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** John eventually having to explain to Dejah that is name is ''not'' Virginia.
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Changed line(s) 7 (click to see context) from:
-->'''Kantos Kan:''' I hear that you are ''in-cre-dib-ly dan-ger-ous''. ''(whispering)'' Take me hostage.
to:
-->'''Kantos Kan:''' (loudly for the guards to hear) I hear that you are ''in-cre-dib-ly dan-ger-ous''. ''(whispering)'' (whispering to John) Take me hostage.
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Added line(s) 8 (click to see context) :
-->'''Kantos Kan:''' I hear that you are ''in-cre-dib-ly dan-ger-ous''. ''(whispering)'' Take me hostage.
Changed line(s) 8 (click to see context) from:
-->'''Kantos Kan''': Zodanga. Where the men are as limited as the menu, and the women... as hard as the beds.
to:
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* Dejah's "I'm getting away!" as a Thern disguised as her flees.
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Changed line(s) 10 (click to see context) from:
** Becomes even funnier when you realize that with this scene, Andrew Stanton actually managed to have a ''John Carter of Mars'' film that includes the sentiment that, basically, [[spoiler: [[SuperMarioBros their princess is in another castle.]]]]
to:
** Becomes even funnier when you realize that with this scene, Andrew Stanton actually managed to have a ''John Carter of Mars'' film that includes the sentiment that, basically, [[spoiler: [[SuperMarioBros [[Franchise/SuperMarioBros their princess is in another castle.]]]]
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Changed line(s) 7,8 (click to see context) from:
** The best part is just as he enters the room John's being held in. First he slams the door into two guards and strolls in all nonchalantly and corrects Carter about where they are.
-->'''Kantos Kan''': Zodanga. Where the men are as limited as the menu, and the woman, as hard as the beds.
-->'''Kantos Kan''': Zodanga. Where the men are as limited as the menu, and the woman, as hard as the beds.
to:
** The best part is just as he enters the room John's being held in. First he slams the door into two guards and strolls in all nonchalantly and corrects Carter (who assumes they're in the city of Helium) about where they are.are. There's so much insult packed in to one sentence it's hard to describe.
-->'''Kantos Kan''': Zodanga. Where the men are as limited as the menu, and thewoman, women... as hard as the beds.
-->'''Kantos Kan''': Zodanga. Where the men are as limited as the menu, and the
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Changed line(s) 4 (click to see context) from:
* In the scene where John is initiated with the other Thark hatchlings, Sola tries to remove his boots. Finding it impossible to remove them, she just shrugs, as if to say, "What- What am I supposed to do? They won't come off."
to:
* In the scene where John is initiated with the other Thark hatchlings, Sola tries to remove his boots. Finding it impossible to remove them, she just shrugs, as if to say, "What- What "Wh-What am I supposed to do? They won't come off."
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Changed line(s) 1 (click to see context) from:
* The moment near the beginning where John lunges at the Union troops who've come to collect him...and is instantly knocked out. When he wakes up in a chair in front of a Colonel, John ''lunges'' at the officer, punching his would-be captors and...SmashCut to John back in the chair, now handcuffed. The Colonel starts talking, and John ''leaps up again!'' [[spoiler:SmashCut to John being thrown into a holding cell]].
to:
* The moment near the beginning where John lunges at the Union troops who've come to collect him...and is instantly knocked out. When he wakes up in a chair in front of a Colonel, John ''lunges'' at the officer, punching his would-be captors and...SmashCut to John back in the chair, now handcuffed. The Colonel starts talking, and John ''leaps up again!'' again'' to dive out the window! [[spoiler:SmashCut to John being thrown into a holding cell]].
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Changed line(s) 7,8 (click to see context) from:
** The best part is just as he enters the room John's being held in. First he slams the door into two guards and strolls in all nonchalantly and says.
-->'''Kantos Kan''': Ah Zadanga, where the men are as limited as the menu. And the woman, are as hard as the beds.
-->'''Kantos Kan''': Ah Zadanga, where the men are as limited as the menu. And the woman, are as hard as the beds.
to:
** The best part is just as he enters the room John's being held in. First he slams the door into two guards and strolls in all nonchalantly and says.
corrects Carter about where they are.
-->'''Kantos Kan''':Ah Zadanga, where Zodanga. Where the men are as limited as the menu. And menu, and the woman, are as hard as the beds.
