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Directed by Creator/MichaelMann. The AllStarCast has a raft of recognizeable actors in supporting roles, like Creator/GinaGershon as a weaselly network executive, Creator/MichaelGambon faking a Southern accent ([OohMeAccentsSlipping most of the time]]) as a weaselly tobacco executive, and Creator/BruceMcGill with a pretty spectacular OneSceneWonder appearance as a lawyer who calls Wigand to testify in a lawsuit.

to:

Directed by Creator/MichaelMann. The AllStarCast has a raft of recognizeable actors in supporting roles, like Creator/GinaGershon as a weaselly network executive, Creator/MichaelGambon faking a Southern accent ([OohMeAccentsSlipping ([[OohMeAccentsSlipping most of the time]]) as a weaselly tobacco executive, and Creator/BruceMcGill with a pretty spectacular OneSceneWonder appearance as a lawyer who calls Wigand to testify in a lawsuit.
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Directed by Creator/MichaelMann. The AllStarCast has a raft of recognizeable actors in supporting roles, like Creator/GinaGershon as a weaselly network executive, Creator/MichaelGambon faking a Southern accent as a weaselly tobacco executive, and Creator/BruceMcGill with a pretty spectacular OneSceneWonder appearance as a lawyer who calls Weigand to testify in a lawsuit.

to:

Directed by Creator/MichaelMann. The AllStarCast has a raft of recognizeable actors in supporting roles, like Creator/GinaGershon as a weaselly network executive, Creator/MichaelGambon faking a Southern accent ([OohMeAccentsSlipping most of the time]]) as a weaselly tobacco executive, and Creator/BruceMcGill with a pretty spectacular OneSceneWonder appearance as a lawyer who calls Weigand Wigand to testify in a lawsuit.






* ShownTheirWork: Towards the end of the film, Mike shows Lowell an unflattering article and editorial about CBS in the latest issue of ''The New York Times''. The article and editorial are in different sections of the paper. Usually their editoral/op-ed pieces usually appear in the back of the main news section. The real-life pieces to which this scene refers, were published on a Sunday (November 12, 1995) however, which means that the news and editorials do in fact appear in separate sections.

to:

* ShownTheirWork: Towards the end of the film, Mike shows Lowell an unflattering article and editorial about CBS in the latest issue of ''The New York Times''. The article and editorial are in different sections of the paper. Usually Usually, their editoral/op-ed editorial/op-ed pieces usually appear in the back of the main news section. The real-life pieces to which this scene refers, were published on a Sunday (November 12, 1995) however, which means that the news and editorials do in fact appear in separate sections.



* SmugSmiler: The smug tobacco lawyer who tries to intimidate Weigand into shutting up when Weigand is on the stand in Mississippi. He smirks arrogantly when sparring with Ron Motley in the Mississippi court hearing, leading Motley to issue a deeply satisfying smackdown.

to:

* SmugSmiler: The smug tobacco lawyer who tries to intimidate Weigand Wigand into shutting up when Weigand Wigand is on the stand in Mississippi. He smirks smiles rather arrogantly when sparring with Ron Motley in the Mississippi court hearing, leading Motley to issue a deeply satisfying smackdown.
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* BittersweetEnding: The interview is eventually aired in full version, but Lowell quits CBS, knowing that after what happend, he no longer can provide proper support to his sources, as the Wigand case showed that the network will cave-in with enough pressure. Wigand himself is still a broken man, that might saw justice and validation for his actions, but at massive personal costs.

to:

* BittersweetEnding: The interview is eventually aired in full version, full, but Lowell quits CBS, knowing that after what happend, happened, he no longer can provide proper support to his sources, as the Wigand case showed that the network will cave-in with if the right people apply enough pressure. Wigand himself is still a broken man, that might saw justice and validation for his actions, but at massive personal costs.
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* BittersweetEnding: The interview is eventually aired in full version, but Lowell quits CBS, knowing that after what happend, he no longer can provide proper support to his sources, as the Wigand case showed that the network will cave-in with enough pressure. Wigand himself is still a broken man, that might saw justice and validation for his actions, but at massive personal costs.

