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''Yojimbo'' (Yōjinbō, 用心棒, meaning "bodyguard") is a 1961 {{Jidaigeki}} film directed by Creator/AkiraKurosawa, loosely based on Creator/DashiellHammett's novel ''Literature/RedHarvest''. It stars Creator/ToshiroMifune as a wandering rōnin who arrives in a town beset by criminals and decides to clean the place up (apparently [[WarForFunAndProfit for fun and profit]]). His method is simple, yet clever: [[DivideAndConquer he reduces the number of gangsters in the town by getting the two rival factions to go to war, then mops up the remainder]]. When asked about his name, he looks at a mulberry field and answers "Kuwabatake Sanjūrō".

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''Yojimbo'' (Yōjinbō, 用心棒, meaning "bodyguard") is a 1961 {{Jidaigeki}} film directed by Creator/AkiraKurosawa, loosely based on Creator/DashiellHammett's novel ''Literature/RedHarvest''. It stars Creator/ToshiroMifune as a wandering rōnin who arrives in [[WretchedHive a town beset by criminals criminals]] and decides to clean the place up (apparently [[WarForFunAndProfit for fun and profit]]). His method is simple, yet clever: [[DivideAndConquer he reduces the number of gangsters in the town by getting the two rival factions to go to war, then mops up the remainder]]. When asked about his name, he looks at a mulberry field and answers "Kuwabatake Sanjūrō".



* AssholeVictim: At the end following the CurbStompBattle of Sanjuro, Mayor Tazaemon chases DirtyOldMan Tokuemon with a knife and kills him.

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* AssholeVictim: At the end following the CurbStompBattle of Sanjuro, Mayor Tazaemon chases DirtyOldMan Tokuemon [[DirtyOldMan Tokuemon]] with a knife and kills him.
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''Yojimbo'' (Yōjinbō, 用心棒, meaning "bodyguard") is a 1961 {{Jidaigeki}} film directed by Creator/AkiraKurosawa, loosely based on Creator/DashiellHammett's novel ''Literature/RedHarvest''. It stars Creator/ToshiroMifune as a wandering rōnin who arrives in a town beset by criminals and decides to clean the place up (apparently for fun and profit). His method is simple, yet clever: [[DivideAndConquer he reduces the number of gangsters in the town by getting the two rival factions to go to war, then mops up the remainder]]. When asked about his name, he looks at a mulberry field and answers "Kuwabatake Sanjūrō".

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''Yojimbo'' (Yōjinbō, 用心棒, meaning "bodyguard") is a 1961 {{Jidaigeki}} film directed by Creator/AkiraKurosawa, loosely based on Creator/DashiellHammett's novel ''Literature/RedHarvest''. It stars Creator/ToshiroMifune as a wandering rōnin who arrives in a town beset by criminals and decides to clean the place up (apparently [[WarForFunAndProfit for fun and profit).profit]]). His method is simple, yet clever: [[DivideAndConquer he reduces the number of gangsters in the town by getting the two rival factions to go to war, then mops up the remainder]]. When asked about his name, he looks at a mulberry field and answers "Kuwabatake Sanjūrō".



A year later it got a sequel titled ''Film/{{Sanjuro}}'', which is a bit more light-hearted.

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A year later it got a sequel titled ''Film/{{Sanjuro}}'', which is [[LighterAndSofter a bit more light-hearted.
light-hearted]].
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Tazaemon does not kill Hansuke, he is one of the three locals to survive the film. Tazaemon kills Tokuemon.


* AssholeVictim: At the end following the CurbStompBattle of Sanjuro, Mayor Tazaemon chases the [[DirtyCop slimy lawman]] Hansuke with a knife and kills him. The guy let the MobWar happen and did his best to gleefully profit from it, so nobody will miss him.

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* AssholeVictim: At the end following the CurbStompBattle of Sanjuro, Mayor Tazaemon chases the [[DirtyCop slimy lawman]] Hansuke DirtyOldMan Tokuemon with a knife and kills him. The guy let the MobWar happen and did his best to gleefully profit from it, so nobody will miss him.



* BittersweetEnding: The town is free of the gangs, but [[spoiler:thanks to how badly the war had escalated before the end, there isn't much ''left'' of the town, with the restaurateur and the cooper being the only depicted adult males still alive and sane]]. As for Sanjuro, [[spoiler:he may have conned some gold out of the gangs before wiping them out, but in the end he's still just a wandering ronin with little to his name but the clothes on his back and the sword at his waist]].

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* BittersweetEnding: The town is free of the gangs, but [[spoiler:thanks to how badly the war had escalated before the end, there isn't much ''left'' of the town, with the restaurateur and the cooper cooper, and the DirtyCop Hansuke being the only depicted adult males still alive and sane]]. As for Sanjuro, [[spoiler:he may have conned some gold out of the gangs before wiping them out, but in the end he's still just a wandering ronin with little to his name but the clothes on his back and the sword at his waist]].