-->'''Kantos Kan''':
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** Moments later, when Carter attempts to inspire Tars by repeating something Tars had told him earlier:
-->'''Carter''': Leave a Thark his head and one hand and he may yet conquer!
-->'''Tars Tarkas''': Your spirit annoys me.
-->'''Carter''': Leave a Thark his head and one hand and he may yet conquer!
-->'''Tars Tarkas''': Your spirit annoys me.
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* In the scene where John is initiated with the other Thark hatchlings, Sola tries to remove his boots. Finding it impossible to remove them, she just shrugs, as if to say, "What- What am I supposed to do? They won't come off."
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Changed line(s) 18 (click to see context) from:
-->'''John''': Give me your hand! You got ''four'' hands, just give me ''one!''
to:
-->'''John''': Give me your hand! You got ''four'' damn hands, just give me ''one!''''one!''
** There's also Tal Hajus getting bored of the white ape not killing John and Tars, so he flatly tells the guards to ''release another one''. And John's reaction, rather than OhCrap, is just a sigh of exasperation as if to say, "Oh, come ''on''."
** There's also Tal Hajus getting bored of the white ape not killing John and Tars, so he flatly tells the guards to ''release another one''. And John's reaction, rather than OhCrap, is just a sigh of exasperation as if to say, "Oh, come ''on''."
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Changed line(s) 25 (click to see context) from:
-->'''John''': SHUT IT!
to:
-->'''John''': SHUT IT! HE'S SAYIN'-- ''[doesn't finish line]''
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My Name Is Not Durwood has been split. Bad examples and those not fitting other tropes are being removed.
Changed line(s) 3 (click to see context) from:
* [[MyNameIsNotDurwood "Virg]][[RunningGag inia!"]]
to:
* [[MyNameIsNotDurwood [[AccidentalMisnaming "Virg]][[RunningGag inia!"]]
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** The best part is just as he enters the room John's being held in. First he slams the door into two guards and strolls in all nonchalantly and says.
-->'''Kantos Kan''': Ah Zadanga, where the men are as limited as the menu. And the woman, are as hard as the beds.
-->'''Kantos Kan''': Ah Zadanga, where the men are as limited as the menu. And the woman, are as hard as the beds.
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Changed line(s) 16 (click to see context) from:
-->'''John''': Give me your hand! You got ''four'' hands, just give me ''one!''
to:
-->'''John''': Give me your hand! You got ''four'' hands, just give me ''one!''''one!''
* Behold the [[http://www.youtube.com/watch?v=a5QNnOOGBts Barsoom Bloopers]].
** "Oh my God! Ahhh! Ahhh!"
** Fighting with a cape is harder than it looks.
** John falling flat on his face.
** This:
-->'''Colonel''': What the hell's he saying?!
-->'''John''': SHUT IT!
-->'''Colonel''':...Well, don't get so irritable.
** This is probably the first time ever where the ''camera man'' falls over instead of one of the actors.
** The clumsy way the American soldier takes the fall.
** The DancePartyEnding.
* Behold the [[http://www.youtube.com/watch?v=a5QNnOOGBts Barsoom Bloopers]].
** "Oh my God! Ahhh! Ahhh!"
** Fighting with a cape is harder than it looks.
** John falling flat on his face.
** This:
-->'''Colonel''': What the hell's he saying?!
-->'''John''': SHUT IT!
-->'''Colonel''':...Well, don't get so irritable.
** This is probably the first time ever where the ''camera man'' falls over instead of one of the actors.
** The clumsy way the American soldier takes the fall.
** The DancePartyEnding.
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Changed line(s) 14 (click to see context) from:
* John Carter is thrown into a cell with a badly beaten Tars Tarkas, who's too weak even to stand but comforts himself that at least his daughter is in the afterlife with her mother as John promised. John then hesitantly explains that his daughter is alive and also a prisoner -- an enraged Tars Tarkas [[BerserkButton gets to his feet]] and starts throttling John. Then collapses on top of him from over-exertion.
to:
* John Carter is thrown into a cell with a badly beaten Tars Tarkas, who's too weak even to stand but comforts himself that at least his daughter is in the afterlife with her mother as John promised. John then hesitantly explains that his daughter is alive and also a prisoner -- an enraged Tars Tarkas [[BerserkButton gets to his feet]] and starts throttling John. Then collapses on top of him from over-exertion.over-exertion.
* John and Tas Tarkas in the arena:
-->'''John''': Give me your hand! You got ''four'' hands, just give me ''one!''
