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Gmork isn't from Fantasia.


* VillainBall: Gmork's stated motive for helping the Nothing is that he wants the power to control the human world, despite the fact that he would die along with the rest of Fantasia when it's destroyed, so he wouldn't be able to do this.
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* VillainBall: Gmork's stated motive for helping the Nothing is that he wants the power to control the human world, despite the fact that he would die along with the rest of Fantasia when it's destroyed, so he wouldn't be able to do this.

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avoiding chained pothole


Music/KlausDoldinger originally composed the soundtrack for the German release version, but most of the [[ForeignReScore US release's soundtrack]] was eventually composed by Music/GiorgioMoroder. [[https://www.youtube.com/watch?v=lHytjEj7B9g Including the eponymous theme song]].

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Music/KlausDoldinger originally composed the soundtrack for the German release version, but most of the [[ForeignReScore US release's soundtrack]] was eventually composed by Music/GiorgioMoroder. Including [[https://www.youtube.com/watch?v=lHytjEj7B9g Including the eponymous theme song]].

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Spelling/grammar fix(es)


Music/KlausDoldinger originally composed the soundtrack for the German release version, but most of the [[ForeignReScore US release's soundtrack]] was eventually composed by Music/GiorgioMoroder. [[https://www.youtube.com/watch?v=lHytjEj7B9g (Complete with the song)]].

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Music/KlausDoldinger originally composed the soundtrack for the German release version, but most of the [[ForeignReScore US release's soundtrack]] was eventually composed by Music/GiorgioMoroder. [[https://www.youtube.com/watch?v=lHytjEj7B9g (Complete with Including the song)]].
eponymous theme song]].
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Page was movedfrom Film.The Neverending Story to Film.The Never Ending Story 1984. Null edit to update page.
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Music/KlausDoldinger originally composed the soundtrack for the German release version, but most of the [[ForeignReScore US release's soundtrack]] was eventually composed by Music/GiorgioMoroder.

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Music/KlausDoldinger originally composed the soundtrack for the German release version, but most of the [[ForeignReScore US release's soundtrack]] was eventually composed by Music/GiorgioMoroder. \n [[https://www.youtube.com/watch?v=lHytjEj7B9g (Complete with the song)]].
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** Other minor examples with Falcor, who in the book's English translation was spelled "Falkor", and with the Rockbiters, who were "Rock Chewers".

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** Other minor examples with Falcor, who in the book's English translation was spelled "Falkor", and with the Rockbiters, who were "Rock Chewers".Chewers" (although "Rockbiter is also a closer translation of the original "Felsenbeißer").
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** Another minor example with Falcor, who in the book's English translation was spelled "Falkor".

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** Another Other minor example examples with Falcor, who in the book's English translation was spelled "Falkor"."Falkor", and with the Rockbiters, who were "Rock Chewers".
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** Another minor example with Falcor, who in the book was spelled Falkor.

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** Another minor example with Falcor, who in the book book's English translation was spelled Falkor."Falkor".
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* OnlyTheWorthyMayPass: DoubleSubversion--Atreyu is not worthy to make it past the Sphinxes (or at least, doesn't feel that he is, which is what triggers them), but he makes it through anyway.

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* OnlyTheWorthyMayPass: DoubleSubversion--Atreyu is not worthy to make it past the Sphinxes (or at least, doesn't feel that he is, which is what triggers them), but he makes it through anyway.anyway by leaping out of the way of their deadly eye beams.
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* OnlyTheWorthyMayPass: DoubleSubversion--Atreyu is not worthy to make it past the sphinxes, but he makes it through anyway.

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* OnlyTheWorthyMayPass: DoubleSubversion--Atreyu is not worthy to make it past the sphinxes, Sphinxes (or at least, doesn't feel that he is, which is what triggers them), but he makes it through anyway.

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* AdaptationalExplanation: In the book, Engywook tells Atreyu that despite all his research, he has been unable to find any discernible pattern in which people the Sphinxes keep their eyes shut for and let pass them safely and which they open their eyes for and destroy. In the film, he explains that they open their eyes when someone who doesn't believe in their own worthiness passes by.



