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Trope has been disambiguated per TRS
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The plot is about the romance between the widow Amalia and the [[LaResistance unitarian rebel]] Eduardo Belgrano, descendant of the national hero ManuelBelgrano, who was trying to escape the prosecution of [[PeoplesRepublicOfTyranny La Mazorca]], and was injured by a {{gaucho}} ambush when he was attempting to reunite with the troops who fight against Rosas. Eduardo is saved by his friend Daniel Bello, a MagnificentBastard who leads him to his cousin's Amalia house, a tucumanian twenty years [[DeterminedWidow widow]] whom has a house in Barracas, in the suburbs of BuenosAires.
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The plot is about the romance between the widow Amalia and the [[LaResistance unitarian rebel]] Eduardo Belgrano, descendant of the national hero ManuelBelgrano, who was trying to escape the prosecution of [[PeoplesRepublicOfTyranny La Mazorca]], and was injured by a {{gaucho}} ambush when he was attempting to reunite with the troops who fight against Rosas. Eduardo is saved by his friend Daniel Bello, a MagnificentBastard who leads him to his cousin's Amalia house, a tucumanian twenty years [[DeterminedWidow widow]] widow whom has a house in Barracas, in the suburbs of BuenosAires.
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* DeterminedWidow: Amalia, as she is eager to support the Unitarian cause by housing the injured Eduardo Belgrano.
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Dewicked trope
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* GeneralRipper: Juan Manuel de Rosas.
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* IdealHero: Eduardo Belgrano
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* KnifeNut: the gauchos and Rosas’s followers.
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None
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* {{Bandito}}: The gauchos here enter in this trope.
* BolivianArmyEnding: Eduardo and Amalia house is stormed by Rosas troops, and both get killed.
* ByronicHero: sort of with Daniel Bello, a unitarian gentleman tied to the Buenos Aires federals; and at a certain point with Eduardo Belgrano, who is a passionate, inteligent and handsome guy prosecuted by the SecretPolice for his unitarian support.
* BolivianArmyEnding: Eduardo and Amalia house is stormed by Rosas troops, and both get killed.
* ByronicHero: sort of with Daniel Bello, a unitarian gentleman tied to the Buenos Aires federals; and at a certain point with Eduardo Belgrano, who is a passionate, inteligent and handsome guy prosecuted by the SecretPolice for his unitarian support.
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* {{Bandito}}: The gauchos here enter in qualify under this trope.
* BolivianArmyEnding: Eduardo andAmalia Amalia’s house is stormed by Rosas Rosas’s troops, and both get killed.
* ByronicHero: sort of with Daniel Bello, a unitarian gentlemantied allied to the Buenos Aires federals; and at a certain point with Eduardo Belgrano, who is a passionate, inteligent and handsome guy prosecuted by the SecretPolice for his unitarian support.
* BolivianArmyEnding: Eduardo and
* ByronicHero: sort of with Daniel Bello, a unitarian gentleman
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* {{Doorstopper}}: The book is overly long and at times minusciously detailed, although overall is an entertaining book.
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* {{Doorstopper}}: The book is overly long and at times minusciously thoroughly detailed, although overall is an entertaining book.
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* HappilyEverAfter: subverted. The Mazorca ruins the plans of Amalia and Eduardo to go away after being married.
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* HappilyEverAfter: subverted. The Mazorca ruins the plans of Amalia and Eduardo to go run away after being married.
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* KnifeNut: the gauchos and Rosas followers.
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* KnifeNut: the gauchos and Rosas Rosas’s followers.
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* ThePampas: somewhat averted in this book, as it takes place in Buenos Aires rather than the fields. But at the same time, the Gauchos are the representatives of the feral land.
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* ThePampas: somewhat averted in this book, as it takes place in Buenos Aires rather than the fields.rural areas. But at the same time, the Gauchos are the representatives of the feral land.
