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* ArtShift: Producer Norman Maurer attempted this by having all the surface of Mars footage to turn directly into hand-drawn animation from live-action, or at least to simulate that through the use of [=CineMagic=] technique, which enables hand-drawn backgrounds to look as real or as unreal as the live-action footage. The Mars scenes also shift from Technicolor to a red hue.

to:

* ArtShift: Producer Norman Maurer attempted this by having all the surface of Mars footage to turn directly into hand-drawn animation from live-action, or at least to simulate that through the use of [=CineMagic=] technique, which enables hand-drawn backgrounds to look as real or as unreal as the live-action footage. The Mars scenes also shift shifts from Technicolor to a red hue.
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* LampshadeHanging: Gillette brings the topic of the alien plant that attacked Iris, didn’t attack them sooner when they passed it earlier.

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* LampshadeHanging: Gillette brings the topic of notes that the alien plant that attacked Iris, Iris didn’t attack them sooner when they passed it earlier.



* {{Posthumous Character}}s: [[spoiler:Professor Theodore Gettell and Chief Warrant Officer Sam Jacobs are only seen not only in a newsreel but in flashback.]]

to:

* {{Posthumous Character}}s: [[spoiler:Professor Theodore Gettell and Chief Warrant Officer Sam Jacobs are only seen not only in a newsreel but and in flashback.]]
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With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique, used for all scenes of the Martian surface, involved the usage of hand drawn animation used in conjunction with live action footage to create an alien atmosphere that was revolutionary for the time.

to:

With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique, used for all scenes of the Martian surface, involved the usage of hand drawn animation used in conjunction with live action live-action footage to create an alien atmosphere that was revolutionary for the time.



* ArtShift: Producer Norman Maurer attempted this by having all the surface of Mars footage to turn directly into hand drawn animation from live-action, or at least to simulate that through the use of [=CineMagic=] technique, which enables hand-drawn backgrounds to look as real or as unreal as the live-action footage. The Mars scenes also shift from Technicolor to a red hue.
* ArtisticLicenseGunSafety: As with most sci-fi movies of the period, the crew bring along .45 caliber pistols. Colonel O'Bannion carries his around in hand, finger firmly on the trigger.

to:

* ArtShift: Producer Norman Maurer attempted this by having all the surface of Mars footage to turn directly into hand drawn hand-drawn animation from live-action, or at least to simulate that through the use of [=CineMagic=] technique, which enables hand-drawn backgrounds to look as real or as unreal as the live-action footage. The Mars scenes also shift from Technicolor to a red hue.
* ArtisticLicenseGunSafety: As with most sci-fi movies of the period, the crew bring brings along .45 caliber pistols. Colonel O'Bannion carries his around in hand, finger firmly on the trigger.



* BehindTheBlack[=/=]EpicFail: Four astronauts that are trained scientists fail to notice the rat-bat-spider-crab-monkey monster standing standing in the midst of an otherwise empty plain.

to:

* BehindTheBlack[=/=]EpicFail: Four astronauts that are trained scientists fail to notice the rat-bat-spider-crab-monkey monster standing standing in the midst of an otherwise empty plain.



* CloseOnTitle: The main title doesn't appears until the closing credits.

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* CloseOnTitle: The main title doesn't appears appear until the closing credits.



* {{Flashback}}: Most of the movie takes place during the events of the mission, cutting back to present day.

to:

* {{Flashback}}: Most of the movie takes place during the events of the mission, cutting back to the present day.



* {{Posthumous Character}}s: [[spoiler:Professor Theodore Gettell and Chief Warrant Officer Sam Jacobs are only seen not only in a news reel but in flashback.]]
* ProductPlacement: Sam Jacobs’ seen reading ‘''Super Fantastic Science Fiction Stories'',’ a fictional magazine possibly based on American pulp science fiction magazine ''Super Science Stories'' published by published by Popular Publication from 1940 to 1943 and again from 1949 to 1951.

to:

* {{Posthumous Character}}s: [[spoiler:Professor Theodore Gettell and Chief Warrant Officer Sam Jacobs are only seen not only in a news reel newsreel but in flashback.]]
* ProductPlacement: Sam Jacobs’ seen reading ‘''Super Fantastic Science Fiction Stories'',’ a fictional magazine possibly based on American pulp science fiction magazine ''Super Science Stories'' published by published by Popular Publication from 1940 to 1943 and again from 1949 to 1951.



