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* Karte 61.1: Yamada takes off Ichikawa's jacket to check on his shirt, then sits down sighing in disappointment. He wrongly assumes that she's dissing his sense of style until she shows off skull piercings on her ears. Then she checks out a skull print on his pants' back pocket. [[CoordinatedClothes She's caught on to show Ichikawa regularly wears shirts with skulls on them and wants to match with him.]]

to:

* Karte 61.1: Yamada takes off Ichikawa's jacket to check on his shirt, then sits down sighing in disappointment. He wrongly assumes that she's dissing his sense of style until she shows off skull piercings on her ears. Then she checks out a skull print on his pants' back pocket. [[CoordinatedClothes She's caught on to show who Ichikawa regularly wears shirts with skulls on them and wants to match with him.]]
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** It would also explain why she actively sought him out from that point forward.

to:

** It would also explain why she actively sought seeks him out from that point forward.
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* The anime adaptation of Karte 39 has Ichikawa fall unconscious face-first into Yamada's chest instead of her shoulder like in the manga. A strange choice, but in the same episode includes Yamada making a chart of where-and-where-not to touch her, which of course includes her chest (As Moeko demonstrated). Her still not trying to move Ichi could be interpreted as a weird, adaptational instance of IfItsYouItsOkay.

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* In Karte 12, Anna was in the school infirmary because, in her words, her stomach hurts. Kyōtarō assumed that it's because she ate something bad, but it's not the case since she ate candy when she was looking for pain medication to give to Kyōtarō for his headache. [[https://twitter.com/lovely_pig328/status/1647277587838935042 As Norio Sakurai later tweeted during the airing of the anime]], it's actually because she had menstrual cramps (which is also why she had that pain medication to begin with, along with explaining her short period of silence before she answered.)
* Kyōtarō anonymously left tissues for Anna at the library in order to cheer her up after she was injured, along with a note written on one of the tissues saying that it's for her to use. Considering that Anna previously commended Kyōtarō for his handwriting during one of the group projects, she knows that he left those tissues.[[note]]This only applies in the anime; in the manga Anna commended him for his art.[[/note]]
* Normally Kyōtarō is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. [[spoiler:In Karte 30, if one looks closely, the narration boxes use two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, while the modern font represents Kyōtarō. But then there's the scene in the library where Kyōtarō was holding Anna's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō reaffirming that he likes Anna, but it uses the brush-stroke font, meaning that the narration is actually from Anna, [[LoveEpiphany realizing that she likes Kyōtarō.]]]]
* Anna left a note after she took care of Kyōtarō (who passed out from his fever). The note in question is folded in a specific manner and had unusual creases; if followed it's an unfinished origami heart. Anna tried to make it but chickened out at the last minute.
* In Karte 51, Yamada mildly calls out Kyōtarō for hanging up on her when his sister catches them on video chat. She was also nervously saying hello before he turned his phone off. She's still holding Kyōtarō to his promise from the shopping center in Karte 47 to introduce her to Kana.
* In the movie theater, Anna wants to switch seats with Kyōtarō so that she sits on his left side, likely because she wants to see his face since the right side is covered in his bangs.
* Karte 61.1: Yamada takes off Kyōtarō's jacket to check on his shirt, then sits down sighing in disappointment. He negatively assumes that she's dissing his sense of style until she shows off skull piercings for her ears. Then she checks out a skull print on his pants' back pocket. She's caught on to show Kyōtarō regularly wears shirts with skulls on them and wants to match with him.
* Out of all the girls that get close/talk to Kyōtarō, Yamada seems particularly jealous of Hara despite knowing she has a thing for Kanzaki and being in otherwise good terms with her. Why? Because one of the first major acts of kindness she discovered from Kyōtarō was trying to pull a ZeroApprovalGambit to avert Hara getting hate from her classmates back in Karte 10 when they were blaming him for writing "Yamada" on one of the gravestones of the cemetery backdrop for the culture festival. So from her perspective Kyōtarō is not only open to defend Hara but willingly got in a position that could have gotten him hated by her for Hara's sake.
* In Karte 121, Kyōtarō is re-reading ''Kimi-Iro Octave'' to reflect about [[spoiler: the role Anna is gonna have in the drama]] and stars ranting about the TeacherStudentRomance finding it inappropriate which Nigorikawa agrees. At first glance it just seems like it’s just his conscience agreeing with himself, until you remember Nigorikawa is a character from those same manga, so he's actually stating the opinion of the character in-universe about the whole affair.