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* ActionFilmQuietDramaScene: Quite a few of these. This is one reason this movie stands the test of time so well. In fact, although the plot revolves around the threat of violence, very little screentime actually depicts violence. So it hardly fits the modern concept of "action movie".

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* ActionFilmQuietDramaScene: Quite a few of these. This is one reason this movie stands the test of time so well. In fact, although the plot revolves around the threat of violence, very little screentime actually depicts violence. So violence, so it hardly fits the modern concept of "action movie".


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* IWantMyMommy: [[spoiler:One of the gangsters at the final confrontation turns out to be the farmer's son Sanjuro met at the beginning of the film. When the rest of the gang get slaughtered and he's the only one left, the boy starts screaming for his mother, which stays Sanjuro's blade and saves his life.]]


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* WouldntHurtAChild: Or a young adult. At the end of the film, [[spoiler:Sanjuro spares the life of a young farmer's son screaming for his mother, knowing the kid is not a ruthless killer like the gangsters he has been slaying]].
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* AssholeVictim: At the end following the CurbStompBattle of Sanjuro, Mayor Tazaemon chases the [[DirtyCop slimy lawman]] Hansuke with a knife and kills him. The guy let the MobWar happen and did his best to gleefully profit from it, so nobody will miss him.
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* UnwillingSuspension: Ushitora's gang to that to Gonji in the climax for the help he gave to Sanjuro. The coffin maker frees him when Ushitora and his remaining men are busy in the final showdown with Sanjuro.
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* NeverBringAKnifeToAGunfight: [[spoiler:Averted. Sanjūrō wins.]]

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* NeverBringAKnifeToAGunfight: [[spoiler:Averted. Sanjūrō wins.NeverBringAGunToAKnifeFight: [[spoiler:Sanjūrō gets the upper hand over Unosuke by hitting Unosuke's gun arm with a knife.]]
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A year later it got a sequel titled ''Film/{{Sanjuro}}'', which was a bit more of a light-hearted comedy.

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A year later it got a sequel titled ''Film/{{Sanjuro}}'', which was is a bit more of a light-hearted comedy.
light-hearted.



* CharacterTics: Sanjūrō has a habit of keeping one hand inside of his clothing and twitching his shoulders. The idea behind this is that he's like a wolf/dog and has fleas -- making him ''[[IncrediblyLamePun a character with ticks]]''.

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* CharacterTics: Sanjūrō has a habit of keeping one hand inside of his clothing and twitching (often while [[ThinkingTic holding his shoulders. The chin]]). He also twitches his shoulders; the idea behind this is that he's like a wolf/dog and has fleas -- making him ''[[IncrediblyLamePun a character with ticks]]''.
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Not to be confused with ''ComicBook/UsagiYojimbo''.

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* TheExpyWithNoName: "Kuwabatake Sanjūrō" is the UrExample, a nameless and mysterious ronin who is [[OnlyKnownByTheirNickname known only by their nickname]], visits a town beset by criminals and eliminates two rival gangs by making them go to war with each other.
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* MysteriousPast: Other than being a ronin, we know next to nothing about Sanjūrō including who his master was before he became a wandering drifter.
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''Yojimbo'' (Yōjinbō, 用心棒, meaning "bodyguard") is a 1961 JidaiGeki film directed by Creator/AkiraKurosawa, loosely based on Creator/DashiellHammett's novel ''Literature/RedHarvest''. It stars Creator/ToshiroMifune as a wandering rōnin who arrives in a town beset by criminals and decides to clean the place up (apparently for fun and profit). His method is simple, yet clever: [[DivideAndConquer he reduces the number of gangsters in the town by getting the two rival factions to go to war, then mops up the remainder]]. When asked about his name, he looks at a mulberry field and answers "Kuwabatake Sanjūrō".

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''Yojimbo'' (Yōjinbō, 用心棒, meaning "bodyguard") is a 1961 JidaiGeki {{Jidaigeki}} film directed by Creator/AkiraKurosawa, loosely based on Creator/DashiellHammett's novel ''Literature/RedHarvest''. It stars Creator/ToshiroMifune as a wandering rōnin who arrives in a town beset by criminals and decides to clean the place up (apparently for fun and profit). His method is simple, yet clever: [[DivideAndConquer he reduces the number of gangsters in the town by getting the two rival factions to go to war, then mops up the remainder]]. When asked about his name, he looks at a mulberry field and answers "Kuwabatake Sanjūrō".



* AdaptationTimeChange: ''Yojimbo'' is loosely based on the novel ''Red Harvest''.

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* AdaptationTimeChange: AdaptationTitleChange: ''Yojimbo'' is loosely based on the novel ''Red Harvest''.

