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* {{Foil}}: Caroline Crale and Elsa Greer. [[spoiler:Caroline has developed into a woman of great conscience and self-sacrificing love, putting up with her husband's dalliances and deliberately taking the fall for a crime she did not commit in order to protect Angela, while Elsa is an egoist whose love is only of the selfish kind with zero consideration of the feelings of others; it leads her to attempt to break up a marriage, and failing that, murder her lover and frame her rival for it. Despite going on to lead a rich and privileged life, Elsa is inwardly dead and has condemned herself to an utterly empty and joyless existence; by contrast, Caroline, despite her outwardly bleak fate of being wrongly condemned and dying in prison, manages to achieve a level of peace and fulfilment she'd never known before.]]

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* {{Foil}}: Caroline Crale and Elsa Greer. [[spoiler:Caroline has developed into a woman of great conscience and self-sacrificing love, putting up with her husband's dalliances and deliberately taking the fall for a crime she did not commit in order to protect Angela, while Elsa is an egoist whose love is only of the selfish kind with zero consideration of the feelings of others; it leads her to attempt to break up a marriage, and failing that, murder her lover and frame her rival for it. Despite going on to lead a rich and privileged life, Elsa is inwardly dead and has condemned herself to an utterly empty and joyless existence; by contrast, Caroline, despite her outwardly bleak fate of being wrongly condemned and dying in prison, manages to achieve a level of peace and fulfilment she'd never known before.before. As Elsa says, it is as if ''she'' is the one who has died, while Caroline and Amyas have escaped to a place where she can no longer reach them or harm them.]]
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* {{Foil}}: Caroline Crale and Elsa Greer. [[spoiler:Caroline has developed into a woman of great conscience and self-sacrificing love, putting up with her husband's dalliances and deliberately taking the fall for a crime she did not commit in order to protect Angela, while Elsa is an egoist whose love is only of the selfish kind; it leads her to attempt to break up a marriage without a qualm, and failing this, ultimately to murder her lover and frame her rival for it. Despite going on to lead a rich and privileged life, Elsa is inwardly dead and has condemned herself to an utterly empty and joyless existence; by contrast, Caroline, despite her outwardly bleak fate of being wrongly condemned and dying in prison, manages to achieved a level of peace and fulfilment she'd never known before.]]

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* {{Foil}}: Caroline Crale and Elsa Greer. [[spoiler:Caroline has developed into a woman of great conscience and self-sacrificing love, putting up with her husband's dalliances and deliberately taking the fall for a crime she did not commit in order to protect Angela, while Elsa is an egoist whose love is only of the selfish kind; kind with zero consideration of the feelings of others; it leads her to attempt to break up a marriage without a qualm, marriage, and failing this, ultimately to that, murder her lover and frame her rival for it. Despite going on to lead a rich and privileged life, Elsa is inwardly dead and has condemned herself to an utterly empty and joyless existence; by contrast, Caroline, despite her outwardly bleak fate of being wrongly condemned and dying in prison, manages to achieved achieve a level of peace and fulfilment she'd never known before.]]
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* {{Foil}}: Caroline Crale and Elsa Greer. [[spoiler:Caroline is a woman of great conscience and self-sacrificing love, putting up with her husband's dalliances and deliberately taking the fall for a crime she did not commit in order to protect Angela, while Elsa is an egoist whose love is only of the selfish kind; it leads her to attempt to break up a marriage without a qualm, and failing this, ultimately to murder her lover and frame her rival for it. Despite going on to lead a rich and privileged life, Elsa is inwardly dead and has condemned herself to an utterly empty and joyless existence; by contrast, Caroline, despite her outwardly bleak fate of being wrongly condemned and dying in prison, manages to achieved a level of peace and fulfilment she'd never known before.]]

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* {{Foil}}: Caroline Crale and Elsa Greer. [[spoiler:Caroline is has developed into a woman of great conscience and self-sacrificing love, putting up with her husband's dalliances and deliberately taking the fall for a crime she did not commit in order to protect Angela, while Elsa is an egoist whose love is only of the selfish kind; it leads her to attempt to break up a marriage without a qualm, and failing this, ultimately to murder her lover and frame her rival for it. Despite going on to lead a rich and privileged life, Elsa is inwardly dead and has condemned herself to an utterly empty and joyless existence; by contrast, Caroline, despite her outwardly bleak fate of being wrongly condemned and dying in prison, manages to achieved a level of peace and fulfilment she'd never known before.]]
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* {{Foil}}: Caroline Crale and Elsa Greer. [[spoiler:Caroline is a woman of great conscience and self-sacrificing love, putting up with her husband's dalliances and deliberately taking the fall for a crime she did not commit in order to protect Angela, while Elsa is an egoist whose love is only of the selfish kind; it leads her to attempt to break up a marriage without a qualm, and failing this, ultimately to murder her lover and frame her rival for it. Despite going on to lead a rich and privileged life, Elsa is inwardly dead and has condemned herself to an utterly empty and joyless existence; by contrast, Caroline, despite her outwardly bleak fate of being wrongly condemned and dying in prison, manages to achieved a level of peace and fulfilment she'd never known before.]]
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Pyrrhic Villainy has been merged into Pyrrhic Victory per TRS decision


