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But Not Too White is when characters are shamed in-universe for being pale. It's not about you repeating jokes from MST. Decoy Protagonist is when the work switches protagonists partway through, not when you think the heroes aren't proactive enough. Religion Is Magic counts for magic being used in the work. There is no magic in this movie, even if Eulabelle thinks there is. Tina's death isn't Retirony because she's not retiring. Also keep the MST references to the episode recape page, please. Also doing other cleanup.


* TheAlcoholic: "Today Tina and alcohol are going to have a great cocktail!"
** Two of the victims are clearly drunks.
** Also, HypocriticalHumor, as one of the drunk guys says he hates drunks.

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* TheAlcoholic: TheAlcoholic:
** Tina.
"Today Tina and alcohol are going to have a great cocktail!"
** Two of the victims are clearly drunks. \n** Also, HypocriticalHumor, as one of the drunk guys says he hates drunks.



*** Also, the sodium is what reacts in that relationship, not the water. So there's absolutely no logical reason why gently brushing against a piece of sodium would cause the creatures themselves to violently disintegrate.

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*** Also, * ArtisticLicenseChemistry:
**Speaking of which,
the sodium is what reacts in that relationship, not the water. So there's absolutely no logical reason why gently brushing against a piece of sodium would cause the creatures themselves to violently disintegrate.



* BucketBoobyTrap: During the slumber party.
* ButNotTooWhite: Hank and Elaine are both blond and bland. We're talking Wonder bread and mayonnaise here.

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* BucketBoobyTrap: During the slumber party.
* ButNotTooWhite: Hank and Elaine
party when the girls think some boys are both blond and bland. We're talking Wonder bread and mayonnaise here.about to crash the party. They're wrong.



* DecoyProtagonist: Hank, Elaine, and Doctor Gavin are presumably the heroes of the movie, but almost every time the plot moves forward, it's because of Eulabelle's actions or her exhortations to the protagonists.



** Which leads to a quite hilarious couple of lines from the SOL when the drunks fall victim to the monsters.



* HollywoodVoodoo: Eulabelle even has a VoodooDoll.

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* HollywoodVoodoo: Eulabelle believes in it, and even has a VoodooDoll.VoodooDoll which she hopes will keep the monsters at bay.



** Or:
--->[[[MaleGaze close-up of a gal's bikini bottom]], shakin' to the music as two guys stare]\\

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** Or:
--->[[[MaleGaze

-->[[[MaleGaze
close-up of a gal's bikini bottom]], shakin' to the music as two guys stare]\\



* MenAreTheExpendableGender: Inverted. Of all the (known) victims of the monsters, and that's a lot, only three are male.



* MonsterMisogyny: Twenty-four on-screen female deaths, not counting Victim Montages, compared to ''three'' killed males. "You think a lot of guys who make movies have issues with women?"

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* MonsterMisogyny: Twenty-four on-screen female deaths, not counting Victim Montages, compared to ''three'' killed males. "You think a lot of guys who make movies have issues with women?"



* ReligionIsMagic: Eulabelle owns a VoodooDoll.



* TemptingFate[=/=]{{Retirony}}: Tina complains about how strait-laced Hank is and says "You go your way and I'll go mine, and we'll see who gets the most out of life!" About ten minutes later, she's dead in part because of her lack of inhibitions[[note]]Her flirting was what sparked the fight, and the cold shoulder Hank gave her afterwards is why she ran off[[/note]]. To be fair, dull, charmless Hank could live to 90 and not have gotten more out of life than Tina.

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* TemptingFate[=/=]{{Retirony}}: TemptingFate: Tina complains about how strait-laced Hank is and says "You go your way and I'll go mine, and we'll see who gets the most out of life!" About ten minutes later, she's dead in part because of her lack of inhibitions[[note]]Her flirting was what sparked the fight, and the cold shoulder Hank gave her afterwards is why she ran off[[/note]]. To be fair, dull, charmless Hank could live to 90 and not have gotten more out of life than Tina.off[[/note]].
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** In addition to this, when the police aren't sure what the monsters are, they use carbon 14 testing to check their genes. Carbon 14 is only useful for determining age, not genetic makeup.

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** In addition to this, when the police aren't sure what the monsters are, they use carbon 14 testing to check their genes. Carbon 14 is only useful for determining age, not genetic makeup. It also only works on fossil samples and the like, not living tissue.
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** The frog-fish monster things are apparently human corpses whose every organ and tissue have been replaced with sea life, making them a "giant protozoa."