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* TheExpyWithNoName: "Kuwabatake Sanjūrō" is the UrExample, a nameless and mysterious ronin who is [[OnlyKnownByTheirNickname known only by their nickname]], visits a town beset by criminals and eliminates two rival gangs by making them go to war with each other.



* AFistfulOfRehashes: The one that's thought to have started the rehashing chain is itself an adaptation of ''The Glass Key'', though its plot more closely follows ''Red Harvest''.

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* AFistfulOfRehashes: The one that's thought to have started the rehashing chain of ''A Fistful of Dollars'' is itself an adaptation of ''The Glass Key'', though its plot more closely follows ''Red Harvest''.
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Added the Divide And Conquer pothole in the description for the film.


''Yojimbo'' (Yōjinbō, 用心棒, meaning "bodyguard") is a 1961 JidaiGeki film directed by Creator/AkiraKurosawa, loosely based on Creator/DashiellHammett's novel ''Literature/RedHarvest''. It stars Creator/ToshiroMifune as a wandering rōnin who arrives in a town beset by criminals and decides to clean the place up (apparently for fun and profit). His method is simple, yet clever: he reduces the number of gangsters in the town by getting the two rival factions to go to war, then mops up the remainder. When asked about his name, he looks at a mulberry field and answers "Kuwabatake Sanjūrō".

to:

''Yojimbo'' (Yōjinbō, 用心棒, meaning "bodyguard") is a 1961 JidaiGeki film directed by Creator/AkiraKurosawa, loosely based on Creator/DashiellHammett's novel ''Literature/RedHarvest''. It stars Creator/ToshiroMifune as a wandering rōnin who arrives in a town beset by criminals and decides to clean the place up (apparently for fun and profit). His method is simple, yet clever: [[DivideAndConquer he reduces the number of gangsters in the town by getting the two rival factions to go to war, then mops up the remainder.remainder]]. When asked about his name, he looks at a mulberry field and answers "Kuwabatake Sanjūrō".
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* AdaptationTimeChange: ''Yojimbo'' is loosely based on the novel ''Red Harvest''.
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* EvilPlan: Ushitora seeks to usurp his old boss and TakeOverTheTown.

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* EvilPlan: Ushitora seeks to usurp his old boss and TakeOverTheTown.[[TakingOverTheTown take over the town]].
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* EvilPlan: Ushitora seeks to usurp his old boss and TakeOverTheTown.
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* {{Yakuza}}: [[ShownTheirWork Much like the actual yakuza]], the word is never spoken aloud (the cast prefer the term "gambler," since the local racket started with the gambling business), but ''Yojimbo'' is basically a mob movie. It's not a particularly flattering depiction; the vice they trade in looks as cheap, sleazy, and tawdry as it is, and for most of the picture both gangs are too cowardly to even bother having a proper battle in the street, preferring to rough up innocent people, or at least those they don't yet know can fight back.
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* AntiHero: Sanjuro is a vicious and remorseless killer, and he spends most of the film conning money out of the two criminal gangs fighting over the DyingTown rather than actively trying to help. But he never turns his brutal talents on the innocent, he can't quite manage to snuff out a [[JerkWithAHeartOfGold/deep-seated sense of compassion beneath his callous exterior]] and abandon the helpless in need, and almost everyone he kills [[AssholeVictim/really had it coming]].

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* AntiHero: Sanjuro is a vicious and remorseless killer, and he spends most of the film conning money out of the two criminal gangs fighting over the DyingTown rather than actively trying to help. But he never turns his brutal talents on the innocent, he can't quite manage to snuff out a [[JerkWithAHeartOfGold/deep-seated [[JerkWithAHeartOfGold deep-seated sense of compassion beneath his callous exterior]] and abandon the helpless in need, and almost everyone he kills [[AssholeVictim/really [[AssholeVictim really had it coming]].
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* AntiHero: Sanjuro is a vicious and remorseless killer, and he spends most of the film conning money out of the two criminal gangs fighting over the DyingTown rather than actively trying to help. But he never turns his brutal talents on the innocent, he can't quite manage to snuff out a [[JerkWithAHeartOfGold|deep-seated sense of compassion beneath his callous exterior]] and abandon the helpless in need, and almost everyone he kills [[AssholeVictim|really had it coming]].

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* AntiHero: Sanjuro is a vicious and remorseless killer, and he spends most of the film conning money out of the two criminal gangs fighting over the DyingTown rather than actively trying to help. But he never turns his brutal talents on the innocent, he can't quite manage to snuff out a [[JerkWithAHeartOfGold|deep-seated [[JerkWithAHeartOfGold/deep-seated sense of compassion beneath his callous exterior]] and abandon the helpless in need, and almost everyone he kills [[AssholeVictim|really [[AssholeVictim/really had it coming]].

