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** Tom Bombadil is cut from the film, along with the scene with where he rescues the hobbits from the Barrow-wights and takes their enchanted daggers [[spoiler:one of which Merry uses to slay the Witch-king]]. Here, Aragorn just gives them some short swords ("These are for you") that had been kept at Weathertop. Merry goes into battle with an Elven dagger which is never truly hinted or explained why [[spoiler: it's effective against the Witch-king of Angmar]] unless it's enchanted in a similar way with the book's counterpart. Then again, it's [[ItMayHelpYouOnYourQuest a gift of Galadriel]].

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** Tom Bombadil is cut from the film, along with the scene with where he rescues the hobbits from the Barrow-wights and takes their enchanted daggers [[spoiler:one of which Merry uses to slay the Witch-king]]. Here, Aragorn just gives them some short swords ("These are for you") that had been kept at Weathertop. Merry goes into battle with an Elven dagger which is never truly hinted or explained why [[spoiler: it's effective against the Witch-king of Angmar]] unless it's enchanted in a similar way with the book's counterpart. Then again, it's [[ItMayHelpYouOnYourQuest a gift of Galadriel]]. Or maybe he can harm the Witch-king simply because he is a Hobbit, and not a "man" (human).
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** Ghan-buri-Ghan and his wildmen are omitted. In the novels, many thousands of Orcs are quite sensibly sent north to guard against the Ride of the Rohirrim, forcing Theoden and his men are able to sneak around them thanks to Ghan-buri-Ghan.

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** Ghan-buri-Ghan and his wildmen are omitted. In the novels, many thousands of Orcs are quite sensibly sent north to guard against the Ride of the Rohirrim, forcing Theoden and his men are able to sneak around them thanks to Ghan-buri-Ghan.
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P.i.t.T.E.

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* PokeInTheThirdEye: When Gandalf frees Théoden from Saruman's telepathic occult control, Saruman miles away in his tower is thrown to the floor by the force of Gandalf's exorcism.

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An [[TheFilmOfTheBook adaptation]] of Creator/JRRTolkien's ''Literature/TheLordOfTheRings'' into a film trilogy directed by Creator/PeterJackson. The movies were [[MovieMultipack filmed together]] and released one year after the previous for the holiday seasons 2001-2003.

[[EpicMovie One of the most ambitious movie projects ever undertaken]], the overall budget was around $300 million (estimates vary between $281-330 million) and principal filming for all three pictures took place over 18 months in Jackson's native UsefulNotes/NewZealand (which has seen [[TheRedStapler tourism increase by 50% since the films came out]]). The entire project took eight years, factoring in the early pre-production and the fact that additional pick-ups were filmed in between each film's release. In fact, the very last shot filmed (a few skulls tumbling along the ground) was quickly shot in the studio after the third film was released and included in the extended edition.

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An [[TheFilmOfTheBook adaptation]] of Creator/JRRTolkien's ''Literature/TheLordOfTheRings'' into a film trilogy directed by Creator/PeterJackson. The movies were [[MovieMultipack filmed together]] and released one year after the previous for the holiday seasons of 2001-2003.

[[EpicMovie One of the most ambitious movie projects ever undertaken]], the overall budget was around $300 million (estimates vary between $281-330 million) million), and principal filming for all three pictures took place over 18 months in Jackson's native UsefulNotes/NewZealand (which has seen [[TheRedStapler tourism increase by 50% since the films came out]]). The entire project took eight years, factoring in the early pre-production and the fact that additional pick-ups were filmed in between each film's release. In fact, the very last shot filmed (a few skulls tumbling along the ground) was quickly shot in the studio after the third film was released and included in the its extended edition.