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seems like if a character doesn't even attempt suicide in a movie then one can't list Driven To Suicide as a trope.


Directed by Creator/MichaelMann. The AllStartCast has a raft of recognizeable actors in suporting roles, like Creator/GinaGershon as a weaselly network executive, Creator/MichaelGambon faking a Southern accent as a weaselly tobacco executive, and Creator/BruceMcGill with a pretty spectacular OneSceneWonder appearance as a lawyer who calls Weigand to testify in a lawsuit.

to:

Directed by Creator/MichaelMann. The AllStartCast AllStarCast has a raft of recognizeable actors in suporting supporting roles, like Creator/GinaGershon as a weaselly network executive, Creator/MichaelGambon faking a Southern accent as a weaselly tobacco executive, and Creator/BruceMcGill with a pretty spectacular OneSceneWonder appearance as a lawyer who calls Weigand to testify in a lawsuit.



* DrivenToSuicide: It never happened, since the real Wigand is still alive in 2020, but it's heavily implied by the movie that Wigand's thoughts are turning to this towards the end as his life crashes around him.


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* SmugSmiler: The smug tobacco lawyer who tries to intimidate Weigand into shutting up when Weigand is on the stand in Mississippi. He smirks arrogantly when sparring with Ron Motley in the Mississippi court hearing, leading Motley to issue a deeply satisfying smackdown.
-->'''Motley''': WIPE THAT SMIRK OFF YOUR FACE!

Added: 76

Changed: 356

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Directed by Creator/MichaelMann. Nominated for seven [[UsefulNotes/AcademyAward Oscars]], but didn't win any.

to:

Directed by Creator/MichaelMann. The AllStartCast has a raft of recognizeable actors in suporting roles, like Creator/GinaGershon as a weaselly network executive, Creator/MichaelGambon faking a Southern accent as a weaselly tobacco executive, and Creator/BruceMcGill with a pretty spectacular OneSceneWonder appearance as a lawyer who calls Weigand to testify in a lawsuit.

Nominated for seven [[UsefulNotes/AcademyAward Oscars]], but didn't win any.
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* WhamLine: After Lowell delivers a long, winded speech about journalistic integrity and standing for truth with Mark, [[spoiler: Mark himself]] drops the following line, making Lowell do a DoubleTake:

to:

* WhamLine: After Lowell delivers a long, winded speech about journalistic integrity and standing for truth with Mark, Mike, [[spoiler: Mark Mike himself]] drops the following line, making Lowell do a DoubleTake:
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* DrivenToSuicide: It never happened, since the real Wigand was still alive in 2017, but it's heavily implied by the movie that Wigand's thoughts are turning to this towards the end as his life crashes around him.

to:

* DrivenToSuicide: It never happened, since the real Wigand was is still alive in 2017, 2020, but it's heavily implied by the movie that Wigand's thoughts are turning to this towards the end as his life crashes around him.
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* WhamLine: After Lowell delivers a long, winded speech about journalistic integrity and standing for truth with Mark, [[spoiler: Mark himself]] drops the following line, making Lowell do a DoubleTake:
-->I'm with Don on this[[note]]"This" meaning censoring their show[[/note]].

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* CorruptCorporateExecutive: Brown & Williamson CEO Thomas Sandefur, played by Michael Gambon.

to:

* CorruptCorporateExecutive: Brown & Williamson CEO Thomas Sandefur, played by Michael Gambon.The [=CEOs=] of the Big Tobacco companies


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* EstablishingCharacterMoment: The opening sequence of Bergman arranging and overseeing the production of an interview of a sheikh in Lebanon. First, it establishes Bergman's role as a journalist, which is to scout out the interviewee to make sure they'll consent before Wallace flies out. Once Mike shows up, his refusal to back down when the sheikh's bodyguards try to intimidate him are to show he is a man who will see a story through to the end and won't let others browbeat him.

