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* IndecisiveDeconstruction: The whole point about someone being a police maverick eventually gets deconstructed, as Chance's rule-breaking has serious, negative consequences: His withholding of information from his superiors makes them unwilling to help him; the convict he manages to bully the DA into releasing beats him up and escapes, and his plan to get the buy money for the sting goes horribly, horribly wrong. On the other hand, Chance ''does'' recapture Cody, and [[spoiler:the sting does go down; furthermore, the movie ends with Vukovich becoming the new maverick cop, to triumphant Wang Chung music.]]
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[[caption-width-right:300: The ''[[AwesomeMusic real]]'' stars of the movie.]]

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[[caption-width-right:300: The ''[[AwesomeMusic ''[[SugarWiki/AwesomeMusic real]]'' stars of the movie.]]
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* {{Foreshadowing}}: Masters’ first scene shows him burning what appears to be a stylised self-portrait. [[spoiler: He accidentally sets himself on fire before Vukovich empties his gun into him.]]
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Calling somebody mentally unstable for having a different opinion isn't cool


* DownerEnding: '''''And''''' '''HOW.''' [[spoiler:Chance dies during the sting, causing Vukovich to have a mental breakdown and kill Masters, but not before the latter destroyed all the evidence of his crimes by torching his downtown warehouse. Not only that, Vukovich essentially becomes the new Chance, and makes Ruth his bitch]]. If you enjoyed how the ending of the film turns out, go seek psychiatric help, ''now''.

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* DownerEnding: '''''And''''' '''HOW.''' [[spoiler:Chance dies during the sting, causing Vukovich to have a mental breakdown and kill Masters, but not before the latter destroyed all the evidence of his crimes by torching his downtown warehouse. Not only that, Vukovich essentially becomes the new Chance, and makes Ruth his bitch]]. If you enjoyed how the ending of the film turns out, go seek psychiatric help, ''now''.
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The film stars William Petersen as Secret Service agent Richard Chance, a maverick type determined to take down Rick Masters (Creator/WillemDafoe), the counterfeiter who [[DeadSidekick shot Chance's partner]]. It also features an exceptionally '80s soundtrack by Wang Chung.

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The film stars William Petersen Creator/WilliamPetersen as Secret Service agent Richard Chance, a maverick type determined to take down Rick Masters (Creator/WillemDafoe), the counterfeiter who [[DeadSidekick shot Chance's partner]]. It also features an exceptionally '80s soundtrack by Wang Chung.
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*BatmanColdOpen: The film opens with Jimmy Hart and Richard Chance working the Presidential Protection detail at the Beverly Hilton hotel where Reagan is giving a speech. When leaving the presidential suite to begin his part of the shift rotation, he notices a hotel porter with a room service tray crossing the end of the hall before the sound of him entering the stairwell is heard. On a whim, Chance goes to the entrance of the stairwell where he sees the tray sitting on the ground. Upon removing the lid on the plate and seeing it empty, he calls in the suspicious character and head heads after him, with Jimmy overhearing him on his earpiece. Chance heads for the roof where he finds an unconscious or dead L.A.P.D. officer before seeing the porter attaching a rappel line to some pipe jutting out of the roof and wearing a suicide vest with intention of assassinating President Reagan. Chance confronts the man who then puts his hands on the detonator cord and begins stating his willingness to die and cursing Israel and the U.S. Chance attempts to talk the terrorist down to no avail but while the terrorist rants he notices that Jimmy has somehow managed to get just below the terrorist on the edge of the roof. Jimmy pulls the man off the roof just as he pulls the cord and he explodes after falling a short distance off the roof. Shortly after, Chance and Jimmy sit on the roof tired and weary before Chance states, "Let's get out of here Jimmy. Go play some cards, get drunk." Clutching his shoulder and heavily panting, the elder Secret Service agent tiredly remarks, "I'm gettin' too old for this shit."
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** Pretty much '''ANY''' named character who isn't Jimmy Hart, Ruth or John Vukovich [[spoiler: At least until the end of the film where he becomes essentially the reincarnation of Chance. Driven home when upon telling Ruth, "You're workin' for me now" at the end, she has flashbacks to her trysts with Chance. Driven (in this case literally) even further where after that scene, there's a short sequence that shows a later point where Vukovich is now even driving Chance's truck and parks at Ruth's house before the freeze frame and cut to credits.]]

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** Pretty much '''ANY''' named character who isn't Jimmy Hart, Ruth Ruth, or John Vukovich [[spoiler: At least until the end of the film where he becomes essentially the reincarnation of Chance. Driven home when upon telling Ruth, "You're workin' for me now" at the end, she has flashbacks to her trysts with Chance. Driven (in this case literally) even further where after that scene, there's a short sequence that shows a later point where Vukovich is now even driving Chance's truck and parks at Ruth's house before the freeze frame and cut to credits.]]



