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* PrincessForADay: Phoebus has Esmeralda dressed up like a noblewoman and takes her to a ball, where he introduces her as "Her Highness, Princess of Egypt."

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* PrincessForADay: Phoebus has Esmeralda dressed up like a noblewoman noblewoman, and takes then he brings her to a ball, where he introduces her as "Her Highness, Princess of Egypt."
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* PrincessForADay: Phoebus has Esmeralda dressed up like a noblewoman and takes her to a ball, where he introduces her as "Her Highness, Princess of Egypt."
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* AdaptationRelationshipOverhaul: Esmeralda still rescues Gringoire in the Court of Miracles, but their chaste marriage is eliminated.

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* AdaptationRelationshipOverhaul: Esmeralda still rescues Gringoire in the Court of Miracles, but their chaste marriage is eliminated.doesn't happen.
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* AdaptationRelationshipOverhaul: Esmeralda still rescues Gringoire in the Court of Miracles, but their chaste marriage is eliminated.

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* DemotedToExtra: Gringore is pretty much reduced to being Phoebus' [[AdaptationalComicRelief goofy sidekick]], mostly just to keep him in the story.

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* DemotedToExtra: Gringore Gringoire is pretty much reduced to being Phoebus' [[AdaptationalComicRelief goofy sidekick]], mostly just to keep him in the story.


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* ShipperOnDeck: In this version, Gringoire doesn't want Esmeralda for himself and is instead rooting for her to get together with Phoebus.
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* DemotedToExtra: Gringore is pretty much reduced to being Phoebus' goofy sidekick, mostly just to keep him in the story.

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* DemotedToExtra: Gringore is pretty much reduced to being Phoebus' [[AdaptationalComicRelief goofy sidekick, sidekick]], mostly just to keep him in the story.
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* DemotedToExtra: Gringore is pretty much reduced to being Phoebus' goofy sidekick

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* DemotedToExtra: Gringore is pretty much reduced to being Phoebus' goofy sidekicksidekick, mostly just to keep him in the story.
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The story follows the original novel insofar as Esmeralda is the focus, and Quasimodo is only a supporting character. The main changes to the plot involve reworking the story into a typical Hollywood romance, with Phoebus and Esmeralda as our leading man and woman. Unlike in the novel, they get a happy ending. This may also be the first adaptation in which Claude Frollo is turned into a DecompositeCharacter to avoid portraying a priest as the villain. In this version, Frollo's negative traits are given to his brother Jehan.

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The story follows the original novel insofar as Esmeralda is the focus, and Quasimodo is only a supporting character. [[note]]Hugo's novel was called ''Notre-Dame de Paris'' in the original French, and the English title overstates Quasimodo's importance.[[/note]] The main changes to the plot involve reworking the story into a typical Hollywood romance, with Phoebus and Esmeralda as our leading man and woman. Unlike in the novel, they get a happy ending. This may also be the first adaptation in which Claude Frollo is turned into a DecompositeCharacter to avoid portraying a priest as the villain. In this version, Frollo's negative traits are given to his brother Jehan.
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This film is considered to have launched the Franchise/UniversalHorror franchise, although it isn't actually much of a horror film. Call it EarlyInstallmentWeirdness. Notably, Quasimodo never appeared in any subsequent Universal films, the [[Film/TheHunchbackOfNotreDame1939 1939 version]] being a production of Creator/RKOPictures. Even so, this film's status as part of the classic horror canon is the reason Quasimodo, usually with a side of AdaptationalVillainy, is occasionally counted as part of the MonsterMash.

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This film is considered to have launched the Franchise/UniversalHorror franchise, although it isn't actually much of a horror film. Call it EarlyInstallmentWeirdness. Notably, Quasimodo never appeared in any subsequent Universal films, the [[Film/TheHunchbackOfNotreDame1939 1939 version]] being a production of Creator/RKOPictures. Even so, this film's status as part of the classic horror canon is the reason Quasimodo, usually with a side of AdaptationalVillainy, Quasimodo is occasionally counted as part of the MonsterMash.
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This film is considered to have launched the Franchise/UniversalHorror franchise, although it isn't actually much of a horror film. Call it EarlyInstallmentWeirdness.

to:

This film is considered to have launched the Franchise/UniversalHorror franchise, although it isn't actually much of a horror film. Call it EarlyInstallmentWeirdness.
EarlyInstallmentWeirdness. Notably, Quasimodo never appeared in any subsequent Universal films, the [[Film/TheHunchbackOfNotreDame1939 1939 version]] being a production of Creator/RKOPictures. Even so, this film's status as part of the classic horror canon is the reason Quasimodo, usually with a side of AdaptationalVillainy, is occasionally counted as part of the MonsterMash.



** Claude Frollo mixes this with DecompositeCharacter. He is a [[GoodShepherd saintly archdeacon]], his villainous role instead given to his brother Jehan. This would be repeated in [[Film/TheHunchbackOfNotreDame1939 the 1939 version]].

