Is there an issue? Send a MessageReason:
Dewicked trope
Changed line(s) 15 (click to see context) from:
* BareYourMidriff: One of Connie's most notable outfits is a cutoff halter top.
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 12,14 (click to see context) from:
* AcceptableFeminineGoalsAndTraits: The film can be seen as a {{deconstruction}} of the cultural expectation that [[MenActWomenAre “girls should be raised to be nice and agreeable”]], which only leaves women vulnerable to harm and possible violence. Connie is left with a [[Catch22Dilemma catch-22 situation]] between being seen as desirable and being in danger.
* AmbiguousSituation: [[spoiler:It’s left unclear as to what Arnold Friend does to Connie; although she survives, she is changed by the experience]].
* AntagonisticOffspring: Connie and her mother Katherine clash over the former’s perceived immaturity and self-centeredness.
* AmbiguousSituation: [[spoiler:It’s left unclear as to what Arnold Friend does to Connie; although she survives, she is changed by the experience]].
* AntagonisticOffspring: Connie and her mother Katherine clash over the former’s perceived immaturity and self-centeredness.
to:
* AcceptableFeminineGoalsAndTraits: The film can be seen as a {{deconstruction}} of the cultural expectation that [[MenActWomenAre “girls "girls should be raised to be nice and agreeable”]], agreeable"]], which only leaves women vulnerable to harm and possible violence. Connie is left with a [[Catch22Dilemma catch-22 situation]] between being seen as desirable and being in danger.
* AmbiguousSituation:[[spoiler:It’s [[spoiler:It's left unclear as to what Arnold Friend does to Connie; although she survives, she is changed by the experience]].
* AntagonisticOffspring: Connie and her mother Katherine clash over theformer’s former's perceived immaturity and self-centeredness.
* AmbiguousSituation:
* AntagonisticOffspring: Connie and her mother Katherine clash over the
Changed line(s) 23 (click to see context) from:
* {{Foreshadowing}}: Jill stops by Connie’s house and tells her some guy on the road stopped to ask about her. Connie asks if the guy’s name was Jeff, whom she was with the previous night. Jill says it wasn’t, but before they can discuss it further Connie gets up and goes to play a song on the record player.
to:
* {{Foreshadowing}}: Jill stops by Connie’s Connie's house and tells her some guy on the road stopped to ask about her. Connie asks if the guy’s guy's name was Jeff, whom she was with the previous night. Jill says it wasn’t, wasn't, but before they can discuss it further Connie gets up and goes to play a song on the record player.
Changed line(s) 26,27 (click to see context) from:
* IWantMyMommy: While huddled in a corner of the hallway as [[spoiler: Arnold starts to enter the house]], Connie cries to herself about wanting her mom.
* IWarnedYou: From the beginning of the film, Connie’s flirtations result in her either getting what she wants, or receiving unwanted male attention, which is initially played for laughs and is more or less harmless. But after butting heads with her mother over her going out at night to meet guys, Connie experiences a scary incident that marks a turning point in her life.
* IWarnedYou: From the beginning of the film, Connie’s flirtations result in her either getting what she wants, or receiving unwanted male attention, which is initially played for laughs and is more or less harmless. But after butting heads with her mother over her going out at night to meet guys, Connie experiences a scary incident that marks a turning point in her life.
to:
* IWantMyMommy: While huddled in a corner of the hallway as [[spoiler: Arnold [[spoiler:Arnold starts to enter the house]], Connie cries to herself about wanting her mom.
* IWarnedYou: From the beginning of the film,Connie’s Connie's flirtations result in her either getting what she wants, or receiving unwanted male attention, which is initially played for laughs and is more or less harmless. But after butting heads with her mother over her going out at night to meet guys, Connie experiences a scary incident that marks a turning point in her life.
