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* AngelsInOvercoats: Likely TropeMaker. All angel characters, in particular Damiel and Cassiel, but also the secondaries, are all wearing smart wool overcoats during their Earthly tenure. Damiel gets to keep his overcoat [[spoiler:even after becoming human]].
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Bruno Ganz, who plays Damiel, would explore the other extreme of the good-to-evil spectrum a quarter-century later when he played UsefulNotes/AdolfHitler in ''Film/{{Downfall}}''. Curt Bois, who plays the elderly storyteller, was the pickpocket ("vultures, vultures everywhere") in ''Film/{{Casablanca}}''.

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Bruno Ganz, Creator/BrunoGanz, who plays Damiel, would explore the other extreme of the good-to-evil spectrum a quarter-century later when he played UsefulNotes/AdolfHitler in ''Film/{{Downfall}}''. Curt Bois, who plays the elderly storyteller, was the pickpocket ("vultures, vultures everywhere") in ''Film/{{Casablanca}}''.
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* DesperatelyLookingForAPurposeInLife: Marion.

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* AllLovingHero: The angels.



* ArcWords: The [[http://www.wim-wenders.com/movies/movies_spec/wingsofdesire/wod-song-of-childhood-german.htm "Lied vom Kindsein"]], with its repetitive structure, appears throughout the movie.

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* ArcWords: The [[http://www.wim-wenders.com/movies/movies_spec/wingsofdesire/wod-song-of-childhood-german.htm "Lied vom von Kindsein"]], with its repetitive structure, appears throughout the movie.



* BilingualBonus: Marion, who is originally from France, speaks both French and German in her inner monologue. Peter Falk only speaks in English. Several other anonymous characters speak in Turkish, Spanish, and Hebrew, some of it unsubtitled.



* FriendToAllChildren: The angels, who can only be seen by children for the most part, have several scenes where they act pleasantly and respectfully towards children.



* GrowingUpSucks: The first few times we hear the "Song of Childhood" poem, it's musing about how children lose their sense of awe and wonder as they grow older. Subverted in the latter half of the film after Damiel becomes human, when the poem instead begins to talk about how some things in life ''never'' lose their wonder as one becomes an adult.



* HeroisBSOD: Cassiel has one after failing to stop a young man from leaping to his death, leaping off of the angel statue he hangs out on himself before wandering all around the city in a daze, observing various scenes of human desperation. He spends the rest of the film after this in a state of deep melancholy.
* HumansAreBastards: Ultimately defied, as despite observing human desperation all around Berlin and presumably witnessing some of the worst horrors of history the angels never lose their faith in people. At one point Damiel and Cassiel have a conversation where Cassiel muses about how humans have always fought and persecuted each other, but Damiel counters saying that they have always loved each other as well.

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* HeroisBSOD: HeroicBSOD: Cassiel has one after failing to stop a young man from leaping to his death, leaping off of the angel statue he hangs out on himself Berlin Victory Column in despair before wandering all around the city in a daze, observing various scenes of human desperation. He spends the rest of the film after this in a state of deep melancholy.
* HumansAreBastards: Ultimately defied, as despite observing human desperation ordinary misery all around Berlin and presumably witnessing some of the worst horrors of history in history, the angels never lose their faith in people. At one point Damiel and Cassiel have a conversation where Cassiel muses about how humans have always fought and persecuted each other, but Damiel counters by saying that they have always loved each other as well.


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* SlidingScaleOfIdealismVersusCynicism: Despite showing some of the dark side of humanity, the film ultimately has an optimistic message about finding meaning and beauty in life.
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* {{Dedication}}: The closing credits start by saying "Dedicated to all the former angels, but especially to Yasujiro, François and Andrej." This is in reference to Creator/YasujiroOzu, Creator/FrancoisTruffaut, and Creator/AndreiTarkovsky, all of whom were influences on the film that had died shortly before its release.

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** Music/NickCave as himself performing with the Bad Seeds. Turns out Marion is a fan.

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** Music/NickCave as himself performing with the Bad Seeds. Seeds, and earlier Crime and the City Solution in a similar context. Turns out Marion is a fan.fan.
* AuthorAppeal: Wim Wenders is a huge fan of Nick Cave and PostPunk in general, which is why Marion is seen listening to Nick Cave and going to shows for him and Crime and the City Solution.


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* {{Goth}}: Several can be seen in the crowd during the concert scenes.


