Is there an issue? Send a MessageReason:
None
Changed line(s) 5,10 (click to see context) from:
The film details the story of Alphie and Bibi, a pair of musicians in the far off future of [[TwentyMinutesIntoTheFuture 1994]] who compete in an international music competition. Despite being the most talented group there, the Boogalow International Music Group (known as BIM) rig the contest to ensure their own band featuring Pandi and Dandi succeeds instead. In spite of their loss, Mr. Boogalow tries to sign the two of them to his label anyway, enticing Bibi into a life of sinful rock and roll that is also slowly corrupting all of humanity. Bibi's popularity allows BIM to eventually take over the entire planet as Alphie struggles to get her away from Mr. Boogalow's diabolical control.
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeader capitalize on the success]] of ''Film/SaturdayNightFever'' and ''Film/{{Grease}}'' its outlandish premise winds up having more in common with ''Literature/BraveNewWorld'', ''Literature/NineteenEightyFour'', ''Film/AllThatJazz'' and ''Film/{{Xanadu}}'', with a little ''{{Theatre/Godspell}}'' thrown in hastily at the last minute. In addition to having a very complicated and {{troubled production}}, it proved a major [[BoxOfficeBomb financial]] and critical flop, concurrent with [[DiscoSucks the sharp decline of Disco]].
Despite some rather heart-pumping music and dance numbers, the prosaic lyrics, [[WhatDoYouMeanItWasntMadeOnDrugs trippy aesthetic]] and off-the-wall script place it squarely in {{Camp}} territory. However, starting with its DVD release in 2004, it began to gather a small but dedicated cult following and started appearing on the midnight circuit, especially thanks to regular showings by the Alamo Drafthouse. It was also released in 2012 as a Podcast/{{Rifftrax}} video-on-demand download with their hilarious riffing commentary added.
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeader capitalize on the success]] of ''Film/SaturdayNightFever'' and ''Film/{{Grease}}'' its outlandish premise winds up having more in common with ''Literature/BraveNewWorld'', ''Literature/NineteenEightyFour'', ''Film/AllThatJazz'' and ''Film/{{Xanadu}}'', with a little ''{{Theatre/Godspell}}'' thrown in hastily at the last minute. In addition to having a very complicated and {{troubled production}}, it proved a major [[BoxOfficeBomb financial]] and critical flop, concurrent with [[DiscoSucks the sharp decline of Disco]].
Despite some rather heart-pumping music and dance numbers, the prosaic lyrics, [[WhatDoYouMeanItWasntMadeOnDrugs trippy aesthetic]] and off-the-wall script place it squarely in {{Camp}} territory. However, starting with its DVD release in 2004, it began to gather a small but dedicated cult following and started appearing on the midnight circuit, especially thanks to regular showings by the Alamo Drafthouse. It was also released in 2012 as a Podcast/{{Rifftrax}} video-on-demand download with their hilarious riffing commentary added.
to:
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeader capitalize on the success]] of ''Film/TheRockyHorrorPictureShow'', ''Film/SaturdayNightFever'' and
Despite some rather heart-pumping
Changed line(s) 12,13 (click to see context) from:
!!This film contains examples of:
to:
Changed line(s) 17,18 (click to see context) from:
* BadassBoast: The last line of the film, when Boogalow insists that no world can exist without him:
-->'''Mr. Topps''': Let's give it a try.
-->'''Mr. Topps''': Let's give it a try.
to:
* BadassBoast: The last line of the film, final line, when Boogalow insists that no world can exist without him:
-->'''Mr.Topps''': Topps:''' Let's give it a try.
-->'''Mr.
Changed line(s) 20 (click to see context) from:
* BigGood: [[spoiler:Mr. Topps]] who reveals himself in the closing moments of the film to be the obvious God counterpart.
to:
* BigGood: [[spoiler:Mr. Topps]] Topps]], who reveals himself in the closing moments of the film to be the obvious God counterpart.
Changed line(s) 23 (click to see context) from:
* CanadaEh: Alphie and Bibi are said to be from Moose Jaw in Canada, which is repeatedly stated to be a backwater in the middle of nowhere.
to:
* CanadaEh: Alphie and Bibi are said to be from Moose Jaw Moosejaw in Canada, which is repeatedly stated to be a backwater in the middle of nowhere.
Changed line(s) 26 (click to see context) from:
* DepravedBisexual: Shakes and, implicitly, Mr. Boogalow as well.
to:
* DepravedBisexual: Shakes Shake and, implicitly, Mr. Boogalow as well.
Changed line(s) 28,29 (click to see context) from:
* DrivenToSuicide: Alphie almost gives fully into this trope according to his landlord after his first attempt to convince Bibi to stop working for Boogalow fails. Of course whether he actually intended to do so or not is, like so many things in this film, unclear.
* TheDragon: An almost literal example with Shakes to Mr. Boogalow, who even appears at several points in a flamboyant snake costume to hammer into your head what Biblical allegory he is.
* TheDragon: An almost literal example with Shakes to Mr. Boogalow, who even appears at several points in a flamboyant snake costume to hammer into your head what Biblical allegory he is.
to:
* DrivenToSuicide: Alphie almost gives fully into this trope according to his landlord after his first attempt to convince Bibi to stop working for Boogalow leave BIM fails. Of course course, whether he actually intended to do so or not is, like so many things in this film, unclear.
* TheDragon: An almost literal example withShakes Shake to Mr. Boogalow, who even appears at several points in a flamboyant snake costume to hammer into your head what Biblical allegory he is.
* TheDragon: An almost literal example with
Changed line(s) 31 (click to see context) from:
* EvilBrit: Bibi's bodyguards/captors are the thuggish, Cockney-esque type, right down to being played by British actors.
to:
* EvilBrit: Bibi's bodyguards/captors Boogalow's bodyguards/henchmen are the thuggish, Cockney-esque type, right down to being played by British actors.
Changed line(s) 33 (click to see context) from:
* GodWasMyCopilot: Alternate versions have [[spoiler:the hippie patriarch transform into Mr. Topps, instead of the grand entrance from the golden flying car. Makes sense, considering that they were played by the same actor]].
to:
* GodWasMyCopilot: Alternate versions have [[spoiler:the hippie patriarch transform into Mr. Topps, instead of the grand entrance from the golden flying car. Makes sense, considering that they were played by the same actor]].actor.]]
Changed line(s) 35 (click to see context) from:
* IntercourseWithYou: Pandi's "Coming for You" manages to make "Love to Love You Baby" seem subtle, even without the bed-based choreography.
to:
* IntercourseWithYou: Pandi's "Coming for You" manages to make [[Music/DonnaSummer "Love to Love You Baby" Baby"]] seem subtle, even without the bed-based choreography.
