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Anything That Moves is a disambiguation
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* AnythingThatMoves: Slothrop seems destined to bed any and every female who crosses his path, including ones below legal age and maybe ones that aren't even human.
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-> "''What?''"
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* TheCameo: UsefulNotes/JohnFKennedy, Malcolm X, and Mickey Rooney all make appearances.
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* TheCameo: UsefulNotes/JohnFKennedy, Malcolm X, UsefulNotes/MalcolmX, and Mickey Rooney Creator/MickeyRooney all make appearances.
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* ForeignQueasine: Foreign to Slothrop, anyway: the Disgusting English Candy Drill, in which Slothrop, on a visit to his girlfriend's landlady, is cheerily invited to feast on a succession of increasingly horrible British sweets. When one of them makes him cough, the landlady gives him a Meggezone, a cough drop the effect of which is described as "like being belted in the head with a Swiss Alp." Meggezones have been discontinued for some years, but anyone who has ever had one can confirm that this is TruthInTelevision.
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Dewicked trope
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* LoadsAndLoadsOfCharacters: There are over 400 characters, with about 40 recurring.
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%%* CainAndAbel: Tchitcherine and Enzian
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How To Create A Works Page: "Things not to include: value judgments (don't say how much it sucked/how awesome it was), critical reception (that's just a specific variant of value judgments), recommendations (don't tell us whether or not we should check it out)"
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Although it (deservingly) has a reputation as a difficult and sometimes cynical novel, it is also beautifully written and frequently uproariously funny, and it is one of the best examples of Pynchon's skill at combining highbrow and lowbrow within the same work (sometimes within the same sentence). It has also had significant impact on pop culture, serving as a creative inspiration for works as varied as Music/{{Devo}}'s "[[Music/FreedomOfChoice Whip It]]" and Creator/RianJohnson's ''Film/KnivesOut''. While generally not the recommended place for newcomers to start with Pynchon (''Literature/TheCryingOfLot49'' and ''Literature/InherentVice'' are two of the most commonly recommended starting points, being two of his shorter and more accessible novels), it is the ideal next place to go once they have acquired a taste for his style.
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Although it (deservingly) has a reputation as a difficult and sometimes cynical novel, it is also beautifully written and frequently uproariously funny, and it is one of the best examples of Pynchon's skill at combining highbrow and lowbrow within the same work (sometimes within the same sentence). It has also had significant impact on pop culture, serving as a creative inspiration for works as varied as Music/{{Devo}}'s "[[Music/FreedomOfChoice Whip It]]" and Creator/RianJohnson's ''Film/KnivesOut''.
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Although it (deservingly) has a reputation as a difficult and sometimes cynical novel, it is also beautifully written and frequently uproariously funny, and it is one of the best examples of Pynchon's skill at combining highbrow and lowbrow within the same work (sometimes within the same sentence). It has also had significant impact on pop culture, serving as a creative inspiration for works as varied as Music/{{Devo}}'s "[[Music/FreedomOfChoice Whip It]]" and Creator/RianJohnson's ''Film/KnivesOut''. While generally not the recommended place for newcomers to start with Pynchon (''Literature/TheCryingOfLot49'' and ''Literature/InherentVice'' are two of the most commonly recommended starting points, being two of his shorter and more accessible novels), it is the ideal next place to go once they have acquired a taste for his style.
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one of these days i'll learn to preview my own edits :V
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Although it (deservingly) has a reputation as a difficult and sometimes cynical novel, it is also beautifully written and frequently uproariously funny, and it is one of the best examples of Pynchon's skill at combining highbrow and lowbrow within the same work (sometimes within the same sentence). It has also had significant impact on pop culture, serving as a creative inspiration for works as varied as Music/{{Devo}}'s "[[Music/FreedomOfChoice Whip It]]" and Creator/RianJohnson's ''Film/{{KnivesOut}}''.
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Although it (deservingly) has a reputation as a difficult and sometimes cynical novel, it is also beautifully written and frequently uproariously funny, and it is one of the best examples of Pynchon's skill at combining highbrow and lowbrow within the same work (sometimes within the same sentence). It has also had significant impact on pop culture, serving as a creative inspiration for works as varied as Music/{{Devo}}'s "[[Music/FreedomOfChoice Whip It]]" and Creator/RianJohnson's ''Film/{{KnivesOut}}''.''Film/KnivesOut''.
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Although it (deservingly) has a reputation as a difficult and sometimes cynical novel, it is also beautifully written and frequently uproariously funny, and it is one of the best examples of Pynchon's skill at combining highbrow and lowbrow within the same work (sometimes within the same sentence). It has also had significant impact on pop culture, serving as a creative inspiration for works as varied as Music/{{Devo}}'s "[[Music/FreedomOfChoice Whip It]]" and Creator/RianJohnson's ''Film/{{KnivesOut}}''.
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* WalkingTheEarth: Slothrop and The Schwarzcommandos. They find semi-religious meaning in the V-2 rocket.
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* WalkingTheEarth: Slothrop and The Schwarzcommandos. They find semi-religious meaning in the V-2 rocket.
