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They also have a tendency to consider themselves [[ScrewTheRulesImDoingWhatsRight above the law]], although mostly this only means they don't bother to call the police while battling criminals: they're administering justice as they see it, so why waste time talking to the police? (There's also the problem that the British police won't bother about Egyptian matters and the Egyptian police are often incapable.) Amelia, in fact, is generally scornful of cops, ignoring the fact that police must follow rules of evidence she doesn't consider binding on her. She frequently says UsefulNotes/ScotlandYard would solve more cases if a woman ran it -- not talking about getting ''both'' male and female perspectives, but about ''replacing'' the male way of thinking with the female.

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They also have a tendency to consider themselves [[ScrewTheRulesImDoingWhatsRight above the law]], although mostly this only means in that they don't often bother to call the police while battling criminals: they're administering justice criminals, as they see it, so why waste time talking to the police? (There's also the problem that the British police won't bother about Egyptian matters and the Egyptian police are often incapable.) PoliceAreUseless. Amelia, in fact, is generally scornful of cops, ignoring the fact that police must follow rules of evidence she doesn't consider binding on her. She frequently says UsefulNotes/ScotlandYard would solve more cases if a woman ran it -- not talking about getting ''both'' male and female perspectives, but about ''replacing'' the male way of thinking with the female.


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* FloweryInsults: Emerson has well earned is Arabic nickname, "Father of Curses." His fluent, inventive command of invective is viewed with awe by many of the Egyptian characters. He seems less fluent when swearing in English, but since Amelia {{bowlderize|s}} her own journals, we can't be sure.


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* PoliceAreUseless: Or so Amelia, and to an extent the rest of the family believe. They use this as an excuse to pursue their investigations as they see fit.
** Justified when they are in Egypt; The European authorities generally don't care to intervene in cases where the victims are Egyptians, and the Egyptian police are either incompetent due to lack of training or afraid to press matters when a European is suspected of being the criminal.
** Not so when in England, where there are competent investigators. The friction that this attitude causes makes applying Amelia and Emerson's real expertise in Egyptian culture to incidents involving London's Cairene population... more difficult than it needs to be.
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* RidingIntoTheSunset: Invoked and lampshaded in "The Mummy Case." When M. de Morgan returns Ramses to his parents after a minor escapade, he deliberately rides off toward the sunset, ''despite having dinner plans in the opposite direction.'' The Emersons dryly agree:
--> Frenchmen-- Anything for a grand gesture!
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* FeeFiFauxPas: Amelia manages a rather large one ''very'' near the beginning of ''Crocodile on the Sandbank.'' She claims that what she says upon hearing Evelyn's tearful, angsty, "[[DefiledForever I was seduced]] and now you are going to kick me back out on the street" confession is not what she ''meant'' to say:
-->'''Amelia:''' Evelyn-- what is it like? Is it pleasant?
-->'''[Despite her own surprise, she decides to roll with it:]'''
-->'''Amelia:''' I have never had the opportunity of inquiring. My sisters in law... speak of [[LieBackAndThinkOfEngland the cross a wife must bear]]... [but] the village girls...
-->'''[Cue starving, borderline-suicidal Evelyn doubled over laughing.]'''
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Even more concise. Fixed formatting.


* ShippingTorpedo: Played with and ultimately [[SubvertedTrope subverted]] with Emerson in "Crocodile on the Sandbank." Amelia can't figure out why he keeps dropping rude or disparaging comments into her efforts to encourage an attachment between Evelyn and Walter. She decides that he must disapprove of a match between his brother and a penniless young woman. But when the couple finally confess their feelings for each other, he he seems quite satisfied. He knows his shy little brother much better than she does, and every little dig was calculated to goad Walter into taking a decisive stand.[[note:]]Emerson ''claims'' that the only reason that he supports the match is that Evelyn is a fairly talented artist, and will be useful on an archaeological expedition.[[/note]]

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* ShippingTorpedo: Played with and ultimately [[SubvertedTrope subverted]] with for Emerson in "Crocodile on the Sandbank." Amelia can't figure out why spends most of the book thinking that the reason that he keeps dropping rude or disparaging comments into her efforts to encourage an attachment between conversations with Evelyn and Walter. She decides that Walter because he must disapprove disapproves of a match between his brother and a penniless young woman. But when match. [[spoiler:Ultimately subverted. When the couple finally confess their feelings for each other, he he seems is quite satisfied. He knows his shy little brother much better than she does, brother, and every little dig was calculated to goad Walter into taking a decisive stand.[[note:]]Emerson ''claims'' that the only reason that he supports the match is that Evelyn is a fairly talented artist, and will be useful on an archaeological expedition.[[/note]]]]
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Edited example phrasing for brevity


* ShippingTorpedo: Played with and ultimately [[SubvertedTrope subverted]] with Emerson in "Crocodile on the Sandbank." Amelia spends a good deal of effort encouraging an attachment between Evelyn and Walter, only for many of her initiatives to be met with borderline rude or disparaging comments from Emerson. She can't figure out what his problem is, and thinks that he must disapprove of a match between his brother and a penniless young woman. When the couple finally confess their feelings for each other, he reacts with satisfaction, and she realizes that he knows his shy little brother much better than she does: Every little dig was precisely calculated to nudge Walter into standing up on his own two feet and declaring what he wants. Emerson claims that the only reason that '''he''' supports the match is that Evelyn is a fairly talented artist, and will be useful on an archaeological expedition.

