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* ArtisticLicenseGeography: In 1966 London an atomic explosion causes a volcanic eruption, a natural disaster that could NEVER occur in reality due to a) there being no active volcanos in the United Kingdom and b) the British Isles being nowhere near a tectonic plate boundary.
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* HairOfGoldHeartOfGold: Sort of. The Eloi are blonde, every single one of them. This underlines their gentleness and innocence--except unfortunately that innocence has grown into the passivity and stupidity of oxen.


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* ManOnFire: A Morlock gets set on fire when George is fending them off with a torch at the end.
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* TheLavaCavesOfNewYork: Somehow, the nuclear war of 1966 causes a volcano to erupt in...London. George winds up buried under a lava tube, and he has to zoom through 800,000 years before erosion wears it away.
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* SparedByTheAdaptation: Weena survives in this film, thanks in part to George coming to her rescue in time.
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* AdaptationalBadass: While nowhere near are powerful as the Morlocks from the 2002 movie, the morlocks are nevertheless considerably tougher here than their novel counterparts.

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* AdaptationalBadass: While nowhere near are powerful as the Morlocks from the 2002 movie, the morlocks Morlocks are nevertheless considerably tougher here than their novel counterparts.



* EternalEnglish: In the book the Eloi had their own language which The Time Traveler didn't understand, here they speak English ''over 800,000 years'' later. Presumably the talking rings have something to do with this.

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* EternalEnglish: In the book the Eloi had their own language which The the Time Traveler didn't understand, here they speak English ''over 800,000 years'' later. Presumably the talking rings have something to do with this.



* TrainingThePeacefulVillagers: Despite the film having a strong anti-war message, it narrowly avoids being a BrokenAesop as George motivations are more about teaching the [[SuicidalPacifism Eloi]] to regain a sense of [[MartialPacifist self-preservation]], rather than actively seek conflict with the Morlocks.

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* TrainingThePeacefulVillagers: Despite the film having a strong anti-war message, it narrowly avoids being a BrokenAesop as George George's motivations are more about teaching the [[SuicidalPacifism Eloi]] to regain a sense of [[MartialPacifist self-preservation]], rather than actively seek conflict with the Morlocks.
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* AdaptationalBadass: While nowhere near are powerful as the morlocks from the 2002 movie, the morlocks are nethertheless considrably tougher here than their novel counterparts.
* AdaptationExpansion: In the book, the traveller doesn't make any stop and goes directly to the very far future without learning about the World Wars (which the 1895 book hadn't anticipated, while the traveller in the film first asumes that WWI is still the continuation the Boer war).

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* AdaptationalBadass: While nowhere near are powerful as the morlocks Morlocks from the 2002 movie, the morlocks are nethertheless considrably nevertheless considerably tougher here than their novel counterparts.
* AdaptationExpansion: In the book, the traveller doesn't make any stop and goes directly to the very far future without learning about the World Wars (which the 1895 book hadn't anticipated, while the traveller in the film first asumes assumes that WWI World War II is the still the continuation the Boer war).ongoing World War I that he learned about in 1917).



* BrownNote: The Air-Raid Sirens. Over 800,000 years, the Eloi have been subconsciously conditioned to react to the noise by seeking refuge underground. So much so that they will blindly walk into the Morlock's lair in a hypnotic trance.

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* BrownNote: The Air-Raid Sirens. Over 800,000 years, the Eloi have been subconsciously conditioned to react to the noise by seeking refuge underground. So much so that they will blindly walk into the Morlock's Morlocks' lair in a hypnotic trance.



* FrazettaMan: If you take the fact they evolved from humans in the distant future out of the account, then the morlocks fit this trope to a T.

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* FrazettaMan: If you take the fact they evolved from humans in the distant future out of the account, then the morlocks Morlocks fit this trope to a T.
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* AdaptationExpansion: In the book, the traveller doesn't make any stop and goes directly to the very far future without learning about the World Wars (probably because they hadn't happened yet when the book was written).

