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''The Marriage of Maria Braun'' (''Die Ehe der Maria Braun'') is a 1979 UsefulNotes/{{West German|y}} film directed by Creator/RainerWernerFassbinder, starring Fassbinder's [[TheMuse muse]] Hanna Schygulla, as well as Klaus Löwitsch and Creator/GottfriedJohn.
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''The Marriage of Maria Braun'' (''Die Ehe der Maria Braun'') is a 1979 UsefulNotes/{{West German|y}} film directed by Creator/RainerWernerFassbinder, starring Fassbinder's [[TheMuse muse]] Hanna Schygulla, Creator/HannaSchygulla, as well as Klaus Löwitsch and Creator/GottfriedJohn.
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%%[[caption-width-right:300:some caption text]]
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''The Marriage of Maria Braun'' (''Die Ehe der Maria Braun'') is a 1979 UsefulNotes/{{West German|y}} film directed by Creator/RainerWernerFassbinder.
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''The Marriage of Maria Braun'' (''Die Ehe der Maria Braun'') is a 1979 UsefulNotes/{{West German|y}} film directed by Creator/RainerWernerFassbinder.
Creator/RainerWernerFassbinder, starring Fassbinder's [[TheMuse muse]] Hanna Schygulla, as well as Klaus Löwitsch and Creator/GottfriedJohn.
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The film was perhaps the most successful work of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Film/VeronikaVoss'' and ''Lola''. It is also a Creator/RogerEbert favourite and added the film to his [[Main/RogerEbertGreatMoviesList Great Movies List]].
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The film was perhaps the most successful work of Fassbinder Fassbinder, and the first installment of Fassbinder's his BRD Trilogy, followed by ''Film/VeronikaVoss'' and ''Lola''. It is also a Creator/RogerEbert favourite and added the film to his [[Main/RogerEbertGreatMoviesList Great Movies List]].
List]].
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Woman In White is no longer a trope.
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* WomanInWhite: Maria wears a fancy white dress in her last scene [[spoiler: just before her house is blown up and she dies]].
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* WomanInWhite: WhiteShirtOfDeath: Maria wears a fancy white dress in her last scene [[spoiler: just before her house is blown up and she dies]].
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->''It's not a good time for feelings''.
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The film was perhaps the most successful work of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Film/VeronikaVoss'' and ''Lola''.
It is also a Creator/RogerEbert favourite and added the film to his [[Main/RogerEbertGreatMoviesList Great Movies List]].
It is also a Creator/RogerEbert favourite and added the film to his [[Main/RogerEbertGreatMoviesList Great Movies List]].
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The film was perhaps the most successful work of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Film/VeronikaVoss'' and ''Lola''.
''Lola''. It is also a Creator/RogerEbert favourite and added the film to his [[Main/RogerEbertGreatMoviesList Great Movies List]].
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The film was perhaps the most successful work of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Veronika Voss'' and ''Lola''.
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The film was perhaps the most successful work of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Veronika Voss'' ''Film/VeronikaVoss'' and ''Lola''.
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Useful Notes/ pages are not tropes
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''The Marriage of Maria Braun'' (''Die Ehe der Maria Braun'') is a 1979 [[UsefulNotes/WestGermany West German]] film directed by Creator/RainerWernerFassbinder.
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''The Marriage of Maria Braun'' (''Die Ehe der Maria Braun'') is a 1979 [[UsefulNotes/WestGermany West German]] UsefulNotes/{{West German|y}} film directed by Creator/RainerWernerFassbinder.
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* WestGermany: The setting of the later years.
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Not a trope, it's a Useful Notes page
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* WorldWarII: It deals with both the immediate days after Germany's surrender and in a larger scale the following ten years.
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* WomanInBlack: Maria purposefully buys a fancy LittleBlackDress when she worked at a nightclub for American soldiers.
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* MurderOfTheHypothenuse: [[spoiler: Maria accidentally murders Bill when he puts out a fight with Hermann who has just come back from the Eastern front.]]
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* MurderOfTheHypothenuse: MurderTheHypotenuse: [[spoiler: Maria accidentally murders Bill when he puts out a fight with Hermann who has just come back from the Eastern front.]]
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* MurderTheHypothenuse: [[spoiler: Maria accidentally murders Bill when he puts out a fight with Hermann who has just come back from the Eastern front.]]
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* MurderTheHypothenuse: MurderOfTheHypothenuse: [[spoiler: Maria accidentally murders Bill when he puts out a fight with Hermann who has just come back from the Eastern front.]]