The theatrical versions were lengthy epics (all clocking around at 3-ish hours), and the "Extended Editions" (released before the succeeding movies) added at least another half-hour to each film's running time.[[note]]Around 12 minutes of that extra run time is credits added for the fan community website.[[/note]] Unusual for such a thing, Creator/PeterJackson has stated that the Extended Editions are not an actual DirectorsCut (feeling the term would unfairly imply that he was unsatisfied with the theatrical releases) but merely a fan-friendly extension to enlarge the world of Middle-earth and see what things they left out of the faster-paced theatrical versions. The results were astonishingly critically and commercially successful, with each film grossing more than $750 million (averaging more than $1 billion after being adjusted for inflation), and with all three winning Oscars.[[note]]''Fellowship'' won 4, ''Two Towers'' won 2, and ''Return of the King'' won '''11''' -- it shares the record for most Oscar wins for a single film '''''ever''''' with ''Film/BenHur1959'' and ''Film/Titanic1997'', and holds the record for the biggest 'sweep', winning all the awards it was nominated for.[[/note]]

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The theatrical versions were lengthy epics (all clocking around at 3-ish hours), and the "Extended Editions" (released before the succeeding movies) added at least another half-hour to each film's running time.[[note]]Around 12 minutes of that extra run time runtime is credits added for the fan community website.[[/note]] Unusual for such a thing, Creator/PeterJackson Peter Jackson has stated that the Extended Editions are not an actual DirectorsCut (feeling the term would unfairly imply that he was unsatisfied with the theatrical releases) but merely a fan-friendly extension to enlarge the world of Middle-earth and see what things they left out of the faster-paced theatrical versions. versions.

The results were astonishingly critically and commercially successful, with each film grossing more than $750 million (averaging more than $1 billion after being adjusted for inflation), and with all three winning Oscars.UsefulNotes/{{Academy Award}}s.[[note]]''Fellowship'' won 4, ''Two Towers'' won 2, and ''Return of the King'' won '''11''' -- it shares the record for most Oscar wins for a single film '''''ever''''' with ''Film/BenHur1959'' and ''Film/Titanic1997'', and holds the record for the biggest 'sweep', "sweep", winning all the awards it was nominated for.[[/note]]



An adaptation of ''Literature/TheHobbit'' was later made into a {{prequel}} [[Film/TheHobbit trilogy]], with Peter Jackson returning to direct the films. The first part of which was released in winter 2012 and the last in winter 2014. Many actors (such as Creator/IanMckellen, Creator/AndySerkis, Creator/CateBlanchett, Creator/HugoWeaving, Creator/OrlandoBloom, and Creator/ChristopherLee) from the ''Lord of the Rings'' trilogy returned to reprise their roles.

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An adaptation of ''Literature/TheHobbit'' was later made into a {{prequel}} [[Film/TheHobbit trilogy]], with Peter Jackson returning to direct the films. The first part of which was released in winter 2012 and the last in winter 2014. Many actors from the ''Lord of the Rings'' trilogy (such as Creator/IanMckellen, Creator/AndySerkis, Creator/CateBlanchett, Creator/HugoWeaving, Creator/OrlandoBloom, and Creator/ChristopherLee) from the ''Lord of the Rings'' trilogy returned to reprise their roles.

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* TheBackwardsR: Downplayed with the "faux tengwar" script used in the films. Although it uses the normal Latin alphabet, three dots are placed over each "A", which imitates the way many Tengwar modes write "A" in-universe. These modes do not have separate letters for vowel sounds, so these sounds have to be written with diacritics placed over consonant letters, and the three dots are the symbol for "A".

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* TheBackwardsR: Downplayed with the "faux tengwar" script used in the films. Although it uses the normal Latin alphabet, alphabet as a TranslationConvention, three dots are placed over each "A", which imitates the way many Tengwar modes write "A" in-universe. These modes do not have separate letters for vowel sounds, so these sounds have to be written with diacritics placed over consonant letters, and the three dots are the symbol for "A".
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* TheBackwardsR: Downplayed with the "faux tengwar" script used in the films. Although it uses the normal Latin alphabet, three dots are placed over each "A", which imitates how many Tengwar modes write "A" in-universe. These modes do not have separate letters for vowel sounds, so these sounds have to be written with diacritics placed over consonant letters, and the three dots are the symbol for "A".