to:

* In Karte 12, Anna Yamada was in the school infirmary because, in her words, her stomach hurts. Kyōtarō Ichikawa assumed that it's because she ate something bad, but it's not it wasn't the case since she ate candy when while she was looking for pain medication to give to Kyōtarō Ichikawa for his headache. [[https://twitter.com/lovely_pig328/status/1647277587838935042 As Norio Sakurai later tweeted during the airing of the anime]], it's actually because she had menstrual cramps (which is also why she had that pain medication to begin with, along with explaining [[{{Beat}} her short period of silence silence]] before she answered.)
* Kyōtarō Ichikawa anonymously left tissues for Anna Yamada at the library in order to cheer her up after she was injured, along with a note written on one of the tissues saying that it's it was for her to use. Considering that Anna Aside from the two using the library the most, Yamada previously commended Kyōtarō Ichikawa for his handwriting during one of the group projects, setup for the school cultural festival, so she knows that he left those tissues.[[note]]This only applies in the anime; in the manga Anna Yamada commended him for his art.art because of the drawing he gave her in Karte 3.[[/note]]
** It would also explain why she actively sought him out from that point forward.
* Normally Kyōtarō Ichikawa is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. [[spoiler:In Karte 30, if one looks closely, the narration boxes use two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, Yamada, while the modern font represents Kyōtarō. Ichikawa. But then there's the scene in the library where Kyōtarō Ichikawa was holding Anna's Yamada's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō Ichikawa reaffirming that he likes Anna, but Yamada. But it uses the brush-stroke font, meaning that the narration is actually from Anna, Yamada, [[LoveEpiphany realizing that she likes, or at least how much she likes Kyōtarō.Ichikawa.]]]]
* Anna Yamada left a note after she took care of Kyōtarō Ichikawa (who passed out from his fever). The note in question is folded in a specific manner and had unusual creases; if followed it's an unfinished origami heart. Anna Yamada tried to make it but chickened out at the last minute.
* In Karte 51, Yamada mildly calls out Kyōtarō Ichikawa for hanging up on her when his sister catches them on video chat. She was also nervously saying hello before he turned his phone off. She's still holding Kyōtarō Ichikawa to his promise from the shopping center in Karte 47 to introduce her to Kana.
* In the movie theater, Anna wants to switch seats with Kyōtarō so that she sits on his left side, likely because she wants to see his face since the right side is covered in his bangs.
* Karte 61.1: Yamada takes off Kyōtarō's Ichikawa's jacket to check on his shirt, then sits down sighing in disappointment. He negatively wrongly assumes that she's dissing his sense of style until she shows off skull piercings for on her ears. Then she checks out a skull print on his pants' back pocket. [[CoordinatedClothes She's caught on to show Kyōtarō Ichikawa regularly wears shirts with skulls on them and wants to match with him.
him.]]
* In the movie theater in Karte 78, Yamada wants to switch seats with Ichikawa so that she sits on his left side, likely because she wants to see his face since the right side is covered in his bangs.
* Out of all the girls that get close/talk to Kyōtarō, Ichikawa, Yamada seems particularly jealous of Hara despite knowing she has a thing for Kanzaki and being in otherwise good terms with her. Why? Because one One of the first major acts of kindness she discovered from Kyōtarō Ichikawa was trying to pull a ZeroApprovalGambit to avert Hara getting hate from her classmates back in Karte 10 when they were blaming him for writing "Yamada" on one of the gravestones of the cemetery backdrop for the culture festival. So from her perspective Kyōtarō perspective, Ichikawa is not only open to defend Hara but willingly got in a position that could have gotten him hated by her for Hara's sake.
* In Karte 121, Kyōtarō Ichikawa is re-reading ''Kimi-Iro Octave'' to reflect about [[spoiler: the role Anna Yamada is gonna have in the drama]] and stars ranting about the TeacherStudentRomance finding it inappropriate which Nigorikawa agrees. At first glance it just seems like it’s just his conscience agreeing with himself, until you remember Nigorikawa is a character from those same manga, so he's actually stating the opinion of the character in-universe about the whole affair.
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None

