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It's the second of twelve films in the Weissmüller Franchise/{{Tarzan}} series, and a direct sequel to the first film, ''Film/TarzanTheApeMan''. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money (which was both his and Jane's goal in the first film before encountering Tarzan). Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.

to:

It's the second of twelve films in the Weissmüller Franchise/{{Tarzan}} series, and a direct sequel to the first film, ''Film/TarzanTheApeMan''.''Film/TarzanTheApeMan1932''. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money (which was both his and Jane's goal in the first film before encountering Tarzan). Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.
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trope is renamed Prefers Going Barefoot. Dewicking old name


* DoesNotLikeShoes: Tarzan, as usual, but now Jane joins him in living barefoot (by the next film, ''Tarzan Escapes'', Jane is regularly seen in the films wearing a protective type of shoe).

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Everythings Better With Monkeys has been turned into a disambiguation. Zero Context Examples and examples that don’t fit existing tropes will be removed.


* EverythingsBetterWithMonkeys: Cheeta the chimpanzee provides comic relief, like when she tries on the fancy dresses brought for Jane. She rides an ostrich!


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* SillySimian: Cheeta the chimpanzee provides comic relief, like when she tries on the fancy dresses brought for Jane. She rides an ostrich!
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* DoesNotLikeShoes: Tarzan, as usual, but now Jane joins him in living barefoot (by the next film, ''Tarzan Escapes'', Jane is regularly seen in the films wearing a protective type of shoe).
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* HotterAndSexier: Although all the Weissmüller/O'Sullivan films are loaded to the gills with {{UST}}, this installment, when one adds in the {{Fanservice}} aspects (see above) is generally considered the sexiest of all the Tarzan films made prior to 1981's R-rated and intentionally erotic ''[[Film/TarzanTheApeMan1981 Tarzan, the Ape Man]]'' starring Creator/BoDerek.

to:

* HotterAndSexier: Although all the Weissmüller/O'Sullivan films are loaded to the gills with {{UST}}, this installment, when one adds in the {{Fanservice}} aspects (see above) aspects, is generally considered the sexiest of all the Tarzan films made prior to 1981's R-rated and intentionally erotic ''[[Film/TarzanTheApeMan1981 Tarzan, the Ape Man]]'' starring Creator/BoDerek.

Added: 604

Changed: 69

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* {{Fanservice}}: A shocking amount. ''Tarzan and His Mate'' was made right at the end of UsefulNotes/ThePreCodeEra, literally just a couple of months before UsefulNotes/TheHaysCode brought a sudden end to overt sexual content in Hollywood cinema. Still, this film was really pushing it. It's one thing that O'Sullivan spends the bulk of the movie in a halter top-and-loincloth ensemble, which was changed into a more conservative one-piece for future ''Tarzan'' installments. More shocking is the {{Skinnydipping}} nude scene in which O'Sullivan (or rather her body double, Olympic swimmer Josephine [=McKim=], who competed in the 1928 Games with Weissmüller) does not have a stitch of clothing on for her swim with Tarzan. The scene is shown in a medium shot rather than a close-up but still leaves little to the imagination. Since this was really risky even for the Pre-Code Era, MGM shot other versions of the scene in which O'Sullivan/[=McKim=] were more covered up. O'Sullivan doesn't escape showing more than usual for actors of the day; one of her breasts is actually visible briefly in one swimming shot not involving the double.



* MrFanservice: Tarzan as always, Johnny Weissmuller showing off the physique of an Olympic swimmer, but his loincloth would never get smaller than in this edition of the series.
* MsFanservice: Made at the tail-end of UsefulNotes/ThePreCodeEra, and they really pushed the limits with Maureen O'Sullivan. Jane spends most of the movie half-naked in a halter top and loincloth, except for when she actually is naked in the skinny-dipping scene, and the one time she puts on a Western-style dress it's a SexyBacklessOutfit. In later films after the Hays Code was enforced, Jane wore a one-piece loincloth.



* {{Skinnydipping}}: A film made in 1934 has a scene in which Jane takes a nude swim with Tarzan. And there's an underwater camera.