* AdaptationExplanationExtrication: Inverted. In the book, Engywook tells Atreyu that despite all his research, he has been unable to find any discernible pattern in which people the Sphinxes keep their eyes shut for and let pass them safely and which they open their eyes for and destroy. In the film, he explains that they open their eyes when someone who doesn't believe in their own worthiness passes by.
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* AdaptationExplanationExtrication: Inverted. In the book, Engywook tells Atreyu that despite all his research, he has been unable to find any discernible pattern in which people the Sphinxes let pass them safely (keeping their eyes shut) and which they open their eyes for and destroy. In the film, he explains that they open their eyes when someone who doesn't belief in their own worthiness passes by.

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* AdaptationExplanationExtrication: Inverted. In the book, Engywook tells Atreyu that despite all his research, he has been unable to find any discernible pattern in which people the Sphinxes keep their eyes shut for and let pass them safely (keeping their eyes shut) and which they open their eyes for and destroy. In the film, he explains that they open their eyes when someone who doesn't belief believe in their own worthiness passes by.

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* AdaptationExplanationExtrication: Inverted. In the book, Engywook tells Atreyu that despite all his research, he has been unable to find any discernible pattern in which people the Sphinxes let pass them safely (keeping their eyes shut) and which they open their eyes for and destroy. In the film, he explains that they open their eyes when someone who doesn't belief in their own worthiness passes by.



* AdaptationNameChange: A very minor example with Fantasia itself. While the English translation of the book uses the name "Fantastica", the film uses "Fantasia". Arguably, this is actually a better translation, as it's closer to the original German name, Phantasien (which follows German geographical naming customs, i.e. ''Australien'' for Australia).

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* AdaptationNameChange: AdaptationNameChange:
**
A very minor example with Fantasia itself. While the English translation of the book uses the name "Fantastica", the film uses "Fantasia". Arguably, this is actually a better translation, as it's closer to the original German name, Phantasien (which follows German geographical naming customs, i.e. ''Australien'' for Australia).
** Another minor example with Falcor, who in the book was spelled Falkor.

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* AdaptationSpeciesChange: In the book, Cairon, the doctor who hands Atreyu the AURYN on the Childlike Empress's behalf after being the last to examine her, was a zebra-centaur. Here, he is a humanoid [[OurMermaidsAreDifferent merman]] who can walk on dry land.

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* AdaptationSpeciesChange: AdaptationSpeciesChange:
**
In the book, Cairon, the doctor who hands Atreyu the AURYN on the Childlike Empress's behalf after being the last to examine her, was a zebra-centaur. Here, he is a humanoid [[OurMermaidsAreDifferent merman]] who can walk on dry land.land.
** The film's Southern Oracle is a second pair of Sphinxes, colored blue in contrast to the dangerous gold Sphinxes who comprise the first challenge gate. In the book, the Southern Oracle was a being made of sound named Uyulala who spoke only in rhymes and could only hear questions posed in rhyme. (The first gate was still a dangerous Sphinx Gate.)
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* TheDreaded: Atreyu is this for Gmork. The look on the wolf's face when he realizes who he's talking to is something to behold.

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* TheDreaded: Atreyu is this for Gmork. The look on the wolf's face when he realizes who whom he's talking to is something to behold.

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** The death of Gmork in the film by Atreyu's hands. In the novel, Gmork was chained up in Spook City some time ago by Gaya the Dark Princess and is already dying; he takes on the role of MrExposition before finally starving to death. The film abandons this in favor of a final showdown between the hero and the only tangible villain, likely to make Atreyu look more heroic.

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** The death of Gmork in the film by Atreyu's hands. In the novel, Gmork was chained up in Spook City some time ago by Gaya the Dark Princess and is already dying; he takes on the role of MrExposition before finally starving to death.death (although his dead body is still full enough of malice to clamp its jaws down on Atreyu's leg as Falkor rescues him). The film abandons this in favor of a final showdown between the hero and the only tangible villain, likely to make Atreyu look more heroic.
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** Atreyu reaches the Southern Oracle with help from a monster, Ygramul the Many, whose poisonous bite gives the victim the power of instant teleportation before they die. Falkor was a victim who also used this power after overhearing Ygramul tell Atreyu about it. It was cut from the final script due to VFX limitations of the time. This also would have explained the medicine being given by the Gnomes to Atreyu and Falcor, which was to counter Ygramul's poison.

