spaniards and Filipinos call it that whereas Americans generally just call it the "Walled City"—and he feels kind of down that American military engineers are blowing holes in it the walls to let fresh air into the stale streets inside, all for the sake of modern (read: American) public-health standards.
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* CitadelCity: Intramuros, the heavily fortified Spanish-colonial boundaries of Manila. Vernay is sometimes told that only Spaniards and Filipinos call it that whereas Americans generally just call it the "Walled City".

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* CitadelCity: Intramuros, the heavily fortified Spanish-colonial boundaries of Manila. Vernay is sometimes told that only Spaniards and Filipinos call it that whereas Americans generally just call it the "Walled City".City"—and he feels kind of down that American military engineers are blowing holes in it to let fresh air into the stale streets inside, all for the sake of modern (read: American) public-health standards.
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** Then, of course, prior to that was the Philippine Revolution of 1896, the successful war of independence against Spain. The haughty Spanish Ayala family lose their eldest (a captain in the colonial army) to it.
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* ACupAngst: Charlotte feels this at being pretty flat compared to a fuller-chested someone like Dolores.
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* MeltingPotNomenclature: Lots of Anglo-American and Spanish names, of course. Not to mention "Vernay" likely has French origins.
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* TheIngenue: Dolores Ayala, full-Spanish delicate damsel and the object of Vernay's infatuation.
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* BrainFreeze: Spanish boy Paraiso Ayala gets one as he downs a huge bowl of ice cream at Clarke's (a RealLife ice-cream parlour in American-era Manila), even as he's warned against it. Although the pains he calls out are in his nose, throat, chest and stomach.
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* TwentyMinutesIntoThePast: It's not explicitly said what year ''Heat'' takes place in, but subtle hints if matched to RealLife Philippine history at the time (e.g. the rarity of automobiles, the absence of any mention of UsefulNotes/WorldWarI—which Vernay and co. would almost certainly be called upon to fight in, etc.) suggest that it takes place some years before the novel's publication, probably in the 1900s-decade, also the first decade of U.S. colonial rule.

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* TwentyMinutesIntoThePast: It's not explicitly said what year ''Heat'' takes place in, but subtle hints if matched to RealLife Philippine history at the time (e.g. the rarity of automobiles, motorcars, the absence of any mention of UsefulNotes/WorldWarI—which Vernay and co. would almost certainly be called upon to fight in, etc.) suggest that it takes place some years before the novel's publication, probably in the 1900s-decade, also the first decade of U.S. colonial rule.
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It is a very rare and forgotten example of an American-penned fictional novel that deals with America's colonial empire, but one steeped in direct experience: Glenn, of American Southern origin and the daughter of an Atlanta, Georgia mayor, was married for 18 years, from 1903 until the latter's death in 1921, to Brigadier General Samuel Bayard Schindel, a U.S. Army officer whose foreign tours of service took him (and thus her) through much of Asia and the Pacific, including, yes, the colonial Philippines. At his side for practically all of his postings, Glenn penned down all her observations of the culture and social norms within the U.S. Army and American colonial communities in general, and ''Heat'' is her first work to set down these succinct observations. Nor would it be her last: she later came out with novels like ''Little Pitchers'' and ''Mr Darlington's Dangerous Age'' which also depict American colonial society in full or in part, but these, and in fact all of her work in general, are woefully forgotten with her today.

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It is a very rare and forgotten example of an American-penned fictional novel that deals with America's colonial empire, but empire—and by a woman at that—but one steeped in direct experience: Glenn, of American Southern origin and the daughter of an Atlanta, Georgia mayor, was married for 18 years, from 1903 until the latter's death in 1921, to Brigadier General Samuel Bayard Schindel, a U.S. Army officer whose foreign tours of service took him (and thus her) through much of Asia and the Pacific, including, yes, the colonial Philippines. At his side for practically all of his postings, Glenn penned down all her observations of the culture and social norms within the U.S. Army and American colonial communities in general, and ''Heat'' is her first work to set down these succinct observations. Nor would it be her last: she later came out with novels like ''Little Pitchers'' and ''Mr Darlington's Dangerous Age'' which also depict American colonial society in full or in part, but these, and in fact all of her work in general, are woefully forgotten with her today.

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* EvilColonialist: Normally mild-mannered Vernay throttles and threatens to beat up or even kill a Filipino waiter at an ice-cream parlour when the latter refuses to clean up an ice-cream spill on Charlotte's dress. (It's not clear if cleaning up personal spills was meant to be part of the waiter's job, but he seems to prioritise cleaning up minor stains on military customers like Vernay over giant stains on civilian teachers like Charlotte. Still, it seems rather an overreaction on Vernay's part, in part driven by his infatuation with Charlotte.) Meanwhile, his superior Capt. Jennings agrees with Vernay, applying to Filipinos the old sentiment toward Native Americans that "the only good native is a dead one".

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* EvilColonialist: Normally mild-mannered Vernay throttles and threatens to beat up or even kill a Filipino waiter at an ice-cream parlour when the latter refuses to clean up an ice-cream spill on Charlotte's dress. (It's not clear if cleaning up personal spills was meant to be part of the waiter's job, but he seems to prioritise cleaning up minor stains on military customers like Vernay over giant stains on civilian teachers like Charlotte. Still, it seems rather an overreaction on Vernay's part, in part driven by his infatuation with Charlotte.) Meanwhile, his superior Capt. Jennings agrees with Vernay, applying to Filipinos the old sentiment toward Native Americans that "the only good native is a dead one". There are also teachers who run after and beat up their own native pupils (though in one case this is partly due to the kid in question [[ThePeepingTom peeping on his teacher while bathing]]).