Added DiffLines:

* Karte 61.1: Yamada takes off Kyōtarō's jacket to check on his shirt, then sits down sighing in disappointment. He negatively assumes that she's dissing his sense of style until she shows off skull piercings for her ears. Then she checks out a skull print on his pants' back pocket. She's caught on to show Kyōtarō regularly wears shirts with skulls on them and wants to match with him.
Is there an issue? Send a MessageReason:
None


* In Karte 121, Kyōtarō is re-reading ''Kimi-Iro Octave'' to reflect about [[spoiler: the role Anna is gonna have in the drama]] and stars ranting about the TeacherStudentRomance finding it inappropriate which Nigorikawa agrees. At first glance it just seems like is just his conscience agreeging with himself, until you remember Nigorikawa is a character from those same mangas, so he's actually stating the opinion of the character in-universe about the whole affair.

to:

* In Karte 121, Kyōtarō is re-reading ''Kimi-Iro Octave'' to reflect about [[spoiler: the role Anna is gonna have in the drama]] and stars ranting about the TeacherStudentRomance finding it inappropriate which Nigorikawa agrees. At first glance it just seems like is it’s just his conscience agreeging agreeing with himself, until you remember Nigorikawa is a character from those same mangas, manga, so he's actually stating the opinion of the character in-universe about the whole affair.
Is there an issue? Send a MessageReason:
None


* In Karte 121, Kyōtarō is re-reading ''Kimi-Iro Octave'' to reflect about [[spoiler: the role Anna is gonna have in the drama]] and stars ranting about the TeacherStudentRomance finding it inapropiate which Nigorikawa agrees. At first glance it just seems like is just his conscience agreeging with himself, until you remember Nigorikawa is a character from those same mangas, so he's actually stating the opinion of the character in-universe about the whole affair.

to:

* In Karte 121, Kyōtarō is re-reading ''Kimi-Iro Octave'' to reflect about [[spoiler: the role Anna is gonna have in the drama]] and stars ranting about the TeacherStudentRomance finding it inapropiate inappropriate which Nigorikawa agrees. At first glance it just seems like is just his conscience agreeging with himself, until you remember Nigorikawa is a character from those same mangas, so he's actually stating the opinion of the character in-universe about the whole affair.

Added: 467

Changed: -12

Is there an issue? Send a MessageReason:
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* Out of all the girls that get close/talk to Kyōtarō, Yamada seems particularly jealous of Hara despite knowing she has a thing for Kanzaki and being in otherwise good terms with her. Why? Because one of the first major acts of kindness she discovered from Kyōtarō was trying to pull a ZeroApprovalGambit to avert Hara getting hate from her classmates back in Karte 10 when they were blaming him for writing "Yamada" on one of the gravestones of the cemetery backdrop for the culture festival. So from her perspective Kyōtarō is not only open to defend Hara but willingly got in a position that could have gotten him hated by her for Hara's sake.

to:

