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In the middle middle of the Pacific, an ocean liner called Yata Maru is caught in the middle of a typhoon, and one of its crew members sees an island breaking apart, and hears a deafening roar. The next day, a lone man, Goro Maki, hears the Yata Maru disappearing, only to encounter the ship. Maki enters the ship to find her crew dead and finds the SoleSurvivor and finds out the crew were attacked by giant sea lice.

After the survivor saves Maki, he reveals that the sea lice was not the monster he saw, but an even bigger one. The two were then rescued by the Japanese coast guard, and Maki tries to reveal what he saw while the young man, Hiroshi Okumura, tells his scientist acquaintance, Professor Hayashida, that he saw the monster, which confirms Hayashida's fears as the monster he saw was Godzilla, a monster that attacked Tokyo in 1954.

Meanwhile Maki was told not to reveal his story to the public as his publisher was told by the Japanese government to not reveal the existence of Godzilla to prevent a national chaos. Maki was then told to meet Professor Hayashida what he knows about Godzilla.

Meanwhile, a Soviet nuclear submarine is out in the Pacific where they encounter an unexpected enemy. However, they meet their fate when the sub collides with an unknown creature. This sparks an international crisis, and the Prime Minister of Japan decides to reveal the existence of Godzilla not only to Japan, but to the United States and Soviet Union to prevent World War III.
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The sixteenth ''Franchise/{{Godzilla}}'' film, also known as just ''Godzilla'' or ''Godzilla (1984)''[[labelnote:Explanation]]''The Return of Godzilla'' is Toho's international title, but it's referred to here as to avoid confusion with ''Film/Godzilla1954''[[/labelnote]], and first after a nearly decade long break. It is a direct sequel to the original ''[[Film/Godzilla1954 Godzilla]]'' (even sharing the title in Japan) and ignores all other films. Godzilla returns after a thirty years absence and in the midst of high UsefulNotes/ColdWar tensions between the U.S.A. and Soviets. It is the first Godzilla film to feature Kenpachiro Satsuma in the role of Godzilla, and it would be the last movie to ''not'' feature any Ifukube music until 2002's ''[[Film/GodzillaAgainstMechagodzilla Godzilla X Mechagodzilla]]''.

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The sixteenth ''Franchise/{{Godzilla}}'' film, also known as just ''Godzilla'' or ''Godzilla (1984)''[[labelnote:Explanation]]''The Return of Godzilla'' is Toho's international title, but it's referred to here as to avoid confusion with ''Film/Godzilla1954''[[/labelnote]], and first after a nearly decade long break. It is a direct sequel to the original ''[[Film/Godzilla1954 Godzilla]]'' (even sharing the title in Japan) and ignores all other films.films from 1955 to 1975. Godzilla returns after a thirty years absence and in the midst of high UsefulNotes/ColdWar tensions between the U.S.A. and Soviets. It is the first Godzilla film to feature Kenpachiro Satsuma in the role of Godzilla, and it would be the last movie to ''not'' feature any Ifukube music until 2002's ''[[Film/GodzillaAgainstMechagodzilla Godzilla X Mechagodzilla]]''.
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The sixteenth ''Franchise/{{Godzilla}}'' film, also known as just ''Godzilla'' or ''Godzilla (1984)''[[labelnote:Explanation]]''The Return of Godzilla'' is Toho's international title, but it's referred to here as to avoid confusion with ''Film/Godzilla1954[[/labelnote]], and first after a nearly decade long break. It is a direct sequel to the original ''[[Film/Godzilla1954 Godzilla]]'' (even sharing the title in Japan) and ignores all other films. Godzilla returns after a thirty years absence and in the midst of high UsefulNotes/ColdWar tensions between the U.S.A. and Soviets. It is the first Godzilla film to feature Kenpachiro Satsuma in the role of Godzilla, and it would be the last movie to ''not'' feature any Ifukube music until 2002's ''[[Film/GodzillaAgainstMechagodzilla Godzilla X Mechagodzilla]]''.