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* TheBackwardsR: Downplayed with the "faux tengwar" script used in the films. Although it uses the normal Latin alphabet, three dots are placed over each "A", which imitates how the way many Tengwar modes write "A" in-universe. These modes do not have separate letters for vowel sounds, so these sounds have to be written with diacritics placed over consonant letters, and the three dots are the symbol for "A".
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* TheBackwardsR: Downplayed with the "faux tengwar" script used in the films. Although it uses the normal Latin alphabet, three dots are placed over each "A", which imitates how many Tengwar modes write "A" in-universe. These modes do not have separate letters for vowel sounds, so these sounds have to be written with diacritics placed over consonant letters, and the three dots are the symbol for "A".
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* AluminumChristmasTrees: "Second Breakfast" is a real thing in some European cultures, including England, which The Shire is based on. In real life, second breakfast is more of a mid-morning snack than a full meal (though given Hobbit culture, for them it probably ''is'' [[BigEater a full meal]]). "Elevenses" is real too, again more of a snack.
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Nothing "Surprisingly Realistic" here, the supporting hobbits are non-combatants


* SurprisinglyRealisticOutcome: After Boromir falls after taking a number of arrows to the torso, Merry and Pippin draw their swords and charge in a RoaringRampageOfRevenge... and promptly get picked up off the ground and slung over their captor's backs like a sack of potatoes.

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* BalefulPolymorph: Humorously subverted when Sam eavesdrops on Gandalf and Frodo's conversation about the One Ring in Bilbo's former house. Samwise begs Gandalf not to use his magic to turn him into something "unnatural". Then the scene cuts to a shot of Gandalf walking with a horse and telling Sam to keep up, only for Sam to run along after them.[[note]]A familiar Peter Jackson gag for those who remember what happened to the "bloody fool" psychiatrist in ''Film/HeavenlyCreatures''.[[/note]]


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* ForcedTransformation: Humorously subverted when Sam eavesdrops on Gandalf and Frodo's conversation about the One Ring in Bilbo's former house. Samwise begs Gandalf not to use his magic to turn him into something "unnatural". Then the scene cuts to a shot of Gandalf walking with a horse and telling Sam to keep up, only for Sam to run along after them.[[note]]A familiar Peter Jackson gag for those who remember what happened to the "bloody fool" psychiatrist in ''Film/HeavenlyCreatures''.[[/note]]
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* PrehistoricAnimalAnalogue:
** The trilogy's version of the elephant-like mumakil are portrayed with four tusks, similar to the extinct proboscidean ''Stegotetrabelodon''.
** In ''Film/TheHobbit'' trilogy, a giant elk ridden by Thranduil as a steed is inspired by the large prehistoric deer ''Megaloceros'', particularly the giant antlers.
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Up To Eleven is a defunct trope


* ActionizedAdaptation: The films all focus a lot more on the battles than the books do, adding and extending action scenes. For example, ''Fellowship'''s action prologue was only outlined second hand in the book, the fight in Balin's tomb was about a page long, the climax of the first book was focused more on Frodo and Sam splitting from the Fellowship, with most of the Uruk-Hai attack (with Boromir's death and Merry and Pippin being taken away) again being described after the fact. The following two books were more action-oriented than the first, but Peter Jackson still turned the action UpToEleven by inserting whole sequences like the warg-rider attack and placing Frodo & Sam at Osgiliath.

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* ActionizedAdaptation: The films all focus a lot more on the battles than the books do, adding and extending action scenes. For example, ''Fellowship'''s action prologue was only outlined second hand in the book, the fight in Balin's tomb was about a page long, the climax of the first book was focused more on Frodo and Sam splitting from the Fellowship, with most of the Uruk-Hai attack (with Boromir's death and Merry and Pippin being taken away) again being described after the fact. The following two books were more action-oriented than the first, but Peter Jackson still turned the action UpToEleven up to eleven by inserting whole sequences like the warg-rider attack and placing Frodo & Sam at Osgiliath.
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** When Bilbo and Gandalf smoke Pipe-weed before Bilbo's birthday party, Bilbo puffs a smoke ring, subtly bringing up the topic of the ring he possesses. In response, Gandalf produces a ship made of smoke and dissolves Bilbo's smoke ring, foreshadowing the [[spoiler:destruction of the One Ring and their departure by ship]]. Bilbo watches thoughtfully. This scene follows right after Bilbo mentions that he needs a holiday and doesn't mean to return.
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** In the film, Gandalf's healing of Theoden is portrayed as a full-on exorcism and visible de-aging of Theoden himself, whereas in the novel its more a casting down of Wormtounge and a breaking of the supernatural cloud of despair infecting Theoden's hall.

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** In the film, Gandalf's healing of Theoden is portrayed as a full-on exorcism and visible de-aging of Theoden himself, whereas in the novel its it's more a casting down of Wormtounge Wormtongue and a breaking of the supernatural cloud of despair infecting Theoden's hall.