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* HeroisBSOD: Cassiel has one after failing to stop a young man from leaping to his death, leaping off of the angel statue he hangs out on himself before wandering all around the city in a daze, observing various scenes of human desperation. He spends the rest of the film after this in a state of deep melancholy.
* HumansAreBastards: Ultimately defied, as despite observing human desperation all around Berlin and presumably witnessing some of the worst horrors of history the angels never lose their faith in people. At one point Damiel and Cassiel have a conversation where Cassiel muses about how humans have always fought and persecuted each other, but Damiel counters saying that they have always loved each other as well.


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* WingedHumanoid: The angels only have wings sometimes, such as Damiel in the first scene.
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The film depicts two angels, Damiel and Cassiel, wandering in UsefulNotes/ColdWar era UsefulNotes/{{Berlin}} and listening to the thoughts of humans. Among those humans are an old man looking for the now-destroyed Potsdamer Platz and recalling the good times he used to have there; Peter Falk AsHimself; and Marion, a lonely French trapezist.

The angels don't directly intervene in human existence but sometimes give comfort to humans who need it, like a woman in labor, or a suicidal man on a tram, or a motorcyclist who is dying in the street after he was struck by a car. Damiel however yearns to be human himself, and to experience life as a mortal does. Eventually he falls in love with Marion the trapeze artist, and has to make a difficult choice.

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The film depicts two angels, Damiel and Cassiel, wandering in UsefulNotes/ColdWar era UsefulNotes/{{Berlin}} and listening to the thoughts of humans. Among those humans are an old man looking for the now-destroyed Potsdamer Platz and recalling the good times he used to have there; Peter Falk Creator/PeterFalk AsHimself; and Marion, a lonely French trapezist.

The angels don't directly intervene in human existence but sometimes give comfort to humans who need it, like a woman in labor, or a suicidal man on a tram, or a motorcyclist who is dying in the street after he was struck by a car. However, Damiel however yearns to be human himself, himself and to experience life as a mortal does. Eventually he falls in love with Marion the trapeze artist, and has to make a difficult choice.
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* AndStarring: Peter Falk gets an "In a special appearance" credit.

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* AndStarring: Peter Falk Creator/PeterFalk gets an "In a special appearance" credit.
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* SceneryGorn: The zone near the UsefulNotes/BerlinWall are nothing buy gloomy.

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* SceneryGorn: The zone near the UsefulNotes/BerlinWall are nothing buy but gloomy.
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* AngelicTransformation: Angels can literally fall from grace to become human. The main character wishes to do this out of love for a mortal.
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* SceneryGorn: The zone near the BerlinWall are nothing buy gloomy.

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* SceneryGorn: The zone near the BerlinWall UsefulNotes/BerlinWall are nothing buy gloomy.
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* StockFootage: The old man's fruitless search for the Potzdamer Platz--a wasteland split by the Berlin Wall at that time--is interspersed with some horrifying stock footage of the destruction of UsefulNotes/WorldWarII.

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* StockFootage: The old man's fruitless search for the Potzdamer Platz--a wasteland split by the Berlin Wall at that time--is interspersed with some Bits of horrifying stock footage of the destruction of UsefulNotes/WorldWarII.UsefulNotes/WorldWarII are sprinkled throughout.

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* AsHimself: Peter Falk as himself--he's even called "Series/{{Columbo}}"--an American actor filming a movie in Berlin. He's eventually revealed to be a former angel.

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* AsHimself: AsHimself:
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Peter Falk as himself--he's even called "Series/{{Columbo}}"--an American actor filming a movie in Berlin. He's eventually revealed to be a former angel.angel.
** Music/NickCave as himself performing with the Bad Seeds. Turns out Marion is a fan.

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* AsHimself: Peter Falk plays more or less himself (to the point where children call him "Series/{{Columbo}}"), an American actor filming a movie in Berlin. [[spoiler: He's also actually a former angel himself]].

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* AsHimself: Peter Falk plays more or less himself (to the point where children call him "Series/{{Columbo}}"), an as himself--he's even called "Series/{{Columbo}}"--an American actor filming a movie in Berlin. [[spoiler: He's also actually eventually revealed to be a former angel himself]].angel.


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* SmokingIsCool: The pleasure of taking a drag on a cigarette is just one of the earthly delights a newly human Damiel enjoys.
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* SomethingOnlyTheyWouldSay: Peter Falk can't see Damiel but senses him, and greets him, calling him "compañero". When Damiel takes human form, he makes himself known to Falk by hailing him with that word.

