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Changed line(s) 1 (click to see context) from:
!! From the books
to:
Changed line(s) 6 (click to see context) from:
!! From the film
to:
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Changed line(s) 9,16 (click to see context) from:
-->'''Mycroft:''' The bathroom...
-->'''Enola:''' Which does not exist.
-->'''Mycroft:''' The water closet...
-->'''Enola:''' Likewise.
-->'''Mycroft:''' The housemaids, the kitchen maids, the gardeners...
-->'''Enola:''' You're getting the point.
-->'''Mycroft:''' A music teacher, a dance instructor, a governess....
-->'''Enola:''' [[SilentSnarker (significant look at the camera)]]
-->'''Enola:''' Which does not exist.
-->'''Mycroft:''' The water closet...
-->'''Enola:''' Likewise.
-->'''Mycroft:''' The housemaids, the kitchen maids, the gardeners...
-->'''Enola:''' You're getting the point.
-->'''Mycroft:''' A music teacher, a dance instructor, a governess....
-->'''Enola:''' [[SilentSnarker (significant look at the camera)]]
to:
-->'''Mycroft:''' The bathroom...
-->'''Enola:'''bathroom...\\
'''Enola:''' Which does notexist.
-->'''Mycroft:'''exist.\\
'''Mycroft:''' The watercloset...
-->'''Enola:''' Likewise.
-->'''Mycroft:'''closet...\\
'''Enola:''' Likewise.\\
'''Mycroft:''' The housemaids, the kitchen maids, thegardeners...
-->'''Enola:'''gardeners...\\
'''Enola:''' You're getting thepoint.
-->'''Mycroft:'''point.\\
'''Mycroft:''' A music teacher, a dance instructor, agoverness....
-->'''Enola:'''governess....\\
'''Enola:''' [[SilentSnarker (significant look at the camera)]]
-->'''Enola:'''
'''Enola:''' Which does not
-->'''Mycroft:'''
'''Mycroft:''' The water
-->'''Enola:''' Likewise.
-->'''Mycroft:'''
'''Enola:''' Likewise.\\
'''Mycroft:''' The housemaids, the kitchen maids, the
-->'''Enola:'''
'''Enola:''' You're getting the
-->'''Mycroft:'''
'''Mycroft:''' A music teacher, a dance instructor, a
-->'''Enola:'''
'''Enola:''' [[SilentSnarker (significant look at the camera)]]
Changed line(s) 18,20 (click to see context) from:
-->'''Enola:''' I've come back because...I missed you more while you were gone, and because your life is in danger.
-->'''Tewkesbury:''' Really? What made you like me more?
-->'''Enola:''' ''That's'' what you focus on?
-->'''Tewkesbury:''' Really? What made you like me more?
-->'''Enola:''' ''That's'' what you focus on?
to:
-->'''Enola:''' I've come back because...I missed you more while you were gone, and because your life is in danger.
-->'''Tewkesbury:'''danger.\\
'''Tewkesbury:''' Really? What made you like memore?
-->'''Enola:'''more?\\
'''Enola:''' ''That's'' what you focus on?
-->'''Tewkesbury:'''
'''Tewkesbury:''' Really? What made you like me
-->'''Enola:'''
'''Enola:''' ''That's'' what you focus on?
Changed line(s) 34,35 (click to see context) from:
-->'''Linthorn:''' Well, you've seen my face now.
-->'''Enola:''' No! Your face is totally unmemorable!
-->'''Enola:''' No! Your face is totally unmemorable!
to:
-->'''Linthorn:''' Well, you've seen my face now.
-->'''Enola:'''now.\\
'''Enola:''' No! Your face is totally unmemorable!
-->'''Enola:'''
'''Enola:''' No! Your face is totally unmemorable!
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Changed line(s) 31 (click to see context) from:
-->'''Tewkesbury:''' ''Why the hell would we want to attract sharks?!!!''
to:
-->'''Tewkesbury:''' ''Why the hell would we want to attract the bloody sharks?!!!''