** Wormtongue's release. After being allowed to leave Edoras, Wormtongue arrives in Isengard seemingly within hours and immediately provides Saruman (and the audience) with several key insights into the weaknesses of Helm's Deep and Theoden's plans to retreat there, thus prompting both the Warg-rider attack and the breach of the Deeping Wall, which can make letting him go seem like pure GoodIsDumb and NiceJobBreakingItHero at least in ''The Two Towers''. Not so in the novel, where Wormtounge--to his great dismay--only arrives in Isengard ''after'' it has been flooded by the Ents.

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** Wormtongue's release. After being allowed to leave Edoras, Wormtongue arrives in Isengard seemingly within hours and immediately provides Saruman (and the audience) with several key insights into the weaknesses of Helm's Deep and Theoden's plans to retreat there, thus prompting both the Warg-rider attack and the breach of the Deeping Wall, which can make letting him go seem like pure GoodIsDumb and NiceJobBreakingItHero at least in ''The Two Towers''. Not so in the novel, where Wormtounge--to Wormtongue--to his great dismay--only arrives in Isengard ''after'' it has been flooded by the Ents.
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* SimpleSolutionWontWork:
** Possibly the best-known FandomEnragingMisconception[[invoked]] in any discussion of the trilogy is "Why didn't the Fellowship ride the Great Eagles of Manwe into Mordor instead of walking?", because [[AdaptationExplanationExtrication the films don't state that this was never an option]]: the Eagles would have been spotted too easily and been intercepted, handing the Ring right over to Sauron.
** ''Film/TheFellowshipOfTheRing'':
*** When Elrond and Frodo reveal the One Ring to the attendees of the Council of Rivendell, Boromir suggests using the Ring against Sauron. Aragorn immediately shoots that down: "The One Ring answers to Sauron alone. It has no other master."
*** Elrond subsequently says that the Ring must be destroyed. Gimli promptly takes a swing at it with his battleaxe--and is BlownAcrossTheRoom and [[WreckedWeapon his axe's blade shattered]].
---->'''Elrond:''' ''(bemused)'' The Ring cannot be destroyed, Gimli, son of Glóin, by any craft that we here possess.
** ''Film/TheReturnOfTheKing'': Following the Battle of the Pelennor Fields, Gandalf states that Sauron will be regrouping in Mordor after his defeat. Gimli (again) suggests just letting him rot there, and Gandalf replies that his remaining armies of orcs are now standing between Frodo and Mount Doom. This leads to the plan to march on the Black Gate to draw Sauron's attention away--a plan that means certain defeat for the armies of Men if Frodo fails to get through.
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* FictionalAccent: Aragorn speaks in a mixed accent that alternates between English, American and vaguely Irish that no other Men in the films use. Presumably, seeing as Aragorn is a LongLived Dunedain, the accent is part of their regional dialect.
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Loads And Loads Of Characters is no longer a trope


* LoadsAndLoadsOfCharacters: While not as much as in the books, the movies gives us a wide variety characters. There's the Fellowship of the Ring (Frodo, Sam, Merry, Pippin, Aragorn, Gandalf, Boromir, Legolas, and Gimli), the various villains (Sauron, the Witch-King, the other eight Nazgul, Saruman, Grima Wormtongue, Gollum, Lurtz, Gothmog,the Mouth of Sauron, Shelob), the heroes of Rohan (Theoden, Eomer, and Eowyn), the Elves (Galadriel, Elrond, Arwen, Celeborn, Haldir), Faramir, Bilbo, Treebeard, Deagel, the King of the Dead Army, Denethor, and many others. And when one takes ''Film/TheHobbit'' movies into account, the list of characters in the franchise grows even further.
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* ArtisticLicenceGeography: One of the opening scenes of ''The Two Towers'' depicts Barad-dur as being a significant distance away from Mount Doom, while during the Battle of the Black Gate they appear right beside each other. Tolkien's maps show them to be about 30-50 miles apart.
** Speaking of the Battle of the Black Gate, while it is ''possible'' that a hint of Barad-dur or Mount Doom could be seen from the Black Gate (assuming no inner mountains), seeing their full height would require a flat world with no terrain or horizon and unlimited visual resolution.