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* {{Skinnydipping}}: A film made in 1934 has a scene in which Jane takes a nude swim with Tarzan. And there's an underwater camera. It's shot from a distance, but the viewer can still see everything.
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It's the second of twelve films in the Weissmüller Franchise/{{Tarzan}} series, and a direct sequel to the first film, 1932's ''Tarzan the Ape Man''. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money (which was both his and Jane's goal in the first film before encountering Tarzan). Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.

to:

It's the second of twelve films in the Weissmüller Franchise/{{Tarzan}} series, and a direct sequel to the first film, 1932's ''Tarzan the Ape Man''.''Film/TarzanTheApeMan''. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money (which was both his and Jane's goal in the first film before encountering Tarzan). Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.
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It's the second of twelve films in the Weissmüller Franchise/{{Tarzan}} series, and a direct sequel to the first film. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money (which was both his and Jane's goal in the first film before encountering Tarzan). Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.

to:

It's the second of twelve films in the Weissmüller Franchise/{{Tarzan}} series, and a direct sequel to the first film.film, 1932's ''Tarzan the Ape Man''. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money (which was both his and Jane's goal in the first film before encountering Tarzan). Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.
Is there an issue? Send a MessageReason:
None


It's the second of twelve films in the Weissmuller Franchise/{{Tarzan}} series, and a direct sequel to the first film. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money (which was both his and Jane's goal in the first film before encountering Tarzan). Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.

to:

It's the second of twelve films in the Weissmuller Weissmüller Franchise/{{Tarzan}} series, and a direct sequel to the first film. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money (which was both his and Jane's goal in the first film before encountering Tarzan). Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.



* {{Fanservice}}: A shocking amount. ''Tarzan and His Mate'' was made right at the end of UsefulNotes/ThePreCodeEra, literally just a couple of months before UsefulNotes/TheHaysCode brought a sudden end to overt sexual content in Hollywood cinema. Still, this film was really pushing it. It's one thing that O'Sullivan spends the bulk of the movie in a halter top-and-loincloth ensemble, which was changed into a more conservative one-piece for future ''Tarzan'' installments. More shocking is the {{Skinnydipping}} nude scene in which O'Sullivan (or rather her body double, Olympic swimmer Josephine [=McKim=], who competed in the 1928 Games with Weissmuller) does not have a stitch of clothing on for her swim with Tarzan. The scene is shown in a medium shot rather than a close-up but still leaves little to the imagination. Since this was really risky even for the Pre-Code Era, MGM shot other versions of the scene in which O'Sullivan/[=McKim=] were more covered up. O'Sullivan doesn't escape showing more than usual for actors of the day; one of her breasts is actually visible briefly in one swimming shot not involving the double.

to:

* {{Fanservice}}: A shocking amount. ''Tarzan and His Mate'' was made right at the end of UsefulNotes/ThePreCodeEra, literally just a couple of months before UsefulNotes/TheHaysCode brought a sudden end to overt sexual content in Hollywood cinema. Still, this film was really pushing it. It's one thing that O'Sullivan spends the bulk of the movie in a halter top-and-loincloth ensemble, which was changed into a more conservative one-piece for future ''Tarzan'' installments. More shocking is the {{Skinnydipping}} nude scene in which O'Sullivan (or rather her body double, Olympic swimmer Josephine [=McKim=], who competed in the 1928 Games with Weissmuller) Weissmüller) does not have a stitch of clothing on for her swim with Tarzan. The scene is shown in a medium shot rather than a close-up but still leaves little to the imagination. Since this was really risky even for the Pre-Code Era, MGM shot other versions of the scene in which O'Sullivan/[=McKim=] were more covered up. O'Sullivan doesn't escape showing more than usual for actors of the day; one of her breasts is actually visible briefly in one swimming shot not involving the double.



* HotterAndSexier: Although all the Weissmuller/O'Sullivan films are loaded to the gills with {{UST}}, this installment, when one adds in the {{Fanservice}} aspects (see above) is generally considered the sexiest of all the Tarzan films made prior to 1981's R-rated and intentionally erotic ''[[Film/TarzanTheApeMan1981 Tarzan, the Ape Man]]'' starring Creator/BoDerek.

to:

* HotterAndSexier: Although all the Weissmuller/O'Sullivan Weissmüller/O'Sullivan films are loaded to the gills with {{UST}}, this installment, when one adds in the {{Fanservice}} aspects (see above) is generally considered the sexiest of all the Tarzan films made prior to 1981's R-rated and intentionally erotic ''[[Film/TarzanTheApeMan1981 Tarzan, the Ape Man]]'' starring Creator/BoDerek.
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Fixed Margaret to Maureen


* SceneryCensor: Even when filming a skinnydipping scene MGM wasn't willing to show Margaret O'Sullivan [[SexySurfacingShot naked out of the water]], so Jane is hidden by some tall brush when retrieving her dress from Cheeta.