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* AdaptationExpansion: In the book, the traveller doesn't make any stop and goes directly to the very far future without learning about the World Wars (probably because they (which the 1895 book hadn't happened yet when anticipated, while the book was written).traveller in the film first asumes that WWI is still the continuation the Boer war).
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* LiteraryAgentHypothesis: Though the Time Traveler is referred to as "George", the machine's date indicator plate clearly reads "Manufactured by H. George Wells" meaning the Time Traveller's actual name is... Creator/HGWells.

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* LiteraryAgentHypothesis: Though the Time Traveler is referred to as "George", the machine's date indicator plate clearly reads "Manufactured by H. George Wells" meaning the Time Traveller's actual name is... Creator/HGWells.[[note]]Wells' middle name really was George, though he typically went by "Bertie."[[/note]]
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''[[https://www.youtube.com/watch?v=A9miqKm0aB0 The Time Machine]]'' is a 1960 film adaptation by George Pal of Creator/HGWells' science fiction novel ''Literature/TheTimeMachine''.

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''[[https://www.youtube.com/watch?v=A9miqKm0aB0 The ''The Time Machine]]'' Machine'' is a 1960 film adaptation by George Pal of Creator/HGWells' science fiction novel ''Literature/TheTimeMachine''.
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*AdaptationalBadass: While nowhere near are powerful as the morlocks from the 2002 movie, the morlocks are nethertheless considrably tougher here than their novel counterparts.


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*FrazettaMan: If you take the fact they evolved from humans in the distant future out of the account, then the morlocks fit this trope to a T.
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* InterspeciesRomance: The beginnings of romance between George and Weena might suggest this in light of some interpretations which posit the Eloi as being just as much an evolved post-human species as the Morlocks, in spite of the fact that only the Morlocks look visibly non-human.
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There are many changes from the novel, with Wells's socialist critique reimagined as an anti-war parable. After the Time-Traveler, called "George" in this version, demonstrates his invention, most of his colleagues criticize him for inventing something which they consider to have no practical value (''it's a fricking time machine, morons!'') and wonder why a man of his genius isn't [[ArmsDealer inventing weapons]] for Britain to use in UsefulNotes/TheSecondBoerWar like a good patriotic citizen should be. Only David Filby shares George's idealism, though he warns him to destroy the time machine before it destroys him.

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There are many changes from the novel, with Wells's socialist critique reimagined as an anti-war parable. After the Time-Traveler, called "George" in this version, demonstrates his invention, most of his colleagues criticize him for inventing something which they consider to have no practical value (''it's a fricking time machine, morons!'') and wonder why a man of his genius isn't [[ArmsDealer inventing weapons]] for Britain to use in UsefulNotes/TheSecondBoerWar like a good patriotic citizen should be. Only David Filby shares George's idealism, though he warns him to destroy the time machine before it destroys him.
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Fifties Hair now on air.


* NoNewFashionsInTheFuture: The Eloi women love their '50s hair. Weena, whose attitude and interests are akin to a child, even calls attention to it by asking George how the women of his time wear their hair.

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* NoNewFashionsInTheFuture: The Eloi women love their '50s hair.FiftiesHair. Weena, whose attitude and interests are akin to a child, even calls attention to it by asking George how the women of his time wear their hair.
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'''''[[http://www.youtube.com/watch?v=A9miqKm0aB0 The Time Machine]]''''' is a 1960 film adaptation by George Pal of Creator/HGWells' science fiction novel ''Literature/TheTimeMachine''.

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'''''[[http://www.
''[[http://www.
youtube.com/watch?v=A9miqKm0aB0 The Time Machine]]''''' Machine]]'' is a 1960 film adaptation by George Pal of Creator/HGWells' science fiction novel ''Literature/TheTimeMachine''.
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There are many changes from the novel, with Wells's socialist critique reimagined as an anti-war parable. After the Time-Traveler, called "George" in this version, demonstrates his invention, most of his colleagues criticize him for inventing something which they consider to have no practical value (''it's a fricking time machine, morons!'') and wonder why a man of his genius isn't [[ArmsDealer inventing weapons]] for Britain to use in the SecondBoerWar like a good patriotic citizen should be. Only David Filby shares George's idealism, though he warns him to destroy the time machine before it destroys him.