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** The frog-fish monster things are apparently human corpses whose every organ and tissue have been replaced with sea life, making them a "giant protozoa."" It's used as a metaphor, however, as they're more directly tied to sea anemones, according to the leads.
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Oh, there's also a replacement love interest for Hank named Elaine, but she doesn't do much besides not die. And all her dialogue has been redubbed by someone even older for some reason.

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Oh, there's also a replacement love interest for Hank named Elaine, but she doesn't do much besides not die. And all her dialogue has been redubbed by someone even older for some reason.
reason. And she's played by the sister of the lead, explaining the complete lack of sexual chemistry between them.
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* OneBookAuthor: Alice Lyon (Elaine) only appeared in this film, and never had another role in any other medium. She was lead actor John Lyon's sister (who went under the name John Scott).
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* StageName: Hank Green was played by porn actor John Lyon, under the stage name John Scott.
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* {{Joisey}}: The setting of the film. None of the main characters sport an accent.

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* {{Joisey}}: The setting of the film. None of the main characters sport an accent.accent, but the ancillary speaking roles definitely do, and Hank's drive to New York on that sodium run is shown to not take much time at all.[[note]]The actual shooting location, as with most of Tenney's 1960's output, was Stamford, Connecticut.[[/note]]
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* FishPeople: The monsters look like this, despite actually being giant amoebas or whatever.
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[[Film/TheIncrediblyStrangeCreatures "The first horror monster musical,"]] released in 1964 by director Del Tenney. It is not a real musical, as it spends the first ten minutes with some musical accompaniment.

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[[Film/TheIncrediblyStrangeCreatures "The first horror monster musical,"]] released in 1964 by director Del Tenney. It is not a real musical, as it spends only about the first ten minutes with some musical accompaniment.
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* ReplacementLoveInterest: Apart from about a minute of angst on Elaine's part, Hank and Elaine seem perfectly okay with hooking up, about ''two weeks'' after Tina's death. To be fair, he pretty much broke with her at the beach.

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* ReplacementLoveInterest: ReplacementGoldfish: Apart from about a minute of angst on Elaine's part, Hank and Elaine seem perfectly okay with hooking up, about ''two weeks'' after Tina's death. To be fair, he pretty much broke with her at the beach.
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*** In addition to this, when the police aren't sure what the monsters are, they use carbon 14 testing to check its genes. Carbon 14 is only useful for determining age, not genetic makeup.

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*** ** In addition to this, when the police aren't sure what the monsters are, they use carbon 14 testing to check its their genes. Carbon 14 is only useful for determining age, not genetic makeup.
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*** In addition to this, when the police aren't sure what the monsters are, they use carbon 14 testing to check its genes. Carbon 14 is only useful for determining age, not genetic makeup.
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* EthnicMenialLabor: Eulabelle is an example of the "mammy" archetype. That being said, she’s the only proactive character, everybody else in this movie just reacts to things rather than taking any initiative.

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* EthnicMenialLabor: Eulabelle is an example of the "mammy" archetype. That being said, subverted in the fact that she’s the only proactive character, everybody else in this movie just reacts to things rather than taking any initiative.
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* EthnicMenialLabor: Eulabelle is an example of the "mammy" archetype.

to:

* EthnicMenialLabor: Eulabelle is an example of the "mammy" archetype. That being said, she’s the only proactive character, everybody else in this movie just reacts to things rather than taking any initiative.

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add a bits


* HardWorkMontage: Botched, terribly. There's an extended sequence of both the police and Doctor Gavin laboring mightily to find a way to stop the monsters, while the monsters themselves prey on at least three other young women -- except Dr. Gavin already ''knows'' what kills them by this point, and yet hasn't gone to the floundering police with his discovery, making everyone look worse than useless.