* IWarnedYou: From the beginning of the film,
Changed line(s) 30 (click to see context) from:
* LocalHangout: Frank’s, the roadside burger stand.
to:
* LocalHangout: Frank’s, Frank's, the roadside burger stand.
Changed line(s) 35,36 (click to see context) from:
* MysteriousWatcher: Arnold is first seen checking Connie out and observing her through the diner windows, but we don’t learn of his identity until the second half of the film.
* ParentalFavoritism: June, Connie’s well-behaved older sister, appears to be the favorite. Connie’s mother emphasizes June is an angel to a friend right in front of Connie.
* ParentalFavoritism: June, Connie’s well-behaved older sister, appears to be the favorite. Connie’s mother emphasizes June is an angel to a friend right in front of Connie.
to:
* MysteriousWatcher: Arnold is first seen checking Connie out and observing her through the diner windows, but we don’t don't learn of his identity until the second half of the film.
* ParentalFavoritism: June,Connie’s Connie's well-behaved older sister, appears to be the favorite. Connie’s mother emphasizes June is an angel to a friend right in front of Connie.
* ParentalFavoritism: June,
Changed line(s) 38,39 (click to see context) from:
* SmallRoleBigImpact: Arnold Friend’s big scene is under 25 minutes during the last half of the film, but it’s a menacingly memorable one.
* SneakingOutAtNight: Connie and her friend Laura use the excuse that they’re going to the movies as a cover for hanging out at the burger stand after dark. Later, they’re caught in a lie.
* SneakingOutAtNight: Connie and her friend Laura use the excuse that they’re going to the movies as a cover for hanging out at the burger stand after dark. Later, they’re caught in a lie.
to:
* SmallRoleBigImpact: Arnold Friend’s Friend's big scene is under 25 minutes during the last half of the film, but it’s it's a menacingly memorable one.
* SneakingOutAtNight: Connie and her friend Laura use the excuse thatthey’re they're going to the movies as a cover for hanging out at the burger stand after dark. Later, they’re they're caught in a lie.
* SneakingOutAtNight: Connie and her friend Laura use the excuse that
Is there an issue? Send a MessageReason:
None
Changed line(s) 12 (click to see context) from:
* AcceptableFeminineGoalsAndTraits: The film can be seen as a {{deconstruction}} of the cultural expectation that [[MenActWomenAre “girls should be raised to be nice and agreeable”]], which only leaves women vulnerable to harm and possible violence. Connie is left with a [[Catch22Dilemma catch-22 situation]] between being being seen as desirable and being in danger.
to:
* AcceptableFeminineGoalsAndTraits: The film can be seen as a {{deconstruction}} of the cultural expectation that [[MenActWomenAre “girls should be raised to be nice and agreeable”]], which only leaves women vulnerable to harm and possible violence. Connie is left with a [[Catch22Dilemma catch-22 situation]] between being being seen as desirable and being in danger.
Is there an issue? Send a MessageReason:
None
* AcceptableFeminineGoalsAndTraits: The film can be seen as a {{deconstruction}} of the cultural expectation that [[MenActWomenAre “girls should be raised to be nice and agreeable”]], which only leaves women vulnerable to harm and possible violence. Connie is left with a [[Catch22Dilemma catch-22 situation]] between being being seen as desirable and being in danger.
* GenreRoulette: The film runs the gamut between coming-of-age teen drama, PsychologicalHorror, and even a {{thriller}}.
* IWarnedYou: From the beginning of the film, Connie’s flirtations result in her either getting what she wants, or receiving unwanted male attention, which is initially played for laughs and is more or less harmless. But after butting heads with her mother over her going out at night to meet guys, Connie experiences a scary incident that marks a turning point in her life.
Changed line(s) 32 (click to see context) from:
* ParentalFavoritism: June, Connie’s older sister, appears to be the favorite. Connie’s mother emphasizes June is an angel to a friend right in front of Connie.
to:
* MysteriousWatcher: Arnold is first seen checking Connie out and observing her through the diner windows, but we don’t learn of his identity until the second half of the film.