* PyrrhicVillainy: [[spoiler:Elsa murders Amyas, lets Caroline take the fall for it, and gets away with everything scot-free. However, by killing her one true love, she condemned herself to a miserable, joyless existence; as she puts it: "I didn’t understand that I was killing ''myself'' — not him." And the brave and noble way Caroline meets her death even serves to thwart any satisfaction Elsa might have otherwise gained from setting her up.]]

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* PyrrhicVillainy: PyrrhicVictory: [[spoiler:Elsa murders Amyas, lets Caroline take the fall for it, and gets away with everything scot-free. However, by killing her one true love, she condemned herself to a miserable, joyless existence; as she puts it: "I didn’t understand that I was killing ''myself'' — not him." And the brave and noble way Caroline meets her death even serves to thwart any satisfaction Elsa might have otherwise gained from setting her up.]]
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* ParentalSubstitute: Shortly after Caroline maimed her half-sister their parents died and Caroline spent the rest of her life avtina the mother and trying to ammend her blinding mistske.

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* ParentalSubstitute: Shortly after Caroline maimed her half-sister their parents died and Caroline spent the rest of her life avtina the as her mother and trying to ammend her blinding mistske.mistake.
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* ParentalSubstitute: Shortly after Caroline maimed her half-sister their parents died and Caroline spent the rest of her life avtina the mother and trying to ammend her blinding mistske.
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* ShoutOut: The narration mentions "that picture once described by a child as a 'blind girl sitting on an orange and called, I don't know why, "[[https://en.wikipedia.org/wiki/Hope_(painting) Hope]]"'". The child in question is [[Literature/TheStoryOfTheTreasureSeekers Oswald Bastable]].

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* ShoutOut: The narration mentions "that picture once described by a child as a 'blind girl sitting on an orange and called, I don't know why, "[[https://en.wikipedia.org/wiki/Hope_(painting) org/wiki/Hope_(Watts) Hope]]"'". The child in question is [[Literature/TheStoryOfTheTreasureSeekers Oswald Bastable]].

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* FaceDeathWithDignity: It is often remarked even by those who have reason to think the worst of Caroline that the way she met her death was incredibly brave and dignified. [[spoiler: And ironically, this serves to thwart the true killer's spiteful desire for vengeance, since the noble way Caroline meets her fate simply serves to remind Elsa of how truly pathetic and inadequate she ultimately is.]]



* PyrrhicVillainy: [[spoiler:Elsa murders Amyas, lets Caroline take the fall for it, and gets away with everything scot-free. However, by killing her one true love, she condemnded herself to a miserable, joyless existence; as she puts it: "I didn’t understand that I was killing ''myself'' — not him."]]

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* PyrrhicVillainy: [[spoiler:Elsa murders Amyas, lets Caroline take the fall for it, and gets away with everything scot-free. However, by killing her one true love, she condemnded condemned herself to a miserable, joyless existence; as she puts it: "I didn’t understand that I was killing ''myself'' — not him."]]" And the brave and noble way Caroline meets her death even serves to thwart any satisfaction Elsa might have otherwise gained from setting her up.]]
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* GoOutWithASmile: Caroline finally found the peace she had never enjoyed, after [[spoiler:finally atoning for Angela's disfigurement by taking the blame for what she thought was Angela's crime.]]
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* ParentsAsPeople: Lampshaded by Poirot when he finds strange that every witness seems to forget that the murder victim has a baby daughter: Miss Williams as the governess discusses it when she explains that middle class children know that their parents love them but are too busy providing for them to pay attention; the love between the affluent murder victim and his wife was so intense that the baby could never have been their first concern.