Changed line(s) 39 (click to see context) from:
* MarkOfTheBeast: The BIM mark, which is a holographic sticker of the company's logo that Mr. Boogalow mandates all people wear on their face, to the point that violators will be threatened with fines or arrest.
to:
* MarkOfTheBeast: The BIM mark, which is a holographic sticker of the company's logo that Mr. Boogalow mandates all people society wear on their face, to the point that violators will be threatened with fines or arrest.
Changed line(s) 45 (click to see context) from:
* MindScrew: The entire film is a bizarre trip where dance numbers and fantasies come out of nowhere and it's very difficult to tell what is meant to be part of the narrative and what isn't.
to:
* MindScrew: The entire film is a bizarre trip where dance numbers and fantasies come out of nowhere and it's very difficult to tell what is or isn't meant to be part of the narrative and what isn't.narrative.
Changed line(s) 48 (click to see context) from:
* {{Omniglot}}: Boogalow gives interviews in English, German, French and Italian. The actor is actually Polish.
to:
* {{Omniglot}}: Boogalow gives interviews in English, German, French and Italian. The actor is was actually Polish.
Changed line(s) 51 (click to see context) from:
* RapePortrayedAsRedemption: Bizarrely {{inverted|Trope}}. At one of the party scenes Pandi orders two (presumably drugged) drinks for her and Alphie, but he drinks down both of them while she smiles sheepishly. Later she has sex with him while he's under the influence. The next day, she, the rapist, is the one who is redeemed, and finally decides to help Bibi escape. [[spoiler: Thus at the end of the film, Mr. Topps allows her to join the hippies in the Rapture.]]
to:
* RapePortrayedAsRedemption: Bizarrely {{inverted|Trope}}. At one of In the first party scenes scene, Pandi orders two (presumably drugged) drinks for her and Alphie, but he drinks down both of them while she smiles sheepishly. Later Later, she has sex with him while he's under the influence. The next day, she, the rapist, is the one who is redeemed, and finally decides to help Bibi escape. [[spoiler: Thus [[spoiler:Thus at the end of the film, Mr. Topps allows her to join the hippies in the Rapture.]]
Changed line(s) 55 (click to see context) from:
* TriumphantReprise: It's not easy to make out, but [[spoiler: the hippies are singing a choral version of "Universal Melody" as they march off to be raptured]].
to:
* TriumphantReprise: It's not easy to make out, but [[spoiler: the [[spoiler:the hippies are singing a choral version of "Universal Melody" as they march off to be raptured]].
Changed line(s) 57 (click to see context) from:
* WhereTheHellIsSpringfield: It's unclear where the action is supposed to be taking place through most of the film. Everyone speaks English except a few international reporters, but there are a wide range of accents in the cast, including some that [[OohMeAccentsSlipping aren't supposed to be there]]. We know that they're not in Canada because Alphie and Bibi are from there, and it's not clear whether they're actually in America, because when BIM announces that Bibi will tour America, and she reacts like she's not already in the country. The movie was mostly filmed in Germany.
to:
* WhereTheHellIsSpringfield: It's unclear where the action is supposed to be taking place through most of the film. Everyone speaks English except a few international reporters, but there are a wide range of accents in the cast, including some that [[OohMeAccentsSlipping aren't supposed to be there]]. We know that they're not in Canada because Alphie and Bibi are from there, and it's not clear whether they're actually in America, because when BIM announces that Bibi will tour America, and she reacts like she's not already in the country. The movie film was mostly filmed primarily shot in Germany.
Is there an issue? Send a MessageReason:
Renamed per TRS
Changed line(s) 7,8 (click to see context) from:
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeader capitalize on the success]] of ''Film/SaturdayNightFever'' and ''Film/{{Grease}}'' its outlandish premise winds up having more in common with ''Literature/BraveNewWorld'', ''Literature/NineteenEightyFour'', ''Film/AllThatJazz'' and ''Film/{{Xanadu}}'', with a little ''{{Theatre/Godspell}}'' thrown in hastily at the last minute. In addition to having a very complicated and {{troubled production}}, it proved a major [[BoxOfficeBomb financial]] and critical flop, concurrent with [[DeaderThanDisco the sharp decline of Disco]].
to:
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeader capitalize on the success]] of ''Film/SaturdayNightFever'' and ''Film/{{Grease}}'' its outlandish premise winds up having more in common with ''Literature/BraveNewWorld'', ''Literature/NineteenEightyFour'', ''Film/AllThatJazz'' and ''Film/{{Xanadu}}'', with a little ''{{Theatre/Godspell}}'' thrown in hastily at the last minute. In addition to having a very complicated and {{troubled production}}, it proved a major [[BoxOfficeBomb financial]] and critical flop, concurrent with [[DeaderThanDisco [[DiscoSucks the sharp decline of Disco]].
Is there an issue? Send a MessageReason:
Changed line(s) 3,4 (click to see context) from:
A [[TheEighties 1980]] [[GenreBusting dystopian, sci-fi, biblical-allegory showbiz disco-rock opera]] about an [[CorruptCorporateExecutive evil, all-powerful media mogul]] and his powerful Boogaloo International Music (BIM) MegaCorp, the [[TheIngenue young starlet]] fallen under his [[CorruptTheCutie corrupting influence]] and the [[AllAmericanFace all-Canadian baby-faced hero]] determined to get her back out of his evil clutches.
to:
A [[TheEighties 1980]] [[GenreBusting dystopian, sci-fi, biblical-allegory showbiz disco-rock opera]] about an [[CorruptCorporateExecutive evil, all-powerful media mogul]] and his powerful Boogaloo Boogalow International Music (BIM) MegaCorp, the [[TheIngenue young starlet]] fallen under his [[CorruptTheCutie corrupting influence]] and the [[AllAmericanFace all-Canadian baby-faced hero]] determined to get her back out of his evil clutches.
Is there an issue? Send a MessageReason:
None
Changed line(s) 49 (click to see context) from:
* OohMeAccentsSlipping: Scottish George Gilmour ''cannot'' maintain a Canadian accent as Alphie. This is especially noticeable given that co-star Catherine Mary Stewart is an ''actual'' Canadian.
to:
* OohMeAccentsSlipping: Scottish George Gilmour ''cannot'' maintain a Canadian accent as Alphie. This is especially noticeable given that co-star Catherine Mary Stewart Creator/CatherineMaryStewart is an ''actual'' Canadian.