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* HardWorkMontage: Botched, terribly. There's an extended sequence of both the police and Doctor Gavin laboring mightily to find a way to stop the monsters, while the monsters themselves prey on at least three other young women -- except Dr. Gavin already ''knows'' what kills them by this point, and yet hasn't gone to the floundering police with his discovery, making everyone look worse than useless.[[note]]A likely reason for this is that the discovery of the monsters' KryptoniteFactor occurs early in the film, meaning there's a lot of padding to go; and/or the idea that the monsters are hiding and need to be flushed out is not properly foreshadowed until afterwards.[[/note]]


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* ProtagonistCenteredMorality: When his (ex) girlfriend Tina starts flirting with a biker at the beach, Hank goes to drag her away, leading to this exchange:
-->'''Biker:''' Hey, she doesn't want to go with you.\\
'''Hank:''' I really don't think that's any of your business.
:: Now imagine if those two lines had been swapped. Yes, Hank is supposed to be the hero.
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* HardWorkMontage: Botched, terribly. There's an extended sequence of both the police and Doctor Gavin laboring mightily to find a way to stop the monsters, while the monsters themselves prey on at least three other young women -- except Dr. Gavin already ''knows'' what kills them by this point, and yet hasn't gone to the floundering police with his discovery, making everyone look worse than useless.
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* NeverTrustATitle: The title would have you believe that this is a Frankie and Annette movie with monsters. However, only the opening takes place at the beach. The rest of the movie is a by-the-numbers monster flick with no beach in sight.
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* MightyWhitey: Hank seems to think of himself as this, as seen in Brief Accent Imitation above.

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* MightyWhitey: Hank seems to think of himself as this, as seen in Brief Accent Imitation above. He's actually borderline useless unless Eulabelle is pushing him along.
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** The frog-fish monster things are apparently human corpses whose every organ and tissue have been replaced with sea life, making them a "giant protozoa." In RealLife, protozoans are single-celled organisms.

to:

** The frog-fish monster things are apparently human corpses whose every organ and tissue have been replaced with sea life, making them a "giant protozoa." In RealLife, protozoans are single-celled organisms."
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None

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* BrokenHeel: During the film's climax, the monsters ambush Elaine as she's searching for them in Fingall's Quarry. As she attempts to flee, Elaine [[HelpImStuck stumbles and gets her foot caught between two rocks]]; even after getting loose, the resulting TwistedAnkle prevents her from fleeing quickly enough to escape the monsters, and she only survives because the other characters show up in the nick of time.
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None

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* {{Joisey}}: The setting of the film. None of the main characters sport an accent.
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None


* TemptingFate[=/=]{{Retirony}}: Tina complains about how strait-laced Hank is and says "You go your way and I'll go mine, and we'll see who gets the most out of life!" About ten minutes later, she's dead in part because of her lack of inhibitions[[note]]Her flirting was what sparked the fight, and the cold shoulder Hank gave her afterwards is why she ran off[[/note]].

to:

* TemptingFate[=/=]{{Retirony}}: Tina complains about how strait-laced Hank is and says "You go your way and I'll go mine, and we'll see who gets the most out of life!" About ten minutes later, she's dead in part because of her lack of inhibitions[[note]]Her flirting was what sparked the fight, and the cold shoulder Hank gave her afterwards is why she ran off[[/note]]. To be fair, dull, charmless Hank could live to 90 and not have gotten more out of life than Tina.
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Already in Trivia.


* DawsonCasting: Elaine calls Doctor Gavin "Daddy" in every other line of dialogue but if she didn't you'd think she was his wife, as they both look about forty.


Because it's a "monster musical," the first three hours of this 78-minute film take place at a beach where [[DawsonCasting suspiciously]] [[TheyJustDidntCare middle-aged]] [[DawsonCasting teens]] boogie to a live band while making lame attempts at humor. A college grad named Hank and his immature and unpleasant lady pal Tina drop by. The two bicker, Tina's flirting sparks a brawl with a biker gang, and finally the girl runs off to go swimming and is killed by a monster.

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Because it's a "monster musical," the first three hours of this 78-minute film take place at a beach where [[DawsonCasting suspiciously]] [[TheyJustDidntCare middle-aged]] [[DawsonCasting suspiciously middle-aged teens]] boogie to a live band while making lame attempts at humor. A college grad named Hank and his immature and unpleasant lady pal Tina drop by. The two bicker, Tina's flirting sparks a brawl with a biker gang, and finally the girl runs off to go swimming and is killed by a monster.
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Typo


* HollywoodVoodoo: Eulebelle even has a VoodooDoll.

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* HollywoodVoodoo: Eulebelle Eulabelle even has a VoodooDoll.
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** Also, HypocriticalHumor, as one of the drunk guys says he hates drunks.


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* DawsonCasting: Elaine calls Doctor Gavin "Daddy" in every other line of dialogue but if she didn't you'd think she was his wife, as they both look about forty.