* Out of all the girls that get close/talk to Kyōtarō, Yamada seems particularly jealous of Hara despite knowing she has a thing for Kanzaki and being in otherwise good terms with her. Why? Because one of the first major acts of kindness she discovered from Kyōtarō was trying to pull a ZeroApprovalGambit to avert Hara getting hate from her classmates back in Karte 10 when they were blaming him for writing "Yamada" on one of the gravestones of the cemetery backdrop for the culture festival. So from her perspective Kyōtarō is not only open to defend Hara but willingly got in a position that could have gotten him hated by her for Hara's sake.sake.
* In Karte 121, Kyōtarō is re-reading ''Kimi-Iro Octave'' to reflect about [[spoiler: the role Anna is gonna have in the drama]] and stars ranting about the TeacherStudentRomance finding it inapropiate which Nigorikawa agrees. At first glance it just seems like is just his conscience agreeging with himself, until you remember Nigorikawa is a character from those same mangas, so he's actually stating the opinion of the character in-universe about the whole affair.
Is there an issue? Send a MessageReason:
None


* Karte 51, Yamada mildly calls out Kyōtarō for hanging up on her when his sister catches them on video chat. She was also nervously introducing herself to Kana before he turned his phone off. She's still holding him to his promise to introduce her to Kana from the shopping center in Karte 47.

to:

* In Karte 51, Yamada mildly calls out Kyōtarō for hanging up on her when his sister catches them on video chat. She was also nervously introducing herself to Kana saying hello before he turned his phone off. She's still holding him Kyōtarō to his promise to introduce her to Kana from the shopping center in Karte 47.47 to introduce her to Kana.
Is there an issue? Send a MessageReason:
None


* Karte 51, Yamada mildly calls out Kyōtar&#333 for hanging up on her when his sister catches them on video chat. She was also nervously introducing herself to Kana before he turned his phone off. She's still holding him to his promise to introduce her to Kana from the shopping center in Karte 47.

to:

* Karte 51, Yamada mildly calls out Kyōtar&#333 Kyōtarō for hanging up on her when his sister catches them on video chat. She was also nervously introducing herself to Kana before he turned his phone off. She's still holding him to his promise to introduce her to Kana from the shopping center in Karte 47.

Added: 298

Changed: 7

Is there an issue? Send a MessageReason:
None


* Kyōtarō anonymously left tissues for Anna at the library in order to cheer her up after she was injured, along with a note written on one of the tissues saying that it's for her to use. Considering that Anna previously commended Kyōtarō for his handwriting during one of the group projects, she knows that it was him who left those tissues.[[note]]This only applies in the anime; in the manga Anna commended him for his art.[[/note]]

to:

* Kyōtarō anonymously left tissues for Anna at the library in order to cheer her up after she was injured, along with a note written on one of the tissues saying that it's for her to use. Considering that Anna previously commended Kyōtarō for his handwriting during one of the group projects, she knows that it was him who he left those tissues.[[note]]This only applies in the anime; in the manga Anna commended him for his art.[[/note]]



* Karte 51, Yamada mildly calls out Kyōtar&#333 for hanging up on her when his sister catches them on video chat. She was also nervously introducing herself to Kana before he turned his phone off. She's still holding him to his promise to introduce her to Kana from the shopping center in Karte 47.



* Out of all the woman that get close/talk to Kyōtarō, Yamada seems particulary jealous of Hara despite knowing she has a thing for Kanzaki and being in otherwise good therms with her. Why? Because one of the first major acts of kindness she discovered from Kyōtarō was trying to pull a ZeroApprovalGambit to avert Hara getting hate from her classmates back in Karte 10 when they were blaiming him for writing "Yamada" on one of the gravestones of the cemetery backdrop for the culture festival. So from her perspective Kyōtarō is not only open to defend Hara but willingly got in a position that could have gotten him hated by her for Hara's sake.

to:

* Out of all the woman girls that get close/talk to Kyōtarō, Yamada seems particulary particularly jealous of Hara despite knowing she has a thing for Kanzaki and being in otherwise good therms terms with her. Why? Because one of the first major acts of kindness she discovered from Kyōtarō was trying to pull a ZeroApprovalGambit to avert Hara getting hate from her classmates back in Karte 10 when they were blaiming blaming him for writing "Yamada" on one of the gravestones of the cemetery backdrop for the culture festival. So from her perspective Kyōtarō is not only open to defend Hara but willingly got in a position that could have gotten him hated by her for Hara's sake.
Is there an issue? Send a MessageReason:
None