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* ParentsAsPeople: Lampshaded by Poirot when he finds strange that every witness seems to forget that the murder victim has a baby little daughter: Miss Williams as the governess discusses it when she explains that middle class children know that their parents love them but are too busy providing for them to pay attention; the love between the affluent murder victim and his wife was so intense that the baby could never have been their first concern.
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* PyrrhicVillainy: [[spoiler:Elsa murders Amyas, lets Caroline take the fall for it, and gets away with everything scot-free. However, by killing her one true love, she condemnded herself to a miserable, joyless existence; as she puts it: "I didn’t understand that I was killing ''myself'' — not him.]]

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* PyrrhicVillainy: [[spoiler:Elsa murders Amyas, lets Caroline take the fall for it, and gets away with everything scot-free. However, by killing her one true love, she condemnded herself to a miserable, joyless existence; as she puts it: "I didn’t understand that I was killing ''myself'' — not him.]]"]]
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* PyrrhicVillainy: [[spoiler:Elsa murders Amyas, lets Caroline take the fall for it, and gets away with everything scot-free. However, by killing her one true love, she condemnded herself to a miserable, joyless existence; as she puts it: "I didn’t understand that I was killing ''myself'' — not him.]]
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* ShoutOut: The narration mentions "that picture once described by a child as a 'blind girl sitting on an orange and called, I don't know why, "[[https://en.wikipedia.org/wiki/Hope_(painting) Hope]]"'". The child in question is [[Literature/TheStoryOfTheTreasureSeekers Oswald Bastable]].
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* PromotionToParent; Caroline Crale was the guardian of her younger half-sister Angela.

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* BettyAndVeronica: Amyas Crale stands in the middle between his long-suffering wife, Caroline and his young, but glamorous, new model, Elsa.

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* BettyAndVeronica: Amyas Crale stands in the middle between his long-suffering wife, Caroline Caroline, and his young, but glamorous, new model, Elsa.



* BrutalHonesty: Caroline Crale believed in this, at least according to her daughter. The reason that Carla believes her mother is innocent is because Caroline sent her a letter saying so, and Caroline never told her daughter comforting lies.

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* BrutalHonesty: Caroline Crale believed in this, at least according to her daughter. The reason that Carla believes her mother is innocent is because that Caroline sent her a letter saying so, and Caroline never told her daughter comforting lies.



* DeathByWomanScorned: Amyas' womanising ways eventually got him murdered. [[spoiler:Elsa, one of his lovers, genuinely believed his claims when he told her that he would leave his wife for her. Then she overheard the truth, got her heart broken, and killed Amyas in revenge.]]

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* DeathByWomanScorned: Amyas' womanising womanizing ways eventually got him murdered. [[spoiler:Elsa, one of his lovers, genuinely believed his claims when he told her that he would leave his wife for her. Then she overheard the truth, got her heart broken, heartbroken, and killed Amyas in revenge.]]



* DontYouDarePityMe: [[spoiler:Elsa made Caroline the scapegoat for the murder not only out of jealousy, but also because she was furious when she heard Caroline calling out Amyas for the cruel treatment of her (Elsa)]].

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* DontYouDarePityMe: [[spoiler:Elsa made Caroline the scapegoat for the murder not only out of jealousy, jealousy but also because she was furious when she heard Caroline calling out Amyas for the cruel treatment of her (Elsa)]].



* EvilCannotComprehendGood: [[spoiler:Elsa snorts]] when Poirot says that [[spoiler:he is going to ask the courts to pardon Caroline posthumously. She doesn't understand that exonerating an innocent woman would bring peace of mind to her descendants, and restore honor to her memory]].



* KarmaHoudini: Downplayed. Poirot admits to the killer he has no physical evidence to prove their guilt and they won't publicly confess to it. However, they don't get away consequence-free: [[spoiler:Elsa Greer has never been able to move on from the day she murdered the only man she ever loved. She lives a wealthy but utterly joyless and miserable life. As she puts it "She and Amyas both escaped — they went somewhere where I couldn’t get at them. But they didn’t die. [[FateWorseThanDeath I died."]]]]

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* KarmaHoudini: KarmaHoudiniWarranty: Downplayed. Poirot admits to the killer he has no physical evidence to prove their guilt and they won't publicly confess to it. He says even if the inspectors want to take the case, they will get off without any charges due to their connections. However, they don't get away consequence-free: [[spoiler:Elsa Greer has never been able to move on from the day she murdered the only man she ever loved. She lives a wealthy but utterly joyless and miserable life. As she puts it "She and Amyas both escaped — they went somewhere where I couldn’t get at them. But they didn’t die. [[FateWorseThanDeath I died."]]]]


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* WhoMurderedTheAsshole: Poirot encounters this problem; it seems most of the people he talked to had reasons to dislike Amyas. [[spoiler:It's revealed that Elsa did it discreetly on learning he wouldn't leave Caroline for her]].
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No longer a trope.


