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* Hitch getting the [[MoralGuardians censor]] to approve the film by a) [[BlatantLies saying that he respects him and what he does]], and b) [[HireTheCritic politely and amiably inviting him]] [[LetsSeeYouDoBetter to direct the contentious scenes himself]]. Hitch and the cast's total lack of surprise when the man chickens out of taking Hitch up on the offer is the cherry on top.

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* Hitch getting the [[MoralGuardians censor]] to approve the film by a) [[BlatantLies saying that he respects him and what he does]], and b) [[HireTheCritic politely and amiably inviting him]] [[LetsSeeYouDoBetter to direct reshoot the contentious scenes himself]].opening scene with his supervision]]. Hitch and the cast's total lack of surprise when the man chickens out of taking Hitch up on the offer is the cherry on top.
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* Hitch jokingly (I hope!) threatening Alma when she nags him about exercising and his diet.
-->''"Beware my dear- all men are potential murderers!"''
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* "Call me 'Hitch': hold the cock!"
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* Hitch getting the [[MoralGuardians censor]] to approve the film by a) [[BlatantLies saying that he respects him and what he does]], and b) [[HireTheCritic politely and amiably inviting him]] [[LetsSeeYouDoBetter to direct the contentious scenes himself]]. Hitch and the cast's total lack of surprise when the man chickens out of taking Hitch up on the offer is the cherry on top.

to:

* Hitch getting the [[MoralGuardians censor]] to approve the film by a) [[BlatantLies saying that he respects him and what he does]], and b) [[HireTheCritic politely and amiably inviting him]] [[LetsSeeYouDoBetter to direct the contentious scenes himself]]. Hitch and the cast's total lack of surprise when the man chickens out of taking Hitch up on the offer is the cherry on top.top.
----
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* [[Film/TheBirds The bird]] landing on Hitchcock's shoulder at the end of the film when he says he's searching for his next motion picture.

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* [[Film/TheBirds The bird]] landing on Hitchcock's shoulder at the end of the film when he says he's searching for his next motion picture.picture.
* Hitch getting the [[MoralGuardians censor]] to approve the film by a) [[BlatantLies saying that he respects him and what he does]], and b) [[HireTheCritic politely and amiably inviting him]] [[LetsSeeYouDoBetter to direct the contentious scenes himself]]. Hitch and the cast's total lack of surprise when the man chickens out of taking Hitch up on the offer is the cherry on top.
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* The pre-credits scene which seques from [[spoiler: Ed Gein killing his brother]] straight into Hitch speaking directly to the audience, a la AlfredHitchcockPresents--all the way down to Music/DannyElfman's rendition of "Funeral March Of A Marionette", and the classic "Good evening." MoodWhiplash at its finest.

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* The pre-credits scene scene, which seques from [[spoiler: Ed [[spoiler:Ed Gein killing his brother]] straight into Hitch speaking directly to the audience, a la AlfredHitchcockPresents--all ''Series/AlfredHitchcockPresents''--all the way down to Music/DannyElfman's rendition of "Funeral March Of A of a Marionette", and the classic "Good evening." MoodWhiplash at its finest.
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* Anthony Perkins nervously explaining to Hitchcock his misgivings about playing Norman Bates...on the grounds that "I was very...close to my mother." As he goes on, we keep cutting to Hitch looking evenly at him, chin up Hitchcock-style.

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* Anthony Perkins nervously explaining to Hitchcock his misgivings about playing Norman Bates...on the grounds that "I was very...close to my mother." As he goes on, we keep cutting to Hitch looking evenly at him, him totally deadpan, chin up Hitchcock-style.
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* "Oh, you imp--you got nudity in there!" "Well her breasts ''were'' rather large...."

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* "Oh, you imp--you got nudity in there!" "Well her breasts ''were'' rather large....large. It was a challenge not to show them."

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* Anthony Perkins nervously explaining to Hitchcock his misgivings about playing Norman Bates...on the grounds that he was very close to his mother. As he goes on, we keep cutting to Hitch looking evenly at him, chin up Hitchcock-style.

to:

* Anthony Perkins nervously explaining to Hitchcock his misgivings about playing Norman Bates...on the grounds that he "I was very very...close to his mother. my mother." As he goes on, we keep cutting to Hitch looking evenly at him, chin up Hitchcock-style.


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* "Oh, you imp--you got nudity in there!" "Well her breasts ''were'' rather large...."

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Changed: 119

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* The pre-credits scene which seques from [[spoiler: Ed Gein killing his brother]] straight into Hitch speaking directly to the audience, ala AlfredHitchcockPresents. MoodWhiplash at its finest.

to:

* The pre-credits scene which seques from [[spoiler: Ed Gein killing his brother]] straight into Hitch speaking directly to the audience, ala AlfredHitchcockPresents. a la AlfredHitchcockPresents--all the way down to Music/DannyElfman's rendition of "Funeral March Of A Marionette", and the classic "Good evening." MoodWhiplash at its finest.finest.
* Anthony Perkins nervously explaining to Hitchcock his misgivings about playing Norman Bates...on the grounds that he was very close to his mother. As he goes on, we keep cutting to Hitch looking evenly at him, chin up Hitchcock-style.
* The CastingGag of Hitch (played by [[Film/TheSilenceOfTheLambs Hannibal Lecter]]) telling a woman to "try the finger cakes--they are actually fingers."
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* [[Film/TheBirds The bird]] landing on Hitchcok's shoulder at the end of the film when he says he's searching for his next motion picture.

to:

* [[Film/TheBirds The bird]] landing on Hitchcok's Hitchcock's shoulder at the end of the film when he says he's searching for his next motion picture.
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* The pre-credits scene which seques from [[spoiler: Ed Gein killing his brother]] straight into Hitch speaking directly to the audience, ala AlfredHitchcockPresents. MoodWhiplash at its finest.

to:

* The pre-credits scene which seques from [[spoiler: Ed Gein killing his brother]] straight into Hitch speaking directly to the audience, ala AlfredHitchcockPresents. MoodWhiplash at its finest.finest.
* [[Film/TheBirds The bird]] landing on Hitchcok's shoulder at the end of the film when he says he's searching for his next motion picture.
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* The pre-credits scene which seques from [[spoiler: Ed Gein killing his brother]] straight into Hitch speaking directly to the audience, ala AlfredHitchcockPresents.

to:

* The pre-credits scene which seques from [[spoiler: Ed Gein killing his brother]] straight into Hitch speaking directly to the audience, ala AlfredHitchcockPresents. MoodWhiplash at its finest.
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None

Added DiffLines:

* The pre-credits scene which seques from [[spoiler: Ed Gein killing his brother]] straight into Hitch speaking directly to the audience, ala AlfredHitchcockPresents.

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