--> '''Chance:''' I'm gonna bag Masters, and I don't give a shit how I do it.

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--> '''Chance:''' I'm gonna bag Masters, and [[NotHyperbole I don't give a shit how I do it.]]
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** Pretty much any named character who isn't Jimmy Hart, Ruth or John Vukovich [[spoiler: At least until the end of the film where he becomes essentially the reincarnation of Chance. Driven home when upon telling Ruth, "You're workin' for me now." at the end, she has flashbacks to her trysts with Chance. Driven (in this case literally) even further where after that scene, there's a short sequence that shows a later point where Vukovich is now even driving Chance's truck and parks at Ruth's house before the freeze frame and cut to credits.]]

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** Pretty much any '''ANY''' named character who isn't Jimmy Hart, Ruth or John Vukovich [[spoiler: At least until the end of the film where he becomes essentially the reincarnation of Chance. Driven home when upon telling Ruth, "You're workin' for me now." now" at the end, she has flashbacks to her trysts with Chance. Driven (in this case literally) even further where after that scene, there's a short sequence that shows a later point where Vukovich is now even driving Chance's truck and parks at Ruth's house before the freeze frame and cut to credits.]]
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** Pretty much any named character who isn't Jimmy Hart, Ruth or John Vukovich [[spoiler: At least until the end of the film where he becomes essentially the reincarnation of Chance. Driven home when upon telling Ruth, "You're workin' for me now." at the end, she has flashbacks to her trysts with Chance. Driven (in this case literally) even further where after that scene, there's a short sequence that shows a later point where Vukovich is now even driving Chance's truck and parks at Ruth's house before the freeze frame and cut to credits.]]
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Incorrect summation of events.


* SociopathicHero: By the mid-point Chance has been established as one, [[spoiler:engineering a robbery to get the money Masters asked]], but even before that, he casually mistreats his girlfriend/informant Ruth, and he says he'd ''immediately'' get her back in jail should she ever stop being his CI. At one point, [[spoiler:he even rapes her while giggling like a kid.]]

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* SociopathicHero: By the mid-point Chance has been established as one, [[spoiler:engineering a robbery to get the money Masters asked]], but even before that, he casually mistreats his girlfriend/informant Ruth, and he says he'd ''immediately'' get her back in jail should she ever stop being his CI. At one point, [[spoiler:he even rapes her while giggling like a kid.]]
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** Well, maybe. William Friedkin has said that "Michael Mann and I have been good friends for 30 years".
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* CrapsackWorld: Let's just say Friedkin's Los Angeles is not a sunny one.

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* CrapsackWorld: Let's just say Friedkin's Los Angeles is not a sunny one.one despite the slick 80s visual aesthetic.
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* SpiritualSuccessor:
** The film looked and felt enough like ''Series/MiamiVice'' that Creator/MichaelMann tried to sue for plagiarism. He wasn't successful. Ironically, William Petersen's performance in the film is what convinced Mann to cast him in ''{{Film/Manhunter}}''.
** If you watch a double-bill of this and ''Film/RepoMan'', you'll notice that both films feature (a) cinematography by Robby Müller and (b) car chases in the LA storm drains.
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* BadCopIncompetentCop: The federal agents in To Live and Die in LA are a much greater danger to the public, themselves, and each other than the criminals they pursue.

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* BadCopIncompetentCop: The federal agents in To ''To Live and Die in LA LA'' are a much greater danger to the public, themselves, and each other than the criminals they pursue.
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[[caption-width-right:300: The ''real'' stars of the movie.]]

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[[caption-width-right:300: The ''real'' ''[[AwesomeMusic real]]'' stars of the movie.]]
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* ReassignedToAntarctica: In the alternate ending Chance is reassigned to Alaska.
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[[caption-width-right:300: The ''real'' stars of the movie]]

''To Live and Die in LA'' is a 1985 American action/crime thriller film, based on the novel of the same name by Gerald Petievich and directed by Creator/WilliamFriedkin (''Film/TheExorcist'', ''Film/TheFrenchConnection'').

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[[caption-width-right:300: The ''real'' stars of the movie]]

movie.]]

''To Live and Die in LA'' L.A.'' is a 1985 American action/crime thriller film, based on the novel of the same name by Gerald Petievich and directed by Creator/WilliamFriedkin (''Film/TheExorcist'', ''Film/TheFrenchConnection'').
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* BadCopIncompetentCop: The federal agents in To Live and Die in LA are a much greater danger to the public, themselves, and each other than the criminals they pursue.

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Added a couple of edits.


* Groin Attack: Done multiple times, by multiple characters to multiple characters.