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* ShippingTorpedo: Played with and ultimately [[SubvertedTrope subverted]] with Emerson in "Crocodile on the Sandbank." Amelia spends a good deal of effort encouraging can't figure out why he keeps dropping rude or disparaging comments into her efforts to encourage an attachment between Evelyn and Walter, only for many of her initiatives to be met with borderline rude or disparaging comments from Emerson. Walter. She can't figure out what his problem is, and thinks decides that he must disapprove of a match between his brother and a penniless young woman. When But when the couple finally confess their feelings for each other, he reacts with satisfaction, and she realizes that he seems quite satisfied. He knows his shy little brother much better than she does: Every does, and every little dig was precisely calculated to nudge goad Walter into standing up on his own two feet and declaring what he wants. Emerson claims taking a decisive stand.[[note:]]Emerson ''claims'' that the only reason that '''he''' he supports the match is that Evelyn is a fairly talented artist, and will be useful on an archaeological expedition.[[/note]]
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* ShippingTorpedo: Played with and ultimately [[SubvertedTrope subverted]] with Emerson in "Crocodile on the Sandbank." Amelia spends a good deal of effort encouraging an attachment between Evelyn and Walter, only for many of her initiatives to be met with borderline rude or disparaging comments from Emerson. She can't figure out what his problem is, and thinks that he must disapprove of a match between his brother and a penniless young woman. When the couple finally confess their feelings for each other, he reacts with satisfaction, and she realizes that he knows his shy little brother much better than she does: Every little dig was precisely calculated to nudge Walter into standing up on his own two feet and declaring what he wants. Emerson claims that the only reason that '''he''' supports the match is that Evelyn is a fairly talented artist, and will be useful on an archaeological expedition.
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!! Spoiler note: While most tropeing involves spoilers to a certain degree, this page as it's currently laid out has major mid- to late-series arc spoilers out in the open! If you hate having your mysteries spoiled, stop reading after the next couple of paragraphs. You have been warned!
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:Cue '''Karl''' stepping over to Mary and putting his arm around her. Mary Snuggles in. [[labelnote:Of course, Amelia being Amelia...]]Within two pages and two and a half months, she's going on about how she ''knew'' that Mary & Arthur would not have been a good match[[/labelnote]]

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:Cue '''Karl''' stepping over to Mary and putting his arm around her. Mary Snuggles in. [[labelnote:Of course, course...]] Amelia being Amelia...]]Within Amelia, within two pages and two and a half months, she's going on about how she ''knew'' that Mary & Arthur would not ''not'' have been a good match[[/labelnote]]
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* ShipperOnDeck: Amelia. Every book, sometimes for more than one couple. Methods range from moderately subtle [[labelnote:such as]]Carefully arranged dinner seating or dropping back in a walking party to distract the third wheel[[/labelnote]], to practically whacking Walter upside the head when he CantSpitItOut.
** In ''Crocodile on The Sandbank'' she encourages Evelyn to express her feelings to Walter, despite Evelyn's fears that her DefiledForever status would lead to a painful rejection. Turns out that Amelia read Walter correctly.
** Hilariously mis-aimed in ''Curse of The Pharaohs'': Mary has been very assiduously nursing Arthur, who is recovering from a serious head injury. As the denouement unfolds, Amelia drags the conversation outside of his room, [[LeaveTheTwoLovebirdsAlone leaving Mary behind.]] Some time later, Mary joins the party, and we get this exchange:
--->'''Mary:''' He is asleep, I am so happy for him. He will so enjoy being lord Baskerville.
--->'''Amelia:''' And I am happy for you.
--->'''Mary (blushing):''' But how did you know? We haven't told anyone yet.
--->'''Amelia:''' I always know these things

:Cue '''Karl''' stepping over to Mary and putting his arm around her. Mary Snuggles in. [[labelnote:Of course, Amelia being Amelia...]]Within two pages and two and a half months, she's going on about how she ''knew'' that Mary & Arthur would not have been a good match[[/labelnote]]

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Amelia Peabody and her husband Radcliffe Emerson are a HappilyMarried BattleCouple who are Victorian Egyptologists. Each is an AdventurerArchaeologist (subverted; they have plenty of adventures, but nothing but scorn for treasure-hunting-style archeology) and an AmateurSleuth. They also exhibit the tropes HugeGuyTinyGirl, SlapSlapKiss (they are sparring partners as well as passionate lovers), MamaBear and PapaWolf, CasualDangerDialog, ParasolOfPain, and DirectLineToTheAuthor (the whole series is supposedly being extracted by an editor from Amelia's private journal and a "Manuscript H" giving a third-person account of the experiences of Ramses and occasionally Nefret; see below).