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* BlindfoldedTrip: The movie opens with Bergman being escorted blindfolded to meet a sheikh that Mike Wallace wants to secure an interview with. Bergman's job is to make sure that the sheikh will consent to the interview before arranging Mike's transportation.



* DrivenToSuicide: It never happened, since the real Wigand is still alive in 2017, but it's heavily implied by the movie that Wigand's thoughts are turning to this towards the end as his life crashes around him.

to:

* DrivenToSuicide: It never happened, since the real Wigand is was still alive in 2017, but it's heavily implied by the movie that Wigand's thoughts are turning to this towards the end as his life crashes around him.



* LoopholeAbuse: After being told about Big Tobacco's use of [[ScrewTheRulesIHaveMoney the unlimited checkbook]] to tie up guys like Wigand in litigation, Bergman posits that they might be able to break through the confidentiality agreement legalese by arranging for Wigand to testify about what he knows in open court, so the information he knows is on public record. The CBS in-house counsel note that this tactic is plausible, though they also warn that Wigand should still find counsel willing to foot the bill for the many years of litigation B&W are going to bring against him anyways.



** The opening sequence of the movie, while fictionalized, reflects Bergman's role in producing the first U.S. television interviews with Lebanon's Hezbollah leadership.
* SkewedPriorities: At one point, Lowell and his assistant are shown looking over B-roll footage for a segment on New Orleans police corruption. Lowell immediately has problems with the cameraman's obsession with mounted police:
-->'''Lowell:''' Stringer was supposed to be shooting b-roll on street cops in New Orleans. What's with all the horses?
-->'''Editor:''' Camera guy's got a thing for mounted police.
-->'''Lowell:''' Don't any of these guys ride in cars or...or walk?



** Particularly notable, as this is one of the last sensationalist cases of a whistleblower ''before'' the Whistleblower Protection Act in the US, which prevented retaliation from the company that's being called out. When Wigand points out that B&W is fucking with his life, ''they are legally entitled to do so''[[note]]Or at least, have zero reason not to, because they can do it with impunity so long as they're not breaking any other laws[[/note]].

to:

** Particularly notable, as this is one of the last sensationalist cases of a whistleblower ''before'' the Whistleblower Protection Act in the US, which prevented retaliation from the company that's being called out. When Wigand points out that B&W is fucking with his life, ''they are legally entitled to do so''[[note]]Or so''. Or at least, have zero reason not to, because they can do it with impunity so long as they're not breaking any other laws[[/note]].laws.

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alphabetizing tropes


* ShownTheirWork: Towards the end of the film, Mike shows Lowell an unflattering article and editorial about CBS in the latest issue of ''The New York Times''. The article and editorial are in different sections of the paper. Usually their editoral/op-ed pieces usually appear in the back of the main news section. The real-life pieces to which this scene refers, were published on a Sunday (November 12, 1995) however, which means that the news and editorials do in fact appear in separate sections.
** Also, the scenes that took place in Pascagoula were filmed at the actual home of Richard Scruggs and the courtroom where the deposition was held.



* ShownTheirWork: Towards the end of the film, Mike shows Lowell an unflattering article and editorial about CBS in the latest issue of ''The New York Times''. The article and editorial are in different sections of the paper. Usually their editoral/op-ed pieces usually appear in the back of the main news section. The real-life pieces to which this scene refers, were published on a Sunday (November 12, 1995) however, which means that the news and editorials do in fact appear in separate sections.
** Also, the scenes that took place in Pascagoula were filmed at the actual home of Richard Scruggs and the courtroom where the deposition was held.