* NothingPersonal: Masters' sentiment as he shoots Chance's partner.
--> '''Masters:''' Buddy, you're in the wrong place at the wrong time.



* VillainProtagonist: Chance happens to be this as a result of his extreme actions in the name of justice.

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* VillainProtagonist: Chance happens to be this as a result of his extreme actions in the name of justice.justice and/or revenge.
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Moved \"Unintentional Period Piece\" to YMMV.


* UnintentionalPeriodPiece: Well, it ''was'' contemporary when it first came out...
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The film stars [[Series/{{CSI}} William Petersen]] as Secret Service agent Richard Chance, a maverick type determined to take down Rick Masters (Creator/WillemDafoe), the counterfeiter who [[DeadSidekick shot Chance's partner]]. It also features an exceptionally '80s soundtrack by Wang Chung.

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The film stars [[Series/{{CSI}} William Petersen]] Petersen as Secret Service agent Richard Chance, a maverick type determined to take down Rick Masters (Creator/WillemDafoe), the counterfeiter who [[DeadSidekick shot Chance's partner]]. It also features an exceptionally '80s soundtrack by Wang Chung.

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* CounterfeitCash

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* %%* CounterfeitCash



* TheInfiltration

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* %%* TheInfiltration



* NamesTheSame: Modern-day viewers see "Robert Downey" in the credits and wonder why they don't spot Tony Stark - when the Downey in question is his ''dad.''



* NotSoDifferent

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* %%* NotSoDifferent



* ShootTheShaggyDog

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* %%* ShootTheShaggyDog



* ThrowItIn: When Chance was slamming the briefcase against the pillar, it wasn't supposed to break open. When it did, and the phone book to simulate its weight in money sprung free, Petersen continued to roll with it.
-->'''Chance:''' That's real funny. *hurls phone book at agent*
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* BoomHeadshot: Every other death in the movie is given this treatment; you'd be surprised at the amount of times someone is shot in the face in particular.

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* BullyingADragon: Chance. He dives headfirst into any kind of dangerous situation, both on and off the job. According to his first partner, he should learn to take it easy every now and then, otherwise he won't live to see retirement. [[spoiler:And... he doesn't in the end.]]


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* LeeroyJenkins: Chance. He dives headfirst into any kind of dangerous situation, both on and off the job. According to his first partner, he should learn to take it easy every now and then, otherwise he won't live to see retirement. [[spoiler:And... he doesn't in the end.]]
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* DownLADrain: The car chase includes a section where Chance and Vukovich are pursued through the L.A. storm drains.
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* NamesTheSame: Modern-day viewers see "Robert Downey" in the credits and wonder why they don't spot Tony Stark - when the Downey in question is his ''dad.''
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* MeaningfulEcho: When Chance delivers the down payment money, Masters checks one of the bills for authenticity, then purrs "You're beautiful." Later, when Chance and Vukovich meet with Masters to pick up the actual funny money, Chance repeats both the bill-check and Masters' line - before initiating the arrest.
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* InvisiblePresident: Chance and Jimmy are part of the Secret Service detail protecting Ronald Reagan, who is heard delivering a speech.
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Namespaces


''To Live and Die in LA'' is a 1985 American action/crime thriller film, based on the novel of the same name by Gerald Petievich and directed by Creator/WilliamFriedkin (''Film/TheExorcist'', ''TheFrenchConnection'').

The film stars [[Series/{{CSI}} William Petersen]] as Secret Service agent Richard Chance, a maverick type determined to take down Rick Masters (WillemDafoe), the counterfeiter who [[DeadSidekick shot Chance's partner]]. It also features an exceptionally '80s soundtrack by Wang Chung.

to:

''To Live and Die in LA'' is a 1985 American action/crime thriller film, based on the novel of the same name by Gerald Petievich and directed by Creator/WilliamFriedkin (''Film/TheExorcist'', ''TheFrenchConnection'').

''Film/TheFrenchConnection'').

The film stars [[Series/{{CSI}} William Petersen]] as Secret Service agent Richard Chance, a maverick type determined to take down Rick Masters (WillemDafoe), (Creator/WillemDafoe), the counterfeiter who [[DeadSidekick shot Chance's partner]]. It also features an exceptionally '80s soundtrack by Wang Chung.
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Namespace


''To Live and Die in LA'' is a 1985 American action/crime thriller film, based on the novel of the same name by Gerald Petievich and directed by WilliamFriedkin (''Film/TheExorcist'', ''TheFrenchConnection'').

to:

''To Live and Die in LA'' is a 1985 American action/crime thriller film, based on the novel of the same name by Gerald Petievich and directed by WilliamFriedkin Creator/WilliamFriedkin (''Film/TheExorcist'', ''TheFrenchConnection'').

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