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Amelia Peabody and her husband Radcliffe Emerson are a HappilyMarried BattleCouple who are Victorian Egyptologists. Each is an AdventurerArchaeologist (subverted; they have plenty of adventures, but nothing but scorn for treasure-hunting-style archeology) and an AmateurSleuth. They are also {{Amateur Sleuth}}s. They also exhibit the tropes HugeGuyTinyGirl, SlapSlapKiss (they are sparring partners as well as passionate lovers), MamaBear and PapaWolf, CasualDangerDialog, ParasolOfPain, and DirectLineToTheAuthor (the whole series is supposedly being extracted by an editor from Amelia's private journal and a "Manuscript H" giving a third-person account of the experiences of Ramses and occasionally Nefret; see below).
CasualDangerDialog.



* AdventureArchaeologist: Both Amelia and Emerson, though in subverted form. They despise the treasure-hunting kind of archaeologist.

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* AdventureArchaeologist: Both Amelia and Emerson, though in subverted form. They despise the treasure-hunting kind of archaeologist.archaeologist, and originally bond over their passion for preserving and learning from the artifacts that they discover.


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* ParasolOfPain: Amelia makes an art form of this. Justified, in that she prefers sturdy, well built examples that can stand up to the rigors of hiking in rough terrain and scrambling around ruins. Later books reveal that she has found the secondary uses of her parasol so convenient that she's now custom-ordering them with extra-strong steel shafts and unusually sharp, pointed finials. Uses include:
** Making a path through packed crowds
** Smartly applied to the wrist, it's excellent for fending off women who are being inappropriately clingy around her husband
** Stabbing people who attack her son
** Intimidation, at least once she's developed a bit of a reputation. Many of the less-educated Egyptians believe that her parasol is a great and mighty magical weapon.
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* BattleCouple:
** Amelia and Emerson: Despite the amount of time they waste going behind each other's backs in misguided attempts to protect each other, the climax of many of the stories has them side by side or back to back. GeniusBruiser and a Victorian feminist's UnstoppableRage:
--->Emerson (somewhat dazedly): There is blood on your parasol, Peabody.
** Ramses and Nefret eventually grow into a milder example, as they prefer more indirect methods. If they do need to resort to force, however: watch out.
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* MamaBear: While Amelia does love Ramses she's very unsentimental about it, much to the frustration of Emerson who wishes she'd be more affectionate towards their only child. [[spoiler:Then during the family's first proper encounter with Sethos, one of the Master Criminal's henchmen slams Ramses into a wall and Amelia believes he's dead. The next thing she remembers is Emerson shaking her out of her blind rage, the henchmen cowering on the floor and begging for mercy, a bloodstained parasol from having ''stabbed Sethos with it,'' and Ramses pressed flat against the wall in sheer terror.]]

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* Sethos, [[spoiler:Seth Emerson, who would be an EvilUncle if he were actually evil; he is Emerson's bastard half-brother, starts the series as a professional tomb robber, gets a crush on Amelia, who reforms him, and goes on to become a British secret agent, all before he reveals the relationship to Peabody and Emerson, and]] who has a way of turning up unannounced, to drag in new plot complications.

* Abdullah ibn Hassan al Wahhab, the foreman on the digs. [[spoiler:He eventually dies defending Amelia, but continues to appear to her in dreams, the reality of which cannot be checked.]] His son Selim takes over from him eventually. His brother Daoud is a GentleGiant. His grandson David is taken in by the younger Emersons, becomes a famed illustrator, and marries a niece of theirs. His daughter-in-law Fatima becomes the Emerson's housekeeper. Abdullah's family is the hook on which to hang issues of racism and imperialism, which the Emersons are fiercely against.

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* Sethos, [[spoiler:Seth Seth Emerson, who would be an EvilUncle if he were actually evil; he is Emerson's bastard half-brother, starts the series as a professional tomb robber, gets a crush on Amelia, who reforms him, and goes on to become a British secret agent, all before he reveals the relationship to Peabody and Emerson, and]] and who has a way of turning up unannounced, to drag in new plot complications.

* Abdullah ibn Hassan al Wahhab, the foreman on the digs. [[spoiler:He eventually dies defending Amelia, but continues to appear to her in dreams, the reality of which cannot be checked.]] His son Selim takes over from him eventually. His brother Daoud is a GentleGiant. His grandson David is taken in by the younger Emersons, becomes a famed illustrator, and marries a niece of theirs. His daughter-in-law Fatima becomes the Emerson's housekeeper. Abdullah's family is the hook on which to hang issues of racism and imperialism, which the Emersons are fiercely against.