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* ColorMotif: It eventually becomes clear that events shown from the perspective of the angels are DeliberatelyMonochrome while scenes not from their perspective are the ones in color. This is illustrated by a scene in Marion's trailer that shifts from black and white to color after Damiel leaves.

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* ColorMotif: It eventually becomes clear that events shown from the perspective of the angels are DeliberatelyMonochrome while scenes not from their perspective are the ones in color. This is illustrated by a scene in Marion's trailer that shifts from black and white to color after Damiel leaves. Moments after Damiel takes human form, he buttonholes a random passerby to find out what all the colors are called.
--> '''Damiel''': ''(looking at his own blood)'' Is this red?

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* ArtShift: It eventually becomes clear that events shown from the perspective of the angels are DeliberatelyMonochrome while scenes not from their perspective are the ones in color. This is illustrated by a scene in Marion's trailer that shifts from black and white to color after Damiel leaves.


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* ColorMotif: It eventually becomes clear that events shown from the perspective of the angels are DeliberatelyMonochrome while scenes not from their perspective are the ones in color. This is illustrated by a scene in Marion's trailer that shifts from black and white to color after Damiel leaves.

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* EiffelTowerEffect: Many shots of Berlin landmarks, both famous (Cassiel perched atop the Berlin Victory Column) and infamous (the Berlin Wall, still standing in 1986).



** There is a similar match cut between a black-and-white view of the Berlin skyline (right after the boy jumps to his death, from Cassiel's perspective) to a color shot of the skyline from a hotel room where Peter Falk and the movie folks are having a meeting.

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** There is a similar match cut between a black-and-white view of the Berlin skyline (right after the boy jumps to his death, from Cassiel's perspective) to a color shot of the skyline from a hotel room where Peter Falk and the movie folks are having a meeting.is watching an interview of himself on television.

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* DeliberatelyMonochrome : The film is shot that way because the angels [[OurAngelsAreDifferent don't see colours]] [[spoiler:until one of them becomes human]].

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* DeliberatelyMonochrome : The film is shot that way because the angels [[OurAngelsAreDifferent don't see colours]] [[spoiler:until until one of them becomes human]].human.
* DrivenToSuicide: A young man jumps off a roof to his death, too quickly for Cassiel to influence his thoughts and save him.



* MatchCut: One scene smoothly transitions from a stock footage clip of a bombed out 1945 Berlin street to a clean, modern 1986 street. (Maybe the same one?)

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* MatchCut: MatchCut:
**
One scene smoothly transitions from a stock footage clip of a bombed out 1945 Berlin street to a clean, modern 1986 street. (Maybe the same one?)one?)
** There is a similar match cut between a black-and-white view of the Berlin skyline (right after the boy jumps to his death, from Cassiel's perspective) to a color shot of the skyline from a hotel room where Peter Falk and the movie folks are having a meeting.

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* MatchCut: One scene smoothly transitions from a stock footage clip of a bombed out 1945 Berlin street to a clean, modern 1986 street. (Maybe the same one?)



* PinocchioSyndrome: Both angels at the beginning discuss how they'd like to be human for a change; [[spoiler: one of them has his wish come true.]]

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* PinocchioSyndrome: Both angels at the beginning discuss how they'd like to be human for a change; [[spoiler: one of them has his wish come true.]]
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* StockFootage: The old man's fruitless search for the Potzdamer Platz--a wasteland split by the Berlin Wall at that time--is interspersed with some horrifying stock footage of the destruction of UsefulNotes/WorldWarII.

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A {{sequel}}, ''Faraway So Close'', was made in 1993. The first film received a ''very'' loose American remake, ''Film/CityOfAngels'', in 1998. Bruno Ganz, who plays Damiel, would explore the other extreme of the good-to-evil spectrum a quarter-century later when he played UsefulNotes/AdolfHitler in ''Film/{{Downfall}}''.

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A {{sequel}}, ''Faraway So Close'', was made in 1993. The first film received a ''very'' loose American remake, ''Film/CityOfAngels'', in 1998.

Bruno Ganz, who plays Damiel, would explore the other extreme of the good-to-evil spectrum a quarter-century later when he played UsefulNotes/AdolfHitler in ''Film/{{Downfall}}''.
''Film/{{Downfall}}''. Curt Bois, who plays the elderly storyteller, was the pickpocket ("vultures, vultures everywhere") in ''Film/{{Casablanca}}''.
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* ArtShift: It eventually becomes clear that events shown from the perspective of the angels are DeliberatelyMonochrome while scenes not from their perspective are the ones in color.