Changed: 60

Removed: 187

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* WhereAreTheyNowEpilogue: Cards explain what happened to Wigand and Bergman after the events of the scandal before the credits. They don't document that Wigand's boss Thomas Sandefur died of aplastic anemia on July 14, 1996. Justifiably, in 1999 the producers couldn't have known that;
** Richard Scruggs would be imprisoned for bribery from 2008 to 2014.
** Ron Motley, the lawyer in Mississippi at the deposition hearing, would die on August 22, 2013 of prolonged illness.

to:

* WhereAreTheyNowEpilogue: Cards explain what happened to Wigand and Bergman after the events of the scandal before the credits. They don't document that Wigand's boss Thomas Sandefur died of aplastic anemia on July 14, 1996. Justifiably, in 1999 the producers couldn't have known that;
** Richard Scruggs would be imprisoned for bribery from 2008 to 2014.
** Ron Motley, the lawyer in Mississippi at the deposition hearing, would die on August 22, 2013 of prolonged illness.
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Nominated for seven [[UsefulNotes/AcademyAward Oscars]], but didn't win any.

to:

Directed by Creator/MichaelMann. Nominated for seven [[UsefulNotes/AcademyAward Oscars]], but didn't win any.


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[[BasedOnATrueStory It tells the true story]] of Jeffrey Wigand (Crowe), a senior researcher at Brown & Williamson tobacco company. After Wigand is fired from B&W he goes to ''Series/SixtyMinutes'' and producer Lowell Bergman (Pacino) to spill the secrets he knows about the tobacco industry. Wigand's and Bergman's attempts to reveal the truth about Big Tobacco lead to resistance from B&W – and, surprisingly, from [[UsefulNotes/{{CBS}} their own network]].

to:

[[BasedOnATrueStory It tells the true story]] of Jeffrey Wigand (Crowe), a senior researcher at Brown & Williamson tobacco company. After Wigand is fired from B&W he goes to ''Series/SixtyMinutes'' and producer Lowell Bergman (Pacino) to spill the secrets he knows about the tobacco industry. Wigand's and Bergman's attempts to reveal the truth about Big Tobacco lead to resistance from B&W – and, surprisingly, from [[UsefulNotes/{{CBS}} [[Creator/{{CBS}} their own network]].
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* ButNowIMustGo: In a sense. Lowell continues his career as an investigative journalist, but resigns from ''Series/SixtyMinutes'' because he won't be able to secure sources for Creator/CBS now that it is ''known'' that they'll betray those sources if enough pressure is applied.

to:

* ButNowIMustGo: In a sense. Lowell continues his career as an investigative journalist, but resigns from ''Series/SixtyMinutes'' because he won't be able to secure sources for Creator/CBS Creator/{{CBS}} now that it is ''known'' that they'll betray those sources if enough pressure is applied.

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* ButNowIMustGo: Lowell quits at the end, believing that what went wrong at UsefulNotes/{{CBS}} can't be fixed.

to:

* ButNowIMustGo: In a sense. Lowell quits at the end, believing continues his career as an investigative journalist, but resigns from ''Series/SixtyMinutes'' because he won't be able to secure sources for Creator/CBS now that what went wrong at UsefulNotes/{{CBS}} can't it is ''known'' that they'll betray those sources if enough pressure is applied.
-->What do I tell a source on the next tough story? "Hang in with us. You'll
be fixed.fine. Maybe." No. What got broken here... doesn't go back together again.
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* DrivenToSuicide: It never happened, since the real Wigand is still alive in 2015, but it's heavily implied by the movie that Wigand's thoughts are turning to this towards the end as his life crashes around him.

to:

* DrivenToSuicide: It never happened, since the real Wigand is still alive in 2015, 2017, but it's heavily implied by the movie that Wigand's thoughts are turning to this towards the end as his life crashes around him.

Changed: 422

Removed: 109

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-->'''Bergman:''' (''to hotel manager'') I want you to tell him, in this - in these words: "Get on the fucking phone!"
-->'''Hotel manager:''' I can't say that.
-->'''Bergman:''' No, you can. Tell him to get on the fucking phone!
-->'''Hotel manager:''' He told me to tell you to "Get on the...fucking phone!"
-->(''Wigand grabs the phone'')

to:

-->'''Bergman:''' (''to hotel manager'') I want you to tell him, in this - in these words: "Get on the fucking phone!"
-->'''Hotel
phone!"\\
'''Hotel
manager:''' I can't say that.
-->'''Bergman:'''
that.\\
'''Bergman:'''
No, you can. Tell him to get on the fucking phone!
-->'''Hotel
phone!\\
'''Hotel
manager:''' He told me to tell you to "Get on the...fucking phone!"
-->(''Wigand
phone!"\\
(''Wigand
grabs the phone'')