Is there an issue? Send a MessageReason:
Thought I was on the YMMV page
Deleted line(s) 55 (click to see context) :
* ThisIsYourPremiseOnDrugs: ''WebVideo/TheCinemaSnob'' said it was a cracked out ''Film/PhantomOfTheParadise'' which was cracked out already.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ThisIsYourPremiseOnDrugs: ''WebVideo/TheCinemaSnob'' said it was a cracked out ''Film/PhantomOfTheParadise'' which was cracked out already.
Is there an issue? Send a MessageReason:
None
Changed line(s) 15 (click to see context) from:
* ArcSymbol: Triangles. BIM's symbol is a triangle, and they spam it everywhere. The A in the film's title is shaped like a triangle.
to:
* ArcSymbol: Triangles. BIM's symbol is a triangle, and they spam it everywhere. The A in the film's title screen is shaped like a triangle.
Is there an issue? Send a MessageReason:
None
* ArcSymbol: Triangles. BIM's symbol is a triangle, and they spam it everywhere. The A in the film's title is shaped like a triangle.
Changed line(s) 21 (click to see context) from:
* CanadaEh: Downplayed with Alphie and Bibi, who are revealed to be originally from Moose Jaw, Saskatchewan, but you wouldn't tell from them, as there isn't anything that looks stereotypically Canadian from them.
to:
* CampGay: Even in a film that oozes camp, Shake is noticeably campier than everyone else as well as a DepravedBisexual.
* CanadaEh:Downplayed with Alphie and Bibi, who Bibi are revealed said to be originally from Moose Jaw, Saskatchewan, but you wouldn't tell from them, as there isn't anything that looks stereotypically Canadian from them.Jaw in Canada, which is repeatedly stated to be a backwater in the middle of nowhere.
* CanadaEh:
Added DiffLines:
* MeaningfulName:
** Mr. Topps turns out to be [[spoiler:God, at the top of it all]].
** Alphie is [[spoiler:Adam, the first man. In other words, the alpha]].
** Bibi is [[spoiler:Eve, the second human. The Beta, or B]].
** Mr. Topps turns out to be [[spoiler:God, at the top of it all]].
** Alphie is [[spoiler:Adam, the first man. In other words, the alpha]].
** Bibi is [[spoiler:Eve, the second human. The Beta, or B]].
Added DiffLines:
* NonSpecificallyForeign: Mr. Boogalow seems to have no nationality. He speaks numerous languages fluently, but has a foreign accent when he speaks English. He tends to drop French into his speech, such as "voila!" The actor was Polish.
* {{Omniglot}}: Boogalow gives interviews in English, German, French and Italian. The actor is actually Polish.
* {{Omniglot}}: Boogalow gives interviews in English, German, French and Italian. The actor is actually Polish.
Added DiffLines:
* WhereTheHellIsSpringfield: It's unclear where the action is supposed to be taking place through most of the film. Everyone speaks English except a few international reporters, but there are a wide range of accents in the cast, including some that [[OohMeAccentsSlipping aren't supposed to be there]]. We know that they're not in Canada because Alphie and Bibi are from there, and it's not clear whether they're actually in America, because when BIM announces that Bibi will tour America, and she reacts like she's not already in the country. The movie was mostly filmed in Germany.
Added DiffLines:
* YiddishAsASecondLanguage: Alphie's Jewish landlord calls him ''meshuggah'' (crazy).
Is there an issue? Send a MessageReason:
None
Changed line(s) 5,6 (click to see context) from:
The film details the story of Alphie and Bibi, a pair of musicians in the far off future of [[TwentyMinutesIntoTheFuture 1994]] who compete in an international music competition. Despite being the most talented group there, the Boogalow International Music Group (known as BIM) rig the contest to ensure their own band featuring Pandi and Dandi succeeds instead. In spite of their loss, Mr. Boogalow tries to sign the two of them to his label anyway, enticing Bibi into a life of sinful rock and roll that is also slowly corrupting all of humanity. Bibi's popularity allows BIM to eventually take over the entire planet as Alphie struggles to get her away from Mr. Boogalow's diabolical control. In the grand finale, [[spoiler:the grooviest God and Satan appear to fight for the soul of humanity, with the conclusion being the only Rapture to include a golden Rolls Royce driving off into the sky]].
to:
The film details the story of Alphie and Bibi, a pair of musicians in the far off future of [[TwentyMinutesIntoTheFuture 1994]] who compete in an international music competition. Despite being the most talented group there, the Boogalow International Music Group (known as BIM) rig the contest to ensure their own band featuring Pandi and Dandi succeeds instead. In spite of their loss, Mr. Boogalow tries to sign the two of them to his label anyway, enticing Bibi into a life of sinful rock and roll that is also slowly corrupting all of humanity. Bibi's popularity allows BIM to eventually take over the entire planet as Alphie struggles to get her away from Mr. Boogalow's diabolical control. In the grand finale, [[spoiler:the grooviest God and Satan appear to fight for the soul of humanity, with the conclusion being the only Rapture to include a golden Rolls Royce driving off into the sky]].
control.
Changed line(s) 31 (click to see context) from:
* GodWasMyCopilot: Alternate versions have [[spoiler:the hippie patriarch transform into Mr. Topps, instead of the grand entrance from the golden flying car]].
to:
* GodWasMyCopilot: Alternate versions have [[spoiler:the hippie patriarch transform into Mr. Topps, instead of the grand entrance from the golden flying car]].car. Makes sense, considering that they were played by the same actor]].
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* WhatHappenedToTheMouse: Alphie's landlady simply disappears from the film during the third act.
Is there an issue? Send a MessageReason:
None
Changed line(s) 44 (click to see context) from:
* SeriousBusiness: The BIM Hour, where everyone, regardless of whatever they're doing, breaks into choreographed dance numbers by force of law.
to:
* SeriousBusiness: The BIM Hour, where everyone, regardless of whatever they're doing, breaks into choreographed dance numbers by force of law. Even in the middle of surgery.
Is there an issue? Send a MessageReason:
None
Changed line(s) 5,10 (click to see context) from:
The movie details the story of Alphie and Bibi, a pair of musicians in the far off future of [[TwentyMinutesIntoTheFuture 1994]] who compete in an international music competition. Despite being the most talented group there, the Boogalow International Music Group (known as BIM) rig the contest to ensure their own band featuring Pandi and Dandi succeeds instead. In spite of their loss, Mr. Boogalow tries to sign the two of them to his label anyway, enticing Bibi into a life of sinful rock and roll that is also slowly corrupting all of humanity. Bibi's popularity allows BIM to eventually take over the entire planet as Alphie struggles to get her away from Mr. Boogalow's diabolical control. In the grand finale, [[spoiler:the grooviest God and Satan appear to fight for the soul of humanity, with the movie ending in the only Rapture to include a golden Rolls Royce driving off into the sky]].