George sets off for the future, stopping to see the effects of WorldWarI, the Blitz of WorldWarII, and finally the nuclear holocaust of WorldWarIII. George's arrival in the year 802701 plays out similarly to the original, though with the Eloi [[EternalEnglish speaking English]] and Weena being PromotedToLoveInterest. The BackStory of the Eloi and the Morlocks is altered, with both being the descendants of people who survived in bunkers during World War III. When the war ended after three centuries, some people chose to remain underground, becoming the Morlocks, while others chose to take their chances on the surface, becoming the Eloi. The Morlocks are, of course, portrayed in the typical 1950s monster movie fashion.

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There are many changes from the novel, with Wells's socialist critique reimagined as an anti-war parable. After the Time-Traveler, called "George" in this version, demonstrates his invention, most of his colleagues criticize him for inventing something which they consider to have no practical value (''it's a fricking time machine, morons!'') and wonder why a man of his genius isn't [[ArmsDealer inventing weapons]] for Britain to use in the SecondBoerWar UsefulNotes/TheSecondBoerWar like a good patriotic citizen should be. Only David Filby shares George's idealism, though he warns him to destroy the time machine before it destroys him.

George sets off for the future, stopping to see the effects of WorldWarI, UsefulNotes/WorldWarI, the Blitz of WorldWarII, UsefulNotes/WorldWarII, and finally the nuclear holocaust of WorldWarIII. George's arrival in the year 802701 plays out similarly to the original, though with the Eloi [[EternalEnglish speaking English]] and Weena being PromotedToLoveInterest. The BackStory of the Eloi and the Morlocks is altered, with both being the descendants of people who survived in bunkers during World War III. When the war ended after three centuries, some people chose to remain underground, becoming the Morlocks, while others chose to take their chances on the surface, becoming the Eloi. The Morlocks are, of course, portrayed in the typical 1950s monster movie fashion.



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* UsefulNotes/ColdWar: In the movie's universe, it turned hot in 1966. Essentially, the movie's whole message is about the Cold War, which now seems especially dated for a movie that travels so far into the future. It must be said, however, that traveling so far into the future does drive home the movie's point that a global nuclear war is something which humanity would still be paying for thousands of years later.



* WorldWarOne: George learns about it from Filby's son, who thinks he's completely out of it.
* WorldWarTwo: George stops in 1940, after seeing his house destroyed by the Blitz.

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* ApatheticCitizens: The Eloi are this to a T, ignoring one of their own drowning, their cannibalization by the Morlocks. George helps them learn to fight back again.




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* WorldWarOne: George learns about it from Filby's son, who thinks he's completely out of it.
* WorldWarTwo: George stops in 1940, after seeing his house destroyed by the Blitz.
* WorldWarThree: George arrives on the day it begins, in 1966, and barely escapes being burned by lava. It is what creates the world of 802701, with Morlocks being the descendants of those who ended up in air raid shelters, and Eloi being the ones who ended up staying above ground.
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namespacing


* ColdWar: In the movie's universe, it turned hot in 1966. Essentially, the movie's whole message is about the Cold War, which now seems especially dated for a movie that travels so far into the future. It must be said, however, that traveling so far into the future does drive home the movie's point that a global nuclear war is something which humanity would still be paying for thousands of years later.

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* ColdWar: UsefulNotes/ColdWar: In the movie's universe, it turned hot in 1966. Essentially, the movie's whole message is about the Cold War, which now seems especially dated for a movie that travels so far into the future. It must be said, however, that traveling so far into the future does drive home the movie's point that a global nuclear war is something which humanity would still be paying for thousands of years later.

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Took out \"In the film, there\'s just Filby,\" because that\'s in the 2002 version. Also took care of Acting for Two.


* ActingForTwo: Not only does Creator/AlanYoung play David Filby, but he plays James Filby, both young and old as well.



* CompositeCharacter: In the book, the Time Traveller has a group of friends he tells about the Time Machine, including the unnamed narrator and a young man named Philby. In the film, there's just Filby.