-->'''John Harris:''' They don't need the right. They've got the money.
-->'''Mark Stern:''' The unlimited checkbook. That's how Big Tobacco wins every time. On everything. They ''spend you to death''. $600 million a year in outside legal: Chadbourne-Parke. Uh, Ken Starr's firm, Kirkland & Ellis. Listen. GM and Ford, they get ''nailed'' after 11 or 12 pick-ups blow up, right? These clowns have never...I mean ever...
-->'''John Harris:''' Not even once.
-->'''Mark Stern:''' ...not even with hundreds of thousands dying each year from an illness related to their product...have ''ever'' lost a personal-injury lawsuit. On this case, they'll issue gag orders, sue for breach, anticipatory breach, enjoin him, you, us, his pet dog, the dog's veterinarian - tie him up in litigation for 10 to 15 years. I'm telling you, they bat a thousand ''every time''. He knows that. That's why he's not gonna talk to you...

to:

-->'''John Harris:''' They don't need the right. They've got the money.
-->'''Mark
money.\\
'''Mark
Stern:''' The unlimited checkbook. That's how Big Tobacco wins every time. On everything. They ''spend you to death''. $600 million a year in outside legal: Chadbourne-Parke. Uh, Ken Starr's firm, Kirkland & Ellis. Listen. GM and Ford, they get ''nailed'' after 11 or 12 pick-ups blow up, right? These clowns have never...I mean ever...
-->'''John
ever...\\
'''John
Harris:''' Not even once.
-->'''Mark
once.\\
'''Mark
Stern:''' ...not even with hundreds of thousands dying each year from an illness related to their product...have ''ever'' lost a personal-injury lawsuit. On this case, they'll issue gag orders, sue for breach, anticipatory breach, enjoin him, you, us, his pet dog, the dog's veterinarian - tie him up in litigation for 10 to 15 years. I'm telling you, they bat a thousand ''every time''. He knows that. That's why he's not gonna talk to you...



* WhereAreTheyNowEpilogue: Cards explain what happened to Wigand and Bergman after the events of the scandal before the credits. They don't document:
** That Wigand's boss Thomas Sandefur died in 1996 at the age of 56 from aplastic anemia.
** Richard Scruggs was imprisoned for bribery from 2008 to 2014.
** Ron Motley, the lawyer in Mississippi at the deposition hearing, died in August 2013 of prolonged illness.

to:

* WhereAreTheyNowEpilogue: Cards explain what happened to Wigand and Bergman after the events of the scandal before the credits. They don't document:
** That
document that Wigand's boss Thomas Sandefur died in 1996 at the age of 56 from aplastic anemia.
anemia on July 14, 1996. Justifiably, in 1999 the producers couldn't have known that;
** Richard Scruggs was would be imprisoned for bribery from 2008 to 2014.
** Ron Motley, the lawyer in Mississippi at the deposition hearing, died in would die on August 22, 2013 of prolonged illness.
Is there an issue? Send a MessageReason:
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* HeelFaceTurn: When Wigand and Bergman are getting ScrewedByTheNetwork, Mike Wallace is shown trying to take the high road and side with CBS. But then they starts manipulating ''his'' statements as well.

to:

* HeelFaceTurn: When Wigand and Bergman are getting ScrewedByTheNetwork, Mike Wallace is shown trying to take the high road and side with CBS. But then they starts start manipulating ''his'' statements as well.



* {{Irony}}: A particularly [[KickTheDog cruel]] example; the hotel room Wigand is forced to live in as his life collapses all around him is located ''directly opposite'' the offices of the legal department of Brown and Williamson – the very people whose machinations forced him into that hotel room in the first place.

to:

* {{Irony}}: A particularly [[KickTheDog cruel]] example; the hotel room Wigand is forced to live in as his life collapses all around him is located ''directly opposite'' the offices of the Brown & Williamson's legal department of Brown and Williamson – the very people whose machinations forced him into that hotel room in the first place.