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* SceneryCensor: Even when filming a skinnydipping scene MGM wasn't willing to show Margaret Maureen O'Sullivan [[SexySurfacingShot naked out of the water]], so Jane is hidden by some tall brush when retrieving her dress from Cheeta.
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* SceneryCensor: Even when filming a skinnydipping scene MGM wasn't willing to show Margaret O'Sullivan naked out of the water, so Jane is hidden by some tall brush when retrieving her dress from Cheeta.

to:

* SceneryCensor: Even when filming a skinnydipping scene MGM wasn't willing to show Margaret O'Sullivan [[SexySurfacingShot naked out of the water, water]], so Jane is hidden by some tall brush when retrieving her dress from Cheeta.
Is there an issue? Send a MessageReason:
None


* HotterAndSexier: Although all the Weissmuller/O'Sullivan films are loaded to the gills with {{UST}}, this installment, when one adds in the {{Fanservice}} aspects (see above) is generally considered the sexist of all the Tarzan films made prior to 1981's R-rated and intentionally erotic ''Tarzan, the Ape Man'' starring Creator/BoDerek.

to:

* HotterAndSexier: Although all the Weissmuller/O'Sullivan films are loaded to the gills with {{UST}}, this installment, when one adds in the {{Fanservice}} aspects (see above) is generally considered the sexist sexiest of all the Tarzan films made prior to 1981's R-rated and intentionally erotic ''Tarzan, ''[[Film/TarzanTheApeMan1981 Tarzan, the Ape Man'' Man]]'' starring Creator/BoDerek.
Is there an issue? Send a MessageReason:
None


It's the second of twelve films in the Weissmuller Franchise/{{Tarzan}} series. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money. Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.

to:

It's the second of twelve films in the Weissmuller Franchise/{{Tarzan}} series.series, and a direct sequel to the first film. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money.money (which was both his and Jane's goal in the first film before encountering Tarzan). Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.
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None

Added DiffLines:

* HotterAndSexier: Although all the Weissmuller/O'Sullivan films are loaded to the gills with {{UST}}, this installment, when one adds in the {{Fanservice}} aspects (see above) is generally considered the sexist of all the Tarzan films made prior to 1981's R-rated and intentionally erotic ''Tarzan, the Ape Man'' starring Creator/BoDerek.
Is there an issue? Send a MessageReason:
None


* {{Fanservice}}: A shocking amount. ''Tarzan and His Mate'' was made right at the end of UsefulNotes/ThePreCodeEra, literally just a couple of months before UsefulNotes/TheHaysCode brought a sudden end to overt sexual content in Hollywood cinema. Still, this film was really pushing it. It's one thing that O'Sullivan spends the bulk of the movie in a halter top-and-loincloth ensemble, which was changed into a more conservative one-piece for future ''Tarzan'' installments. More shocking is the {{Skinnydipping}} nude scene in which O'Sullivan (or rather her body double, Olympic swimmer Josephine [=McKim=], who competed in the 1928 Games with Weissmuller) does not have a stitch of clothing on for her swim with Tarzan. The scene is shown in a medium shot rather than a close-up but still leaves little to the imagination. Since this was really risky even for the Pre-Code Era, MGM shot other versions of the scene in which O'Sullivan/[=McKim=] were more covered up.

to:

* {{Fanservice}}: A shocking amount. ''Tarzan and His Mate'' was made right at the end of UsefulNotes/ThePreCodeEra, literally just a couple of months before UsefulNotes/TheHaysCode brought a sudden end to overt sexual content in Hollywood cinema. Still, this film was really pushing it. It's one thing that O'Sullivan spends the bulk of the movie in a halter top-and-loincloth ensemble, which was changed into a more conservative one-piece for future ''Tarzan'' installments. More shocking is the {{Skinnydipping}} nude scene in which O'Sullivan (or rather her body double, Olympic swimmer Josephine [=McKim=], who competed in the 1928 Games with Weissmuller) does not have a stitch of clothing on for her swim with Tarzan. The scene is shown in a medium shot rather than a close-up but still leaves little to the imagination. Since this was really risky even for the Pre-Code Era, MGM shot other versions of the scene in which O'Sullivan/[=McKim=] were more covered up. O'Sullivan doesn't escape showing more than usual for actors of the day; one of her breasts is actually visible briefly in one swimming shot not involving the double.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/0fa5ccab_cca9_4e31_a7de_b87f42fd1d06.jpeg]]

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* EverythingsBetterWithMonkeys: Cheeta the chimpanzee provides comic relief, like when she tries on the fancy dresses brought for Jane.