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* ArtisticLicenceGeography: ArtisticLicenceGeography:
**
One of the opening scenes of ''The Two Towers'' depicts Barad-dur as being a significant distance away from Mount Doom, while during the Battle of the Black Gate they appear right beside each other. Tolkien's maps show them to be about 30-50 miles apart.
** Speaking of
apart. Moreover, the Battle of films portray Barad-dur as between Mt. Doom and the Black Gate, Gate to the north, whereas Tolkien placed it straight east of Mt. Doom. And while it is ''possible'' that a hint of a hint of Barad-dur or Mount Mt. Doom could be seen from the Black Gate (assuming no (if one removed the inner mountains), mountains and gates at the other end of the Udûn plateau), seeing their full height heights as in the films would require a flat world with no terrain or horizon and unlimited visual resolution. resolution.



** Minas Tirith being able to see Minas Morgul on the other hand is reasonable as they're both quite tall and there is nothing in between the ~ 50 miles that would block vision.

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** Aragorn's journey to Minas Tirith being able to see Minas Morgul on is similarly odd in the other hand is reasonable as they're both quite tall and there is nothing films in between that he emerges from the ~ 50 Paths of the Dead (a journey of hours) at a site overlooking the Corsair ships in the Anduin river, at least 300 miles that would block vision.from where he entered near Dunharrow. In the novel, he emerges at just across the mountains at Erech and has to ride hard to intercept the Corsairs at Pelagir.



* AuthorUsurpation: Ask anyone about movies made by Peter Jackson, and ''The Lord of the Rings'' films are probably the only ones they'll mention. They might mention ''Film/TheHobbit'' trilogy as well, but not in a flattering light.

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* AuthorUsurpation: Ask anyone about movies made by Peter Jackson, and ''The Lord of the Rings'' films are probably the only ones they'll mention. They might mention ''Film/TheHobbit'' trilogy as well, but not often in a less flattering light.
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** Wormtongue's release. After being allowed to leave Edoras, Wormtongue arrives in Isengard seemingly within hours and immediately provides Saruman (and the audience) with several key incites into the weaknesses of Helm's Deep and Theoden's plans to retreat there, thus prompting both the Warg-rider attack and the breach of the Deeping Wall, which can make letting him go seem like pure GoodIsDumb and NiceJobBreakingItHero at least in ''The Two Towers''. Not so in the novel, where Wormtounge--to his great dismay--only arrives in Isengard ''after'' it has been flooded by the Ents.

to:

** Wormtongue's release. After being allowed to leave Edoras, Wormtongue arrives in Isengard seemingly within hours and immediately provides Saruman (and the audience) with several key incites insights into the weaknesses of Helm's Deep and Theoden's plans to retreat there, thus prompting both the Warg-rider attack and the breach of the Deeping Wall, which can make letting him go seem like pure GoodIsDumb and NiceJobBreakingItHero at least in ''The Two Towers''. Not so in the novel, where Wormtounge--to his great dismay--only arrives in Isengard ''after'' it has been flooded by the Ents.
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At this stage, it is unknown whether or not the Creator/PrimeVideo series ''Series/TheLordOfTheRingsTheRingsOfPower'' about the Second Age is in the continuity of the film series. Creator/NewLineCinema is involved in the production in some capacity.

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At this stage, it is unknown whether or not the The Creator/PrimeVideo series ''Series/TheLordOfTheRingsTheRingsOfPower'' about the Second Age is not in the continuity of the film series. series, although Creator/NewLineCinema is involved in the production in some capacity.

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* AdultFear:
** Although the hobbits aren't children, their small size and innocence invoke instincts of protectiveness similar to children, and the members of the Fellowship clearly think of them as their charges. Boromir's anguished "They took the little ones!" as he [[spoiler:is dying]] is particularly heartbreaking.
** In ''Two Towers'', Théoden was under a spell from Saruman for a long time and was unaware of his son dying until much later. He was freed from it in time for the funeral, though.
--->'''Théoden:''' No parent should have to bury their child.
** The beginning of ''Return of the King'' has Sméagol kill Déagol over the Ring. What if the friend you trusted most easily turned on you over one little trinket?