to:

The sixteenth ''Franchise/{{Godzilla}}'' film, also known as just ''Godzilla'' or ''Godzilla (1984)''[[labelnote:Explanation]]''The Return of Godzilla'' is Toho's international title, but it's referred to here as to avoid confusion with ''Film/Godzilla1954[[/labelnote]], ''Film/Godzilla1954''[[/labelnote]], and first after a nearly decade long break. It is a direct sequel to the original ''[[Film/Godzilla1954 Godzilla]]'' (even sharing the title in Japan) and ignores all other films. Godzilla returns after a thirty years absence and in the midst of high UsefulNotes/ColdWar tensions between the U.S.A. and Soviets. It is the first Godzilla film to feature Kenpachiro Satsuma in the role of Godzilla, and it would be the last movie to ''not'' feature any Ifukube music until 2002's ''[[Film/GodzillaAgainstMechagodzilla Godzilla X Mechagodzilla]]''.
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The sixteenth ''Franchise/{{Godzilla}}'' film, also known as just ''Godzilla'' or ''Godzilla 1984'', and first after a nearly decade long break. It is a direct sequel to the original ''[[Film/Godzilla1954 Godzilla]]'' (even sharing the title in Japan) and ignores all other films. Godzilla returns after a thirty years absence and in the midst of high UsefulNotes/ColdWar tensions between the U.S.A. and Soviets. It is the first Godzilla film to feature Kenpachiro Satsuma in the role of Godzilla, and it would be the last movie to ''not'' feature any Ifukube music until 2002's ''[[Film/GodzillaAgainstMechagodzilla Godzilla X Mechagodzilla]]''.

to:

The sixteenth ''Franchise/{{Godzilla}}'' film, also known as just ''Godzilla'' or ''Godzilla 1984'', (1984)''[[labelnote:Explanation]]''The Return of Godzilla'' is Toho's international title, but it's referred to here as to avoid confusion with ''Film/Godzilla1954[[/labelnote]], and first after a nearly decade long break. It is a direct sequel to the original ''[[Film/Godzilla1954 Godzilla]]'' (even sharing the title in Japan) and ignores all other films. Godzilla returns after a thirty years absence and in the midst of high UsefulNotes/ColdWar tensions between the U.S.A. and Soviets. It is the first Godzilla film to feature Kenpachiro Satsuma in the role of Godzilla, and it would be the last movie to ''not'' feature any Ifukube music until 2002's ''[[Film/GodzillaAgainstMechagodzilla Godzilla X Mechagodzilla]]''.
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* TooDumbToLive: The citizens of Tokyo are definitely not that bright to just crowd around an unconscious Godzilla after the Super X knocks him out during his rampage. The moment he wakes up, they become instant targets of his wrath. This is changed in the American cut, where the only casualties are the ones simply unfortunate enough to evacuate in time.

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* TooDumbToLive: The citizens of Tokyo are definitely not that bright to just crowd around an unconscious Godzilla after the Super X knocks him out during his rampage. The moment he wakes up, they become instant targets of his wrath. This is changed in the American cut, where the only casualties are the ones simply unfortunate enough not to evacuate in time.
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* LastNameBasis: Given that between 1956 and 1985 a Creator/SteveMartin rose to fame, Raymond Burr's character is only referred to as "Mr. Martin" here.

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* LastNameBasis: Given that between 1956 and 1985 a certain Creator/SteveMartin rose to fame, Raymond Burr's character is only referred to as "Mr. Martin" here.

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* StockFootage: It's easy to miss prior to repeated viewings, but the movie lifts some stock footage from ''Submersion of Japan'' and ''Prophecies of Nostradamus''. For continuity purposes, scenes from the [[Film/GodzillaKingOfTheMonsters1956 original film]] are used for the American version.