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* EverythingsBetterWithMonkeys: Cheeta the chimpanzee provides comic relief, like when she tries on the fancy dresses brought for Jane. She rides an ostrich!


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* TimmyInAWell: Cheeta does this twice. First, some jumping and hooting and yanking on Jane's arm is enough to get Jane to understand that in fact Tarzan is still alive. Then more hooting and yanking gets Tarzan to understand that Jane needs help.

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* DamselInDistress: Jane tends to serve this role a lot, when she isn't providing {{Fanservice}}. Over the course of the film Tarzan has to rescue her from a lion, a cheetah, a crocodile, and a rhino. Even Cheeta has to save her once.

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* DamselInDistress: Jane tends to serve this role a lot, when she isn't providing {{Fanservice}}. Over the course of the film Tarzan has to rescue her from a lion, a cheetah, a crocodile, and a rhino. Even Cheeta has to save her once.



* HeroicSacrifice: One of the chimps distracts a charging rhino in order to save Jane, and gets stomped to death in the process.
* JungleDrums: When the safari hears the beating of jungle drums as they're attempting to leave, it's a sure sign of trouble. Sure enough, just moments later they're attacked by another hostile tribe.



* LoinCloth: Tarzan wears one. So does Jane, although she pairs it with a leather bikini top. Future installments of the series put more clothing on Jane.

to:

* LoinCloth: Tarzan wears one. So does Jane, although she pairs it with a leather bikini halter top. Future installments of the series put more clothing on Jane.



* {{Skinnydipping}}: A film made in 1934 has a scene in which Jane takes a nude swim with Tarzan.

to:

* {{Skinnydipping}}: A film made in 1934 has a scene in which Jane takes a nude swim with Tarzan. And there's an underwater camera.

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* CallBack: To the death of Jane's father at the same elephant graveyard in the first Tarzan movie, ''Tarzan, the Ape Man''. Jane goes to her father's grave, removes a bracelet that was buried just under the surface next to the grave, and gives it to Tarzan.



* {{Fanservice}}: A shocking amount. ''Tarzan and His Mate'' was made right at the end of UsefulNotes/ThePreCodeEra, literally just a couple of months before UsefulNotes/TheHaysCode brought a sudden end to overt sexual content in Hollywood cinema. Still, this film was really pushing it. It's one thing that O'Sullivan spends the bulk of the movie in a halter top-and-loincloth ensemble, which was changed into a more conservative one-piece for future ''Tarzan'' installments. More shocking is the {{Skinnydipping}} nude scene in which O'Sullivan (or rather her body double, Olympic swimmer Josephine [=McKim=], who competed in the 1928 Games with Weissmuller) does not have a stitch of clothing on for her swim with Tarzan. The scene is shown in a medium shot rather than a close-up but still leaves little to the imagination. Since this was really risky even for the Pre-Code Era, MGM shot other versions of the scene in which O'Sullivan/[=McKim=] were more covered up.



* {{Fanservice}}: A shocking amount. ''Tarzan and His Mate'' was made right at the end of UsefulNotes/ThePreCodeEra, literally just a couple of months before UsefulNotes/TheHaysCode brought a sudden end to overt sexual content in Hollywood cinema. Still, this film was really pushing it. It's one thing that O'Sullivan spends the bulk of the movie in a bikini-top-and-loincloth ensemble, which was changed into a more conservative one-piece for future ''Tarzan'' installments. More shocking is the {{Skinnydipping}} nude scene in which O'Sullivan (or rather her body double, Olympic swimmer Josephine [=McKim=], who competed in the 1928 Games with Weissmuller) does not have a stitch of clothing on for her swim with Tarzan. The scene is shown in a medium shot rather than a close-up but still leaves little to the imagination. Since this was really risky even for the Pre-Code Era, MGM shot other versions of the scene in which O'Sullivan/[=McKim=] were more covered up.
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* SexyBacklessOutfit: Just a ''little bit more'' Fanservice, as the dress that Harry brings for Jane to try on is just such an ensemble.

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* DeadGuyOnDisplay: The reason that Holt has to depend on Tarzan in the first place is that two other white explorers, Pierce and Van Ness, steal his map. Holt and Arlington later find the corpses of Pierce and Van Ness hanging from trees. This motivates them to run for the escarpment rather than stand and fight as Pierce and Van Ness did.