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeader follow the success]] of ''Film/SaturdayNightFever'' and ''Film/{{Grease}}'' its outlandish premise winds up having more in common with ''Literature/BraveNewWorld'', ''Literature/NineteenEightyFour'', ''Film/AllThatJazz'' and ''Film/{{Xanadu}}'', with a little ''{{Theatre/Godspell}}'' thrown in hastily at the last minute. In addition to having a very complicated and {{troubled production}}, it proved a major financial and critical flop, concurrent with [[DeaderThanDisco the sharp decline of Disco]].
Despite some rather heart-pumping music and dance numbers, the prosaic lyrics, [[WhatDoYouMeanItWasntMadeOnDrugs trippy aesthetic]], and off-the-wall script place it squarely in {{Camp}} territory. However, starting with its DVD release in 2004, it began to gather a small but dedicated cult following and started appearing on the midnight movie circuit, especially thanks to regular showings by the Alamo Drafthouse. It was also released in 2012 as a Podcast/{{Rifftrax}} video-on-demand download with their mocking commentary added.
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeader follow the success]] of ''Film/SaturdayNightFever'' and ''Film/{{Grease}}'' its outlandish premise winds up having more in common with ''Literature/BraveNewWorld'', ''Literature/NineteenEightyFour'', ''Film/AllThatJazz'' and ''Film/{{Xanadu}}'', with a little ''{{Theatre/Godspell}}'' thrown in hastily at the last minute. In addition to having a very complicated and {{troubled production}}, it proved a major financial and critical flop, concurrent with [[DeaderThanDisco the sharp decline of Disco]].
Despite some rather heart-pumping music and dance numbers, the prosaic lyrics, [[WhatDoYouMeanItWasntMadeOnDrugs trippy aesthetic]], and off-the-wall script place it squarely in {{Camp}} territory. However, starting with its DVD release in 2004, it began to gather a small but dedicated cult following and started appearing on the midnight movie circuit, especially thanks to regular showings by the Alamo Drafthouse. It was also released in 2012 as a Podcast/{{Rifftrax}} video-on-demand download with their mocking commentary added.
to:
The movie film details the story of Alphie and Bibi, a pair of musicians in the far off future of [[TwentyMinutesIntoTheFuture 1994]] who compete in an international music competition. Despite being the most talented group there, the Boogalow International Music Group (known as BIM) rig the contest to ensure their own band featuring Pandi and Dandi succeeds instead. In spite of their loss, Mr. Boogalow tries to sign the two of them to his label anyway, enticing Bibi into a life of sinful rock and roll that is also slowly corrupting all of humanity. Bibi's popularity allows BIM to eventually take over the entire planet as Alphie struggles to get her away from Mr. Boogalow's diabolical control. In the grand finale, [[spoiler:the grooviest God and Satan appear to fight for the soul of humanity, with the movie ending in conclusion being the only Rapture to include a golden Rolls Royce driving off into the sky]].
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeaderfollow capitalize on the success]] of ''Film/SaturdayNightFever'' and ''Film/{{Grease}}'' its outlandish premise winds up having more in common with ''Literature/BraveNewWorld'', ''Literature/NineteenEightyFour'', ''Film/AllThatJazz'' and ''Film/{{Xanadu}}'', with a little ''{{Theatre/Godspell}}'' thrown in hastily at the last minute. In addition to having a very complicated and {{troubled production}}, it proved a major financial [[BoxOfficeBomb financial]] and critical flop, concurrent with [[DeaderThanDisco the sharp decline of Disco]].
Despite some rather heart-pumping music and dance numbers, the prosaic lyrics, [[WhatDoYouMeanItWasntMadeOnDrugs trippyaesthetic]], aesthetic]] and off-the-wall script place it squarely in {{Camp}} territory. However, starting with its DVD release in 2004, it began to gather a small but dedicated cult following and started appearing on the midnight movie circuit, especially thanks to regular showings by the Alamo Drafthouse. It was also released in 2012 as a Podcast/{{Rifftrax}} video-on-demand download with their mocking hilarious riffing commentary added.
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeader
Despite some rather heart-pumping music and dance numbers, the prosaic lyrics, [[WhatDoYouMeanItWasntMadeOnDrugs trippy
Changed line(s) 14,15 (click to see context) from:
* TwentyMinutesIntoTheFuture: Made in 1980, set in the future {{dystopia}} of 1994. Originally the movie was to be set in 19'''84''' for obvious reasons, but Menahem Golan decided that such a date was far too close by to feel futuristic enough and pushed it ahead by ten more years.
* AscendToAHigherPlaneOfExistence: The fate of [[spoiler:the hippies]] in the end of the movie. See TheEndingChangesEverything below.
* AscendToAHigherPlaneOfExistence: The fate of [[spoiler:the hippies]] in the end of the movie. See TheEndingChangesEverything below.
to:
* TwentyMinutesIntoTheFuture: Made in 1980, 1979-80, set in the future {{dystopia}} of 1994. Originally the movie was to be set in 19'''84''' for obvious reasons, but Menahem Golan decided that such a date was far too close by to feel futuristic enough and pushed it ahead by ten more years.
* AscendToAHigherPlaneOfExistence: The fate of [[spoiler:the hippies]] in theend of the movie.end. See TheEndingChangesEverything below.
* AscendToAHigherPlaneOfExistence: The fate of [[spoiler:the hippies]] in the
Changed line(s) 17 (click to see context) from:
-->'''Mr. Topps:''' Let's give it a try.
to:
-->'''Mr. Topps:''' Topps''': Let's give it a try.
Changed line(s) 22 (click to see context) from:
* CannedOrdersOverLoudspeaker: The setup for the DarkReprise of "BIM ([[RefrainFromAssuming BIM's On The Way]])". "It is now one minute to four o'clock. Time to stop ordinary activities and prepare for the National BIM Hour. (...) The National Fitness Program is watching ''you''. Five, four, three, two, BIM."[[note]]'''[[Podcast/{{Rifftrax}} Bill Corbett]]:''' (As Creator/JeffFoxworthy) If you ever notice crews installin' hundreds of loudspeakers to tell you what to do, you might live in a cliched dystopia.[[/note]]
to:
* CannedOrdersOverLoudspeaker: The setup for the DarkReprise of "BIM ([[RefrainFromAssuming BIM's On The on the Way]])". "It is now one minute to four o'clock. Time to stop ordinary activities and prepare for the National BIM Hour. (...) The National Fitness Program is watching ''you''. Five, four, three, two, BIM."[[note]]'''[[Podcast/{{Rifftrax}} Bill Corbett]]:''' (As Creator/JeffFoxworthy) If you ever notice crews installin' hundreds of loudspeakers to tell you what to do, you might live in a cliched dystopia.[[/note]]
Changed line(s) 25,28 (click to see context) from:
* DeusExMachina: A-near literal example with [[spoiler:Mr. Topps]], who is not only a seemingly all-powerful MessianicArchetype, but is never mentioned until moments before [[spoiler:he arrives to rescue the heroes]].