* ObstructiveBureaucrat: The CBS higher-ups, when confronted with the mere shadow of a possibility of a lawsuit from Brown & Williamson, choose to kill the story, and only relent when it becomes impossible for B&W to bring a tort case against them.

to:

* ObstructiveBureaucrat: The CBS higher-ups, higher-ups kill the story when confronted with the mere shadow of a possibility of a lawsuit from Brown & Williamson, choose to kill the story, and only relent when it becomes impossible for B&W to bring a tort case against them.



** Bergman uses one to get Wigand on the phone during Wigand's HeroicBSOD:

to:

** Bergman Lowell uses one to get Wigand him on the phone during Wigand's HeroicBSOD:
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* HoistByHisOwnPetard: Wigand takes his confidentiality agreement seriously, and its all but stated that he only broke it because of his former employers' heavy-handed attempts at intimidating him. If they'd just left him alone, he might never have talked.

to:

* HoistByHisOwnPetard: Wigand takes his confidentiality agreement seriously, and its all but stated that he only broke it because of his former employers' heavy-handed attempts at intimidating him. [[NiceJobFixingItVillain If they'd just left him alone, he might never have talked.]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ShownTheirWork: Towards the end of the film, Mike shows Lowell an unflattering article and editorial about CBS in the latest issue of ''The New York Times''. The article and editorial are in different sections of the paper. Usually their editoral/op-ed pieces usually appear in the back of the main news section. The real-life pieces to which this scene refers, were published on a Sunday (November 12, 1995) however, which means that the news and editorials do in fact appear in separate sections.
** Also, the scenes that took place in Pascagoula were filmed at the actual home of Richard Scruggs and the courtroom where the deposition was held.
Is there an issue? Send a MessageReason:
None


[[BasedOnATrueStory It tells the true story]] of Jeffrey Wigand (Crowe), a senior researcher at Brown & Williamson tobacco company. After Wigand is fired from B&W he goes to ''Series/SixtyMinutes'' and producer Lowell Bergman (Pacino) to spill the secrets he knows about the tobacco industry. Wigand's and Bergman's attempts to reveal the truth about Big Tobacco lead to resistance from B&W--and, surprisingly, from [[{{CBS}} their own network]].

Nominated for seven [[UsefulNotes/AcademyAward Oscars]] but didn't win any.

to:

[[BasedOnATrueStory It tells the true story]] of Jeffrey Wigand (Crowe), a senior researcher at Brown & Williamson tobacco company. After Wigand is fired from B&W he goes to ''Series/SixtyMinutes'' and producer Lowell Bergman (Pacino) to spill the secrets he knows about the tobacco industry. Wigand's and Bergman's attempts to reveal the truth about Big Tobacco lead to resistance from B&W--and, B&W – and, surprisingly, from [[{{CBS}} [[UsefulNotes/{{CBS}} their own network]].

Nominated for seven [[UsefulNotes/AcademyAward Oscars]] Oscars]], but didn't win any.



!!This film contains examples of:

to:

!!This film contains examples of:
!! '''''WIPE THAT TROPE OFF YOUR FACE!''''':



* ButNowIMustGo: Bergman quits at the end, believing that what went wrong at {{CBS}} can't be fixed.

to:

* ButNowIMustGo: Bergman Lowell quits at the end, believing that what went wrong at {{CBS}} UsefulNotes/{{CBS}} can't be fixed.



* ExecutiveMeddling: In-universe. One of the main themes of the movie is how censorship and the tobacco industry's unlimited checkbook. Bergman can't get Wigand's interview aired because of CBS meddling.

to:

* ExecutiveMeddling: In-universe. InUniverse. One of the main themes of the movie is how censorship and the tobacco industry's unlimited checkbook. Bergman can't get Wigand's interview aired because of CBS meddling.