* {{Fanservice}}: A shocking amount. ''Tarzan and His Mate'' was made right at the end of UsefulNotes/ThePreCodeEra, literally just a couple of months before UsefulNotes/TheHaysCode brought a sudden end to overt sexual content in Hollywood cinema. Still, this film was really pushing it. It's one thing that O'Sullivan spends the bulk of the movie in a bikini-top-and-loincloth ensemble, which was changed into a more conservative one-piece for future ''Tarzan'' installments. More shocking is the {{Skinnydipping}} nude scene in which O'Sullivan does not have a stitch of clothing on for her swim with Tarzan. The scene is shown in a medium shot rather than a close-up but still leaves little to the imagination. Since this was really risky even for the Pre-Code Era, MGM shot other versions of the scene in which O'Sullivan was more covered up.

to:

* {{Fanservice}}: A shocking amount. ''Tarzan and His Mate'' was made right at the end of UsefulNotes/ThePreCodeEra, literally just a couple of months before UsefulNotes/TheHaysCode brought a sudden end to overt sexual content in Hollywood cinema. Still, this film was really pushing it. It's one thing that O'Sullivan spends the bulk of the movie in a bikini-top-and-loincloth ensemble, which was changed into a more conservative one-piece for future ''Tarzan'' installments. More shocking is the {{Skinnydipping}} nude scene in which O'Sullivan (or rather her body double, Olympic swimmer Josephine [=McKim=], who competed in the 1928 Games with Weissmuller) does not have a stitch of clothing on for her swim with Tarzan. The scene is shown in a medium shot rather than a close-up but still leaves little to the imagination. Since this was really risky even for the Pre-Code Era, MGM shot other versions of the scene in which O'Sullivan was O'Sullivan/[=McKim=] were more covered up.
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* GoneSwimmingClothesStolen: Naturally, Cheeta snatches up Jane's dress while she's skinnydipping with Tarzan, leading to a scene where Jane has to get the dress back. Of course, as the dialogue makes clear, the presence of outsiders is the only reason she cares.



* JunglesSoundLikeKookaburras: The Tarzan franchise as a whole was the trope maker, using the kookaburra to suggest African jungle.
* LoinCloth: Tarzan wears one. So does Jane, although she pairs it with a leather bikini top. Future installments of the series put more clothing on Jane.



* TheissTitillationTheory: InUniverse. DiscussedTrope, as Arlington observes the flimsy dresses Holt has brought for Jane and says "The effect seems to be to promise to show something that is never quite shown."

to:

* TheissTitillationTheory: InUniverse. DiscussedTrope, as Arlington observes the flimsy dresses Holt has brought for Jane and says "The effect seems to be to promise to show something that is never quite shown.""
* VaporWear: How Jane's dressed, as usual.
* VineSwing: How Tarzan and Jane get around, with Jane having gotten as good at it as Tarzan has. One acrobatic scene has Tarzan flip Jane to Cheeta, with the chimp then flipping Jane to safety on a tree branch.
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* ElephantsGraveyard: What Holt and Arlington want to find, for the priceless ivory. Tarzan is appalled when he is told why he's been asked to guide them through the jungle. After he refuses to lead them, Arlington shoots an elephant and the party follows the elephant as it makes its way to the graveyard to die.

to:

* ElephantsGraveyard: ElephantGraveyard: What Holt and Arlington want to find, for the priceless ivory. Tarzan is appalled when he is told why he's been asked to guide them through the jungle. After he refuses to lead them, Arlington shoots an elephant and the party follows the elephant as it makes its way to the graveyard to die.



* TheissTitillationTheory: DiscussedTrope, as Arlington observes the flimsy dresses Holt has brought for Jane and says "The effect seems to be to promise to show something that is never quite shown."

to:

* TheissTitillationTheory: InUniverse. DiscussedTrope, as Arlington observes the flimsy dresses Holt has brought for Jane and says "The effect seems to be to promise to show something that is never quite shown."
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None

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''Tarzan and His Mate'' is a 1934 film directed by Cedric Gibbons, starring Creator/JohnnyWeissmuller as Tarzan and Maureen O'Sullivan as Jane.

It's the second of twelve films in the Weissmuller Franchise/{{Tarzan}} series. In this one, an old suitor of Jane's, Harry Holt, has come back to Africa. Harry has two goals. The first is to try to talk Jane into leaving Tarzan and her idealized jungle existence and coming back to London and civilization with him. The second is to find an elephants' graveyard of ivory and make a lot of money. Coming along with him and mainly interested in the second goal only is Martin Arlington, a broke British aristocrat who has put the last of his money into the expedition.