* DrivenToSuicide: Alphie almost gives fully into this trope according to his landlord after his first attempt to convince Bibi to stop working for Boogalow fails. Of course whether he actually intended to do so or not is, like so many things in this movie, unclear.
* TheDragon: An almost literal example with Shakes to Mr. Boogalow, who even appears at several points in the film in a flamboyant snake costume to hammer into your head what Biblical allegory he is.
* TheEndingChangesEverything: In the very end, [[spoiler:Mr. Topps - never mentioned until minutes before he arrives - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both)]]. This means: 1.) [[spoiler:Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Boogalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie completely takes sides in favor of the hippies and portrays them and their love/peace-cause as unambiguously good.]] 2.) [[spoiler:All of Alphies visions are to be taken literally (Boogalow is not metaphorically that devil but literally, Bibi does not take the forbidden fruit metaphorically but literally etc.)]] 3.) [[spoiler:Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film and receiving about zero character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Boogalow falls from grace]] in the beginning of the movie was planned, but abandoned due to production troubles (according to Wiki/TheOtherWiki, involving a tiger escaping from the set.)
* DrivenToSuicide: Alphie almost gives fully into this trope according to his landlord after his first attempt to convince Bibi to stop working for Boogalow fails. Of course whether he actually intended to do so or not is, like so many things in this movie, unclear.
* TheDragon: An almost literal example with Shakes to Mr. Boogalow, who even appears at several points in the film in a flamboyant snake costume to hammer into your head what Biblical allegory he is.
* TheEndingChangesEverything: In the very end, [[spoiler:Mr. Topps - never mentioned until minutes before he arrives - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both)]]. This means: 1.) [[spoiler:Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Boogalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie completely takes sides in favor of the hippies and portrays them and their love/peace-cause as unambiguously good.]] 2.) [[spoiler:All of Alphies visions are to be taken literally (Boogalow is not metaphorically that devil but literally, Bibi does not take the forbidden fruit metaphorically but literally etc.)]] 3.) [[spoiler:Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film and receiving about zero character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Boogalow falls from grace]] in the beginning of the movie was planned, but abandoned due to production troubles (according to Wiki/TheOtherWiki, involving a tiger escaping from the set.)
to:
* DeusExMachina: A-near literal example with [[spoiler:Mr. Topps]], who is not only a seemingly all-powerful MessianicArchetype, but is never mentioned until moments [[spoiler:moments before [[spoiler:he he arrives to rescue the heroes]].
* DrivenToSuicide: Alphie almost gives fully into this trope according to his landlord after his first attempt to convince Bibi to stop working for Boogalow fails. Of course whether he actually intended to do so or not is, like so many things in thismovie, film, unclear.
* TheDragon: An almost literal example with Shakes to Mr. Boogalow, who even appears at several pointsin the film in a flamboyant snake costume to hammer into your head what Biblical allegory he is.
* TheEndingChangesEverything: In thevery end, climax, [[spoiler:Mr. Topps - never mentioned until minutes before he arrives his arrival - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both)]]. This means: 1.) [[spoiler:Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Boogalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie ending, it completely takes sides in favor of the hippies and portrays them and their love/peace-cause as unambiguously good.]] 2.) [[spoiler:All of Alphies Alphie's visions are to be taken literally (Boogalow is not metaphorically that ''that'' devil but literally, ''literally'', Bibi does not take the forbidden fruit metaphorically but literally etc.)]] 3.) [[spoiler:Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film third act and receiving about zero next to no character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Boogalow falls from grace]] in the beginning of the movie as a prologue was planned, but abandoned due to production troubles (according to Wiki/TheOtherWiki, involving a tiger escaping from the set.)
* DrivenToSuicide: Alphie almost gives fully into this trope according to his landlord after his first attempt to convince Bibi to stop working for Boogalow fails. Of course whether he actually intended to do so or not is, like so many things in this
* TheDragon: An almost literal example with Shakes to Mr. Boogalow, who even appears at several points
* TheEndingChangesEverything: In the
Changed line(s) 31 (click to see context) from:
* GodWasMyCopilot: Alternate cuts of the film have [[spoiler:the hippie patriarch transform into Mr. Topps, instead of the grand entrance from the golden flying car.]]
to:
* GodWasMyCopilot: Alternate cuts of the film versions have [[spoiler:the hippie patriarch transform into Mr. Topps, instead of the grand entrance from the golden flying car.]]car]].
Changed line(s) 33 (click to see context) from:
* IntercourseWithYou: Pandi's "I'm Coming" manages to make "Love To Love You Baby" seem subtle, even without the bed-based choreography.
to:
* IntercourseWithYou: Pandi's "I'm Coming" "Coming for You" manages to make "Love To to Love You Baby" seem subtle, even without the bed-based choreography.
Changed line(s) 39 (click to see context) from:
* MindScrew: The entire film is a bizarre trip where dance numbers and fantasies come out of nowhere and its very difficult to tell what is meant to be part of the narrative and what isn't.
to:
* MindScrew: The entire film is a bizarre trip where dance numbers and fantasies come out of nowhere and its it's very difficult to tell what is meant to be part of the narrative and what isn't.
Changed line(s) 41 (click to see context) from:
* OohMeAccentsSlipping: Scottish George Gilmour ''cannot'' maintain a Canadian accent as Alphie. This is especially noticeable given that his co-star Catherine Mary Stewart is an ''actual'' Canadian.
to:
* OohMeAccentsSlipping: Scottish George Gilmour ''cannot'' maintain a Canadian accent as Alphie. This is especially noticeable given that his co-star Catherine Mary Stewart is an ''actual'' Canadian.Canadian.
* ProductPlacement: A box of Cheerios is visible, as well a factory distributing Coca-Cola.
* ProductPlacement: A box of Cheerios is visible, as well a factory distributing Coca-Cola.