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** Atreyu reaches the Southern Oracle with help from a monster, Ygramul the Many, whose poisonous bite gives the victim the power of instant teleportation before they die. Falkor was a victim who also used this power after overhearing Ygramul tell Atreyu about it. It was cut from the final script due to VFX limitations of the time. This also would have explained the medicine being given by the Gnomes Gnomics to Atreyu and Falcor, which was to counter Ygramul's poison.
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Bastian (Barret Oliver), an ostracized young boy who loves to read, steals a magical book which is claimed to go on forever. Within the book is the story of an otherworldly MagicalNativeAmerican boy named Atreyu, who is on a quest to save the MagicalLand of Fantasia from vanishing, as a terrible force called The Nothing consumes the land while its ruler the Childlike Empress lays deathly ill. As Bastian reads more and more of the story, he discovers that the book seems to be aware of him. Eventually, he learns that the magical land within the book is another dimension encompassing all of human imagination; only a human with creative ideas can save it. Needless to say, this film does not so much break the FourthWall as it never really has one to begin with--which is a large part of the point.

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Bastian (Barret Oliver), an ostracized young boy who loves to read, steals a magical book which is claimed to go on forever. Within the book is the story of an otherworldly MagicalNativeAmerican boy named Atreyu, who is on a quest to save the MagicalLand of Fantasia from vanishing, as a terrible force called The Nothing consumes the land world while its ruler the Childlike Empress lays deathly ill. As Bastian reads more and more of the story, he discovers that the book seems to be aware of him. Eventually, he learns that the magical land within the book is another dimension encompassing all of human imagination; only a human with creative ideas can save it. Needless to say, this film does not so much break the FourthWall as it never really has one to begin with--which is a large part of the point.

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General clarification on works content


Bastian (Barret Oliver), an ostracized young boy who loves to read, steals a magical book which is claimed to go on forever. Within the book is the story of an otherworldly MagicalNativeAmerican boy named Atreyu, who is on a quest to save a MagicalLand from vanishing. As Bastian reads more and more of the story, he discovers that the book seems to be aware of him. Eventually, he learns that the magical land within the book is another dimension encompassing all of human imagination; only a human with creative ideas can save it. Needless to say, this film does not so much break the FourthWall as it never really has one to begin with--which is a large part of the point.

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Bastian (Barret Oliver), an ostracized young boy who loves to read, steals a magical book which is claimed to go on forever. Within the book is the story of an otherworldly MagicalNativeAmerican boy named Atreyu, who is on a quest to save a the MagicalLand of Fantasia from vanishing.vanishing, as a terrible force called The Nothing consumes the land while its ruler the Childlike Empress lays deathly ill. As Bastian reads more and more of the story, he discovers that the book seems to be aware of him. Eventually, he learns that the magical land within the book is another dimension encompassing all of human imagination; only a human with creative ideas can save it. Needless to say, this film does not so much break the FourthWall as it never really has one to begin with--which is a large part of the point.
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that's a Scare Chord


* PsychoStrings: They're used whenever Gmork appears.

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* HeroOfAnotherStory: Before Atreyu tries to get past the Sphinx Gate, we see a literal KnightInShiningArmor try to walkthrough on his horse, only to be judged as unworthy and killed by the Gate's EyeBeams. Who he was and why he was trying to get through is never explained, and the whole scene is basically just to show the viewer how dangerous the Sphinx Gate is.

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* HeroOfAnotherStory: Before Atreyu tries to get past the Sphinx Gate, we see a literal KnightInShiningArmor try to walkthrough pass on his horse, only to be judged as unworthy and killed by the Gate's EyeBeams. Who he was and why he was trying to get through is never explained, and the whole scene is basically just to show the viewer how dangerous the Sphinx Gate is.



* ImprovisedWeapon: In the final confrontation with Gmork, Atreyu grabs a roughly knife-shaped shard of rubble to defend himself with.