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''Amalia'' is an Argentinian [[{{Romanticism}} romantic]] OlderThanRadio {{doorstopper}} novel by Creator:JoséMármol, depicting the ArgentinanCivilWar in the XIX century from the perspective of an unitarian hero.
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''Amalia'' is an Argentinian [[{{Romanticism}} romantic]] OlderThanRadio {{doorstopper}} novel by Creator:JoséMármol, Creator/JoséMármol, depicting the ArgentinanCivilWar in the XIX century from the perspective of an unitarian hero.
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Nace un romance entre Amalia y Eduardo, mientras se suceden muchas peripecias en la ciudad y sus alrededores, lo cual da oportunidad al autor para presentar el accionar de distintas figuras históricas como el gobernador Rosas, su hija Manuelita, su hermana Agustina Rosas, su cuñada Josefa Ezcurra, el representante inglés míster Mandeville, funcionarios, personeros y bufones del régimen de Rosas. Belgrano y Amalia deciden casarse para, una vez repuesto él de sus heridas, huir los dos a Montevideo. Sin embargo, esbirros de la Mazorca —fuerza de choque del gobierno rosista— irrumpen en la quinta y los matan a los dos.
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Nace un romance entre Amalia y Eduardo, mientras se suceden muchas peripecias en la ciudad y sus alrededores, lo cual da oportunidad al autor para presentar el accionar de distintas figuras históricas como el gobernador Rosas, su hija Manuelita, su hermana Agustina Rosas, su cuñada Josefa Ezcurra, el representante inglés míster Mandeville, funcionarios, personeros representatives y bufones del régimen de Rosas. Belgrano y Amalia deciden casarse para, una vez repuesto él de sus heridas, huir los dos a Montevideo. Sin embargo, esbirros de la Mazorca —fuerza de choque del gobierno rosista— irrumpen en la quinta y los matan a los dos.dos.
%%As many adventures take place in the city and its surroundings, romance flourishes between Amalia and Eduardo. This allows the author to show the actions of various historical figures such as Governor Rosas, his daughter Manuelita, his sister Agustina Rosas, his sister-in-law Josefa Ezcurra, the English representative Mr. Mandeville. Belgrano and Amalia decide to marry so that, once he has recovered from his wounds, they can flee to Montevideo. However, henchmen of La Mazorca - shock force of the Rosista government - break into the farm and kill them both.
%%As many adventures take place in the city and its surroundings, romance flourishes between Amalia and Eduardo. This allows the author to show the actions of various historical figures such as Governor Rosas, his daughter Manuelita, his sister Agustina Rosas, his sister-in-law Josefa Ezcurra, the English representative Mr. Mandeville. Belgrano and Amalia decide to marry so that, once he has recovered from his wounds, they can flee to Montevideo. However, henchmen of La Mazorca - shock force of the Rosista government - break into the farm and kill them both.
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'''Amalia''' is an Argentinian [[{{Romanticism}} romantic]] OlderThanRadio {{doorstopper}} novel by Creator:JoséMármol, depicting the ArgentinanCivilWar in the XIX century from the perspective of an unitarian hero.
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!!Tropes
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The name of the trope is The Hero, which this is not a case of.
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'''Amalia''' is an Argentinian [[{{Romanticism}} romantic]] OlderThanRadio {{doorstopper}} novel by Creator:JoséMármol, depicting the ArgentinanCivilWar in the XIX century from the perspective of an unitarian {{hero}}.
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'''Amalia''' is an Argentinian [[{{Romanticism}} romantic]] OlderThanRadio {{doorstopper}} novel by Creator:JoséMármol, depicting the ArgentinanCivilWar in the XIX century from the perspective of an unitarian {{hero}}.hero.
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How To Write An Example - Irrelevant Pothole.
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The {{plot}} is about the romance between the widow Amalia and the [[LaResistance unitarian rebel]] Eduardo Belgrano, descendant of the national hero ManuelBelgrano, who was trying to escape the prosecution of [[PeoplesRepublicOfTyranny La Mazorca]], and was injured by a {{gaucho}} ambush when he was attempting to reunite with the troops who fight against Rosas. Eduardo is saved by his friend Daniel Bello, a MagnificentBastard who leads him to his cousin's Amalia house, a tucumanian twenty years [[DeterminedWidow widow]] whom has a house in Barracas, in the suburbs of BuenosAires.