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* OutlivingOnesOffspring: In ''Two Towers'', Théoden was under a spell from Saruman for a long time and was unaware of his son dying until much later. He was freed from it in time for the funeral, though.
--->'''Théoden:''' No parent should have to bury their child.
* PapaWolf: Although the hobbits aren't children, their small size and innocence invoke instincts of protectiveness similar to children, and the members of the Fellowship clearly think of them as their charges. Boromir's anguished "They took the little ones!" as he [[spoiler:is dying]] is particularly heartbreaking.
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* OminousClouds: Through the film series, the skies over Mordor are filled with menacing, black clouds and lightning, as well as the eerie lighting caused by the fires of Orodruin, aka Mount Doom.
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At this stage, it is unknown whether or not the Creator/PrimeVideo series ''Series/TheLordOfTheRingsTheRingsOfPower'' about the Second Age is in the continuity of the film series. Creator/NewLineCinema is co-producing it nonetheless.

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At this stage, it is unknown whether or not the Creator/PrimeVideo series ''Series/TheLordOfTheRingsTheRingsOfPower'' about the Second Age is in the continuity of the film series. Creator/NewLineCinema is co-producing it nonetheless.involved in the production in some capacity.
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* MovingAwayEnding: The ending of ''The Return of the King'' shows Frodo, Bilbo, and Gandalf the White moving away from Middle Earth.
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** A possibly very subtle one when Boromir cuts himself on the broken sword, his response is "...still sharp." Sean Bean starred in the British series Series/{{Sharpe}} prior to this role.
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** The elves of Lothlórien are shown to be uniformly blonde, though only the Vanyar and their descendants such as Galadriel, had exclusively blonde hair in the books. However Thranduil was described as being "golden-haired" in ''Literature/TheHobbit'', so Silvan elves were capable of being blonde but not the the extent of the Vanyar.

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** The elves of Lothlórien are shown to be uniformly blonde, though only the Vanyar and their descendants such as Galadriel, had exclusively blonde hair in the books. However Thranduil was described as being "golden-haired" in ''Literature/TheHobbit'', so Silvan elves were capable of being blonde but not the the extent of the Vanyar.
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** In the novels, Wormtongue is described as a wizened figure with a pale face and heavy-lidded eyes. Bakshi & Jackson both depict him as more ObviouslyEvil with black hair, black clothes, and a skulking demeanor.

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* ActionizedAdaptation: The films all focus a lot more on the battles than the books do, adding and extending action scenes. For example, ''Fellowship'''s action prologue was only outlined second hand in the book, the fight in Balin's tomb was about a page long, the climax of the first book was focused more on Frodo and Sam splitting from the Fellowship, with most of the Uruk-Hai attack (with Boromir's death and Merry and Pippin being taken away) again being described after the fact. The following two books were more action-oriented than the first, but Peter Jackson still turned the action UpToEleven by inserting whole sequences like the warg-rider attack and placing Frodo & Sam at Osgiliath.



* LoadsAndLoadsOfCharacters: While not as much as in the books, the movies gives us a wide variety characters. There's the Fellowship of the Ring (Frodo, Sam, Merry, Pippin, Aragorn, Gandalf, Boromir, Legolas, and Gimli), the various villains (Sauron, the Witch-King, the other eight Nazgul, Saruman, Grima Wormtongue, Gollum, Lurtz, Gothmog,the Mouth of Sauron, Shelob), the heroes of Rohan (Theoden, Eomer, and Eowyn), the Elves (Galadriel, Elrond, Arwen, Celeborn, Haldir), Faramir, Bilbo, Treebeard, Deagel, the King of the Dead Army, Denethor, and many others. And when one takes ''Film/TheHobbit'' movies into account, the list of characters in the franchise grows even further.



* LoadsAndLoadsOfCharacters: While not as much as in the books, the movies gives us a wide variety characters. There's the Fellowship of the Ring (Frodo, Sam, Merry, Pippin, Aragorn, Gandalf, Boromir, Legolas, and Gimli), the various villains (Sauron, the Witch-King, the other eight Nazgul, Saruman, Grima Wormtongue, Gollum, Lurtz, Gothmog,the Mouth of Sauron, Shelob), the heroes of Rohan (Theoden, Eomer, and Eowyn), the Elves (Galadriel, Elrond, Arwen, Celeborn, Haldir), Faramir, Bilbo, Treebeard, Deagel, the King of the Dead Army, Denethor, and many others. And when one takes ''Film/TheHobbit'' movies into account, the list of characters in the franchise grows even further.