* AnimalLover: Amelia is a downplayed version, at least by Victorian standards. One of her BeserkButtons is blatant animal abuse, and she insists on inspecting and doctoring all animals acquired for their digs before they are put to work. One of Abdullah's CatchPhrases in the early years is a resigned, 'Yes, Sitt Hakim, the donkeys have been washed'. At one point, Ramses reminisces one one of his fondest childhood memories: Amelia calmly scrubbing a camel with a long-handled brush while it kicked and bellowed so violently that it took two of the expedition crew to hold it in place.

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* AnimalLover: Amelia is a downplayed version, at least by Victorian standards. One of her BeserkButtons {{Berserk Button}}s is blatant animal abuse, and she insists on inspecting and doctoring all animals acquired for their digs before they are put to work. One of Abdullah's CatchPhrases {{Catch Phrase}}s in the early years is a resigned, 'Yes, Sitt Hakim, the donkeys have been washed'. At one point, Ramses reminisces one one of his fondest childhood memories: Amelia calmly scrubbing a camel with a long-handled brush while it kicked and bellowed so violently that it took two of the expedition crew to hold it in place.



* CannotSpitItOut: Amelia's companion Evelyn and Emerson's brother Walter in ''Crocodile on the Sandbank''. Amelia eventually gets so fed-up with both of them that she spits it out for Evelyn:
-->'''Amelia''': She loves someone else...The one she loves is a poor wretch who won't even declare himself.
-->'''Walter''': You cannot mean...
-->'''Amelia''': Yes, you fool. She loves you. I don't know why, but she does. Now go and claim her.

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* CannotSpitItOut: CannotSpitItOut:
**
Amelia's companion Evelyn and Emerson's brother Walter in ''Crocodile on the Sandbank''. Amelia eventually gets so fed-up with both of them that she spits it out for Evelyn:
-->'''Amelia''': --->'''Amelia''': She loves someone else...The one she loves is a poor wretch who won't even declare himself.
-->'''Walter''':
himself.\\
'''Walter''':
You cannot mean...
-->'''Amelia''':
mean...\\
'''Amelia''':
Yes, you fool. She loves you. I don't know why, but she does. Now go and claim her.



* FakingTheDead; [[spoiler: Sethos.]] ''Twice.''
--->'''Emerson''': "If he dies again I am going to kill him!"

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* FakingTheDead; FakingTheDead: [[spoiler: Sethos.]] ''Twice.''
--->'''Emerson''': -->'''Emerson''': "If he dies again I am going to kill him!"



* HypocriticalHumor: At one point in ''The Last Camel Died at Noon'', Amelia pats herself on the back for nagging her husband into a certain course of action. When it goes badly a few pages later, she notes that if he'd listened to her, he would never have taken that course. Apparently, she forgot to [[{{Retcon}} edit]] the relevant portion of her journal.

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* HypocriticalHumor: HypocriticalHumor:
**
At one point in ''The Last Camel Died at Noon'', Amelia pats herself on the back for nagging her husband into a certain course of action. When it goes badly a few pages later, she notes that if he'd listened to her, he would never have taken that course. Apparently, she forgot to [[{{Retcon}} edit]] the relevant portion of her journal.



--->'''Amelia''': "Emerson, that villain, that remarkable, clever wretch has seduced our cat!"

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--->'''Amelia''': -->'''Amelia''': "Emerson, that villain, that remarkable, clever wretch has seduced our cat!"



* LamarckWasRight: Ramses inherits his talents at disguise and general sneakiness from [[spoiler: his ''uncle'' Sethos.]] Let's face it, Amelia and Emerson would make a good army just by themselves, but sneakiness isn't exactly among their considerable talents.

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* LamarckWasRight: LamarckWasRight:
**
Ramses inherits his talents at disguise and general sneakiness from [[spoiler: his ''uncle'' Sethos.]] Let's face it, Amelia and Emerson would make a good army just by themselves, but sneakiness isn't exactly among their considerable talents.



* ShoutOut: To Literature/SherlockHolmes -- the second book has characters belonging to a different branch of the Baskerville family, and someone under the pseudonym of Milverton, as well as a direct reference to Holmes, while book four has Amelia meet a detective named Tobias Gregson [[spoiler: who's not actually either of those things]]. There are also references to Creator/HRiderHaggard's stories, in addition to the {{Homage}} mentioned above involving Nefret's backstory.

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* ShoutOut: ShoutOut:
**
To Literature/SherlockHolmes ''Literature/SherlockHolmes'' -- the second book has characters belonging to a different branch of the Baskerville family, and someone under the pseudonym of Milverton, as well as a direct reference to Holmes, while book four has Amelia meet a detective named Tobias Gregson [[spoiler: who's not actually either of those things]]. There are also references to Creator/HRiderHaggard's stories, in addition to the {{Homage}} mentioned above involving Nefret's backstory.
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[[quoteright:225:https://static.tvtropes.org/pmwiki/pub/images/amelia_peabody_series.jpg]]

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misuse; changed to Direct Line To The Author


Amelia Peabody and her husband Radcliffe Emerson are a HappilyMarried BattleCouple who are Victorian Egyptologists. Each is an AdventurerArchaeologist (subverted; they have plenty of adventures, but nothing but scorn for treasure-hunting-style archeology) and an AmateurSleuth. They also exhibit the tropes HugeGuyTinyGirl, SlapSlapKiss (they are sparring partners as well as passionate lovers), MamaBear and PapaWolf, CasualDangerDialog, ParasolOfPain, and LiteraryAgentHypothesis (the whole series is supposedly being extracted by an editor from Amelia's private journal and a "Manuscript H" giving a third-person account of the experiences of Ramses and occasionally Nefret; see below).