* JustAKid: The Prime Minister didn't want Atreyu the child, he wanted Atreyu the warrior. Atreyu just shrugs and says he is the only one of his tribe with that name and they can take it or leave it. They take it.

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* JustAKid: The Prime Minister didn't want Atreyu the child, he wanted sent for Atreyu the warrior. Atreyu just shrugs and says he is the only one of his tribe with that name name. The Prime Minister rolls with it and they can take it or leave it. They take it.issues Atreyu the quest anyway.



* KidHero: Bastian/Atreyu.
* KnightOfCerebus: Gmork. While the situation was already grim with the Nothing gradually destroying the world of Fantasia, his introduction causes the film's tone to go from hopeful to dark and intense. The scene where he confronts Atreyu is a nightmarish deconstruction of the nature of stories and imagination, revealing him to be an opportunistic nihilist working with the Nothing to destroy Fantasia in order to rule over the unimaginative masses left in the wake of the oblivion, proving to be an even more vile entity than the calamity destroying Fantasia.

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* KidHero: Bastian/Atreyu.
Bastian and Atreyu both.
* KnightOfCerebus: Gmork. While the situation was already grim with the Nothing gradually destroying the world of Fantasia, his introduction causes the film's tone to go from hopeful to dark and intense. The scene where he confronts Atreyu is a nightmarish deconstruction of the nature of stories and imagination, revealing him to be an opportunistic nihilist working with the Nothing to destroy Fantasia in order to rule over the unimaginative masses left in the wake of the oblivion, proving to be an even which makes Gmork's evil feel more vile entity than personal and vile, while the calamity destroying Fantasia.Nothing behaves more like an uncaring natural disaster.



* MissingMom: Bastian's mother died at some point before the film's opening. Based on the conversation Bastian has with his dad, it's likely she's only been dead for a few weeks to a month before.

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* MissingMom: Bastian's mother died at some point before the film's opening. Based on the conversation Bastian has with his dad, it's likely she's only been dead for a few weeks to a month before.
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* FilmingForEasyDub: When Bastian screams "Moon Child" out of the attic window, his mouth is mostly covered in shadow to make it easy for foreign dubs to insert their translated version of it.

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* CurbStompBattle: Atreyu kills Gmork in [[OneHitKill one hit]] with his stone knife.


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* SingleStrokeBattle: Atreyu kills Gmork in [[OneHitKill one hit]] with his stone knife, albeit with the CurbStompCushion of Gmork ''tackling'' Atreyu first, forcing the young warrior to crawl out from under the beast's corpse afterwards.
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Trope was cut/disambiguated due to cleanup


* GutturalGrowler: Gmork is a wolf, so...yeah.
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* AlternativeForeignThemeSong: [[http://www.dailymotion.com/video/x22ocz9 "Natsu No Jewelry"]] was the theme song of the Japanese version.

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* AlternativeForeignThemeSong: [[http://www.dailymotion.com/video/x22ocz9 "Natsu No Jewelry"]] by Seiko Matsuda was the theme song of the Japanese version.
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* FiveSecondForeshadowing: When Atreyu enters the crumbled temple towards the end and sees the frescoes of his journey, the last one is of Gmork lurking in a crevice. Cut to Gmork doing exactly that across the room.
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* VillainsWantMercy: Downplayed in the extended version, where Gmork at first asks Atreyu to leave him alone. Once Atreyu realizes how evil he is, he's in no mood to walk away and makes it clear this is going to end in a fight, and only then does Gmork try to kill him.
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* TranquilFury: When Atreyu hears Gmork's motives for helping the Nothing and realizes he has to be stopped, he gives him a long, cold stare and asks in a deadly quiet voice, "Who are you ''really?"''
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* BeyondRedemption: When confronting Gmork, Atreyu tries to reason with him and asks why he's helping the Nothing destroy Fantasia. When Gmork makes it clear he's doing it out of a selfish desire for power and has no remorse for it, Atreyu's demeanor noticeably changes as he realizes Gmork is too evil to reason with and has to be killed.


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* ThisIsUnforgivable: Atreyu feels this way toward Gmork when he realizes he's trying to destroy Fantasia purely out of a desire for power, and decides to fight him to the death as he's too evil to be left alive.

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