* YourCheatingHeart: Amyas Crale had a lot of affairs, despite being married. [[spoiler:However, he only really loved his wife; the rest of the women meant nothing to him. ''Including Elsa.'']]

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* YourCheatingHeart: Amyas Crale had a lot of affairs, despite being married. [[spoiler:However, he only really loved his wife; the rest of the women meant nothing to him. ''Including Elsa.'']]
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* RevisitingTheColdCase: Poirot is asked to investigate a case from sixteen years prior.
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* UnreliableNarrator: Each guest's account of the events leading up to the death of Amyas Crale is tainted by their own prejudices, things they want to keep hidden, or things they've simply forgotten or don't realize the significance of. For example, one guest casually remarks to Poirot about a minor prank that was once played on Amyas, only to later realize in shock that it was actually something that has occurred on the day of his death and which holds greater significance than anyone could have thought.

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* UnreliableNarrator: Each guest's account of the events leading up to the death of Amyas Crale is tainted by their own prejudices, things they want to keep hidden, or things they've they have simply forgotten or don't realize the significance of. For example, one guest casually remarks to Poirot about a minor prank that was once played on Amyas, only to later realize in shock that it was actually something that has occurred on the day of his death and which holds greater significance than anyone could have thought.
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* SlapSlapKiss: Amyas and Caroline, constantly. Amyas had affairs and he had very nasty fights with Caroline, but despite this, they were very much in love. According to Angela, they actually enjoyed fighting, and would've found life boring without it. [[spoiler: Amyas never considered leaving Caroline, and she always forgave him.]]

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* SlapSlapKiss: Amyas and Caroline, constantly. Amyas had affairs and he had very nasty fights with Caroline, but despite this, they were very much in love. According to Angela, they actually enjoyed fighting, and would've would have found life boring without it. [[spoiler: Amyas never considered leaving Caroline, and she always forgave him.]]
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* SpoiledBrat: Caroline inadvertently turns Angela into this due to her desperation to atone for the accident that left Angela blind in one eye. Following the the deaths of Amyas and Caroline, Angela eventually grows out of it into a mature, pleasant woman.
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* ReplacementLoveInterest: Justin fell for Caroline in the past, and ends up falling for her daughter Carla in the present. Carla is the splitting image of her mother, and is played by the same actress.

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* ReplacementLoveInterest: ReplacementGoldfish: Justin fell for Caroline in the past, and ends up falling for her daughter Carla in the present. Carla is the splitting image of her mother, and is played by the same actress.
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* KarmaHoudini: Downplayed. Poirot admits to the killer he has no physical evidence to prove their guilt and they won't publicly confess to it. However, they don't get away consequence-free: [[spoiler:Elsa Greer has never been able to move on from the day she murdered the only man she ever loved. She lives a wealthy but utterly joyless and miserable life. As she puts it "She and Amyas both escaped — they went somewhere where I couldn’t get at them. But they didn’t die. [[FateWorseThanDeath ''I'' died."]]]]

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* KarmaHoudini: Downplayed. Poirot admits to the killer he has no physical evidence to prove their guilt and they won't publicly confess to it. However, they don't get away consequence-free: [[spoiler:Elsa Greer has never been able to move on from the day she murdered the only man she ever loved. She lives a wealthy but utterly joyless and miserable life. As she puts it "She and Amyas both escaped — they went somewhere where I couldn’t get at them. But they didn’t die. [[FateWorseThanDeath ''I'' I died."]]]]
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* KarmaHoudini: Downplayed. Poirot admits to the killer he has no physical evidence to prove their guilt and they won't publicly confess to it. However, they don't get away consequence-free: [[spoiler:Elsa Greer has never been able to move on from the day she murdered the only man she ever loved. She lives a wealthy but utterly joyless and miserable life. As she puts it [[FateWorseThanDeath "I died that day."]]]]

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* KarmaHoudini: Downplayed. Poirot admits to the killer he has no physical evidence to prove their guilt and they won't publicly confess to it. However, they don't get away consequence-free: [[spoiler:Elsa Greer has never been able to move on from the day she murdered the only man she ever loved. She lives a wealthy but utterly joyless and miserable life. As she puts it "She and Amyas both escaped — they went somewhere where I couldn’t get at them. But they didn’t die. [[FateWorseThanDeath "I died that day.''I'' died."]]]]
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* AdaptedOut: Typical of Christie's adaptation of Poirot novels, he is written out and replaced by the solicitor Justin Fogg.
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* ClingyJealousGirl: Gender-inverted with Amyas. The infamous rows between the couple were mostly not caused because of Amyas' frequent flings with other women, but because he was jealous that Caroline seemed to prioritise her sister Angela over him.