* TheSmurfettePrinciple: Iris Ryan is not the only female astronaut, but she’s the only female main character.

to:

* TheSmurfettePrinciple: Iris Ryan is not the only the lone female astronaut, but astronaut -- she’s the only female main character.
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How To Write An Example - Don't Write Reviews


With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique, used for all scenes of the Martian surface, involved the usage of hand drawn animation used in conjunction with live action footage to create an alien atmosphere that was [[SugarWiki/VisualEffectsofAwesome completely revolutionary for the time.]]

to:

With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique, used for all scenes of the Martian surface, involved the usage of hand drawn animation used in conjunction with live action footage to create an alien atmosphere that was [[SugarWiki/VisualEffectsofAwesome completely revolutionary for the time.]]
time.
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None

Added DiffLines:

* CloseOnTitle: The main title doesn't appears until the closing credits.
Is there an issue? Send a MessageReason:
None


With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique, used for all scenes of the Martian surface, involved the usage of hand drawn animation used in conjunction with live action footage to create an alien atmosphere that was [[VisualEffectsofAwesome completely revolutionary for the time.]]

to:

With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique, used for all scenes of the Martian surface, involved the usage of hand drawn animation used in conjunction with live action footage to create an alien atmosphere that was [[VisualEffectsofAwesome [[SugarWiki/VisualEffectsofAwesome completely revolutionary for the time.]]

Added: 188

Changed: -6

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* ArtisticLicenseGunSafety: As with most sci-fi movies of the period, the crew bring along .45 caliber pistols. Colonel O'Bannion carries his around in hand, finger firmly on the trigger.



* [[WaitHere Stay Here]]: What Thomas tells Sam when there’s a load noise above deck of the rocket as he goes investigate. It was the sound of Iris dropping a box full of test tubes when she tripped over Sam’s clothes.

to:

* [[WaitHere Stay Here]]: What Thomas tells Sam when there’s a load loud noise above deck of the rocket as he goes investigate. It was the sound of Iris dropping a box full of test tubes when she tripped over Sam’s clothes.
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None


* SpaceSuitsAreSCUBAGear: As was normal for BMovie props [[ColdWar of the era]], the "spacesuits" were nothing more than surplus Air Force pilot gear.

to:

* SpaceSuitsAreSCUBAGear: As was normal for BMovie props [[ColdWar [[UsefulNotes/ColdWar of the era]], the "spacesuits" were nothing more than surplus Air Force pilot gear.
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* ApatheticCitizens: Both Sam Jacobs and Theodore Gillett stand there as Tom O’Bannion rescues Iris Ryan from some living tentacle plant. Only when Tom gets Iris away from the thing does Jacobs use his weapon against the being.

to:

* ApatheticCitizens: Both Sam Jacobs and Theodore Gillett stand there as Tom O’Bannion rescues Iris Ryan from some living tentacle plant. Only when Tom gets Iris away from the thing does Jacobs use his weapon against the being.[[note]]To be fair, Sam's freeze ray probably wasn't a precision weapon and if he'd fired it, he would have likely hit Iris. Still, they look rather bored for people watching a crewmate on her way to being eaten.[[/note]]
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* BloodFromTheMouth: After waking up from fainting, Iris finds Theodore sitting at the table with blood on his lips, [[spoiler:dying from either cardio arrest, stress or shock of loosing Sam.]]

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* BloodFromTheMouth: After waking up from fainting, Iris finds Theodore sitting at the table with blood on his lips, [[spoiler:dying from either cardio arrest, stress or the shock of loosing losing Sam.]]



* ThatsNoMoon: The four astronauts somehow mistake the forty-foot bat-rat-spider-monkey creator legs for trees.

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* ThatsNoMoon: The four astronauts somehow mistake the forty-foot bat-rat-spider-monkey creator bat-rat-spider-monkey's legs for trees.