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** Claude Frollo mixes this with DecompositeCharacter. He is a [[GoodShepherd saintly archdeacon]], his villainous role instead given to his brother Jehan. This would be repeated in [[Film/TheHunchbackOfNotreDame1939 in the 1939 version]].version.
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The story follows the original novel insofar as Esmeralda is the focus, and Quasimodo is only a supporting character. The main changes to the plot involve reworking the story into a typical Hollywood romance, with Phoebus and Esmeralda as our leading man and woman. Unlike in the novel, they get a happy ending. This may also be the first adaptation in which Claude Frollo is turned into a DecompositeCharacter to avoid portraying a priest as a villain. In this version, Frollo's negative traits are given to his brother Jehan.

to:

The story follows the original novel insofar as Esmeralda is the focus, and Quasimodo is only a supporting character. The main changes to the plot involve reworking the story into a typical Hollywood romance, with Phoebus and Esmeralda as our leading man and woman. Unlike in the novel, they get a happy ending. This may also be the first adaptation in which Claude Frollo is turned into a DecompositeCharacter to avoid portraying a priest as a the villain. In this version, Frollo's negative traits are given to his brother Jehan.
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The story follows the original novel insofar as Esmeralda is the focus, and Quasimodo is only a supporting character. For the record, Hugo called his novel ''Notre-Dame de Paris'' and hated the hunchback-centric title invented by English translator Frederic Shoberl. Anyway, the main changes to the plot involve reworking the story into a typical Hollywood romance, with Phoebus and Esmeralda as our leading man and woman. Unlike in the novel, they get a happy ending. This may also be the first adaptation in which Claude Frollo is turned into a DecompositeCharacter to avoid portraying a priest as a villain. In this version, Frollo's negative traits are given to his brother Jehan.

to:

The story follows the original novel insofar as Esmeralda is the focus, and Quasimodo is only a supporting character. For the record, Hugo called his novel ''Notre-Dame de Paris'' and hated the hunchback-centric title invented by English translator Frederic Shoberl. Anyway, the The main changes to the plot involve reworking the story into a typical Hollywood romance, with Phoebus and Esmeralda as our leading man and woman. Unlike in the novel, they get a happy ending. This may also be the first adaptation in which Claude Frollo is turned into a DecompositeCharacter to avoid portraying a priest as a villain. In this version, Frollo's negative traits are given to his brother Jehan.
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The story follows the original novel insofar as Esmeralda is the focus, and Quasimodo is only a supporting character. For the record, Hugo called his novel ''Notre-Dame de Paris'' and hated the hunchback-centric title invented by English translator Frederic Shoberl. Anyway, the main changes to the plot involve reworking the story into a typical Hollywood romance, with Phoebus and Esmeralda as our leading man and woman. Unlike in the novel, they get a happy ending. This may also be the first adaptation in which Claude Frollo is turned into a DecompositeCharacter to avoid portraying a priest as a villain. In this version, Frollo's negative traits are given to his brother Jehan.
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* DisposableFiance: Fleur-de-lys is still in the story, and becomes this trope as a result of Phoebus ending up with Esmeralda.
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* DemotedToExtra: Gringore is pretty much reduced to being Phoebus' goofy sidekick
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* InterClassRomance: Social class proves to be an obstacle in Phoebus and Esmeralda's relationship
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* TheIngenue: Esmeralda, like in the novel and unlike in basically every subsequent adaptation
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* RaceLift: Averted. Unlike in later adaptations, Esmeralda is revealed to be the long-lost daughter of Sister Gudule. This subplot goes nowhere in the film, which is probably why subsequent versions cut it.

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''The Hunchback of Notre Dame'' is an American 1923 silent film based on the Creator/VictorHugo [[Literature/TheHunchbackOfNotreDame novel by the same name]]. It was produced by Creator/{{Universal}} and starred Creator/LonChaney as Quasimodo. It entered the PublicDomain in 1951, due to Universal failing to renew the copyright.

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''The Hunchback of Notre Dame'' is an American 1923 silent film based on the Creator/VictorHugo [[Literature/TheHunchbackOfNotreDame novel by the same name]]. It was produced by Creator/{{Universal}} and starred Creator/LonChaney as Quasimodo. It entered the PublicDomain in 1951, due to Universal failing to renew the copyright.
Quasimodo.


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In 1951, the film entered the PublicDomain due to Universal failing to renew the copyright.
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''The Hunchback of Notre Dame'' is an American 1923 silent film based on the Creator/VictorHugo [[Literature/TheHunchbackOfNotreDame novel by the same name]]. It was produced by Creator/{{Universal}} and starred Creator/LonChaney as Quasimodo.

to:

''The Hunchback of Notre Dame'' is an American 1923 silent film based on the Creator/VictorHugo [[Literature/TheHunchbackOfNotreDame novel by the same name]]. It was produced by Creator/{{Universal}} and starred Creator/LonChaney as Quasimodo.
Quasimodo. It entered the PublicDomain in 1951, due to Universal failing to renew the copyright.
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* OrphansPlotTrinket: Esmeralda's necklace, as in the novel.