* ParentalFavoritism: June, Connie’s well-behaved older sister, appears to be the favorite. Connie’s mother emphasizes June is an angel to a friend right in front of Connie.
* ParentalFavoritism: June, Connie’s well-behaved older sister, appears to be the favorite. Connie’s mother emphasizes June is an angel to a friend right in front of Connie.
Is there an issue? Send a MessageReason:
None
Deleted line(s) 32 (click to see context) :
* StalkerShot: Early scenes of Arnold show him observing a blissfully unaware Connie at the diner, coupled with some POV shots.
Changed line(s) 37 (click to see context) from:
* SparedByTheAdaptation: [[spoiler:Connie is still alive at the end of the film, unlike the ambiguous fate in the short story]].
to:
* SparedByTheAdaptation: [[spoiler:Connie [[spoiler: Connie is still alive at the end of the film, unlike the ambiguous fate in the short story]].story]].
* StalkerShot: Early scenes of Arnold show him observing a blissfully unaware Connie at the diner, coupled with some POV shots.
* StalkerShot: Early scenes of Arnold show him observing a blissfully unaware Connie at the diner, coupled with some POV shots.
Is there an issue? Send a MessageReason:
None
Deleted line(s) 12 (click to see context) :
* AdultFear: [[spoiler: Being home alone in a farmhouse in a rural area, left to fend off the advances of a predator]].
Added DiffLines:
* IWantMyMommy: While huddled in a corner of the hallway as [[spoiler: Arnold starts to enter the house]], Connie cries to herself about wanting her mom.
Added DiffLines:
* MeaningfulName:
-->'''Arnold''': I wanna introduce myself. I'm Arnold Friend and that's my real name. And that's what I want to be to you, ''a friend''.
-->'''Arnold''': I wanna introduce myself. I'm Arnold Friend and that's my real name. And that's what I want to be to you, ''a friend''.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* FauxAffablyEvil: Arnold starts out as charming and seemingly harmless, [[spoiler: but gets progressively more sinister and demanding as he tries to coerce Connie]].
* {{Foreshadowing}}: Jill stops by Connie’s house and tells her some guy on the road stopped to ask about her. Connie asks if the guy’s name was Jeff, whom she was with the previous night. Jill says it wasn’t, but before they can discuss it further Connie gets up and goes to play a song on the record player.
* {{Foreshadowing}}: Jill stops by Connie’s house and tells her some guy on the road stopped to ask about her. Connie asks if the guy’s name was Jeff, whom she was with the previous night. Jill says it wasn’t, but before they can discuss it further Connie gets up and goes to play a song on the record player.
Added DiffLines:
* MirrorMonologue : Connie practices pickup lines in the bathroom mirror.
Added DiffLines:
* StalkerShot: Early scenes of Arnold show him observing a blissfully unaware Connie at the diner, coupled with some POV shots.
Is there an issue? Send a MessageReason:
None
Changed line(s) 29 (click to see context) from:
* SmallRoleBigImpact: Arnold Friend’s big scene comes in the last 20 minutes of the film, and it’s a menacingly memorable one.
to:
* SmallRoleBigImpact: Arnold Friend’s big scene comes in is under 25 minutes during the last 20 minutes half of the film, and but it’s a menacingly memorable one.
Is there an issue? Send a MessageReason:
None
Connie, a teenage girl living in Northern California, spends the summer before her sophomore year of high school flirting with boys and hanging out at the mall with friends instead of helping her mother repaint the family farmhouse. Connie's growing need for independence is the catalyst for the adversarial relationship between mother and daughter. One day, Connie's innocent excursions are turned upside-down when she has an encounter with a mysterious stranger.
The film won the Grand Jury Prize in the Dramatic Category at the 1985 Sundance Film Festival.
The film won the Grand Jury Prize in the Dramatic Category at the 1985 Sundance Film Festival.