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* DullSurprise: Both Hank and Elaine.
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* MightyWhitey: Hank seems to think of himself as this, as seen in Brief Accent Imitation above.
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%%* ButNotTooWhite: We're talking Wonder bread and mayonnaise here.

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%%* * ButNotTooWhite: Hank and Elaine are both blond and bland. We're talking Wonder bread and mayonnaise here.
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Turns out someone's been dumping barrels of radioactive waste into the ocean, causing the skeletal crew of a sunken ship to mutate into frog-fish things that proceed to hunt down and kill every young woman they can find. The elderly and ineffectual Dr. Gavin, assisted accidentally by [[EthnicMenialLabor black servant Eulabelle]], discovers that the things are vulnerable to sodium. Taking their time, the heroes eventually get around to tracking down the monsters' lair (as the kill count climbs ever higher), work up the energy to get a load of sodium, and then throw it on the horrors of Party Beach.

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Turns out someone's been dumping barrels of radioactive waste into the ocean, causing the skeletal crew of a sunken ship to mutate into frog-fish things that proceed to hunt down and kill every young woman they can find. The elderly and ineffectual Dr. Gavin, assisted accidentally by [[EthnicMenialLabor black servant Eulabelle]], discovers that the things are vulnerable to elemental sodium. Taking their time, the heroes eventually get around to tracking down the monsters' lair (as the kill count climbs ever higher), work up the energy to get a load of sodium, and then throw it on the horrors of Party Beach.



* DecoyProtagonist: Hank, Elaine, Dr. Gavin are presumably the heroes of the movie, but almost every time the plot moves forward, it's because of Eulabelle's actions.

to:

* DecoyProtagonist: Hank, Elaine, Dr. and Doctor Gavin are presumably the heroes of the movie, but almost every time the plot moves forward, it's because of Eulabelle's actions. actions or her exhortations to the protagonists.



* FaceRevealingTurn: Completely and utterly botched via BehindTheBlack. A drunk guy finds someone slumped in a wrecked car, and chats amiably until the (breathing) corpse's head [[BehindTheBlack turns to the camera]], revealing half his face is a bloody mess. Except the drunk was staring at the wound ''the entire time'' and only reacted when it became visible to the audience.

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* FaceRevealingTurn: Completely and utterly botched via BehindTheBlack. A drunk guy finds someone slumped in a wrecked car, and chats amiably until the (breathing) corpse's head [[BehindTheBlack turns to the camera]], revealing half his face is a bloody mess. Except the drunk was staring at the wound ''the entire time'' and only reacted when it became visible to was turned toward the audience.light.



* JustForPun: The movie features tons of puns that six year olds would find unfunny. Example:
-->"Do you like bathing beauties?"
-->"I don't know. I've never bathed one!"

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* JustForPun: The movie features tons of puns that six year olds six-year-olds would find unfunny. Example:
-->"Do you like bathing beauties?"
-->"I
beauties?"\\
"I
don't know. I've never bathed one!"



* RhymesOnADime: Eulabelle uses occasional but ubiquitously pointless rhymes as homilies: "You don't see me sittin' around moanin' and groanin' all day." "What are y'all doin' sneekin' and peekin' in the dark for?" It's the most fun you'll get out of this movie, and the best acting performance given.

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* RhymesOnADime: Eulabelle uses occasional but ubiquitously pointless rhymes as homilies: "You don't see me sittin' sitting around moanin' and groanin' all day." "What are y'all doin' sneekin' sneakin' and peekin' in the dark for?" dark?" It's the most fun you'll get out of this movie, and the best acting performance given.by any actor in the film.



* UseYourHead: In a move which has wisely not been adopted by professional fighters, the biker gang uses their leader as a battering ram. But then again, Hank stood still.

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* UseYourHead: In a move which has wisely not been adopted by professional fighters, the biker gang uses their leader as a battering ram. But then again, Hank stood still.still for it, so...
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* BriefAccentImitation: Hank puts on a Southern accent whenever he speaks to Eulabelle; there doesn't seem to be any reason for this, almost making it look like he's talking down to her. Which doesn't work because Eulabelle actually does some thing useful.

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* BriefAccentImitation: Hank puts on a Southern accent whenever he speaks to Eulabelle; there doesn't seem to be any reason for this, almost making it look like he's talking down to her. Which doesn't work because Eulabelle actually does some thing something useful.

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