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* WalkingTheEarth: Slothrop and The Schwarzcommandos. They find mystical, semi-religious meaning in the V-2 rocket.
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* WalkingTheEarth: Slothrop and The Schwarzcommandos. They find mystical, semi-religious meaning in the V-2 rocket.
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%%* GainaxEnding: The novel ends with [[spoiler:Rocket 00000 destroying the text.]] Possibly.
* GenreBusting: Skips between sci-fi, war, romance, pornography, family tragedy, horror and slapstick comedy.
* GenreBusting: Skips between sci-fi, war, romance, pornography, family tragedy, horror and slapstick comedy.
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* GenreBusting: Skips between spy, sci-fi, war, romance, pornography, family tragedy, horror and slapstick comedy.
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* HappinessInSlavery: ''Horrifically'' applied to Gottfried.
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* HappinessInSlavery: ''Horrifically'' applied to Gottfried.Gottfried who seems "happy" in his relationship with Blicero.
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* ImprovisedWeapon: Custard pies vs. biplane.
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* ImprovisedWeapon: Custard On a ship, some men with custard pies vs. vs biplane.
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%%* RuleOfSymbolism: More than you can possibly imagine...and you'll probably see quite a bit else there as well while you're at it (see "What do you mean...") Even the {{Squick}} is used symbolically.
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%%* WalkingTheEarth: Slothrop and The Schwarzcommandos. ''Everything'' in this book is symbolic, even when it's not.
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%%* AntiClimax: Enzian and Tchitcherine's vendetta.
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%%* AppliedPhlebotinum: A plastic called Imipolex G.
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%%* HappinessInSlavery: ''Horrifically'' applied to Gottfried.
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%%* ImprovisedWeapon: Man with custard pies vs. ''biplane''.
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%%* MadScientist: Recurring Pavlovian villain Ned Pointsman.
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%%* RapeAsDrama: Both literal and symbolic examples.
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* SuicideAttack: One of the characters Slothrop meet is a japanese pilot that ends as kamikaze.
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''Gravity’s Rainbow'' is a 1973 novel, a postmodern {{Doorstopper}} by Creator/ThomasPynchon made of MindScrew that split the Pulitzer board to the extent that no award was given that year. ''Gravity's Rainbow'' is set during the closing months of UsefulNotes/WorldWarII, with flashbacks to 19th-century Madagascar, Weimar Berlin and 18th-century New England, and a flashforward to 1970s Hollywood, and breaks every rule of plot. Here we go now:
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American soldier Tyrone Slothrop is hunted by a wing of British scientists, media men, military personnel and lunatics called The White Visitation, after it comes to light that every time he has sex with a British woman, a V2 rocket hits the house within days and that his erections may be able to predict V2 attacks on London. Slothrop, addled by justified paranoia, goes AWOL and, along with dozens of other characters, hunts for the truth behind a top secret German rocket known as the Schwarzgerät or '00000', while being sidetracked by movie producers, Berlin drug dealers, and an affair with a witch. Meanwhile a Russian marine sets off to hunt down and kill his black half-brother, who is currently leading his platoon around Europe toward an ethnic suicide, and various characters form an inept Counterforce to the novel's conspiracy networks, along with about 30 other subplots.
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American soldier Tyrone Slothrop is hunted by a wing of British scientists, media men, military personnel and lunatics called The White Visitation, after it comes to light that every time he has sex with a British woman, a V2 rocket hits the house within days and that his erections may be able to predict V2 attacks on London. Slothrop, addled by justified paranoia, goes AWOL and, along with dozens of other characters, hunts for the truth behind a top secret top-secret German rocket known as the Schwarzgerät or '00000', while being sidetracked by movie producers, Berlin drug dealers, and an affair with a witch. Meanwhile Meanwhile, a Russian marine Marine sets off to hunt down and kill his black half-brother, who is currently leading his platoon around Europe toward an ethnic suicide, and various characters form an inept Counterforce to the novel's conspiracy networks, along with about 30 other subplots.
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[[quoteright:234:https://static.tvtropes.org/pmwiki/pub/images/GravitysRainbowCover_4957.JPG]]
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Useful Notes/ pages are not tropes
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* SouthAfricansWithSurfaceToAirMissiles: Played for tragedy with the Herero tribe's wandering rocket technicians.
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''Gravity's Rainbow'' is a 1973 novel, a postmodern {{Doorstopper}} by Creator/ThomasPynchon made of MindScrew that split the Pulitzer board to the extent that no award was given that year. ''Gravity's Rainbow'' is set during the closing months of UsefulNotes/WorldWarII, with flashbacks to 19th-century Madagascar, Weimar Berlin and 18th-century New England, and a flashforward to 1970s Hollywood, and breaks every rule of plot. Here we go now:
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* CovertPervert: Brigadier Pudding, emphasis on the "pervet" part.
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* CovertPervert: Brigadier Pudding, with an emphasis on the "pervet" "pervert" part.
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* RapeAsDrama
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* RapeAsDramaRapeAsDrama: Both literal and symbolic examples.