Changed: 60

Removed: 62

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* ArtShift: Producer Norman Maurer attempted this by having all the surface of Mars footage to turn directly into hand drawn animation from live-action, or at least to simulate that through the use of [=CineMagic=] technique, which enables hand-drawn backgrounds to look as real or as unreal as the live-action footage.\\
Though the Mars scenes do shift from Technicolor to a red hue.

to:

* ArtShift: Producer Norman Maurer attempted this by having all the surface of Mars footage to turn directly into hand drawn animation from live-action, or at least to simulate that through the use of [=CineMagic=] technique, which enables hand-drawn backgrounds to look as real or as unreal as the live-action footage.\\
Though the
The Mars scenes do also shift from Technicolor to a red hue.
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None


* [[AttackOfThe50FootWhatever Attack of the 40-Foot Whatever]]:

to:

* [[AttackOfThe50FootWhatever Attack of the 40-Foot Whatever]]:Whatever]]: The batratspidercrab (and maybe monkey).
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None

Added DiffLines:

* SpaceSuitsAreSCUBAGear: As was normal for BMovie props [[ColdWar of the era]], the "spacesuits" were nothing more than surplus Air Force pilot gear.
Is there an issue? Send a MessageReason:
fixing grammatical mistakes


With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique used for all scenes for Mar’s surfaces involved the usage of hand drawn animation together with live action footage to simulate the effect of hand-drawn animation.

to:

With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique technique, used for all scenes for Mar’s surfaces of the Martian surface, involved the usage of hand drawn animation together used in conjunction with live action footage to simulate create an alien atmosphere that was [[VisualEffectsofAwesome completely revolutionary for the effect of hand-drawn animation.
time.]]
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None


* CosmicHorrorStory: Everything bad that happens to the astronauts (and the ''only'' reason they were finally let go) was because of the Martians toying with them to send a message to Earth: ''never'' come back to Mars... or '''[[TheEndOfTheWorldAsWeKnowIt ELSE]]'''...

to:

* CosmicHorrorStory: Everything bad that happens to the astronauts (and the ''only'' reason they were finally let go) was because of the Martians toying with them to send a message to Earth: ''never'' come back to Mars... or [[SufficientlyAdvancedAliens o]][[CurbStompBattle r]] '''[[TheEndOfTheWorldAsWeKnowIt ELSE]]'''...
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None

Added: 274

Changed: 91

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* CosmicHorrorStory: Everything bad that happens to the astronauts (and the ''only'' reason they were finally let go) was because of the Martians toying with them to send a message to Earth: ''never'' come back to Mars... or '''[[TheEndOfTheWorldAsWeKnowIt ELSE]]'''...




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\n* TitleDrop: Occurs during a conversation between Ryan and Tom while en route to Mars.

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With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique used for all scenes for Mar’s surfaces involved the usage of hand dawn animation together with live action footage to simulate the effect of hand-drawn animation.

to:

With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique used for all scenes for Mar’s surfaces involved the usage of hand dawn drawn animation together with live action footage to simulate the effect of hand-drawn animation.

Added: 3461

Changed: 515

Is there an issue? Send a MessageReason:
None


* ApatheticCitizens: Both Sam Jacobs and Theodore Gillett stand there as Tom O’Bannion rescues Iris Ryan from some living tentacle plant. Only when Tom gets Iris away from the thing does Jacobs use his weapon against the being.
* ArtShift: Producer Norman Maurer attempted this by having all the surface of Mars footage to turn directly into hand drawn animation from live-action, or at least to simulate that through the use of [=CineMagic=] technique, which enables hand-drawn backgrounds to look as real or as unreal as the live-action footage.\\
Though the Mars scenes do shift from Technicolor to a red hue.