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* DoggedNiceGuy: Both Bill and Karl Oswald are this for the already married Maria.
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* MurderTheHypothenuse: [[spoiler: Maria accidentally murders Bill when he puts out a fight with Hermann who has just come back from the Eastern front.]]
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* RagsToRiches: The main point of the plot is Maria becoming from poor war refugee to a wealthy businesswoman. How she got there and how it affected her personally is [[SweetAndSourGrapes totally another matter]].
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* ParentWithNewParamour: Surprisingly, Maria's mother finds a new partner despite her DespairSpeech about loosing the love of her life at the beginning of the film.
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* WestGermany: The setting of the later years.
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The film was perhaps the most successful works of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Veronika Voss'' and ''Lola''.
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The film was perhaps the most successful works work of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Veronika Voss'' and ''Lola''.
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->''It's not a good time for feelings''.
-->--'''Maria Braun'''
-->--'''Maria Braun'''
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* FemmeFatale: A rare protagonist example, as Maria uses her beauty, sexuality and brains to survive Post-war society.
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* WorldWarII: It deals with both the immediate days after Germany's surrender and in a larger scale the following then years.
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* WorldWarII: It deals with both the immediate days after Germany's surrender and in a larger scale the following then ten years.
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* TheMistress: Maria becomes the mistress of entrepreneur Karl Oswald, constantly turning off his marriage proposal and keeping her marriage a secret.
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* DownerEnding: [[spoiler: Maria and Hermann die for a random (or maybe not) domestic incident, just ''minutes'' after they gained the wealth they've been wishing since the War's end.]]
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* BetaCouple: Maria's friends Willi and Betti Klenze [[spoiler: who eventually go through a divorce]].
* BookEnds: The film starts and ends with an explosion: the former is an Allied bombing raid, the latter [[spoiler: a domestic accident that blows up Maria's home]].
* CunningLinguist: Maria starts to work for Karl Oswald as an English translator until she becomes an executive herself.
* DownerEnding: [[spoiler: Maria and Hermann die for a random(or ([[AlternativeCharacterInterpretation or maybe not) not]]) domestic incident, accident, just ''minutes'' after they gained the wealth they've been wishing since the War's end.]]
* BookEnds: The film starts and ends with an explosion: the former is an Allied bombing raid, the latter [[spoiler: a domestic accident that blows up Maria's home]].
* CunningLinguist: Maria starts to work for Karl Oswald as an English translator until she becomes an executive herself.
* DownerEnding: [[spoiler: Maria and Hermann die for a random
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* WhereDaWhiteWomenAt: Maria has a loving relationship with Bill, and Afro-American soldier who gets her pregnant and asks her to marry him, which she turns down because wants to stay faithful to the presumably dead Hermann in her own way. [[spoiler: And then Hermann comes back and finds the two of them making out...]]
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It is also a Creator/RogerEbert favourite and added the film to his [[Main/RogerEbertGreatMoviesList/Great Movies List]].
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It is also a Creator/RogerEbert favourite and added the film to his [[Main/RogerEbertGreatMoviesList/Great [[Main/RogerEbertGreatMoviesList Great Movies List]].
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It is also a Creator/RogerEbert favourite and added the film to his [[Main/RogerEbertGreatMoviesList/Great Movies List]].
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'''The Marriage of Maria Braun''' (''Die Ehe der Maria Braun'') is a 1979 [[UsefulNotes/WestGermany West German]] film directed by Creator/RainerWernerFassbinder.
In a wrecked [[UsefulNotes/WorldWarII post-war Germany]], Wehrmacht officer's wife Maria tries to adjust on a post-Nazi society and becomes the mistress of a businessman and a successful business woman herself, whole trying to build a future for her and her husband Hermann. The film itself is a parabola for West Germany's economical miracle.
In a wrecked [[UsefulNotes/WorldWarII post-war Germany]], Wehrmacht officer's wife Maria tries to adjust on a post-Nazi society and becomes the mistress of a businessman and a successful business woman herself, whole trying to build a future for her and her husband Hermann. The film itself is a parabola for West Germany's economical miracle.
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In a wrecked [[UsefulNotes/WorldWarII post-war Germany]], Wehrmacht officer's wife Maria Braun tries to adjust on a post-Nazi society and becomes the mistress of a businessman and a successful business woman herself, whole trying to build a future for her and her husband Hermann. The film itself is a
* {{Irony}}: The finale [[spoiler:has the Braun kitchen room blowing up in a domestic accident while the radio plays broadcast of the West German football team defeating Hungary's Mighty Magyars in the World Cup Final]].