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* OrphansPlotTrinket: Esmeralda's necklace, as in the novel.novel.
* SparedByTheAdaptation: Unlike in the original novel, Esmeralda lives. However, Quasimodo still dies.
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* DoesNotLikeShoes: Downplayed, compared to later adaptations in which Esmeralda is perpetually barefoot. Here, she is barefoot for her dance act, but wears shoes the rest of the time.
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* CantActPervertedTowardALoveInterest: After Phoebus rescues near the beginning, he plans that she will be just another conquest for him. He brings her to a tavern, where he pulls down her sleeve as an apparent precursor to undressing her. When his feelings for her become serious, he pulls her sleeve back up and offers to take her home.

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* CantActPervertedTowardALoveInterest: After Phoebus rescues Esmeralda near the beginning, he plans that she will be just another conquest for him. He brings her to a tavern, where he pulls down her sleeve as an apparent precursor to undressing her. When his feelings for her become serious, he pulls her sleeve back up and offers to take her home.
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** Although still portrayed as a womanizer, Phoebus is put in the role of a heroic love interest for Esmeralda. However, in the book, he was a jerk who was just interested in her for sex.
* CantActPervertedTowardALoveInterest: After Phoebus rescues Esmeralda near the beginning, he plans that she will be just another conquest for him. He brings her to a tavern, where he pulls down her sleeve as an apparent precursor to undressing her. When his feelings for her become serious, he pulls her sleeve back up and offers to take her home.

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** In the book, Phoebus was a jerk who was just interested in Esmeralda for sex. Although still portrayed as a womanizer, Phoebus is put in the role of this film casts him as a heroic love interest for Esmeralda. However, in the book, he was a jerk who was just interested in her for sex.
her.
* CantActPervertedTowardALoveInterest: After Phoebus rescues Esmeralda near the beginning, he plans that she will be just another conquest for him. He brings her to a tavern, where he pulls down her sleeve as an apparent precursor to undressing her. When his feelings for her become serious, he pulls her sleeve back up and offers to take her home.
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** Phoebus genuinely loves Esmeralda in this version, despite still being portrayed as a womanizer.

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** Phoebus genuinely loves Esmeralda in this version, despite Although still being portrayed as a womanizer.womanizer, Phoebus is put in the role of a heroic love interest for Esmeralda. However, in the book, he was a jerk who was just interested in her for sex.
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''The Hunchback of Notre Dame'' is an American 1923 silent film based on the Creator/VictorHugo [[Literature/TheHunchbackOfNotreDame novel by the same name]]. It was produced by Creator/{{Universal}} and featured Creator/LonChaney as Quasimodo.

to:

''The Hunchback of Notre Dame'' is an American 1923 silent film based on the Creator/VictorHugo [[Literature/TheHunchbackOfNotreDame novel by the same name]]. It was produced by Creator/{{Universal}} and featured starred Creator/LonChaney as Quasimodo.
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Added DiffLines:

This film is considered to have launched the Franchise/UniversalHorror franchise, although it isn't actually much of a horror film. Call it EarlyInstallmentWeirdness.

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* AdaptationalHeroism: Phoebus genuinely loves Esmeralda in this version, despite still being portrayed as a womanizer.

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* AdaptationalHeroism: AdaptationalHeroism:
** Claude Frollo mixes this with DecompositeCharacter. He is a [[GoodShepherd saintly archdeacon]], his villainous role instead given to his brother Jehan. This would be repeated in [[Film/TheHunchbackOfNotreDame1939 the 1939 version]].
**
Phoebus genuinely loves Esmeralda in this version, despite still being portrayed as a womanizer.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/the_hunchback_of_notre_dame___poster_1923.jpg]]
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Added DiffLines:

''The Hunchback of Notre Dame'' is an American 1923 silent film based on the Creator/VictorHugo [[Literature/TheHunchbackOfNotreDame novel by the same name]]. It was produced by Creator/{{Universal}} and featured Creator/LonChaney as Quasimodo.

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!!''The Hunchback of Notre Dame'' provides examples of:

* AdaptationalHeroism: Phoebus genuinely loves Esmeralda in this version, despite still being portrayed as a womanizer.
* CantActPervertedTowardALoveInterest: After Phoebus rescues Esmeralda near the beginning, he plans that she will be just another conquest for him. He brings her to a tavern, where he pulls down her sleeve as an apparent precursor to undressing her. When his feelings for her become serious, he pulls her sleeve back up and offers to take her home.
* {{Flashback}}: Used to illustrate Sister Gudule's backstory.
* LadykillerInLove: Phoebus towards Esmeralda
* MutualKill: Jehan fatally stabs Quasimodo, but the hunchback manages to throw his master off the ramparts of Notre Dame before succumbing to his wound.
* OrphansPlotTrinket: Esmeralda's necklace, as in the novel.

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