Changed line(s) 46 (click to see context) from:
* TriumphantReprise: It's not easy to make out, but [[spoiler: the hippies are singing a choral version of "Universal Melody" as they march off to be raptured.]]
to:
* TriumphantReprise: It's not easy to make out, but [[spoiler: the hippies are singing a choral version of "Universal Melody" as they march off to be raptured.]]raptured]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 41 (click to see context) from:
* OohMeAccentsSlipping: Scottish George Gilmour ''cannot'' maintain a Canadian accent as Alphie.
to:
* OohMeAccentsSlipping: Scottish George Gilmour ''cannot'' maintain a Canadian accent as Alphie. This is especially noticeable given that his co-star Catherine Mary Stewart is an ''actual'' Canadian.
Is there an issue? Send a MessageReason:
None
Changed line(s) 47 (click to see context) from:
* WorldOfHam: Clearly, subtlety was dead by 1994.
to:
* WorldOfHam: Clearly, subtlety was dead by 1994.1994.
----
----
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* OohMeAccentsSlipping: Scottish George Gilmour ''cannot'' maintain a Canadian accent as Alphie.
Is there an issue? Send a MessageReason:
None
Changed line(s) 28 (click to see context) from:
* TheEndingChangesEverything: In the very end, [[spoiler:Mr. Topps - never mentioned until minutes before he arrives - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both)]]. This means: 1.) [[spoiler:Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Boogalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie completely takes sides in favor of the hippies and portrays them and their love/peace-cause as unambiguously good.]] 2.) [[spoiler:All of Alphies visions are to be taken literally (Boogalow is not metaphorically that devil but literally, Bibi does not take the forbidden fruit metaphorically but literally etc.)]] 3.) [[spoiler:Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film and receiving about zero character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Boogalow falls from grace]] in the beginning of the movie was planned, but abandoned due to production troubles (according to TheOtherWiki, involving a tiger escaping from the set.)
to:
* TheEndingChangesEverything: In the very end, [[spoiler:Mr. Topps - never mentioned until minutes before he arrives - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both)]]. This means: 1.) [[spoiler:Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Boogalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie completely takes sides in favor of the hippies and portrays them and their love/peace-cause as unambiguously good.]] 2.) [[spoiler:All of Alphies visions are to be taken literally (Boogalow is not metaphorically that devil but literally, Bibi does not take the forbidden fruit metaphorically but literally etc.)]] 3.) [[spoiler:Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film and receiving about zero character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Boogalow falls from grace]] in the beginning of the movie was planned, but abandoned due to production troubles (according to TheOtherWiki, Wiki/TheOtherWiki, involving a tiger escaping from the set.)
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeader follow the success]] of ''Film/SaturdayNightFever'' and ''Film/{{Grease}}'' its outlandish premise winds up having more in common with ''Literature/BraveNewWorld'', ''Literature/NineteenEightyFour'', ''Film/AllThatJazz'' and ''Film/{{Xanadu}}'', with a little ''{{Theatre/Godspell}}'' thrown in hastily at the last minute. In addition to having a very complicated and troubled production, it proved a major financial and critical flop, concurrent with [[DeaderThanDisco the sharp decline of Disco]].
to:
One of [[Creator/TheCannonGroup Cannon Films]]' first English-language efforts, in trying to [[FollowTheLeader follow the success]] of ''Film/SaturdayNightFever'' and ''Film/{{Grease}}'' its outlandish premise winds up having more in common with ''Literature/BraveNewWorld'', ''Literature/NineteenEightyFour'', ''Film/AllThatJazz'' and ''Film/{{Xanadu}}'', with a little ''{{Theatre/Godspell}}'' thrown in hastily at the last minute. In addition to having a very complicated and troubled production, {{troubled production}}, it proved a major financial and critical flop, concurrent with [[DeaderThanDisco the sharp decline of Disco]].
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* BadassBoast: The last line of the film, when Boogalow insists that no world can exist without him:
-->'''Mr. Topps:''' Let's give it a try.
-->'''Mr. Topps:''' Let's give it a try.
Is there an issue? Send a MessageReason:
None
Changed line(s) 24 (click to see context) from:
* DrivenToSuicide: Alphie almost gives fully into this trope according to his landlord after his first attempt to convince Bibi to stop working for Bugalow fails. Of course whether he actually intended to do so or not is, like so many things in this movie, unclear.
to:
* DrivenToSuicide: Alphie almost gives fully into this trope according to his landlord after his first attempt to convince Bibi to stop working for Bugalow Boogalow fails. Of course whether he actually intended to do so or not is, like so many things in this movie, unclear.
Changed line(s) 26 (click to see context) from:
* TheEndingChangesEverything: In the very end, [[spoiler:Mr. Topps - never mentioned until minutes before he arrives - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both)]]. This means: 1.) [[spoiler:Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Bugalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie completely takes sides in favor of the hippies and portrays them and their love/peace-cause as unambiguously good.]] 2.) [[spoiler:All of Alphies visions are to be taken literally (Bugalow is not metaphorically that devil but literally, Bibi does not take the forbidden fruit metaphorically but literally etc.)]] 3.) [[spoiler:Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film and receiving about zero character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Bugalow falls from grace]] in the beginning of the movie was planned but never filmed.
to:
* TheEndingChangesEverything: In the very end, [[spoiler:Mr. Topps - never mentioned until minutes before he arrives - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both)]]. This means: 1.) [[spoiler:Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Bugalow's Boogalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie completely takes sides in favor of the hippies and portrays them and their love/peace-cause as unambiguously good.]] 2.) [[spoiler:All of Alphies visions are to be taken literally (Bugalow (Boogalow is not metaphorically that devil but literally, Bibi does not take the forbidden fruit metaphorically but literally etc.)]] 3.) [[spoiler:Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film and receiving about zero character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Bugalow Boogalow falls from grace]] in the beginning of the movie was planned planned, but never filmed.abandoned due to production troubles (according to TheOtherWiki, involving a tiger escaping from the set.)
* GodWasMyCopilot: Alternate cuts of the film have [[spoiler:the hippie patriarch transform into Mr. Topps, instead of the grand entrance from the golden flying car.]]
Changed line(s) 41 (click to see context) from:
* SlippingAMickey: Dandi drugs Bibi early in the film and later Pandi does the same in order to sleep with Alphie.
to:
* SlippingAMickey: Dandi drugs Bibi early in the film film, and later Pandi does the same in order to sleep with Alphie.Alphie.
* TriumphantReprise: It's not easy to make out, but [[spoiler: the hippies are singing a choral version of "Universal Melody" as they march off to be raptured.]]
* TriumphantReprise: It's not easy to make out, but [[spoiler: the hippies are singing a choral version of "Universal Melody" as they march off to be raptured.]]