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* CompositeCharacter: In the book, the Time Traveller has a group of friends he tells about the Time Machine, including the unnamed narrator and a young man named Philby. In the film, there's just Filby.
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* NothingIsScarier: Until he finds the Eloi bathing in the river, George spends a lot of time wandering around an overgrown wilderness among abandoned relics set to an increasingly shrill soundtrack. The movie also very effectively sells the Morlocks' danger by having him return to his time machine and discover it's been dragged into their temple.
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* IndustrializedEvil: The creepy machinery of the Morlocks underscores their villainous, oppressive society.
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* DawsonCasting: A forty-year-old Creator/AlanYoung playing an eighteen year old James Filby. Also in the ReunionShow, a 70-ish Alan Young plays the fifty-something version of Filby (but the makeup is convincing enough to have him actually look the part.)
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** Both examples seem curious in light of the ever-changing mannequin in the store, concerning the changes in by-then-historical fashion.

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** Both examples seem curious in light of the ever-changing mannequin in the store, concerning the changes in by-then-historical fashion.fashion, inverting this trope from the Time-Traveller's perspective.
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** Even in 1966 the fashions don't seem to be too far removed from 1960 or have a somewhat [[TheFifties Fifties]] look... which considering what we know about [[TheSixties how Sixties fashion progressed]] is almost HilariousInHindsight.
** Both examples seem curious in light of the ever-changing mannequin in the store, concerning the changes in by-then-historical fashion.
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* DawsonCasting: A forty-year-old Creator/AlanYoung playing an eighteen year old James Filby.

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* DawsonCasting: A forty-year-old Creator/AlanYoung playing an eighteen year old James Filby. Also in the ReunionShow, a 70-ish Alan Young plays the fifty-something version of Filby (but the makeup is convincing enough to have him actually look the part.)
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*ReunionShow: In 1993, [[http://www.imdb.com/title/tt0300555/ a documentary]] was made about the 1960 Time Machine movie. While most of the documentary focused on the director and on the making of the movie props, there was a 15 minute segment where the actors who played George and Filby reprised their roles. (The action in the segment took place in George's house and--from George's point of view-- 30 years after the events of the original story.) Remember how in the main movie Filby was fated to die in World War I? Well, George has come back to 1916 to [[SetRightWhatOnceWentWrong try to put a stop to it.]] The documentary is included in some DVD versions of the movie.
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* AdaptationExpansion: In the book, the traveller doesn't make any stop and goes directly to the very far future without learning about the World Wars.

to:

* AdaptationExpansion: In the book, the traveller doesn't make any stop and goes directly to the very far future without learning about the World Wars. Wars (probably because they hadn't happened yet when the book was written).
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* AdaptationExpansion: In the book, the traveller doesn't make any stop and goes directly to the very far future without learning about the World Wars.
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* TrainingThePeacefulVillagers: Despite the film having a strong anti-war message, it narrowly avoids being a BrokenAesop as George motivations are more about teaching the [[SuicidalPacifism Eloi]] to regain a sense of [[MartialPacifist self-preservation]].

to:

* TrainingThePeacefulVillagers: Despite the film having a strong anti-war message, it narrowly avoids being a BrokenAesop as George motivations are more about teaching the [[SuicidalPacifism Eloi]] to regain a sense of [[MartialPacifist self-preservation]].self-preservation]], rather than actively seek conflict with the Morlocks.

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* BeCarefulWhatYouWishFor: George despises the barbarism from his own time and desires to journey to a future where mankind no longer wages war. Sadly, he gets his wish after learning that the Eloi of 802,701 are peaceful to the [[TooDumbToLive point of indolence]], possessing barely any sense of self-preservation whatsoever.



* TrainingThePeacefulVillagers: Making the whole anti-war message something of a BrokenAesop.

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* TrainingThePeacefulVillagers: Making Despite the whole film having a strong anti-war message something message, it narrowly avoids being a BrokenAesop as George motivations are more about teaching the [[SuicidalPacifism Eloi]] to regain a sense of a BrokenAesop.[[MartialPacifist self-preservation]].

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