* MixAndMatchCritters: The alien creature is essentially a blend of a bat, rat, spider and crab.
* ShoutOut: Film/KingKong (1933) is compared to one of the Martian creatures/

to:

* BeingWatched: Gillette voices this after they return to the rocket on their first survey of Mars.
* BehindTheBlack[=/=]EpicFail: Four astronauts that are trained scientists fail to notice the rat-bat-spider-crab-monkey monster standing standing in the midst of an otherwise empty plain.
* BloodFromTheMouth: After waking up from fainting, Iris finds Theodore sitting at the table with blood on his lips, [[spoiler:dying from either cardio arrest, stress or shock of loosing Sam.]]
* CassandraTruth: Iris sees a creature appear outside the rocket’s porthole and when she tells the guys what she saw, Thomas O’Bannion and Theodore Gillett look out, seeing nothing.
* TabletopGame/{{Chess}}: Gettell’s seen playing by himself when he and the other three scientists are on their seventeenth day in space.
* DeathWorld: Space explorers land on Mars but instead of intelligent life, they're constantly attacked by monsters.
* EverythingTryingToKillYou: on ''Mars''!
* {{Flashback}}: Most of the movie takes place during the events of the mission, cutting back to present day.
* {{Fainting}}: Iris does this when she sees the alien face through the porthole earlier the second time.
* FlashbackEffect: Scene ripples from present time to flashback.
* HartmanHips: Dr. Iris Ryan
* {{Go for the Eye}}s: Sam shoots his weapon at the monster’s eyes in order to rescue Theodore from being crushed between two rocks where he’s hiding from the creature even after it spotted him.
* LampshadeHanging: Gillette brings the topic of the alien plant that attacked Iris, didn’t attack them sooner when they passed it earlier.
* MixAndMatchCritters: The alien creature is essentially a blend of a bat, rat, spider spider, crab and crab.
possibly monkey.
* {{Posthumous Character}}s: [[spoiler:Professor Theodore Gettell and Chief Warrant Officer Sam Jacobs are only seen not only in a news reel but in flashback.]]
* ProductPlacement: Sam Jacobs’ seen reading ‘''Super Fantastic Science Fiction Stories'',’ a fictional magazine possibly based on American pulp science fiction magazine ''Super Science Stories'' published by published by Popular Publication from 1940 to 1943 and again from 1949 to 1951.
* ShoutOut: Film/KingKong (1933) is compared to Tom calls the alien monster Film/KingKong’s big brother.
* SeaMonster: Tom, Theo, Iris and Sam encounter
one when rowing to the other side of the Martian creatures/
lake on Mars. Though subverted when the creature gets on land to follow the four back to their ship.
* [[SomeKindOfForceField Some Sort of Force Field]]: Spoken word for word by Tom when they try to leave Mars on the second day, explaining some sort of power is holding them right there.
* [[WaitHere Stay Here]]: What Thomas tells Sam when there’s a load noise above deck of the rocket as he goes investigate. It was the sound of Iris dropping a box full of test tubes when she tripped over Sam’s clothes.
* TheSmurfettePrinciple: Iris Ryan is not the only female astronaut, but she’s the only female main character.
* ThatsNoMoon: The four astronauts somehow mistake the forty-foot bat-rat-spider-monkey creator legs for trees.
* ThousandYardStare: Dr. Iris Ryan when we first see her on her hospital bed being questions after coming back from the mission.
* TimePassesMontage: About a full minute from the astronauts’ seventeenth day in space to the twenty-ninth day and then from there to the forty-seventh day of flight.
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http://static.tvtropes.org/pmwiki/pub/images/angryredplanet_1783.jpeg
[[caption-width:This film literally has you seeing red!]]

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http://static.[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/angryredplanet_1783.jpeg
[[caption-width:This
jpeg]]
[[caption-width-right:300:This
film literally has you seeing red!]]
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Added DiffLines:

http://static.tvtropes.org/pmwiki/pub/images/angryredplanet_1783.jpeg
[[caption-width:This film literally has you seeing red!]]

With a budget of $200,000 to make the film and given only nine to ten days to shoot the film, director Ib Melchior gives us '''''The Angry Red Planet''''', a 1959 science fiction film that necessitated the use of [=CineMagic=] technique. The [=CineMagic=] technique used for all scenes for Mar’s surfaces involved the usage of hand dawn animation together with live action footage to simulate the effect of hand-drawn animation.

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!!Tropes:

* [[AttackOfThe50FootWhatever Attack of the 40-Foot Whatever]]:
* MixAndMatchCritters: The alien creature is essentially a blend of a bat, rat, spider and crab.
* ShoutOut: Film/KingKong (1933) is compared to one of the Martian creatures/

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