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Amelia Peabody and her husband Radcliffe Emerson are a HappilyMarried BattleCouple who are Victorian Egyptologists. Each is an AdventurerArchaeologist (subverted; they have plenty of adventures, but nothing but scorn for treasure-hunting-style archeology) and an AmateurSleuth. They also exhibit the tropes HugeGuyTinyGirl, SlapSlapKiss (they are sparring partners as well as passionate lovers), MamaBear and PapaWolf, CasualDangerDialog, ParasolOfPain, and LiteraryAgentHypothesis DirectLineToTheAuthor (the whole series is supposedly being extracted by an editor from Amelia's private journal and a "Manuscript H" giving a third-person account of the experiences of Ramses and occasionally Nefret; see below).


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* DirectLineToTheAuthor: The whole series is supposedly being extracted by an editor from Amelia's private journal and a "Manuscript H" giving a third-person account of the experiences of Ramses and occasionally Nefret.

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* Abdullah ibn Hassan al Wahhab, their foreman on the digs. [[spoiler:He eventually dies defending Amelia, but continues to appear to her in dreams, the reality of which cannot be checked.]] His son Selim takes over from him eventually. His brother Daoud is a GentleGiant. His grandson David is taken in by the Emersons, becomes a famed illustrator, and marries a niece of theirs. His daughter-in-law Fatima becomes the Emerson's housekeeper. Abdullah's family is the hook on which to hang issues of racism and imperialism, which the Emersons are fiercely against.

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* Abdullah ibn Hassan al Wahhab, their the foreman on the digs. [[spoiler:He eventually dies defending Amelia, but continues to appear to her in dreams, the reality of which cannot be checked.]] His son Selim takes over from him eventually. His brother Daoud is a GentleGiant. His grandson David is taken in by the younger Emersons, becomes a famed illustrator, and marries a niece of theirs. His daughter-in-law Fatima becomes the Emerson's housekeeper. Abdullah's family is the hook on which to hang issues of racism and imperialism, which the Emersons are fiercely against.



# 1912, [[https://www.amazon.com/dp/0062083511/ The Painted Queen (2017, published out of sequence)]]

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# 1912, [[https://www.amazon.com/dp/0062083511/ The Painted Queen (2017, published out of sequence)]] sequence)



The twentieth book in the series, "The Painted Queen", was in the editing phase at the time of Peters' death; it was completed by Joan Hess.


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* AdultFear: In Justin(e) and her henchmen holding Miryam's son hostage to force her to work with them.
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* LoveAtFirstPunch: [[spoiler: It's unclear exactly ''when'' Sethos developed his crush on Amelia, but it's quite probable he grew fixated on her after one of his henchmen knocked Ramses into a wall, causing her to subsequently go utterly berserk and stab him with her parasol.]]

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* LoveAtFirstPunch: [[spoiler: It's unclear exactly ''when'' Sethos developed his crush on Amelia, but it's quite probable he grew fixated on her after one of his henchmen knocked Ramses into a wall, wall and apparently seriously injured him, causing her to subsequently go utterly berserk berserk, beat up the henchmen and stab him Sethos with her parasol.]]

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* AnimalLover: Amelia is a downplayed version, at least by Victorian standards. One of her BeserkButtons is blatant animal abuse, and she insists on inspecting and doctoring all animals acquired for their digs before they are put to work. One of Abdullah's CatchPhrases in the early years is a resigned, 'Yes, Sitt Hakim, the donkeys have been washed'. At one point, Ramses reminisces one one of his fondest childhood memories: Amelia calmly scrubbing a camel with a long-handled brush while it kicked and bellowed so violently that it took two of the expedition crew to hold it in place.



* FriendToAnimals: Amelia, at least by Victorian standards. One of her BeserkButtons is blatant animal abuse, and she insists on inspecting and doctoring all animals acquired for their digs before they are put to work. One of Abdullah's CatchPhrases in the early years is a resigned, 'Yes, Sitt Hakim, the donkeys have been washed'. At one point, Ramses reminisces one one of his fondest childhood memories: Amelia calmly scrubbing a camel with a long-handled brush while it kicked and bellowed so violently that it took two of the expedition crew to hold it in place.
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* ApronMatron: Amelia's parasol is a weapon feared throughout Egypt (''before'' her husband gave her a sword-cane version), and senior British officials cringe at the thought of her tongue-lashings.