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* AntiHero: Sanjuro is a NominalHero. He cleans up the town, not out of compassion for the people, but because he's glad to have an opportunity to make money killing people. The only things keeping him from being a VillainProtagonist are a handful of PetTheDog moments and the fact that his victims are even worse.

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* AntiHero: Sanjuro is a NominalHero. He cleans up vicious and remorseless killer, and he spends most of the town, not film conning money out of the two criminal gangs fighting over the DyingTown rather than actively trying to help. But he never turns his brutal talents on the innocent, he can't quite manage to snuff out a [[JerkWithAHeartOfGold|deep-seated sense of compassion for beneath his callous exterior]] and abandon the people, but because he's glad to have an opportunity to make money killing people. The only things keeping him from being a VillainProtagonist are a handful of PetTheDog moments helpless in need, and the fact that his victims are even worse.almost everyone he kills [[AssholeVictim|really had it coming]].



* CripplingTheCompetition: Sanjuro is beaten senseless for rescuing the family that Ushitora's gang was holding hostage.

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* CripplingTheCompetition: Sanjuro is beaten senseless for rescuing the family that Ushitora's gang was holding hostage.hostage, one of them as a SexSlave.



* FalseFlagOperation: Sanjuro kills all of Nui's hostages while making it look like fifteen men did it.

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* FalseFlagOperation: Sanjuro kills all of Nui's hostages jailers while making it look like fifteen men did it.it. [[spoiler: Unfortunately, he gets caught in the end anyway.]]



* GunsAreWorthless: Being a gunslinger doesn't mean much when you gun-hand is disabled.

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* GunsAreWorthless: Being While it's a GameBreaker for the rest of the film, being a gunslinger doesn't mean much when you gun-hand is disabled.[[spoiler: you've got a knife through the forearm of your shooting hand.]]



* HollywoodHealing: Sanjūrō manages to heal quickly and apparently without lasting consequences after being beaten pretty badly. Although it takes him at least a week if not more to fully recover.

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* HollywoodHealing: Played with. While Sanjūrō manages to heal quickly and apparently without lasting consequences after being beaten pretty badly. Although badly, it takes him at least a week if not more to fully recover.recover rather than being fine in a few days.



* LadyMacbeth: Seibei's scheming wife is a major power player in their faction of the mob war, and it's discreetly implied that she might've been behind the split in the first place by pushing Seibei to declare his obviously-unfit son Yoichiro as his successor within the operation rather than his right-hand man Ushitora.



** Sanjūrō manages to save a family that's been caught between the quarrels of the two gangs, which [[JerkWithAHeartOfGold makes him less overtly antiheroic.]] In order to act a little more rugged, Sanjūrō [[ShooTheDog threatens them with death if they don't get the hell out of there fast enough.]] He does so with good reason: if they're caught, they'll likely be killed.

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** Sanjūrō manages to save a family that's been caught between the quarrels of the two gangs, which [[JerkWithAHeartOfGold makes him less overtly antiheroic.]] In order to act a little more rugged, Sanjūrō [[ShooTheDog threatens them with death if they don't get the hell out of there fast enough.]] He does so with good reason: if they're caught, they'll likely be killed. He also drags his beaten body out for a final showdown with the Ushitora gang rather than let them kill Gonji.
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* {{Understatement}}: Sanjuro warns the thugs in the English dub just before killing (and, in one case, dismembering) three of them, "It might hurt a little."
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The link led to a blog that required an invitation to read.


* GiantMook: [[http://historymike.blogspot.com/2009/05/namigoro-rashomon.html Kannuki the Giant]], one of Ushitora' mooks. None of the other {{Mook}}s are even as tall as his shoulders and he wields a [[{{BFS}} big freakin]]' [[DropTheHammer mallet]].

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* GiantMook: [[http://historymike.blogspot.com/2009/05/namigoro-rashomon.html Former pro wrestler Kannuki the Giant]], Giant, one of Ushitora' mooks. None of the other {{Mook}}s are even as tall as his shoulders and he wields a [[{{BFS}} big freakin]]' [[DropTheHammer mallet]].
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An enormously influential film, it has had at least three direct remakes -- Creator/SergioLeone's ''Film/AFistfulOfDollars'' (as a Western), Creator/WalterHill's ''Film/LastManStanding'' (as a mob movie) and Albert Pyun's ''Omega Doom'' (as a sci-fi movie) -- as well as homages in numerous other films and television shows.

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An enormously influential film, it has had at least three direct remakes -- Creator/SergioLeone's ''Film/AFistfulOfDollars'' (as a Western), Creator/WalterHill's ''Film/LastManStanding'' (as a mob movie) and Albert Pyun's ''Omega Doom'' (as a sci-fi movie) -- as well as homages in numerous other films and television shows.
shows, including being the inspiration for John Belushi's Samurai character on ''Saturday Night Live''.
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* OneWordTitle

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