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* StockFootage: It's easy to miss prior to repeated viewings, but the movie lifts some stock footage from ''Submersion of Japan'' and ''Prophecies of Nostradamus''.Nostradamus'' for some of Godzilla's distruction. For continuity purposes, scenes from the [[Film/GodzillaKingOfTheMonsters1956 original film]] are used for the American version.


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* TooDumbToLive: The citizens of Tokyo are definitely not that bright to just crowd around an unconscious Godzilla after the Super X knocks him out during his rampage. The moment he wakes up, they become instant targets of his wrath. This is changed in the American cut, where the only casualties are the ones simply unfortunate enough to evacuate in time.
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Added example(s), Not enough context (ZCE), Trope was cut/disambiguated due to cleanup, General clarification on works content


*** If you watched the Japanese original version before the New World Dub, Kashirin becomes this. In the original film, he's a heroic character who dies trying to stop the KillSat from activating. In the New World Dub, he's just a heartless Russian who's way too eager to use the Nukes.

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*** If you watched the Japanese original version before the New World Dub, Kashirin becomes this. In the original film, he's a heroic character who dies trying to stop the KillSat from activating. In the New World Dub, he's just a heartless Russian who's way too eager to use the Nukes.Nukes before Uncle Sam.



* ArmoredCoffins: The Super X turns into one for its crew. While specifically stated to have been constructed to defend Japan, exactly what it was supposed to defend ''against'' was not so specific. We can assume Godzilla was not included in the mission parameters.

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* ArmoredCoffins: The Super X turns into one for its crew. While specifically stated to have been constructed to defend Japan, exactly what it was supposed to defend ''against'' was not so specific. We can assume Godzilla was not included in the mission parameters. Official sources state that it was to defend Japan from nuclear accidents or military invasions.



* RevealShot: Godzilla gets a dramatic pan up from the ground.

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* RevealShot: Godzilla gets a dramatic pan up from the ground.ground, when he is seen by the nuclear facility’s guard.

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* AdaptationalVillainy: The Russians in New World's edit. In the original, the missile guidance ship Balashevo is damaged by Godzilla and sends out the signal for a satellite to launch an [=ICBM=] at Tokyo, with Colonel Kashirin bravely trying to stop the launch sequence before dying in a small explosion onboard the ship; in the New World edit, Kashirin exclaims that he ‘must launch that missile!’ and activates the launch sequence himself... only to die in a small explosion anyway.

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* AdaptationalVillainy: AdaptationalVillainy:
**
The Russians in New World's edit. In the original, the missile guidance ship Balashevo is damaged by Godzilla and sends out the signal for a satellite to launch an [=ICBM=] at Tokyo, with Colonel Kashirin bravely trying to stop the launch sequence before dying in a small explosion onboard the ship; in the New World edit, Kashirin exclaims that he ‘must launch that missile!’ and activates the launch sequence himself... only to die in a small explosion anyway.anyway.
** Godzilla himself is notably more aggressive in the 1985 version. Unlike the original, it's strongly implied he stepped on both the security guard who first sees him at the power plant and the bum later on. Professor Hayashita's signal also causes him to attack the building he's on, whereas in ''Return'' he simply stood fascinated by it until the military attacked him.

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* AdaptationalNiceGuy: In the US cut, Naoko is interpreted as a girl who misses her brother and shy around Maki. In the Japanese version, she hates him in the first half of the film due to Maki using her to reunite with Hiroshi, and call him out for it after Godzilla was publically revealed.



* SoleSurvivor: Hiroshi Okumura.