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* ThePeepingTom: One of Charlotte's co-faculty, Ellen Halsey, recounts in horror and shock how one of her own native-Filipino students (ironically named "Angel", though of course it would've been pronounced Spanish-style, i.e., "ang-''hell''") peeped in on her in the shower. She springs out, gives chase along the full length of Calle Real, and even manages to whale on him a couple times—more if she hadn't kept clutching at her kimono or bathrobe all the while.
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The plot mainly revolves around three different facets of the American colonising force in the Philippines: Lieutenant Tom Vernay, schoolteacher Charlotte Carson, and cement businessman Richard Saulsbury, as they steam into Manila on a military transport and adjust to life in this new land where they've been saddled with different responsibilities toward the natives: to police them, educate them, or modernise their infrastructure, as part of the U.S. empire's larger "[[https://en.wikipedia.org/wiki/Benevolent_assimilation Benevolent Assimilation]]" [[WhiteMansBurden policy]].

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The plot mainly revolves around three different facets of the American colonising force in the Philippines: Second Lieutenant Tom Vernay, schoolteacher Charlotte Carson, and cement businessman Richard Saulsbury, as they steam into Manila on a military transport and adjust to life in this new land where they've been saddled with different responsibilities toward the natives: to police them, educate them, or modernise their infrastructure, as part of the U.S. empire's larger "[[https://en.wikipedia.org/wiki/Benevolent_assimilation Benevolent Assimilation]]" [[WhiteMansBurden policy]].
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''Heat'' is the very obscure first novel of the very obscure American author Isa Glenn. Published in New York in 1926, it's set entirely in and around {{UsefulNotes/Manila}}, capital of the {{UsefulNotes/Philippines}}, at the time under United States colonial rule (and recently seized, or technically "bought", from the previous Spanish colonial empire via the 1898 Treaty of Paris and the then-ongoing Spanish-American War).

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''Heat'' is the very obscure first novel of the very obscure American author Isa Glenn. Published in New York in 1926, it's set entirely in and around {{UsefulNotes/Manila}}, capital of the {{UsefulNotes/Philippines}}, at the time under United States colonial rule (and recently seized, or technically "bought", from the previous Spanish colonial empire via the 1898 Treaty of Paris and the then-ongoing Spanish-American War).
War and sequel conflict the Philippine-American War—never mind the newly independent Philippine republic fiercely trying to defend its sovereignty in between the two).
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A mostly complete digital online copy is available to read [[https://babel.hathitrust.org/cgi/pt?id=mdp.39015055052222 here]], missing only 3 pages of text out of an original 317.

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A mostly complete digital online copy is available to read [[https://babel.hathitrust.org/cgi/pt?id=mdp.39015055052222 here]], missing only 3 pages of text out of an original 317.
[[https://drive.google.com/file/d/1ZPQYb8_Y_l1CpFq5JnMiTSQM0-whXhtp/view?usp=sharing here]].
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* OutlivingOnesOffspring: The Ayalas have two living children, Paraiso and Dolores. A third one was a captain of some sort killed by Filipino Revolutionaries led by Gen. Emilio Aguinaldo in 1896.

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* ChubbyMamaSkinnyPapa: The Ayala parents, stout and pompous Doña Adelina and thin and cruel Don Sebastian.

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* ChubbyMamaSkinnyPapa: The Ayala parents, stout and pompous Doña Adelina and thin and cruel Don Sebastian.


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* ImpoverishedPatrician: Lt Vernay learns from the (''indio''/native Filipino) Dos Hermanos tailors that the Ayalas are attempting to sell off their jewellery and their vast but unprofitable haciendas so they can go home to Spain, like most of their compatriots who fled the ex-Spanish colony upon losing it to first the Philippine revolutionaries and then to the Americans.
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* ChubbyMamaSkinnyPapa: The Ayala parents, stout and pompous Doña Adelina and thin and cruel Don Sebastian.
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The plot mainly revolves around three different facets of the American colonising force in the Philippines: Army NCO Tom Vernay, schoolteacher Charlotte Carson, and cement businessman Richard Saulsbury, as they steam into Manila on a military transport and adjust to life in this new land where they've been saddled with different responsibilities toward the natives: to police them, educate them, or modernise their infrastructure, as part of the U.S. empire's larger "[[https://en.wikipedia.org/wiki/Benevolent_assimilation Benevolent Assimilation]]" [[WhiteMansBurden policy]].

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The plot mainly revolves around three different facets of the American colonising force in the Philippines: Army NCO Lieutenant Tom Vernay, schoolteacher Charlotte Carson, and cement businessman Richard Saulsbury, as they steam into Manila on a military transport and adjust to life in this new land where they've been saddled with different responsibilities toward the natives: to police them, educate them, or modernise their infrastructure, as part of the U.S. empire's larger "[[https://en.wikipedia.org/wiki/Benevolent_assimilation Benevolent Assimilation]]" [[WhiteMansBurden policy]].
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[[quoteright:278:https://static.tvtropes.org/pmwiki/pub/images/download_6595.jpg]]

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[[quoteright:278:https://static.[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/download_6595.jpg]]
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[[quoteright:278:https://static.tvtropes.org/pmwiki/pub/images/download_6595.jpg]]
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** The residual Spaniards can hold their own in this department. Even a veritable Spanish kid like Paraiso holds all manner of negative stereotypes about the Filipino natives and also agrees with Vernay's abuse of the native waiter.

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** The residual Spaniards can hold their own in this department. Even a veritable Spanish kid like Paraiso Ayala holds all manner of negative stereotypes about the Filipino natives and also agrees with Vernay's abuse of the native waiter.

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