* HeelFaceTurn: When Wigand and Bergman are both getting ScrewedByTheNetwork, Mike Wallace is shown trying to take the high road and side with CBS. But then CBS starts manipulating ''his'' statements...
* HoistByHisOwnPetard: Wigand takes his confidentiality agreement seriously, and it's implied that he only broke it because of his former employers' heavy-handed attempts at intimidation. If they'd just left him alone he might never have talked.

to:

* HeelFaceTurn: When Wigand and Bergman are both getting ScrewedByTheNetwork, Mike Wallace is shown trying to take the high road and side with CBS. But then CBS they starts manipulating ''his'' statements...
statements as well.
* HoistByHisOwnPetard: Wigand takes his confidentiality agreement seriously, and it's implied its all but stated that he only broke it because of his former employers' heavy-handed attempts at intimidation. intimidating him. If they'd just left him alone alone, he might never have talked.



* OohMeAccentsSlipping: Gambon, playing Brown & Williamson CEO Thomas Sandefur, has a small slip during the delivery of one line: "It's spooky how he can concentrate!" He sounds English on "spooky" especially, but otherwise maintains a Southern accent, as Sandefur was from Georgia.

to:

* OohMeAccentsSlipping: Gambon, playing Brown & Williamson CEO Thomas Sandefur, has a small brief slip during the delivery of one line: "It's spooky how he can concentrate!" He sounds English on "spooky" especially, but otherwise maintains a Southern accent, as Sandefur was from Georgia.



-->'''Mark Stern:''' The unlimited checkbook. That's how Big Tobacco wins every time. On everything. They ''spend you to death''. $600 million a year in outside legal: Chadbourne-Parke. Uh, Ken Starr's firm, Kirkland and Ellis. Listen. GM and Ford, they get ''nailed'' after 11 or 12 pick-ups blow up. Right? These clowns have never...I mean ever...

to:

-->'''Mark Stern:''' The unlimited checkbook. That's how Big Tobacco wins every time. On everything. They ''spend you to death''. $600 million a year in outside legal: Chadbourne-Parke. Uh, Ken Starr's firm, Kirkland and & Ellis. Listen. GM and Ford, they get ''nailed'' after 11 or 12 pick-ups blow up. Right? up, right? These clowns have never...I mean ever...



-->'''Mark Stern:''' ...not even with hundreds of thousands dying each year from an illness related to their product...have ''ever'' lost a personal-injury lawsuit. On this case, they'll issue gag orders, sue for breach, anticipatory breach, enjoin him, you, us, his pet dog, the dog's veterinarian - tie him up in litigation for ten to fifteen years. I'm telling you, they bat a thousand ''every time''. He knows that. That's why he's not gonna talk to you...

to:

-->'''Mark Stern:''' ...not even with hundreds of thousands dying each year from an illness related to their product...have ''ever'' lost a personal-injury lawsuit. On this case, they'll issue gag orders, sue for breach, anticipatory breach, enjoin him, you, us, his pet dog, the dog's veterinarian - tie him up in litigation for ten 10 to fifteen 15 years. I'm telling you, they bat a thousand ''every time''. He knows that. That's why he's not gonna talk to you...



** Particularly notable, as this is one of the last sensationalist cases of a whistleblower ''before'' the Whistleblower Protection act in the US, which prevented retaliation from the company that's being called out. When Wigand points out that B&W is fucking with his life, ''they are legally entitled to do so''[[note]]Or at least, have zero reason not to, because they can do it with impunity as long as they're not breaking any other laws[[/note]].

to:

** Particularly notable, as this is one of the last sensationalist cases of a whistleblower ''before'' the Whistleblower Protection act Act in the US, which prevented retaliation from the company that's being called out. When Wigand points out that B&W is fucking with his life, ''they are legally entitled to do so''[[note]]Or at least, have zero reason not to, because they can do it with impunity as so long as they're not breaking any other laws[[/note]].
Is there an issue? Send a MessageReason:
None


* [[PoorCommunicationKills PoorCommunicationSkills]]: Brown & Williamson's official excuse for firing Wigand.

to:

* [[PoorCommunicationKills PoorCommunicationSkills]]: Poor Communication Skills]]: Brown & Williamson's official excuse for firing Wigand.
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* PoorCommunicationKills: Brown & Williamson's official excuse for firing Wigand.

to:

* PoorCommunicationKills: [[PoorCommunicationKills PoorCommunicationSkills]]: Brown & Williamson's official excuse for firing Wigand.
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* HeelFaceTurn: When Wigand and Bergman are both getting ScrewedByTheNetwork, Mike Wallace is shown trying to take the high road and side with CBS. But then CBS starts manipulating Wallace's statements in ways ''he'' doesn't like...