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* ArtShift: It eventually becomes clear that events shown from the perspective of the angels are DeliberatelyMonochrome while scenes not from their perspective are the ones in color. This is illustrated by a scene in Marion's trailer that shifts from black and white to color after Damiel leaves.

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The angels sometimes give comfort to humans who need it, like when Damiel comforts a woman in labor or gives some happier thoughts to a suicidal man on a tram. Damiel however yearns to be human himself, and to experience life as a mortal does. Eventually he falls in love with Marion the trapeze artist, and has to make a difficult choice.

to:

The angels don't directly intervene in human existence but sometimes give comfort to humans who need it, like when Damiel comforts a woman in labor labor, or gives some happier thoughts to a suicidal man on a tram.tram, or a motorcyclist who is dying in the street after he was struck by a car. Damiel however yearns to be human himself, and to experience life as a mortal does. Eventually he falls in love with Marion the trapeze artist, and has to make a difficult choice.


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* ArtShift: It eventually becomes clear that events shown from the perspective of the angels are DeliberatelyMonochrome while scenes not from their perspective are the ones in color.
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* LadyInRed: Marion when eventually meets [[spoiler: Damiel as a human]] wears a lavish red dress.

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* LadyInRed: Marion when eventually meets [[spoiler: Damiel as a human]] human wears a lavish red dress.


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* EyeOpen: Starts with a tight closeup on Damiel's eye.


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* SplashOfColor: The first bit of color is startling, coming out of nowhere and gone just as soon, a brief shot of Marion on the trapeze. This is the first hint that the angels perceive the world in black and white--this brief shot is not from Damiel's perspective.

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The film depicts two angels, Damiel and Cassiel, wandering in UsefulNotes/ColdWar era UsefulNotes/{{Berlin}} and listening to the thoughts of humans. Among those humans are an old man looking for the now-destroyed Potsdamer Platz and recalling the good times he used to have there; Peter Falk AsHimself; and a lonely French trapezist, whom one of the angels falls in love with.

to:

The film depicts two angels, Damiel and Cassiel, wandering in UsefulNotes/ColdWar era UsefulNotes/{{Berlin}} and listening to the thoughts of humans. Among those humans are an old man looking for the now-destroyed Potsdamer Platz and recalling the good times he used to have there; Peter Falk AsHimself; and Marion, a lonely French trapezist, whom one of the trapezist.

The
angels sometimes give comfort to humans who need it, like when Damiel comforts a woman in labor or gives some happier thoughts to a suicidal man on a tram. Damiel however yearns to be human himself, and to experience life as a mortal does. Eventually he falls in love with.
with Marion the trapeze artist, and has to make a difficult choice.

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* AndStarring: Peter Falk gets an "In a special appearance" credit.



* ByTheEyesOfTheBlind

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* ByTheEyesOfTheBlindByTheEyesOfTheBlind: Usually it's children, but Damiel says that a blind woman sensed his presence and was moved to adjust her watch.



* ForeignRemake: Remade as ''Film/CityOfAngels''
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The film depicts two angels wandering in UsefulNotes/ColdWar era UsefulNotes/{{Berlin}} and listening to the thoughts of humans, among them an old man looking for the now-destroyed Potsdamer Platz and recalling the good times he used to have there; Peter Falk AsHimself; and a lonely French trapezist, whom one of the angels falls in love with.

A {{sequel}}, ''Faraway So Close'', was made in 1993. The first film received a ''very'' loose American remake, ''Film/CityOfAngels'', in 1998.

to:

The film depicts two angels angels, Damiel and Cassiel, wandering in UsefulNotes/ColdWar era UsefulNotes/{{Berlin}} and listening to the thoughts of humans, among them humans. Among those humans are an old man looking for the now-destroyed Potsdamer Platz and recalling the good times he used to have there; Peter Falk AsHimself; and a lonely French trapezist, whom one of the angels falls in love with.

A {{sequel}}, ''Faraway So Close'', was made in 1993. The first film received a ''very'' loose American remake, ''Film/CityOfAngels'', in 1998.
1998. Bruno Ganz, who plays Damiel, would explore the other extreme of the good-to-evil spectrum a quarter-century later when he played UsefulNotes/AdolfHitler in ''Film/{{Downfall}}''.
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* ShoutOut: Ganz says he wants to go home and feed the cat "[[Film/TheLongGoodbye like Phillip Marlowe]]".

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