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* ApronMatron: Amelia's parasol is a weapon feared throughout Egypt (''before'' her husband gave her a sword-cane version), and senior British officials cringe at the thought of her tongue-lashings. In one book, she reveals that she replaced all the steel 'bones' in her corset with custom made knives, including a couple that needed their own sheaths.
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* LoveAtFirstSight: At one point, Ramses says outright that he had this for Nefret, regardless of the fact he was a child at the time.

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* GeniusBruiser: Emerson, described by his wife as "Herculean" and also as "the greatest archeologist of this or any other age."

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* FriendToAnimals: Amelia, at least by Victorian standards. One of her BeserkButtons is blatant animal abuse, and she insists on inspecting and doctoring all animals acquired for their digs before they are put to work. One of Abdullah's CatchPhrases in the early years is a resigned, 'Yes, Sitt Hakim, the donkeys have been washed'. At one point, Ramses reminisces one one of his fondest childhood memories: Amelia calmly scrubbing a camel with a long-handled brush while it kicked and bellowed so violently that it took two of the expedition crew to hold it in place.
* GeniusBruiser: Emerson, frequently described by his wife both as "Herculean" and also as "the greatest archeologist of this or any other age."



* HappilyMarried: Amelia and Emerson.

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* HappilyMarried: Amelia and Emerson. Evelyn and Walter. Eventually [[spoiler: David and Lia, and Nefret and Ramses.]]



** Also, the character in the Vicky Bliss series who turns out to be descended from Ramses? Starts off as a master thief and antiquity smuggler, with a knack for disguise.



* MightyWhitey: Both used and subverted. Amelia and her husband, son, daughter-in-law, and grandchildren are all white, and regarded with awe, admiration, and dread by the Egyptians they work with, but one of the causes they champion is equal rights for Egyptians, and they cultivate some impressive Egyptian sidekicks (though none in their own league). In ''The Last Camel Died at Noon'', Amelia and family visit a LostWorld, where Amelia is irritated to discover that the heroic native prince believes in the Mighty Whitey trope.

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* MightyWhitey: Both used and subverted. Amelia and her husband, son, daughter-in-law, and grandchildren are all white, and regarded with awe, admiration, and dread by the Egyptians they work with, however, this is mostly for various talents, skills, or shenanigans rather than being white; but one of the causes they champion is equal rights for Egyptians, and they cultivate some impressive Egyptian sidekicks (though none in their own league).league), several of which become family by marriage. In ''The Last Camel Died at Noon'', Amelia and family visit a LostWorld, where Amelia is irritated to discover that the heroic native prince believes in the Mighty Whitey trope.
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* MasterOfDisguise: Sethos and Ramses both. Ramses, in fact, developed his own skill at disguise while still a young boy, after stealing one of Sethos' rather comprehensive makeup kits; for a while before puberty he was in the habit of disguising himself so convincingly as a girl that the Emersons' servants thought they were being haunted by a child's ghost. [[Spoiler: In one book, Sethos spends most the plot hanging out with Ameilia, disguised as her and Emerson's good friend Cyrus Vandergelt, and she can't tell the difference.]]

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* MasterOfDisguise: Sethos and Ramses both. Ramses, in fact, developed his own skill at disguise while still a young boy, after stealing one of Sethos' rather comprehensive makeup kits; for a while before puberty he was in the habit of disguising himself so convincingly as a girl that the Emersons' servants thought they were being haunted by a child's ghost. [[Spoiler: [[spoiler: In one book, Sethos spends most the plot hanging out with Ameilia, disguised as her and Emerson's good friend Cyrus Vandergelt, and she can't tell the difference.]]

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* LamarckWasRight: Ramses inherits his talents at disguise and general sneakiness from [[spoiler: his ''uncle'' Sethos.]] Let's face it, Amelia and Emerson would make a good army just by themselves, but sneakiness isn't exactly among their considerable talents.



* LoyalAnimalCompanion: Bastet, for Ramses. She's also pretty intelligent for a cat.
* MasterOfDisguise: Sethos and Ramses both. Ramses, in fact, developed his own skill at disguise while still a young boy, after stealing one of Sethos' rather comprehensive makeup kits; for a while before puberty he was in the habit of disguising himself so convincingly as a girl that the Emersons' servants thought they were being haunted by a child's ghost.

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* LoyalAnimalCompanion: Bastet, The Cat Bastet [[note]] Yes, she is always addressed or referred to this way [[/note]], for Ramses. She's also pretty intelligent for a cat.
cat. [[spoiler: To the extent that Ramses has a dream of her the night she dies (he's away at the time) which is implied to be her personal farewell to him after death. But then, she ''is'' an Egyptian cat]]. Her grandson, Horus, becomes this to Nefret and Sennia.
* MasterOfDisguise: Sethos and Ramses both. Ramses, in fact, developed his own skill at disguise while still a young boy, after stealing one of Sethos' rather comprehensive makeup kits; for a while before puberty he was in the habit of disguising himself so convincingly as a girl that the Emersons' servants thought they were being haunted by a child's ghost. [[Spoiler: In one book, Sethos spends most the plot hanging out with Ameilia, disguised as her and Emerson's good friend Cyrus Vandergelt, and she can't tell the difference.]]
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* DownerEnding: Not usually, but ''Falcon at the Portal'' did [[{{Understatement}}not end]] on a happy note.