Changed line(s) 38 (click to see context) from:
* The LampshadeHanging that perhaps one shouldn't read too much into "Enola" being "alone" backwards, since neither "Tforcym" nor "Kcolrehs" means anything.
to:
* The LampshadeHanging that perhaps one shouldn't read too much into "Enola" being "alone" backwards, since neither "Tforcym" (Mycroft) nor "Kcolrehs" (Sherlock) means anything.
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Added DiffLines:
* Sherlock is very wary upon being threatened with a teapot. Of course, given that the person threatening him is Edith, he's very right to be worried.
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Changed line(s) 3 (click to see context) from:
to:
* Sherlock, having caught Enola, tells her that he has a plan, but will need her help. She's completely dead set against it...until she hears that it involves trolling Mycroft, at which point she's all over it.
* How did Sherlock catch her, after constantly failing to see through her disguises? He brought the family dog!
* How did Sherlock catch her, after constantly failing to see through her disguises? He brought the family dog!
Added DiffLines:
** Even funnier because she either drew the picture beforehand and had it lying around in her bedroom, then decided to bring it with her...or else she took the time to scribble it right before escaping!
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Added DiffLines:
* Mycroft just getting more and more bewildered by the fact that Enola isn't a proper lady, doesn't have a carriage, etc. Sherlock clearly thinks it's funny too--he's clearly trying not to crack up at the station.
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Added DiffLines:
** It's a bit of a FreezeFrameBonus, but one of the slides for the phases of her plan reads "Do I love Tewkesbury?"
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Added DiffLines:
* Sherlock strides past the Scotland Yard officer on gate duty as he heads to see Lestrade. The officer complains, but Sherlock (without so much as breaking stride or looking around), tells him not to be ridiculous.
* Enola, upon seeing Tewkesbury in his full duds, tells him, "Congratulations. You finally look like the nincompoop you were born to be."
* Enola, upon seeing Tewkesbury in his full duds, tells him, "Congratulations. You finally look like the nincompoop you were born to be."
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Changed line(s) 31 (click to see context) from:
** Immediately after, when it appears that Enola has drowned, the camera cuts to under the water, where she gives a cheeky wink and a grin at the audience, revealing herself to be faking it so he'll let go.
to:
** Immediately after, when it appears that Enola he has drowned, successfully drowned Enola, the camera cuts to under the water, where she gives a cheeky wink and a grin at the audience, revealing herself to be faking it so he'll let go.
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Added DiffLines:
**Immediately after, when it appears that Enola has drowned, the camera cuts to under the water, where she gives a cheeky wink and a grin at the audience, revealing herself to be faking it so he'll let go.
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Changed line(s) 2,3 (click to see context) from:
* The way Mycroft demands about where to find the (nonexistent) servants he's been sending Eudora money to pay for and realizes he's been had is funnier in the book than it is in the film adaptation.
to:
* The way Mycroft demands about where to find the (nonexistent) servants he's been sending Eudora money to pay for and realizes he's been had is even funnier in the book than it is in the film adaptation.
Added DiffLines:
* Mycroft listing all of his expenses, combined with Enola's BreakingTheFourthWall commentary:
-->'''Mycroft:''' The bathroom...
-->'''Enola:''' Which does not exist.
-->'''Mycroft:''' The water closet...
-->'''Enola:''' Likewise.
-->'''Mycroft:''' The housemaids, the kitchen maids, the gardeners...
-->'''Enola:''' You're getting the point.
-->'''Mycroft:''' A music teacher, a dance instructor, a governess....
-->'''Enola:''' [[SilentSnarker (significant look at the camera)]]
-->'''Mycroft:''' The bathroom...
-->'''Enola:''' Which does not exist.
-->'''Mycroft:''' The water closet...
-->'''Enola:''' Likewise.