Is there an issue? Send a MessageReason:
None
Deleted line(s) 18 (click to see context) :
* CaliforniaDoubling: The movie is shot in Berlin, obviously so, but pretends really, really hard to be set in various places on the American east and west coast.
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* [[AllAmericanFace All-Canadian Face]] / CanadaEh: Alphie and Bibi, who are revealed to be originally from Moose Jaw, Saskatchewan.
to:
* [[AllAmericanFace All-Canadian Face]] / CanadaEh: Alphie and Bibi, who are revealed TwentyMinutesIntoTheFuture: Made in 1980, set in the future {{dystopia}} of 1994. Originally the movie was to be originally from Moose Jaw, Saskatchewan.set in 19'''84''' for obvious reasons, but Menahem Golan decided that such a date was far too close by to feel futuristic enough and pushed it ahead by ten more years.
Changed line(s) 17 (click to see context) from:
* BigGood: [[spoiler:Mr. Topps]] who appears in the closing moments of the film as the obvious God counterpart.
to:
* BigGood: [[spoiler:Mr. Topps]] who appears reveals himself in the closing moments of the film as to be the obvious God counterpart.
* CanadaEh: Downplayed with Alphie and Bibi, who are revealed to be originally from Moose Jaw, Saskatchewan, but you wouldn't tell from them, as there isn't anything that looks stereotypically Canadian from them.
Changed line(s) 25,26 (click to see context) from:
** This trope did ironical leak out into a RealLife example as well. The director, Menahem Golan, later gave an interview in which he revealed that after the film's disastrous opening in Montreal where it was booed relentlessly, he left halfway through the showing and was preparing to jump from the balcony before his business partner stopped him.
* [[TheDragon The Snake]]: Shakes to Mr. Boogalow, who even appears at several points in the film in a flamboyant snake costume to hammer into your head what Biblical allegory he is.
* [[TheDragon The Snake]]: Shakes to Mr. Boogalow, who even appears at several points in the film in a flamboyant snake costume to hammer into your head what Biblical allegory he is.
to:
* [[TheDragon The Snake]]:
Changed line(s) 31 (click to see context) from:
* IntercourseWithYou: Pandi's "I'm Coming" manages to make "Love To Love You Baby" seem subtle. Even without the bed-based choreography.
to:
* IntercourseWithYou: Pandi's "I'm Coming" manages to make "Love To Love You Baby" seem subtle. Even subtle, even without the bed-based choreography.
Changed line(s) 39,40 (click to see context) from:
* ProducePelting: A RealLife variation. According to legend, the audience at the premiere were so horrified that they chucked the film's ''merchandise'' at the screen.
* RapePortrayedAsRedemption: [[InvertedTrope Bizarrely inverted]]. At one of the party scenes Pandi orders two (presumably drugged) drinks for her and Alphie, but he drinks down both of them while she smiles sheepishly. Later she has sex with him while he's under the influence. The next day, she, the rapist, is the one who is redeemed, and finally decides to help Bibi escape. [[spoiler: Thus at the end of the film, Mr. Topps allows her to join the hippies in the Rapture.]]
* RapePortrayedAsRedemption: [[InvertedTrope Bizarrely inverted]]. At one of the party scenes Pandi orders two (presumably drugged) drinks for her and Alphie, but he drinks down both of them while she smiles sheepishly. Later she has sex with him while he's under the influence. The next day, she, the rapist, is the one who is redeemed, and finally decides to help Bibi escape. [[spoiler: Thus at the end of the film, Mr. Topps allows her to join the hippies in the Rapture.]]
to:
Deleted line(s) 44 (click to see context) :
* TwentyMinutesIntoTheFuture: Made in 1980, set in the future {{dystopia}} of 1994. Originally the movie was to be set in 19'''84''' for obvious reasons, but Menahem Golan decided that such a date was far too close by to feel futuristic enough and pushed it ahead by ten more years.
Is there an issue? Send a MessageReason:
None
Changed line(s) 38 (click to see context) from:
* NewAgeRetroHippie: The only people who try to live free of BIM.
to:
* NewAgeRetroHippie: The only people who try to live free of BIM. Most of them are old enough that they may very well be first wave hippies.
Is there an issue? Send a MessageReason:
None
* CaliforniaDoubling: The movie is shot in Berlin, obviously so, but pretends really, really hard to be set in various places on the American east and west coast.
Changed line(s) 19 (click to see context) from:
* CaliforniaDoubling: The movie is shot in Berlin, obviously so, but pretends really, really hard to be set in various places on the American east and west coast.
to:
* CaliforniaDoubling: CannedOrdersOverLoudspeaker: The movie is shot in Berlin, obviously so, but pretends really, really hard to be set in various places on setup for the American east DarkReprise of "BIM ([[RefrainFromAssuming BIM's On The Way]])". "It is now one minute to four o'clock. Time to stop ordinary activities and west coast.prepare for the National BIM Hour. (...) The National Fitness Program is watching ''you''. Five, four, three, two, BIM."[[note]]'''[[Podcast/{{Rifftrax}} Bill Corbett]]:''' (As Creator/JeffFoxworthy) If you ever notice crews installin' hundreds of loudspeakers to tell you what to do, you might live in a cliched dystopia.[[/note]]
Changed line(s) 35 (click to see context) from:
* MegaCorp: BIM. Eventually they become so powerful, the government requires everyone to wear their logo (referred to as "the BIM Mark") and stop all activity to listen to their music for an hour each day.
to:
* MegaCorp: BIM. Eventually they become so powerful, the government requires everyone to wear their logo (referred to as "the BIM Mark") and stop all activity to listen and dance to their music for an hour each day.
Changed line(s) 40 (click to see context) from:
* SeriousBusiness: The BIM Hour, where everyone, regardless of whatever they're doing, breaks into choreographed dance numbers.
to:
* SeriousBusiness: The BIM Hour, where everyone, regardless of whatever they're doing, breaks into choreographed dance numbers.numbers by force of law.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9,10 (click to see context) from:
Despite some rather heart-pumping music and dance numbers, the prosaic lyrics, [[WhatDoYouMeanItWasntMadeOnDrugs trippy aesthetic]], and off-the-wall script place it squarely in {{Camp}} territory. However, starting with its DVD release in 2004, it began to gather a small but dedicated cult following and started appearing on the midnight movie circuit, especially thanks to regular showings by the Alamo Drafthouse. It was also released in 2012 as a Podcast/Rifftrax video-on-demand download with their mocking commentary added.
to:
Despite some rather heart-pumping music and dance numbers, the prosaic lyrics, [[WhatDoYouMeanItWasntMadeOnDrugs trippy aesthetic]], and off-the-wall script place it squarely in {{Camp}} territory. However, starting with its DVD release in 2004, it began to gather a small but dedicated cult following and started appearing on the midnight movie circuit, especially thanks to regular showings by the Alamo Drafthouse. It was also released in 2012 as a Podcast/Rifftrax Podcast/{{Rifftrax}} video-on-demand download with their mocking commentary added.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* CaliforniaDoubling: The movie is shot in Berlin, obviously so, but pretends really, really hard to be set in various places on the American east and west coast.