* IWillWaitForYou: Despite her (necessary) infidelities, the leitmotif of this film is Maria waiting for her husband to come back.
* IWillWaitForYou: Despite her (necessary) infidelities, the leitmotif of this film is Maria waiting for her husband to come back.
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* IWillWaitForYou: Despite her (necessary) infidelities, the leitmotif of this film is Maria waiting for her husband to come back.
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* Wartime wedding: The very first scene has the protagonist Maria marrying her Wehrmacht beau During an allied bombing raid.
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* Wartime wedding: WartimeWedding: The very first scene has the protagonist Maria marrying her Wehrmacht beau During an allied bombing raid.
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* Wartime wedding: The very first scene has the protagonist Maria marrying her Wehrmacht beau During an allied bombing raid.
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* DownerEnding: [[spoiler: Maria and Hermann die for a random (or maybe not) domestic incident, just ''minutes'' after they gained the wealth they've been wishing since the War's end.]]
* GorgeousPeriodDress: Maria wears ''very'' fancy clothes when as she's getting wealthier and wealthier.
* GorgeousPeriodDress: Maria wears ''very'' fancy clothes when as she's getting wealthier and wealthier.
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* WomanInWhite: Maria wears a fancy white dress in her last scene [[spoiler: just before her house is blown up and she dies]].
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* WomanInBlack: Maria purposefully buys a fancy LittleBlackDress when she worked at a nightclub for American soldiers.
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* WomanInBlack: Maria purposefully buys a fancy LittleBlackDress when she worked at a nightclub for American soldiers.soldiers.
* WorldWarII: It deals with both the immediate days after Germany's surrender and in a larger scale the following then years.
* WorldWarII: It deals with both the immediate days after Germany's surrender and in a larger scale the following then years.
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* Post-Historical Trauma : This film deals with the trauma of the post-war German generation, dealing both with the violence and fallout of the war, perhaps more than any work made by Fassbinder.
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* Post-Historical Trauma PostHistoricalTrauma : This film deals with the trauma of the post-war German generation, dealing both with the violence and fallout of the war, perhaps more than any work made by Fassbinder.
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The film was perhaps the most successful works of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Veronika Voss'' and ''Lola''.
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The film was perhaps the most successful works of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Veronika Voss'' and ''Lola''.''Lola''.
!! This film features the following tropes:
* Post-Historical Trauma : This film deals with the trauma of the post-war German generation, dealing both with the violence and fallout of the war, perhaps more than any work made by Fassbinder.
* IWillWaitForYou: Despite her (necessary) infidelities, the leitmotif of this film is Maria waiting for her husband to come back.
* WomanInBlack: Maria purposefully buys a fancy LittleBlackDress when she worked at a nightclub for American soldiers.
!! This film features the following tropes:
* Post-Historical Trauma : This film deals with the trauma of the post-war German generation, dealing both with the violence and fallout of the war, perhaps more than any work made by Fassbinder.
* IWillWaitForYou: Despite her (necessary) infidelities, the leitmotif of this film is Maria waiting for her husband to come back.
* WomanInBlack: Maria purposefully buys a fancy LittleBlackDress when she worked at a nightclub for American soldiers.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/objxn4lindehjcshqfqzpuodhpt.jpg]]
'''The Marriage of Maria Braun''' (''Die Ehe der Maria Braun'') is a 1979 [[UsefulNotes/WestGermany West German]] film directed by Creator/RainerWernerFassbinder.
In a wrecked [[UsefulNotes/WorldWarII post-war Germany]], Wehrmacht officer's wife Maria tries to adjust on a post-Nazi society and becomes the mistress of a businessman and a successful business woman herself, whole trying to build a future for her and her husband Hermann. The film itself is a parabola for West Germany's economical miracle.
The film was perhaps the most successful works of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Veronika Voss'' and ''Lola''.
'''The Marriage of Maria Braun''' (''Die Ehe der Maria Braun'') is a 1979 [[UsefulNotes/WestGermany West German]] film directed by Creator/RainerWernerFassbinder.
In a wrecked [[UsefulNotes/WorldWarII post-war Germany]], Wehrmacht officer's wife Maria tries to adjust on a post-Nazi society and becomes the mistress of a businessman and a successful business woman herself, whole trying to build a future for her and her husband Hermann. The film itself is a parabola for West Germany's economical miracle.
The film was perhaps the most successful works of Fassbinder and first installment of Fassbinder's BRD Trilogy, followed by ''Veronika Voss'' and ''Lola''.