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* SoleSurvivor: Hiroshi Okumura. Okumura survives the sea louse attack on the Yatamaru, and Goro Maki helps him get to the mainland.
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* EndOfAnEra: As a Showa Godzilla film (as in the era it was made in, not in a series), this is the last time Toho would use Godzilla's growls, shrieks (though only in the international versions, including US), and the traditional "End" (終) card to signify the end of the film since ''Film/Godzilla1954''. ''Film/GodzillaVsBiollante'' and onwards would completely drop these for the Heisei to Reiwa films.
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* DubInducedPlothole: In ''1985'', Colonel Kashirin deliberately launches a nuclear missile intending to kill Godzilla with it, but in the Cabinet scene taking place after, the Prime Minister's aide tells him that it was on accident like in the original cut. Though it can be interpreted as the Japanese not knowing it was on purpose.
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* RecycledSoundtrack: ''Godzilla 1985'' reuses some pieces from Christopher Young's score for ''Film/DefCon4'' in a few scenes (most notably during the JSDF mobilization alongside Tokyo Bay, and during the helicopter scene right before the third act) which is also present in ''The Return of Godzilla'', however ''1985'' uses it far more extensively especially during Okamura's struggle with the rescue copter (where as ''Return'' lacks the music), it's also used as the ending credits for ''1985'', since New World owned the rights to both films. It was this overuse of the ''Def-Con 4'' theme in the credits for ''1985'' is why the American version has yet to be released on DVD.

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* RecycledSoundtrack: ''Godzilla 1985'' reuses some pieces from Christopher Young's Music/ChristopherYoung's score for ''Film/DefCon4'' in a few scenes (most notably during the JSDF mobilization alongside Tokyo Bay, and during the helicopter scene right before the third act) which is also present in ''The Return of Godzilla'', however ''1985'' uses it far more extensively especially during Okamura's struggle with the rescue copter (where as ''Return'' lacks the music), it's also used as the ending credits for ''1985'', since New World owned the rights to both films. It was this overuse of the ''Def-Con 4'' theme in the credits for ''1985'' is why the American version has yet to be released on DVD.
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* RecycledSoundtrack: ''Godzilla 1985'' reuses some pieces from Christopher Young's score for ''Def-Con 4'' in a few scenes (most notably during the JSDF mobilization alongside Tokyo Bay, and during the helicopter scene right before the third act) which is also present in ''The Return of Godzilla'', however ''1985'' uses it far more extensively especially during Okamura's struggle with the rescue copter (where as ''Return'' lacks the music), it's also used as the ending credits for ''1985'', since New World owned the rights to both films. It was this overuse of the ''Def-Con 4'' theme in the credits for ''1985'' is why the American version has yet to be released on DVD.

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* RecycledSoundtrack: ''Godzilla 1985'' reuses some pieces from Christopher Young's score for ''Def-Con 4'' ''Film/DefCon4'' in a few scenes (most notably during the JSDF mobilization alongside Tokyo Bay, and during the helicopter scene right before the third act) which is also present in ''The Return of Godzilla'', however ''1985'' uses it far more extensively especially during Okamura's struggle with the rescue copter (where as ''Return'' lacks the music), it's also used as the ending credits for ''1985'', since New World owned the rights to both films. It was this overuse of the ''Def-Con 4'' theme in the credits for ''1985'' is why the American version has yet to be released on DVD.
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** Kamijo, Maki's photographer, who never speaks a line in ''1985''.

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** Kamijo, Maki's photographer, who never speaks a single line in ''1985''.



* RecycledSoundtrack: ''Godzilla 1985'' reuses some pieces from Christopher Young's score for ''Def-Con 4'' in a few scenes, since New World owned the rights to both films.

to:

* RecycledSoundtrack: ''Godzilla 1985'' reuses some pieces from Christopher Young's score for ''Def-Con 4'' in a few scenes, scenes (most notably during the JSDF mobilization alongside Tokyo Bay, and during the helicopter scene right before the third act) which is also present in ''The Return of Godzilla'', however ''1985'' uses it far more extensively especially during Okamura's struggle with the rescue copter (where as ''Return'' lacks the music), it's also used as the ending credits for ''1985'', since New World owned the rights to both films.films. It was this overuse of the ''Def-Con 4'' theme in the credits for ''1985'' is why the American version has yet to be released on DVD.
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* OffModel: The towering 18 foot tall "Cybot" anamatronic used for closeup shots of Godzilla is rather notorious for not having a strong resemblance to its costume counterparts (the film was the first to use molds to create multiple Godzilla suits).
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Names The Same is no longer a trope