* Out of all the woman that get close/talk to Kyōtarō, Yamada seems particulary jealous of Hara despite knowing she has a thing for Kanzaki and being in otherwise good therms with her. Why? Because one of the first major acts of kidness she discovered from Kyōtarō was trying to pull a ZeroApprovalGambit to avert Hara getting hate from her classmates back in Karte 10 when they were blaiming him for writing "Yamada" on one of the gravestones of the cemetery backdrop for the culture festival.

to:

* Out of all the woman that get close/talk to Kyōtarō, Yamada seems particulary jealous of Hara despite knowing she has a thing for Kanzaki and being in otherwise good therms with her. Why? Because one of the first major acts of kidness kindness she discovered from Kyōtarō was trying to pull a ZeroApprovalGambit to avert Hara getting hate from her classmates back in Karte 10 when they were blaiming him for writing "Yamada" on one of the gravestones of the cemetery backdrop for the culture festival.festival. So from her perspective Kyōtarō is not only open to defend Hara but willingly got in a position that could have gotten him hated by her for Hara's sake.

Added: 494

Changed: -4

Is there an issue? Send a MessageReason:
None


* In the movie theater, Anna wants to switch seats with Kyōtarō so that she sits on his left side, likely because she wants to see his face since the right side is covered in his bangs.

to:

* In the movie theater, Anna wants to switch seats with Kyōtarō so that she sits on his left side, likely because she wants to see his face since the right side is covered in his bangs.bangs.
* Out of all the woman that get close/talk to Kyōtarō, Yamada seems particulary jealous of Hara despite knowing she has a thing for Kanzaki and being in otherwise good therms with her. Why? Because one of the first major acts of kidness she discovered from Kyōtarō was trying to pull a ZeroApprovalGambit to avert Hara getting hate from her classmates back in Karte 10 when they were blaiming him for writing "Yamada" on one of the gravestones of the cemetery backdrop for the culture festival.
Is there an issue? Send a MessageReason:
None


* In Karte 12, Anna was in the school infirmary because, in her words, her stomach hurts. Kyōtarō assumed that it's because she ate something bad, but it's not the case since she ate candy when she was looking for pain medication to give to Kyōtarō for his headache. [[https://twitter.com/lovely_pig328/status/1647277587838935042 As Norio Sakurai later tweeted during the airing of the anime]], it's actually because she had menstrual cramps (which is also why she had that pain medication to begin with).

to:

* In Karte 12, Anna was in the school infirmary because, in her words, her stomach hurts. Kyōtarō assumed that it's because she ate something bad, but it's not the case since she ate candy when she was looking for pain medication to give to Kyōtarō for his headache. [[https://twitter.com/lovely_pig328/status/1647277587838935042 As Norio Sakurai later tweeted during the airing of the anime]], it's actually because she had menstrual cramps (which is also why she had that pain medication to begin with).with, along with explaining her short period of silence before she answered.)



* In the movie theater, Anna wants to switch seats with Kyōtarō so that she sits at his left side, likely because she wants to see his face since its right side is covered in his bangs.

to:

* In the movie theater, Anna wants to switch seats with Kyōtarō so that she sits at on his left side, likely because she wants to see his face since its the right side is covered in his bangs.
Is there an issue? Send a MessageReason:
None


* Kyōtarō anonymously left tissues for Anna at the library in order to cheer her up after she was injured, along with a note written on one of the tissues saying that it's for her to use. Considering that Anna previously commended Kyōtarō for his handwriting during one of the group projects, she knows that it was him who left those tissues.

to:

* Kyōtarō anonymously left tissues for Anna at the library in order to cheer her up after she was injured, along with a note written on one of the tissues saying that it's for her to use. Considering that Anna previously commended Kyōtarō for his handwriting during one of the group projects, she knows that it was him who left those tissues.[[note]]This only applies in the anime; in the manga Anna commended him for his art.[[/note]]
Is there an issue? Send a MessageReason:
None


* In the cinema where they are about to watch a movie, Anna wants to switch seats with Kyōtarō so that she sits at his left side, likely because she wants to see his face since its right side is covered in his bangs.

to:

* In the cinema where they are about to watch a movie, movie theater, Anna wants to switch seats with Kyōtarō so that she sits at his left side, likely because she wants to see his face since its right side is covered in his bangs.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* Anna left a note after she took care of Kyōtarō (who passed out from his fever). The note in question is folded in a specific manner and had unusual creases; if followed it's an unfinished origami heart. Anna tried to make it but chickened out at the last minute.

Added: 216

Changed: -32

Is there an issue? Send a MessageReason:
None


* Normally Kyōtarō is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. [[spoiler:In Karte 30, if one looks closely, the narration boxes use two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, while the modern font represents Kyōtarō. But then there's the scene in the library where Kyōtarō was holding Anna's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō reaffirming that he likes Anna, but it uses the brush-stroke font, meaning that the narration is actually from Anna, [[LoveEpiphany realizing that she likes Kyōtarō.]]]]

to:

* Normally Kyōtarō is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. [[spoiler:In Karte 30, if one looks closely, the narration boxes use two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, while the modern font represents Kyōtarō. But then there's the scene in the library where Kyōtarō was holding Anna's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō reaffirming that he likes Anna, but it uses the brush-stroke font, meaning that the narration is actually from Anna, [[LoveEpiphany realizing that she likes Kyōtarō.]]]]]]]]
* In the cinema where they are about to watch a movie, Anna wants to switch seats with Kyōtarō so that she sits at his left side, likely because she wants to see his face since its right side is covered in his bangs.
Is there an issue? Send a MessageReason:
None


* Kyōtarō anonymously left tissues for Anna at the library in order to cheer her up, along with an note saying that it's for her to use. Considering that Anna previously commended Kyōtarō for his handwriting during one of the group projects, she knows that it was him who left those tissues.

to:

* Kyōtarō anonymously left tissues for Anna at the library in order to cheer her up, up after she was injured, along with an a note written on one of the tissues saying that it's for her to use. Considering that Anna previously commended Kyōtarō for his handwriting during one of the group projects, she knows that it was him who left those tissues.
Is there an issue? Send a MessageReason:
None


* In Karte 12, Anna was in the school infirmary because, in her words, her stomach hurts. Kyōtarō assumed that it's because she ate something bad, but it's not the case since she ate candy when she was looking for pain medication to give to Kyōtarō for his headache. [[https://twitter.com/lovely_pig328/status/1647277587838935042 As Norio later tweeted during the airing of the anime]], it's actually because she had menstrual cramps (which is also why she had that pain medication to begin with).
* Kyōtarō left tissues for Anna at the library in order to cheer her up, with an anonymous note. Considering that Anna previously commended Kyōtarō for his handwriting during one of the group projects, she knows that it's him who left those tissues.

to:

* In Karte 12, Anna was in the school infirmary because, in her words, her stomach hurts. Kyōtarō assumed that it's because she ate something bad, but it's not the case since she ate candy when she was looking for pain medication to give to Kyōtarō for his headache. [[https://twitter.com/lovely_pig328/status/1647277587838935042 As Norio Sakurai later tweeted during the airing of the anime]], it's actually because she had menstrual cramps (which is also why she had that pain medication to begin with).
* Kyōtarō anonymously left tissues for Anna at the library in order to cheer her up, along with an anonymous note. note saying that it's for her to use. Considering that Anna previously commended Kyōtarō for his handwriting during one of the group projects, she knows that it's it was him who left those tissues.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

!'''Fridge Brilliance'''

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Is there an issue? Send a MessageReason:
None