Changed line(s) 6,7 (click to see context) from:
!!Tropes that appear in this film:
to:
* AdultFear: [[spoiler: Being home alone in
* AntagonisticOffspring: Connie and her mother Katherine clash over the former’s perceived immaturity and self-centeredness.
* BitchSlap: Katherine slaps Connie when her daughter complains that her mother set a poor example herself by getting pregnant at a young age.
Changed line(s) 12,13 (click to see context) from:
* ComingOfAgeStory
* {{Irony}}: The Music/JamesTaylor song "Handy Man", which appears throughout the film, speaks of sweet things and fixing broken hearts. It's quite out of step with the events of the film, where Arnold Friend doesn't engage in sweet talk, using coercion and threats instead, and Connie's never had a broken heart.
* {{Irony}}: The Music/JamesTaylor song "Handy Man", which appears throughout the film, speaks of sweet things and fixing broken hearts. It's quite out of step with the events of the film, where Arnold Friend doesn't engage in sweet talk, using coercion and threats instead, and Connie's never had a broken heart.
to:
* ComingOfAgeStory
ComingOfAgeStory: Connie is a teenage girl caught between childhood and womanhood. The film is about her exploring her sexuality and the effects that come with that.
* DaddysGirl: Connie gets along better with her father as opposed to her mother, the latter whom she is constantly clashing with.
* EatingTheEyeCandy: [[HormoneAddledTeenager Boy-crazy]] Connie and her friends head to the mall to scope out and flirt with boys. In one scene, the camera pans to [[FemaleGaze guys' butts]] after Connie makes a remark about them.
* {{Irony}}: The Music/JamesTaylor song "Handy Man", which appears throughout the film, speaks of sweet things and fixing broken hearts. It's quite out of step with the events of the film, where Arnold Friend doesn't engage in sweet talk, instead using coercion andthreats instead, and threats, while Connie's never had a broken heart.
* DaddysGirl: Connie gets along better with her father as opposed to her mother, the latter whom she is constantly clashing with.
* EatingTheEyeCandy: [[HormoneAddledTeenager Boy-crazy]] Connie and her friends head to the mall to scope out and flirt with boys. In one scene, the camera pans to [[FemaleGaze guys' butts]] after Connie makes a remark about them.
* {{Irony}}: The Music/JamesTaylor song "Handy Man", which appears throughout the film, speaks of sweet things and fixing broken hearts. It's quite out of step with the events of the film, where Arnold Friend doesn't engage in sweet talk, instead using coercion and
Changed line(s) 15 (click to see context) from:
* {{Montage}}: There's one early in the film of Connie and her friends prettying themselves up at the mall, all to the tune of Music/JamesTaylor's "Is That The Way You Look?"
to:
* {{Montage}}: LipstickAndLoadMontage: There's one early in the film of Connie and her friends prettying themselves up at the mall, all to the tune of Music/JamesTaylor's "Is That The Way You Look?"Look?"
* LocalHangout: Frank’s, the roadside burger stand.
* MoodWhiplash: The first hour of the film feels like a standard coming-of-age dramedy, but things do take a turn in the third act.
* ParentalFavoritism: June, Connie’s older sister, appears to be the favorite. Connie’s mother emphasizes June is an angel to a friend right in front of Connie.
* LocalHangout: Frank’s, the roadside burger stand.
* MoodWhiplash: The first hour of the film feels like a standard coming-of-age dramedy, but things do take a turn in the third act.
* ParentalFavoritism: June, Connie’s older sister, appears to be the favorite. Connie’s mother emphasizes June is an angel to a friend right in front of Connie.
Added DiffLines:
* SmallRoleBigImpact: Arnold Friend’s big scene comes in the last 20 minutes of the film, and it’s a menacingly memorable one.
* SneakingOutAtNight: Connie and her friend Laura use the excuse that they’re going to the movies as a cover for hanging out at the burger stand after dark. Later, they’re caught in a lie.