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The {{plot}} plot is about the romance between the widow Amalia and the [[LaResistance unitarian rebel]] Eduardo Belgrano, descendant of the national hero ManuelBelgrano, who was trying to escape the prosecution of [[PeoplesRepublicOfTyranny La Mazorca]], and was injured by a {{gaucho}} ambush when he was attempting to reunite with the troops who fight against Rosas. Eduardo is saved by his friend Daniel Bello, a MagnificentBastard who leads him to his cousin's Amalia house, a tucumanian twenty years [[DeterminedWidow widow]] whom has a house in Barracas, in the suburbs of BuenosAires.
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None
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'''Amalia''' is an argentinian [[{{Romanticism}} romantic]] OlderThanRadio {{doorstopper}} novel by Creator:JoséMármol, depicting the ArgentinanCivilWar in the XIX century from the perspective of an unitarian {{hero}}.
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'''Amalia''' is an argentinian Argentinian [[{{Romanticism}} romantic]] OlderThanRadio {{doorstopper}} novel by Creator:JoséMármol, depicting the ArgentinanCivilWar in the XIX century from the perspective of an unitarian {{hero}}.
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* SecretPolice: La Mazorca.
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* SecretPolice: La Mazorca.Mazorca.
* {{Swashbuckler}}: The main heroes, opposing the "barbarian" gauchos, who fight with knives.
* {{Swashbuckler}}: The main heroes, opposing the "barbarian" gauchos, who fight with knives.
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* KnifeNuts: the gauchos and Rosas followers.
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* KnifeNuts: KnifeNut: the gauchos and Rosas followers.
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* LaResistance: the unitarians trying to escape to Uruguay
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None
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'''Amalia''' is an argentinian [[{{Romanticism}} romantic]] OlderThanRadio {{doorstopper}} novel by Creator:JoséMármol, depicting the ArgentinanCivilWar in the XIX century from the perspective of an unitarian {{hero}}.
The {{plot}} is about the romance between the widow Amalia and the [[LaResistance unitarian rebel]] Eduardo Belgrano, descendant of the national hero ManuelBelgrano, who was trying to escape the prosecution of [[PeoplesRepublicOfTyranny La Mazorca]], and was injured by a {{gaucho}} ambush when he was attempting to reunite with the troops who fight against Rosas. Eduardo is saved by his friend Daniel Bello, a MagnificentBastard who leads him to his cousin's Amalia house, a tucumanian twenty years [[DeterminedWidow widow]] whom has a house in Barracas, in the suburbs of BuenosAires.
Nace un romance entre Amalia y Eduardo, mientras se suceden muchas peripecias en la ciudad y sus alrededores, lo cual da oportunidad al autor para presentar el accionar de distintas figuras históricas como el gobernador Rosas, su hija Manuelita, su hermana Agustina Rosas, su cuñada Josefa Ezcurra, el representante inglés míster Mandeville, funcionarios, personeros y bufones del régimen de Rosas. Belgrano y Amalia deciden casarse para, una vez repuesto él de sus heridas, huir los dos a Montevideo. Sin embargo, esbirros de la Mazorca —fuerza de choque del gobierno rosista— irrumpen en la quinta y los matan a los dos.
!!Tropes
*{{Bandito}}: The gauchos here enter in this trope.
*BolivianArmyEnding: Eduardo and Amalia house is stormed by Rosas troops, and both get killed.
*ByronicHero: sort of with Daniel Bello, a unitarian gentleman tied to the Buenos Aires federals; and at a certain point with Eduardo Belgrano, who is a passionate, inteligent and handsome guy prosecuted by the SecretPolice for his unitarian support.