* Normally Kyōtarō is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. In Karte 30, [[spoiler:if one looks closely, the narration boxes use two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, while the modern font represents Kyōtarō. But then there's the scene in the library where Kyōtarō was holding Anna's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō reaffirming that he likes Anna, but it uses the brush-stroke font, meaning that the narration is actually from Anna, [[LoveEpiphany realizing that she likes Kyōtarō.]]]]

to:

* In Karte 12, Anna was in the school infirmary because, in her words, her stomach hurts. Kyōtarō assumed that it's because she ate something bad, but it's not the case since she ate candy when she was looking for pain medication to give to Kyōtarō for his headache. [[https://twitter.com/lovely_pig328/status/1647277587838935042 As Norio later tweeted during the airing of the anime]], it's actually because she had menstrual cramps (which is also why she had that pain medication to begin with).
* Kyōtarō left tissues for Anna at the library in order to cheer her up, with an anonymous note. Considering that Anna previously commended Kyōtarō for his handwriting during one of the group projects, she knows that it's him who left those tissues.
* Normally Kyōtarō is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. In [[spoiler:In Karte 30, [[spoiler:if if one looks closely, the narration boxes use two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, while the modern font represents Kyōtarō. But then there's the scene in the library where Kyōtarō was holding Anna's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō reaffirming that he likes Anna, but it uses the brush-stroke font, meaning that the narration is actually from Anna, [[LoveEpiphany realizing that she likes Kyōtarō.]]]]
Is there an issue? Send a MessageReason:
None


* Normally Kyōtarō is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. In Karte 30, [[spoiler:if one looks closely, the narration boxes use two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, while the modern font represents Kyōtarō. But then there's the scene where Kyōtarō was holding Anna's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō reaffirming that he likes Anna, but it uses the brush-stroke font, meaning that the narration is actually from Anna, [[LoveEpiphany realizing that she likes Kyōtarō.]]]]

to:

* Normally Kyōtarō is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. In Karte 30, [[spoiler:if one looks closely, the narration boxes use two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, while the modern font represents Kyōtarō. But then there's the scene in the library where Kyōtarō was holding Anna's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō reaffirming that he likes Anna, but it uses the brush-stroke font, meaning that the narration is actually from Anna, [[LoveEpiphany realizing that she likes Kyōtarō.]]]]
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* Normally Kyōtarō is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. In Karte 30, [[spoiler:if one looks closely, the narration boxes uses two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, while the modern font represents Kyōtarō. But then there's the scene where Kyōtarō was holding Anna's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō reaffirming that he likes Anna, but it uses the brush-stroke font, meaning that the narration is actually from Anna, [[LoveEpiphany realizing that she likes Kyōtarō.]]]]

to:

* Normally Kyōtarō is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. In Karte 30, [[spoiler:if one looks closely, the narration boxes uses use two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, while the modern font represents Kyōtarō. But then there's the scene where Kyōtarō was holding Anna's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō reaffirming that he likes Anna, but it uses the brush-stroke font, meaning that the narration is actually from Anna, [[LoveEpiphany realizing that she likes Kyōtarō.]]]]

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* Normally Kyōtarō is the narrator of the story, but there is one instance that somewhat pulls TheAllConcealingI, and one that [[LostInTranslation only exists in the original Japanese manga release]]. In Karte 30, [[spoiler:if one looks closely, the narration boxes uses two different fonts; the first three boxes used a brush-stroke font, while the rest used a modern font. It can be deduced that there are two narrators in the chapter and who they are; the brush-stroke font represents Anna, while the modern font represents Kyōtarō. But then there's the scene where Kyōtarō was holding Anna's hand in order to stop her from eating chocolate and getting caught by the library teacher; when the narration says that "好きだ", it's logical to assume that this is Kyōtarō reaffirming that he likes Anna, but it uses the brush-stroke font, meaning that the narration is actually from Anna, [[LoveEpiphany realizing that she likes Kyōtarō.]]]]

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