* John and Tas Tarkas in the arena:
-->'''John''': Give me your hand! You got ''four'' hands, just give me ''one!''
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That scene of John & Tars Tarkas in the cell is funnier with the collapse.
Changed line(s) 14 (click to see context) from:
* John Carter is thrown into a cell with a badly beaten Tars Tarkas, who's too weak even to stand but comforts himself that at least his daughter is in the afterlife with her mother as John promised. John then hesitantly explains that his daughter is alive and also a prisoner -- an enraged Tars Tarkas [[BerserkButton gets to his feet]] and starts throttling John.
to:
* John Carter is thrown into a cell with a badly beaten Tars Tarkas, who's too weak even to stand but comforts himself that at least his daughter is in the afterlife with her mother as John promised. John then hesitantly explains that his daughter is alive and also a prisoner -- an enraged Tars Tarkas [[BerserkButton gets to his feet]] and starts throttling John. Then collapses on top of him from over-exertion.
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Changed line(s) 3 (click to see context) from:
* [[MyNameIsNotDurwood "Virginia!"]]
to:
* [[MyNameIsNotDurwood "Virginia!"]]"Virg]][[RunningGag inia!"]]
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** Even funnier? After the second SmashCut, the Colonel's nose is bandaged.
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Changed line(s) 12 (click to see context) from:
-->'''Tars''': (''in Martian'') Hell are you?
to:
-->'''Tars''': (''in Martian'') Hell are you?you?
* John Carter is thrown into a cell with a badly beaten Tars Tarkas, who's too weak even to stand but comforts himself that at least his daughter is in the afterlife with her mother as John promised. John then hesitantly explains that his daughter is alive and also a prisoner -- an enraged Tars Tarkas [[BerserkButton gets to his feet]] and starts throttling John.
* John Carter is thrown into a cell with a badly beaten Tars Tarkas, who's too weak even to stand but comforts himself that at least his daughter is in the afterlife with her mother as John promised. John then hesitantly explains that his daughter is alive and also a prisoner -- an enraged Tars Tarkas [[BerserkButton gets to his feet]] and starts throttling John.
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Changed line(s) 9 (click to see context) from:
* When John, in the heat of battle on the flying ships, tries to leap to his feet after being knocked down and inadvertently leaps into the air and straight into the ceiling.
to:
* When John, in the heat of battle on the flying ships, tries to leap to his feet after being knocked down and inadvertently leaps into the air and straight into the ceiling.ceiling.
* John and Tars Tarkas' first reaction to each other:
-->'''John''': What the-
-->'''Tars''': (''in Martian'') Hell are you?
* John and Tars Tarkas' first reaction to each other:
-->'''John''': What the-
-->'''Tars''': (''in Martian'') Hell are you?
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Changed line(s) 8 (click to see context) from:
** Tars Tarkas ''almost'' attacks Tardos Mors and Kantos Kan, then realizes he's fighting on their side, so... he ''salutes'' them (having learned the gesture from Carter). Stunned, they salute back. Then Tars lets out a battle cry and throws himself back into the fighting.
to:
** Tars Tarkas ''almost'' attacks Tardos Mors and Kantos Kan, then realizes he's fighting on their side, so... he ''salutes'' them (having learned the gesture from Carter). Stunned, they salute back. Then Tars lets out a battle cry and throws himself back into the fighting.fighting.
* When John, in the heat of battle on the flying ships, tries to leap to his feet after being knocked down and inadvertently leaps into the air and straight into the ceiling.
* When John, in the heat of battle on the flying ships, tries to leap to his feet after being knocked down and inadvertently leaps into the air and straight into the ceiling.
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Changed line(s) 7 (click to see context) from:
** Tars Tarkas is just hilarious in the whole climax. What does he say when [[spoiler:his people have flown to the rescue as BigDamnHeroes despite their professed aversion to flying?]] Not some ancient battlecry, or order to attack, just, "Thank the goddess ''that's'' over with!"
to:
** Tars Tarkas is just hilarious in the whole climax. What does he say when [[spoiler:his people have flown to the rescue as BigDamnHeroes despite their professed aversion to flying?]] Not some ancient battlecry, or order to attack, just, "Thank the goddess ''that's'' over with!"with!"