*DeterminedWidow: Amalia, as she is eager to support the Unitarian cause by housing the injured Eduardo Belgrano.
*{{Doorstopper}}: The book is overly long and at times minusciously detailed, although overall is an entertaining book.
*GeneralRipper: Juan Manuel de Rosas.
*{{Gaucho}}: the followers of Rosas, here in the [[{{bandito}} malevo]] side of the trope.
*GuileHero: Daniel Bello- he is a cunning gentleman and politician who bests the Mazorca to aid his friend Eduardo.
*HappilyEverAfter: subverted. The Mazorca ruins the plans of Amalia and Eduardo to go away after being married.
*IdealHero: Eduardo Belgrano
*IncorruptiblePurePureness: Amalia and Eduardo.
*KnifeNuts: the gauchos and Rosas followers.
*ThePampas: somewhat averted in this book, as it takes place in Buenos Aires rather than the fields. But at the same time, the Gauchos are the representatives of the feral land.
*PeoplesRepublicOfTyranny: the Santa Federación ("The Holy Federation") is ruled by General Ripper and the [[SecretPolice Mazorca]] agents.
*SecretPolice: La Mazorca.
The {{plot}} is about the romance between the widow Amalia and the [[LaResistance unitarian rebel]] Eduardo Belgrano, descendant of the national hero ManuelBelgrano, who was trying to escape the prosecution of [[PeoplesRepublicOfTyranny La Mazorca]], and was injured by a {{gaucho}} ambush when he was attempting to reunite with the troops who fight against Rosas. Eduardo is saved by his friend Daniel Bello, a MagnificentBastard who leads him to his cousin's Amalia house, a tucumanian twenty years [[DeterminedWidow widow]] whom has a house in Barracas, in the suburbs of BuenosAires.
Nace un romance entre Amalia y Eduardo, mientras se suceden muchas peripecias en la ciudad y sus alrededores, lo cual da oportunidad al autor para presentar el accionar de distintas figuras históricas como el gobernador Rosas, su hija Manuelita, su hermana Agustina Rosas, su cuñada Josefa Ezcurra, el representante inglés míster Mandeville, funcionarios, personeros y bufones del régimen de Rosas. Belgrano y Amalia deciden casarse para, una vez repuesto él de sus heridas, huir los dos a Montevideo. Sin embargo, esbirros de la Mazorca —fuerza de choque del gobierno rosista— irrumpen en la quinta y los matan a los dos.
!!Tropes
*{{Bandito}}: The gauchos here enter in this trope.
*BolivianArmyEnding: Eduardo and Amalia house is stormed by Rosas troops, and both get killed.
*ByronicHero: sort of with Daniel Bello, a unitarian gentleman tied to the Buenos Aires federals; and at a certain point with Eduardo Belgrano, who is a passionate, inteligent and handsome guy prosecuted by the SecretPolice for his unitarian support.
*DeterminedWidow: Amalia, as she is eager to support the Unitarian cause by housing the injured Eduardo Belgrano.
*{{Doorstopper}}: The book is overly long and at times minusciously detailed, although overall is an entertaining book.
*GeneralRipper: Juan Manuel de Rosas.
*{{Gaucho}}: the followers of Rosas, here in the [[{{bandito}} malevo]] side of the trope.
*GuileHero: Daniel Bello- he is a cunning gentleman and politician who bests the Mazorca to aid his friend Eduardo.
*HappilyEverAfter: subverted. The Mazorca ruins the plans of Amalia and Eduardo to go away after being married.
*IdealHero: Eduardo Belgrano
*IncorruptiblePurePureness: Amalia and Eduardo.
*KnifeNuts: the gauchos and Rosas followers.
*ThePampas: somewhat averted in this book, as it takes place in Buenos Aires rather than the fields. But at the same time, the Gauchos are the representatives of the feral land.
*PeoplesRepublicOfTyranny: the Santa Federación ("The Holy Federation") is ruled by General Ripper and the [[SecretPolice Mazorca]] agents.
*SecretPolice: La Mazorca.