Eventually Holt and Arlington are successful in contacting Tarzan and Jane. Holt quickly gives up on his hopes for Jane when she makes it clear that she is not interested in going home and wishes to remain with Tarzan. The second goal also runs into difficulties when Tarzan, once he is told just why Holt and Arlington want to go to the graveyard, refuses to lead them there. Arlington, unwilling to take no for an answer, mortally wounds an elephant so the safari can follow it to the graveyard. When Tarzan intervenes to stop them, Arlington takes even more drastic action.

----
!!Tropes:

* TheCavalry: The safari is about to get wiped out by hostile apes in the mountains when Tarzan appears and saves it.
* ClothingDamage: Naturally, when Jane puts on a dress it's only for the skirt to get caught and torn while she's trying to climb a tree to escape from a rhino.
* DamselInDistress: Jane tends to serve this role a lot, when she isn't providing {{Fanservice}}. Over the course of the film Tarzan has to rescue her from a lion, a cheetah, a crocodile, and a rhino. Even Cheeta has to save her once.
* DarkestAfrica: The "Mutia Escarpment" is a ridgeline that marks the boundary of an area where "no white man" has ever been except for Holt, who still needs Tarzan to help him get there. Angry natives try and stop him.
* ElephantsGraveyard: What Holt and Arlington want to find, for the priceless ivory. Tarzan is appalled when he is told why he's been asked to guide them through the jungle. After he refuses to lead them, Arlington shoots an elephant and the party follows the elephant as it makes its way to the graveyard to die.
* EverythingsBetterWithMonkeys: Cheeta the chimpanzee provides comic relief, like when she tries on the fancy dresses brought for Jane.
* EvilPoacher: Arlington. We first see this when he murders a reluctant porter, an act that shocks even Holt, who himself seems to regard the porters as little more than pack animals. Later he kills an elephant to find his way to the graveyard, and still later he tries to kill Tarzan.
* GoingNative: It's clear right off the bat that Jane is all-in on living in the jungle when she is introduced answering Tarzan's "ah-aaah aah aah" yodel with one of her own.
* {{Fanservice}}: A shocking amount. ''Tarzan and His Mate'' was made right at the end of UsefulNotes/ThePreCodeEra, literally just a couple of months before UsefulNotes/TheHaysCode brought a sudden end to overt sexual content in Hollywood cinema. Still, this film was really pushing it. It's one thing that O'Sullivan spends the bulk of the movie in a bikini-top-and-loincloth ensemble, which was changed into a more conservative one-piece for future ''Tarzan'' installments. More shocking is the {{Skinnydipping}} nude scene in which O'Sullivan does not have a stitch of clothing on for her swim with Tarzan. The scene is shown in a medium shot rather than a close-up but still leaves little to the imagination. Since this was really risky even for the Pre-Code Era, MGM shot other versions of the scene in which O'Sullivan was more covered up.
* MurderIsTheBestSolution: Arlington shoots a porter who refuses to go on. Holt recoils, saying "A whip would have done just as well."
* RepeatAfterMe: Holt introduces Arlington to Tarzan as "Martin, my friend." Tarzan spends the rest of the movie addressing Arlington as "Martin Myfriend."
* SceneryCensor: Even when filming a skinnydipping scene MGM wasn't willing to show Margaret O'Sullivan naked out of the water, so Jane is hidden by some tall brush when retrieving her dress from Cheeta.
* SexySilhouette: Jane is fully visible inside the tent when she's changing into the fancy dress. Arlington the slimeball enjoys the view.
* {{Skinnydipping}}: A film made in 1934 has a scene in which Jane takes a nude swim with Tarzan.
* SuckOutThePoison: Jane does this after Arlington is wounded by an arrow that turns out to be poison. Arlington enjoys it.
* ATasteOfTheLash: The native porters are slaves. Holt and Arlington are generally unconcerned when eight die along the way. Both of them as well as their foreman Saidi use whips to drive the porters along.
* TemptingFate: After fighting off some hostile natives the safari is struggling over a mountain pass. Holt says "Well, I hope we've got the worst behind us" and Arlington answers "We have!" This is immediately followed by a bunch of gorillas appearing at the top of the pass and raining boulders down on their party. The safari appears to be on the verge of total destruction when when Tarzan appears, nearly a half hour into the film, and saves the day.
* TheissTitillationTheory: DiscussedTrope, as Arlington observes the flimsy dresses Holt has brought for Jane and says "The effect seems to be to promise to show something that is never quite shown."

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