The sixteenth ''Franchise/{{Godzilla}}'' film, also known as just ''[[NamesTheSame Godzilla]]'' or ''Godzilla 1984'', and first after a nearly decade long break. It is a direct sequel to the original ''[[Film/Godzilla1954 Godzilla]]'' (even sharing the title in Japan) and ignores all other films. Godzilla returns after a thirty years absence and in the midst of high UsefulNotes/ColdWar tensions between the U.S.A. and Soviets. It is the first Godzilla film to feature Kenpachiro Satsuma in the role of Godzilla, and it would be the last movie to ''not'' feature any Ifukube music until 2002's ''[[Film/GodzillaAgainstMechagodzilla Godzilla X Mechagodzilla]]''.

to:

The sixteenth ''Franchise/{{Godzilla}}'' film, also known as just ''[[NamesTheSame Godzilla]]'' ''Godzilla'' or ''Godzilla 1984'', and first after a nearly decade long break. It is a direct sequel to the original ''[[Film/Godzilla1954 Godzilla]]'' (even sharing the title in Japan) and ignores all other films. Godzilla returns after a thirty years absence and in the midst of high UsefulNotes/ColdWar tensions between the U.S.A. and Soviets. It is the first Godzilla film to feature Kenpachiro Satsuma in the role of Godzilla, and it would be the last movie to ''not'' feature any Ifukube music until 2002's ''[[Film/GodzillaAgainstMechagodzilla Godzilla X Mechagodzilla]]''.



* IntrepidReporter: Goro Maki. [[NamesTheSame Name]] [[Film/SonOfGodzilla seem familiar?]]

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* IntrepidReporter: Goro Maki. [[NamesTheSame Name]] [[Film/SonOfGodzilla Name seem familiar?]]

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moving from the Trivia page


* LastNameBasis: Given that between 1956 and 1985 a Creator/SteveMartin rose to fame, Raymond Burr's character is only referred to as "Mr. Martin" here.



** Major McDonough in ''Godzilla 1985'', who seems to have inherited all the comedic dialogue originally intended for Raymond Burr's character, Steve Martin.

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** Major McDonough [=McDonough=] in ''Godzilla 1985'', who seems to have inherited all the comedic dialogue originally intended for Raymond Burr's character, Steve Martin.

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** "I asked them: Gentlemen, if Godzilla were to attack Washington or Moscow, would you have the courage to use nuclear weapons, knowing that many of your own people would be killed? It was then that they finally understood."

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** "I --> ''"I asked them: Gentlemen, if Godzilla were to attack Washington or Moscow, would you have the courage to use nuclear weapons, knowing that many of your own people would be killed? It was then that they finally understood.""''



* PluckyComicRelief: The Bum, played by Tetsuya Takeda. He has a variety of funny antics and lines in the Japanese cut, the New World cut, and the International dub, arguably because of the HK dubber's [[LargeHam hammy performance]].
-->''1985'': "Don't act like a big shot hick, you just got to town! If you wanna hang around with me you need to learn some manners!"
-->HK dub: "Ach! What's the big idea! Get away from me Godzilla! You wanna see the way us city folks live?! What's wrong with ya?!"

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* PluckyComicRelief: PluckyComicRelief:
**
The Bum, played by Tetsuya Takeda. He has a variety of funny antics and lines in the Japanese cut, the New World cut, and the International dub, arguably because of the HK dubber's [[LargeHam hammy performance]].
-->''1985'': --->''1985'': "Don't act like a big shot hick, you just got to town! If you wanna hang around with me you need to learn some manners!"
-->HK --->HK dub: "Ach! What's the big idea! Get away from me Godzilla! You wanna see the way us city folks live?! What's wrong with ya?!"


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** Major McDonough in ''Godzilla 1985'', who seems to have inherited all the comedic dialogue originally intended for Raymond Burr's character, Steve Martin.

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