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* HeelFaceTurn: When Wigand and Bergman are both getting ScrewedByTheNetwork, Mike Wallace is shown trying to take the high road and side with CBS. But then CBS starts manipulating Wallace's statements in ways ''he'' doesn't like...''his'' statements...



* {{Irony}}: A particularly cruel example; the hotel room Wigand is forced to live in as his life collapses all around him is located directly opposite the offices of the legal department of Brown and Williamson -- the very people whose machinations forced him into that hotel room in the first place.

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* {{Irony}}: A particularly cruel [[KickTheDog cruel]] example; the hotel room Wigand is forced to live in as his life collapses all around him is located directly opposite ''directly opposite'' the offices of the legal department of Brown and Williamson -- the very people whose machinations forced him into that hotel room in the first place.
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* DrivenToSuicide: It never happened, since the real Wigand is still alive in 2014, but it's heavily implied by the movie that Wigand's thoughts are turning to this towards the end as his life crashes around him.

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* DrivenToSuicide: It never happened, since the real Wigand is still alive in 2014, 2015, but it's heavily implied by the movie that Wigand's thoughts are turning to this towards the end as his life crashes around him.

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''The Insider'' is a 1999 film from Creator/TouchstonePictures starring Creator/RussellCrowe, Creator/AlPacino and Creator/ChristopherPlummer. [[BasedOnATrueStory It tells the true story]] of Jeffrey Wigand (Crowe), a senior researcher at Brown & Williamson tobacco company. After Wigand is fired from B&W he goes to ''Series/SixtyMinutes'' and producer Lowell Bergman (Pacino) to spill the secrets he knows about the tobacco industry. Wigand's and Bergman's attempts to reveal the truth about Big Tobacco lead to resistance from B&W--and, surprisingly, from [[{{CBS}} their own network]].

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''The Insider'' is a 1999 film from Creator/TouchstonePictures starring Creator/RussellCrowe, Creator/AlPacino and Creator/ChristopherPlummer.

[[BasedOnATrueStory It tells the true story]] of Jeffrey Wigand (Crowe), a senior researcher at Brown & Williamson tobacco company. After Wigand is fired from B&W he goes to ''Series/SixtyMinutes'' and producer Lowell Bergman (Pacino) to spill the secrets he knows about the tobacco industry. Wigand's and Bergman's attempts to reveal the truth about Big Tobacco lead to resistance from B&W--and, surprisingly, from [[{{CBS}} their own network]].
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* ScrewTheRulesIHaveMoney: What the CBS lawyers explain to Mike and Lowell is the reason why getting an interview out of Wigand on ''60 Minutes'' will be impossible:
-->'''John Harris:''' They don't need the right. They've got the money.
-->'''Mark Stern:''' The unlimited checkbook. That's how Big Tobacco wins every time. On everything. They ''spend you to death''. $600 million a year in outside legal: Chadbourne-Parke. Uh, Ken Starr's firm, Kirkland and Ellis. Listen. GM and Ford, they get ''nailed'' after 11 or 12 pick-ups blow up. Right? These clowns have never...I mean ever...
-->'''John Harris:''' Not even once.
-->'''Mark Stern:''' ...not even with hundreds of thousands dying each year from an illness related to their product...have ''ever'' lost a personal-injury lawsuit. On this case, they'll issue gag orders, sue for breach, anticipatory breach, enjoin him, you, us, his pet dog, the dog's veterinarian - tie him up in litigation for ten to fifteen years. I'm telling you, they bat a thousand ''every time''. He knows that. That's why he's not gonna talk to you...

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