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* DownerEnding: Not usually, but ''Falcon at the Portal'' did [[{{Understatement}}not [[{{Understatement}} not end]] on a happy note.
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The Amelia Peabody books so far, with the dates when they are set, are:

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The Amelia Peabody books so far, books, with the dates when they are set, are:



* DownerEnding: Not usually, but ''Falcon at the Portal'' did not end on a happy note.

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* DownerEnding: Not usually, but ''Falcon at the Portal'' did not end [[{{Understatement}}not end]] on a happy note.
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* CanonWelding: With Peters' Literature/VickyBliss series (one of the characters in that series is descended from one of Ramses and Nefret's children).

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* CanonWelding: With Peters' Literature/VickyBliss series (one series. A fairly early book establishes Amelia as an historical figure, and it turns out that one of the characters in that series is descended from one of Ramses and Nefret's children).children - though we never find out which one.



* ChildProdigy: Ramses, to an insufferable degree.

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* ChildProdigy: Ramses, to an insufferable degree. Funnily, Ramses comes to recognize this himself as an adult. Can't quite bring himself to apologize to his mother for this, though.
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** Not to mention [[spoiler:Ramses]], for ''fourteen years''.

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** Not to mention [[spoiler:Ramses]], for ''fourteen years''. [[spoiler: Justified by his being about eight or nine years old when it starts.]]

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Removed: 115

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# 1912, [[https://www.amazon.com/dp/0062083511/ The Painted Queen (2017)]]

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# 1912, [[https://www.amazon.com/dp/0062083511/ The Painted Queen (2017)]] (2017, published out of sequence)]]



* CannotSpitItOut: Amelia's companion Evelyn and Emerson's brother Walter in ''Crocodile on the Sandbank.'' Amelia eventually gets so fed-up with both of them that she spits it out for Evelyn:

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* CannotSpitItOut: Amelia's companion Evelyn and Emerson's brother Walter in ''Crocodile on the Sandbank.'' Sandbank''. Amelia eventually gets so fed-up with both of them that she spits it out for Evelyn:



* DisinheritedChild: The Earl of Ellesmere disinherited his daughter for marrying an Italian, and later his granddaughter Evelyn when she fell for an Italian as well and ran off with him (not realizing he was a con artist).

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* DisinheritedChild: The Earl of Ellesmere disinherited his daughter for marrying an Italian, and later his granddaughter Evelyn when she fell for an Italian as well and ran off with him (not realizing he was a con artist). [[spoiler: Later subverted in the latter case, as he changed his mind and hand-wrote a new will officially leaving everything to her.]]



* FamilyEyeResemblance: This is what allows Sennia to be passed off as Ramses' child

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* FamilyEyeResemblance: This is what allows Sennia to be passed off as Ramses' childchild.



* ItMakesSenseInContext
--->'''Amelia''': "Emerson, that villain, that remarkable, clever wretch has seduced our cat!"



* MakesSenseInContext
--->'''Amelia''': "Emerson, that villain, that remarkable, clever wretch has seduced our cat!"



* MrSmith: A recurring character is a British spymaster who often goes by "Smith," partly because spies use pseudonyms and partly because it's so much easier than coping with his real name of "the Honorable Algernon Bracegirdle-Boisdragon."

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* MrSmith: A recurring character is a British spymaster who often goes by "Smith," "Smith", partly because spies use pseudonyms and partly because it's so much easier than coping with his real name of "the Honorable Algernon Bracegirdle-Boisdragon."



** Not done intentionally by the Earl of Ellesmere (at least, not at first), but effectively when his son died; his title had to go to the closest male heir (his grandson by his eldest and disinherited daughter) by law, preventing his granddaughter Evelyn from getting everything. He later disinherited her entirely when she fell for an Italian, who turned out to be a con artist.

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** Not done intentionally by the Earl of Ellesmere (at least, not at first), but effectively when his son died; his title had to go to the closest male heir (his grandson by his eldest and disinherited daughter) by law, preventing his granddaughter Evelyn from getting everything. He later disinherited her entirely when she fell for an Italian, who turned out to be a con artist. [[spoiler: At least, for a while. He later changed his mind and wrote a new will, giving her everything, before dying.]]



* TheBusCameBack: The Frasers reappear in "Seeing A Large Cat" and Percy reappears in "The Falcon at the Portal"

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* TheBusCameBack: The Frasers reappear in "Seeing A Large Cat" and Percy reappears in "The Falcon at the Portal"Portal".



* TitleDrop: In several of the novels

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* TitleDrop: In several of the novelsnovels.