-->'''Mycroft:''' The housemaids, the kitchen maids, the gardeners...
-->'''Enola:''' You're getting the point.
-->'''Mycroft:''' A music teacher, a dance instructor, a governess....
-->'''Enola:''' [[SilentSnarker (significant look at the camera)]]
Added DiffLines:
* The owner of the dress shop is at first adamant that Enola won't be using her shop. Then Enola pulls out some money. You can almost see her eyes turning to pound signs.
** She shows Enola to "good value" accommodation. It's a dingy room with a mouse running around.
* Enola has completely lost track of which phase her plan is in.
** She shows Enola to "good value" accommodation. It's a dingy room with a mouse running around.
* Enola has completely lost track of which phase her plan is in.
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Changed line(s) 2,3 (click to see context) from:
* The way Mycroft demands about where to find the (nonexistent) servants he's been sending Eudora money to pay for and realizes he's been had is funnier in the book than it is in the movie.
to:
* The way Mycroft demands about where to find the (nonexistent) servants he's been sending Eudora money to pay for and realizes he's been had is funnier in the book than it is in the movie.
film adaptation.
Changed line(s) 20 (click to see context) from:
* The lampshade hanging that perhaps one shouldn't read too much into "Enola" being "alone" backwards, since neither "Tforcym" nor "Kcolrehs" means anything.
to:
* The lampshade hanging LampshadeHanging that perhaps one shouldn't read too much into "Enola" being "alone" backwards, since neither "Tforcym" nor "Kcolrehs" means anything.
Changed line(s) 22 (click to see context) from:
* The flashback scene where Eudora is playing chess with Enola and lecturing her on strategy, then it cuts to the other side and shows Enola as an infant, looking a bit confused by all of this.
to:
* The flashback scene where Eudora Eudoria is playing chess with Enola and lecturing her on strategy, then it cuts to the other side and shows Enola as an infant, looking a bit confused by all of this.this.
----
----
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Changed line(s) 2 (click to see context) from:
to:
* The way Mycroft demands about where to find the (nonexistent) servants he's been sending Eudora money to pay for and realizes he's been had is funnier in the book than it is in the movie.
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** Followed by Enola admitting that she doesn't really know.
Changed line(s) 18 (click to see context) from:
* The lampshade hanging that perhaps one shouldn't read too much into "Enola" being "alone" backwards, since neither "Tforcym" nor "Kcolrehs" means anything.
to:
* The lampshade hanging that perhaps one shouldn't read too much into "Enola" being "alone" backwards, since neither "Tforcym" nor "Kcolrehs" means anything.anything.
* Most of the reactions of people when Enola offers them five pounds for their clothes.
* The flashback scene where Eudora is playing chess with Enola and lecturing her on strategy, then it cuts to the other side and shows Enola as an infant, looking a bit confused by all of this.
* Most of the reactions of people when Enola offers them five pounds for their clothes.
* The flashback scene where Eudora is playing chess with Enola and lecturing her on strategy, then it cuts to the other side and shows Enola as an infant, looking a bit confused by all of this.
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Changed line(s) 8 (click to see context) from:
** When he asks why his life might be in danger, she lists his silly smile and ridiculous haircut, along with his land, title, and power. Not only is it funny for the {{UST}} undertones, it's also HypocriticalHumor, since ''she'' was the one who gave him his last haircut.
to:
** When he asks why his life might be in danger, she lists his silly smile and ridiculous haircut, hair, along with his land, estate, title, and power.seat. Not only is it funny for the {{UST}} undertones, it's also HypocriticalHumor, since ''she'' was the one who gave him his last haircut.