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* LoadsAndLoadsOfCharacters: While not LostInImitation: Peter Jackson first encountered ''The Lord of the Rings'' via Creator/RalphBakshi's [[WesternAnimation/TheLordOfTheRings 1978 animated film]], and several events and shots in his trilogy are clearly influenced by it rather than the novels.
** In his DVD commentary on ''Fellowship of the Ring'', Jackson acknowledges a low angle shot of a hobbit at Bilbo's birthday party shouting "Proudfeet!",
as much as an intentional homage to Bakshi's film.
** The staging of the four hobbits all hiding under a big tree root while a Black Rider stalks above them comes almost directly from Bakshi, just shot at different angles. In the book the rider was further away, Frodo hid separately from the others, and Merry wasn't present).
** The scene of the Nazgûl entering the Prancing Pony and slashing the hobbits' beds only to reveal the shapes under the covers to actually be pillows is almost identical to Bakshi's version. In the novels the hobbits' beds are indeed padded before being slashed
in the books, night, but this is reported rather than depicted and the movies gives us a wide variety characters. There's townsfolk of Bree are to blame, not the Fellowship Nazgûl themselves.
** Another plot point used in both films but foreign to the books is casting Éomer as the leader of TheCavalry at the Battle
of the Ring (Frodo, Sam, Merry, Pippin, Aragorn, Gandalf, Boromir, Legolas, Hornburg with the men who accompanied him in exile from Meduseld. In the novels, Éomer is arrested rather than banished but is quickly freed once Théoden is himself again and Gimli), fights beside and befriends Aragorn during the various villains (Sauron, siege, while TheCavalry is led by the Witch-King, the other eight Nazgul, Saruman, Grima Wormtongue, Gollum, Lurtz, Gothmog,the Mouth of Sauron, Shelob), the heroes of Rohan (Theoden, Eomer, and Eowyn), the Elves (Galadriel, Elrond, Arwen, Celeborn, Haldir), Faramir, Bilbo, Treebeard, Deagel, the King of the Dead Army, Denethor, and many others. And when one takes ''Film/TheHobbit'' movies into account, the list of characters in the franchise grows even further.local lord Erkenbrand.
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Moral problems are not this if there wasn't an intended Aesop.


* BrokenAesop: Narrowly averted in that Creator/PeterJackson originally wanted simultaneous physical battles between Aragorn and Sauron (in the flesh) and between Frodo and Gollum, with Frodo ''[[MoralDissonance pushing Gollum into the fire]]''. He also [[DesignatedVillain reverses Frodo and Sam's pity for Gollum]], removing a couple key lines of dialogue, and implies the ''Ring'' was deluding Frodo into feeling that way. Fortunately, this AlternateCharacterInterpretation was mostly cut out, even from the extended edition, outside of the odd lembas escapade.
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An adaptation of ''Literature/TheHobbit'' was made into [[Film/TheHobbit a three-part prequel style story]], the first part of which was released in winter 2012 and the last in winter 2014. Many actors (such as Creator/IanMckellen, Creator/AndySerkis, Creator/CateBlanchett, Creator/HugoWeaving, Creator/OrlandoBloom, and Creator/ChristopherLee) from the ''Lord of the Rings'' trilogy returned to reprise their roles.

At this stage it is unknown whether or not the Creator/PrimeVideo series ''Series/TheLordOfTheRingsTheRingsOfPower'' about the Second Age is in the continuity of the film series. Creator/NewLineCinema is co-producing it nonetheless.

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An adaptation of ''Literature/TheHobbit'' was later made into a {{prequel}} [[Film/TheHobbit a three-part prequel style story]], trilogy]], with Peter Jackson returning to direct the films. The first part of which was released in winter 2012 and the last in winter 2014. Many actors (such as Creator/IanMckellen, Creator/AndySerkis, Creator/CateBlanchett, Creator/HugoWeaving, Creator/OrlandoBloom, and Creator/ChristopherLee) from the ''Lord of the Rings'' trilogy returned to reprise their roles.

At this stage stage, it is unknown whether or not the Creator/PrimeVideo series ''Series/TheLordOfTheRingsTheRingsOfPower'' about the Second Age is in the continuity of the film series. Creator/NewLineCinema is co-producing it nonetheless.

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