Is there an issue? Send a MessageReason:
None
Changed line(s) 20 (click to see context) from:
* DepravedBisexual: Shakes, implicitly Mr. Boogalow as well.
to:
* DepravedBisexual: Shakes, implicitly Shakes and, implicitly, Mr. Boogalow as well.
Changed line(s) 22,23 (click to see context) from:
* DrivenToSuicide: Alphie is indicated as almost giving in fully into this trope by his landlord after failing to convince Bibi to stop working for Bugalow.
** There is also an ironic RealLife example as well. The director, Menahem Golan, later gave an interview in which he revealed that after the film's disastrous opening in Montreal where it was booed relentlessly, he left halfway through the showing and was preparing to jump from the balcony before his business partner stopped him.
** There is also an ironic RealLife example as well. The director, Menahem Golan, later gave an interview in which he revealed that after the film's disastrous opening in Montreal where it was booed relentlessly, he left halfway through the showing and was preparing to jump from the balcony before his business partner stopped him.
to:
* DrivenToSuicide: Alphie is indicated as almost giving in gives fully into this trope by according to his landlord after failing his first attempt to convince Bibi to stop working for Bugalow.
Bugalow fails. Of course whether he actually intended to do so or not is, like so many things in this movie, unclear.
**There is also an ironic This trope did ironical leak out into a RealLife example as well. The director, Menahem Golan, later gave an interview in which he revealed that after the film's disastrous opening in Montreal where it was booed relentlessly, he left halfway through the showing and was preparing to jump from the balcony before his business partner stopped him.
**
Is there an issue? Send a MessageReason:
None
Changed line(s) 22 (click to see context) from:
* DrivenToSuicide: The director, Menahem Golan, later gave an interview in which he revealed that after the film's disastrous opening in Montreal where it was booed relentlessly, he left halfway through the showing and was preparing to jump from the balcony before his business partner stopped him.
to:
* DrivenToSuicide: Alphie is indicated as almost giving in fully into this trope by his landlord after failing to convince Bibi to stop working for Bugalow.
** There is also an ironic RealLife example as well. The director, Menahem Golan, later gave an interview in which he revealed that after the film's disastrous opening in Montreal where it was booed relentlessly, he left halfway through the showing and was preparing to jump from the balcony before his business partner stopped him.
** There is also an ironic RealLife example as well. The director, Menahem Golan, later gave an interview in which he revealed that after the film's disastrous opening in Montreal where it was booed relentlessly, he left halfway through the showing and was preparing to jump from the balcony before his business partner stopped him.
Changed line(s) 24 (click to see context) from:
* TheEndingChangesEverything: In the very end, [[spoiler:Mr. Topps - never mentioned until minutes before he arrives - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both)]]. This means: 1.) [[spoiler:Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Bugalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie completely takes sides in favor of the hippes and portrays them and their love/peace-cause as unambiguously good.]] 2.) [[spoiler:All of Alphies visions are to be taken literally (Bugalow is not metaphorically that devil but literally, Bibi does not take the forbidden fruit metaphorically but literally etc.)]] 3.) [[spoiler:Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film and receiving about zero character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Bugalow falls from grace]] in the beginning of the movie was planned but never filmed.
to:
* TheEndingChangesEverything: In the very end, [[spoiler:Mr. Topps - never mentioned until minutes before he arrives - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both)]]. This means: 1.) [[spoiler:Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Bugalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie completely takes sides in favor of the hippes hippies and portrays them and their love/peace-cause as unambiguously good.]] 2.) [[spoiler:All of Alphies visions are to be taken literally (Bugalow is not metaphorically that devil but literally, Bibi does not take the forbidden fruit metaphorically but literally etc.)]] 3.) [[spoiler:Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film and receiving about zero character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Bugalow falls from grace]] in the beginning of the movie was planned but never filmed.
Is there an issue? Send a MessageReason:
None
Changed line(s) 22 (click to see context) from:
* DrivenToSuicide: The director, Menahem Globus, later gave an interview in which he revealed that after the film's disastrous opening in Montreal where it was booed relentlessly, he left halfway through the showing and was preparing to jump from the balcony before his business partner stopped him.
to:
* DrivenToSuicide: The director, Menahem Globus, Golan, later gave an interview in which he revealed that after the film's disastrous opening in Montreal where it was booed relentlessly, he left halfway through the showing and was preparing to jump from the balcony before his business partner stopped him.
Is there an issue? Send a MessageReason:
None
Changed line(s) 24 (click to see context) from:
* TheEndingChangesEverything: [[spoiler:In the very end, Mr. Topps - never mentioned until minutes before he arrives - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both). This means: 1.) Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Bugalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie completely takes sides in favor of the hippes and portrays them and their love/peace-cause as unambiguously good. 2.) All of Alphies visions are to be taken literally (Bugalow is not metaphorically that devil but literally, Bibi does not take the forbidden fruit metaphorically but literally etc.) 3.) Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film and receiving about zero character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Bugalow falls from grace]] in the beginning of the movie was planned but never filmed.
to:
* TheEndingChangesEverything: [[spoiler:In In the very end, Mr. [[spoiler:Mr. Topps - never mentioned until minutes before he arrives - appears in a Rolls Royce and takes all hippies to heaven or a new planet (or both).both)]]. This means: 1.) Up [[spoiler:Up to this point, you could interpret this film as anti-commerce message when Bibi is corrupted by Bugalow's business but is not necessarily a stand-in for hippy culture. With this ending the movie completely takes sides in favor of the hippes and portrays them and their love/peace-cause as unambiguously good. ]] 2.) All [[spoiler:All of Alphies visions are to be taken literally (Bugalow is not metaphorically that devil but literally, Bibi does not take the forbidden fruit metaphorically but literally etc.) )]] 3.) Alphie [[spoiler:Alphie and Bibi are no longer the main characters of the movie but the hippies - not introduced until very late in the film and receiving about zero character development or being spotlighted on their culture - are and get an eschatological meaning.]] A sequence where [[spoiler:Mr. Topps creates the world and Bugalow falls from grace]] in the beginning of the movie was planned but never filmed.