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* ClingyJealousGirl: Gender-inverted with Amyas. The infamous rows between the couple were mostly not caused because of by Amyas' frequent flings with other women, but because he was jealous that Caroline seemed to prioritise her sister Angela over him.
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* AdaptationalBadass: Carla is even more active and determined in the play than in the original story; she goes herself to visit the five suspects, and ends up figuring our part of the mystery on her own (specifically, about Angela's part in it).

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* AdaptationalBadass: Carla is even more active and determined in the play than in the original story; she goes herself to visit the five suspects, and ends up figuring our out part of the mystery on her own (specifically, about Angela's part in it).own.

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The story was featured in the ninth series of ''Series/{{Poirot}}'' in 2003. Tropes concerning the TV adaptation are listed on the series page.

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In 1960, Christie adapted the story for the stage, under the title ''Go Back for Murder''. The story was also featured in the ninth series of ''Series/{{Poirot}}'' in 2003. Tropes concerning the TV adaptation are listed on the series page.


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!!Christie's stage adaptation, ''Go Back for Murder'', additionally provides examples of:
* AdaptationalBadass: Carla is even more active and determined in the play than in the original story; she goes herself to visit the five suspects, and ends up figuring our part of the mystery on her own (specifically, about Angela's part in it).
* AdaptationalJerkass: Carla's fiance Jeff is more boorish and unpleasant than John Rattery was in the original. Carla realises she doesn't want to be with him after all.
* AdaptationalKarma: Possibly, depending on whether Philip Blake's promise to "get his fellow on the case in the morning" has any substance.
* AdaptationalNameChange: Lady Dittersham becomes Lady Melksham, and Carla's fiance John Rattery becomes Jeff Rogers.
* AdaptationRelationshipOverhaul: After the case has been solved, Carla ends up breaking off her engagement to Jeff, and gets together with Justin Fogg instead.
* DecompositeCharacter:
** Hercule Poirot's role in the original story is split between Justin Fogg and Carla herself.
** John Rattery is divided into Jeff Rogers (Carla's original fiance with whom she breaks things off) and Justin Fogg (with whom she falls in love at the end).
* IChooseToStay: Carla decides at the end of the play not to return to Canada, but instead to stay in England and marry Justin Fogg.
* NewhartPhonecall: Carla has an argument with Jeff on the phone, but only she can be heard.
* NiceJobFixingItVillain: Jeff is ''not'' a villain, but he does try to obstruct Carla's investigations by pressing Justin Fogg to turn her down. Ironically, Justin had already done so, but Jeff's interference persuades him to change his mind and accept Carla's request after all.
* PrecociousCrush: Downplayed. During the events of the past, a teenaged Justin Fogg fell in love with thirty-something Caroline.
* ReplacementLoveInterest: Justin fell for Caroline in the past, and ends up falling for her daughter Carla in the present. Carla is the splitting image of her mother, and is played by the same actress.
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** Both the Blake brothers in love with Caroline, and neither ever marries, even after her death. [[spoiler: And Meredith has grown to harbour the same feelings for Elsa.]]

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** Both the Blake brothers were in love with Caroline, and neither ever marries, even after her death. [[spoiler: And Meredith has grown to harbour the same feelings for Elsa.]]

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* NiceJobBreakingItHero: Both Caroline and Miss Williams tried to protect someone in the name of what they thought was justice, but their lies caused the actual murderer, whom neither of them would want to shield, to get away with what they'd done.

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* NiceJobBreakingItHero: Both Caroline and Miss Williams tried to protect someone in the name of what they thought was justice, but their lies caused the actual murderer, whom neither of them would want to shield, to get away with what they'd done.they had done.
* ParentsAsPeople: Lampshaded by Poirot when he finds strange that every witness seems to forget that the murder victim has a baby daughter: Miss Williams as the governess discusses it when she explains that middle class children know that their parents love them but are too busy providing for them to pay attention; the love between the affluent murder victim and his wife was so intense that the baby could never have been their first concern.



* ParentsAsPeople: Lampshaded by Poirot when he finds strange that every witness seems to forget that the murder victim has a baby daughter: Miss Williams as the governess discusses it when she explains that middle class children know that their parents love them but are too busy providing for them to pay attention; the love between the affluent murder victim and his wife was so intense that the baby could never have been their first concern.

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