* YouCalledMeXItMustBeSerious: Amelia knows Emerson's really angry at her when he calls her "Amelia" rather than the usual "Peabody."
* WhatHappenedToTheMouse: Violet Peabody is only seen in "Deeds of the Disturber"

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* YouCalledMeXItMustBeSerious: Amelia knows Emerson's really angry at her when he calls her "Amelia" rather than the usual "Peabody."
"Peabody".
* WhatHappenedToTheMouse: Violet Peabody is only seen in "Deeds of the Disturber"Disturber".

Added: 1254

Changed: 436

Removed: 404

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Added a few; moving one to YMMV.


# 1912, [[https://www.amazon.com/Painted-Queen-Novel-Elizabeth-Peters/dp/0062083511/ref=pd_bxgy_14_img_2?_encoding=UTF8&pd_rd_i=0062083511&pd_rd_r=AKJ97QDTQF6MD3SHPTAA&pd_rd_w=Ut56o&pd_rd_wg=LnAQh&psc=1&refRID=AKJ97QDTQF6MD3SHPTAA The Painted Queen (2017)]]

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# 1912, [[https://www.amazon.com/Painted-Queen-Novel-Elizabeth-Peters/dp/0062083511/ref=pd_bxgy_14_img_2?_encoding=UTF8&pd_rd_i=0062083511&pd_rd_r=AKJ97QDTQF6MD3SHPTAA&pd_rd_w=Ut56o&pd_rd_wg=LnAQh&psc=1&refRID=AKJ97QDTQF6MD3SHPTAA com/dp/0062083511/ The Painted Queen (2017)]]



The twentieth book in the series, "The Painted Queen", which will cover the 1912-3 season was in the editing phase at Peters' death is set to be realized around [[https://en.wikipedia.org/wiki/Amelia_Peabody_series mid-2017]]

to:

The twentieth book in the series, "The Painted Queen", which will cover the 1912-3 season was in the editing phase at the time of Peters' death is set to be realized around [[https://en.wikipedia.org/wiki/Amelia_Peabody_series mid-2017]]death; it was completed by Joan Hess.



* DisinheritedChild: The Earl of Ellesmere disinherited his daughter for marrying an Italian, and later his granddaughter Evelyn when she fell for an Italian as well and ran off with him (not realizing he was a con artist).



* Family Eye Resemblance: This is what allows Sennia to be passed off as Ramses' child

to:

* Family Eye Resemblance: FamilyEyeResemblance: This is what allows Sennia to be passed off as Ramses' child



* Foreshadowing: Nefret says that Sethos "treated her like an indulgent uncle" during "He Shall Thunder in the Sky." We find out later in the book that Sethos is Emerson's illegitimate half-brother

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* Foreshadowing: {{Foreshadowing}}: Nefret says that Sethos "treated her like an indulgent uncle" during "He Shall Thunder in the Sky." We find out later in the book that Sethos is Emerson's illegitimate half-brother



* HypocriticalHumor: At one point in ''The Last Camel Died at Noon'', Amelia pats herself on the back for nagging her husband into a certain course of action. When it goes badly a few pages later, she notes that if he'd listened to her, he would never have taken that course. Apparently, she forgot to [[{{Retcon}} edit]] the relevant portion of [[LiteraryAgentHypothesis her journal]].

to:

* HypocriticalHumor: At one point in ''The Last Camel Died at Noon'', Amelia pats herself on the back for nagging her husband into a certain course of action. When it goes badly a few pages later, she notes that if he'd listened to her, he would never have taken that course. Apparently, she forgot to [[{{Retcon}} edit]] the relevant portion of [[LiteraryAgentHypothesis her journal]].journal.



* LiteraryAgentHypothesis: Not only are the books presented as being extracts from the journals and letters of the family, the issue is made even blurrier because both Margret Minton and Percy Peabody (secondary characters) write highly colored and distorted "memoirs" of their experiences, and the Emersons are semi-friends with a yellow journalist who writes exaggerated accounts of their own exploits.



* PutOnABus: Percy Emerson, the Frasers, Mary and Karl von Borg

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* PassedOverInheritance:
** Amelia inherited her father's full estate, since she was the only one who shared his interest in ancient history. Her six older brothers, who were all successful merchants and professional men, were not amused to find out they'd missed out on half a million pounds (having not realized that their father was actually wealthy), and multiple attempts were made to claim the sum for themselves, though Amelia and her father's lawyer stopped all of them.
** Not done intentionally by the Earl of Ellesmere (at least, not at first), but effectively when his son died; his title had to go to the closest male heir (his grandson by his eldest and disinherited daughter) by law, preventing his granddaughter Evelyn from getting everything. He later disinherited her entirely when she fell for an Italian, who turned out to be a con artist.
* PutOnABus: Percy Emerson, the Frasers, Mary and Karl von BorgBorg.
* RaisedByGrandparents: Evelyn was raised by her grandfather, as she explains in book 1, her parents having died when she was a baby.



* TasteOfTheLash: Percy does this to Ramses

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* TasteOfTheLash: ATasteOfTheLash: Percy does this to Ramses
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Added DiffLines:

* BadassInDistress: Most of the main cast take a turn at this, but Ramses is especially prone to it.

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