** Tars Tarkas ''almost'' attacks Tardos Mors and Kantos Kan, then realizes he's fighting on their side, so... he ''salutes'' them (having learned the gesture from Carter). Stunned, they salute back. Then Tars lets out a battle cry and throws himself back into the fighting.
** Tars Tarkas ''almost'' attacks Tardos Mors and Kantos Kan, then realizes he's fighting on their side, so... he ''salutes'' them (having learned the gesture from Carter). Stunned, they salute back. Then Tars lets out a battle cry and throws himself back into the fighting.
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Changed line(s) 6 (click to see context) from:
** Becomes even funnier when you realize that with this scene, Andrew Stanton actually managed to have a ''John Carter of Mars'' film that includes the sentiment that, basically, [[spoiler: [[SuperMarioBros their princess is in another castle.]]]]
to:
** Becomes even funnier when you realize that with this scene, Andrew Stanton actually managed to have a ''John Carter of Mars'' film that includes the sentiment that, basically, [[spoiler: [[SuperMarioBros their princess is in another castle.]]]]]]]]
** Tars Tarkas is just hilarious in the whole climax. What does he say when [[spoiler:his people have flown to the rescue as BigDamnHeroes despite their professed aversion to flying?]] Not some ancient battlecry, or order to attack, just, "Thank the goddess ''that's'' over with!"
** Tars Tarkas is just hilarious in the whole climax. What does he say when [[spoiler:his people have flown to the rescue as BigDamnHeroes despite their professed aversion to flying?]] Not some ancient battlecry, or order to attack, just, "Thank the goddess ''that's'' over with!"
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Added line(s) 3 (click to see context) :
* The moment near the beginning where John lunges at the Union troops who've come to collect him...and is instantly knocked out. When he wakes up in a chair in front of a Colonel, John ''lunges'' at the officer, punching his would-be captors and...SmashCut to John back in the chair, now handcuffed. The Colonel starts talking, and John ''leaps up again!'' [[spoiler:SmashCut to John being thrown into a holding cell]].
* [[MyNameIsNotDurwood "Virginia!"]]
* John's attempt at escaping the Thark city. He edges away from the alien guard dog, and [[InASingleBound leaps up several stories]], only to find [[SuperSpeed the dog is right in front of him]]. So he does it again, and the dog is ''still'' in front of him when he lands, so he [[RuleOfThree tries it]] ''[[RuleOfThree again]]''...
* [[MyNameIsNotDurwood "Virginia!"]]
* John's attempt at escaping the Thark city. He edges away from the alien guard dog, and [[InASingleBound leaps up several stories]], only to find [[SuperSpeed the dog is right in front of him]]. So he does it again, and the dog is ''still'' in front of him when he lands, so he [[RuleOfThree tries it]] ''[[RuleOfThree again]]''...
Changed line(s) 3 (click to see context) from:
* "Virginia!"
to:
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Changed line(s) 2 (click to see context) from:
* When John [[spoiler: leads the Tharks to Zodanga to stop the wedding]] and one of the guards tells them [[spoiler: the wedding is in Helium.]] Tars Tarkas then gives John a DopeSlap.
to:
* When John [[spoiler: leads the Tharks to Zodanga to stop the wedding]] and one of the guards tells them [[spoiler: the wedding is in Helium.]] Tars Tarkas then gives John a DopeSlap.DopeSlap.
* "Virginia!"
* "Virginia!"
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Changed line(s) 1 (click to see context) from:
* The scene where Kantos Kan makes John take him hostage was ''hysterical''.
to:
* The scene where Kantos Kan makes John take him hostage was ''hysterical''.''hysterical''.
* When John [[spoiler: leads the Tharks to Zodanga to stop the wedding]] and one of the guards tells them [[spoiler: the wedding is in Helium.]] Tars Tarkas then gives John a DopeSlap.
* When John [[spoiler: leads the Tharks to Zodanga to stop the wedding]] and one of the guards tells them [[spoiler: the wedding is in Helium.]] Tars Tarkas then gives John a DopeSlap.
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Changed line(s) 1 (click to see context) from:
* The scene where Kantos Kan makes John take him hostage was ''hysterical''.
to:
* The scene where Kantos Kan makes John take him hostage was ''hysterical''.
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Changed line(s) 1 (click to see context) from:
* The scene where one of the Therns makes John take him hostage was ''hysterical''.
to:
* The scene where one of the Therns Kantos Kan makes John take him hostage was ''hysterical''.
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* The scene where one of the Therns makes John take him hostage was ''hysterical''.