** His new title (granted by Enola): "Viscount Irritation Marquis of Bothersome-shire."
** His new title (granted by Enola): "Viscount Irritation Marquis of Bothersome-shire."
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Changed line(s) 16 (click to see context) from:
* Enola tells Tewkesbury that she's not good at a wide variety of ladylike things, but she can watch, and listen, and observe, and fight. He's stuck on the fact that she can't embroider.
to:
* Enola tells Tewkesbury that she's not good at a wide variety of ladylike things, but she can watch, and listen, and observe, and fight. He's stuck on the fact that she can't embroider.embroider.
* The lampshade hanging that perhaps one shouldn't read too much into "Enola" being "alone" backwards, since neither "Tforcym" nor "Kcolrehs" means anything.
* The lampshade hanging that perhaps one shouldn't read too much into "Enola" being "alone" backwards, since neither "Tforcym" nor "Kcolrehs" means anything.
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** When he asks why his life might be in danger, she lists his silly smile and ridiculous haircut, along with his land, title, and power. Not only is it funny for the {{UST}} undertones, it's also HypocriticalHumor, since ''she'' was the one who gave him his last haircut.
Changed line(s) 14 (click to see context) from:
-->'''Enola:''' No! Your face is totally unmemorable!
to:
-->'''Enola:''' No! Your face is totally unmemorable!unmemorable!
* Enola tells Tewkesbury that she's not good at a wide variety of ladylike things, but she can watch, and listen, and observe, and fight. He's stuck on the fact that she can't embroider.
* Enola tells Tewkesbury that she's not good at a wide variety of ladylike things, but she can watch, and listen, and observe, and fight. He's stuck on the fact that she can't embroider.
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Changed line(s) 11 (click to see context) from:
-->'''Tewkesbury:''' ''Why the hell would we want to attract sharks?!!!''
to:
-->'''Tewkesbury:''' ''Why the hell would we want to attract sharks?!!!''sharks?!!!''
* After Linthorn decides to murder Enola because [[HeKnowsTooMuch she knows too much]]:
-->'''Linthorn:''' Well, you've seen my face now.
-->'''Enola:''' No! Your face is totally unmemorable!
* After Linthorn decides to murder Enola because [[HeKnowsTooMuch she knows too much]]:
-->'''Linthorn:''' Well, you've seen my face now.
-->'''Enola:''' No! Your face is totally unmemorable!
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Added DiffLines:
!! From the books
!! From the film
* Enola's BelligerentSexualTension with Tewkesbury often gets to be kind of funny.
-->'''Enola:''' I've come back because...I missed you more while you were gone, and because your life is in danger.
-->'''Tewkesbury:''' Really? What made you like me more?
-->'''Enola:''' ''That's'' what you focus on?
* Sherlock teasing Enola about Dash, and her encouraging him to forget about it. Doubles as Heartwarming.
* Enola escaping the picnic hamper moments before Ms. Harrison comes in? Awesome. Her leaving behind a caricature of Mycroft kissing her hand, with little hearts? ''[[RefugeInAudacity Hilarious]]''.
* Enola tells Tewkesbury what Sherlock told her: Sometimes you have to dangle your legs in the water to attract the sharks.
-->'''Tewkesbury:''' ''Why the hell would we want to attract sharks?!!!''
!! From the film
* Enola's BelligerentSexualTension with Tewkesbury often gets to be kind of funny.
-->'''Enola:''' I've come back because...I missed you more while you were gone, and because your life is in danger.
-->'''Tewkesbury:''' Really? What made you like me more?
-->'''Enola:''' ''That's'' what you focus on?
* Sherlock teasing Enola about Dash, and her encouraging him to forget about it. Doubles as Heartwarming.
* Enola escaping the picnic hamper moments before Ms. Harrison comes in? Awesome. Her leaving behind a caricature of Mycroft kissing her hand, with little hearts? ''[[RefugeInAudacity Hilarious]]''.
* Enola tells Tewkesbury what Sherlock told her: Sometimes you have to dangle your legs in the water to attract the sharks.
-->'''Tewkesbury:''' ''Why the hell would we want to attract sharks?!!!''