* SneakingOutAtNight: Connie and her friend Laura use the excuse that they’re going to the movies as a cover for hanging out at the burger stand after dark. Later, they’re caught in a lie.
Is there an issue? Send a MessageReason:
None
Changed line(s) 10 (click to see context) from:
* BookEnds: A Music/JamesTaylor song is heard at the beginning and end of the film. "Limousine Driver" is heard during the opening, and "Hand Man" at the end.
to:
* BookEnds: A Music/JamesTaylor song is heard at the beginning and end of the film. "Limousine Driver" is heard during the opening, and "Hand Man" "Handyman" at the end.
Added DiffLines:
* SettingUpdate: The film is updated from UsefulNotes/TheSixties to UsefulNotes/TheEighties.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/smooth_talk_1985.jpg]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
Smooth Talk is a film from 1985 based on the story Literature/WhereAreYouGoingWhereHaveYouBeen. It stars Creator/LauraDern as Connie and Creator/TreatWilliams as Arnold Friend.
to:
----
Changed line(s) 7 (click to see context) from:
* BookEnds: A Music/JamesTaylor song is heard at the beginning and end of the film. "Limousine Driver" is heard during the opening, and "Handyman" at the end.
to:
* BookEnds: A Music/JamesTaylor song is heard at the beginning and end of the film. "Limousine Driver" is heard during the opening, and "Handyman" "Hand Man" at the end.
Changed line(s) 9 (click to see context) from:
* {{Irony}}: The Music/JamesTaylor song "Handyman", which appears throughout the film, speaks of sweet things and fixing broken hearts. It's quite out of step with the events of the film, where Arnold Friend doesn't engage in sweet talk, using coercion and threats instead, and Connie's never had a broken heart.
to:
* ComingOfAgeStory
* {{Irony}}: The Music/JamesTaylor song"Handyman", "Handy Man", which appears throughout the film, speaks of sweet things and fixing broken hearts. It's quite out of step with the events of the film, where Arnold Friend doesn't engage in sweet talk, using coercion and threats instead, and Connie's never had a broken heart.
* {{Irony}}: The Music/JamesTaylor song
Is there an issue? Send a MessageReason:
None
Changed line(s) 12 (click to see context) from:
* SparedByTheAdaptation: [[spoiler:Connie is still alive at the end of the film, unlike the ambiguous fate in the short story]].
to:
* SparedByTheAdaptation: [[spoiler:Connie is still alive at the end of the film, unlike the ambiguous fate in the short story]].story]].
----
----
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
Smooth Talk is a film from 1985 based on the story Literature/WhereAreYouGoingWhereHaveYouBeen. It stars Creator/LauraDern as Connie and Treat Williams as Arnold Friend.
to:
Smooth Talk is a film from 1985 based on the story Literature/WhereAreYouGoingWhereHaveYouBeen. It stars Creator/LauraDern as Connie and Treat Williams Creator/TreatWilliams as Arnold Friend.
Changed line(s) 7 (click to see context) from:
* BookEnds: A Music/JamesTaylor song is heard at the beginning and end of the film. “Limousine Driver” is heard during the opening, and “Handyman” at the end.
to:
* BookEnds: A Music/JamesTaylor song is heard at the beginning and end of the film. “Limousine Driver” "Limousine Driver" is heard during the opening, and “Handyman” "Handyman" at the end.
Changed line(s) 11 (click to see context) from:
* {{Montage}}: There's one early in the film of Connie and her friends prettying themselves up, all to the tune of Music/JamesTaylor's "Is That The Way You Look?"
to:
* {{Montage}}: There's one early in the film of Connie and her friends prettying themselves up, up at the mall, all to the tune of Music/JamesTaylor's "Is That The Way You Look?"
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* BookEnds: A Music/JamesTaylor song is heard at the beginning and end of the film. “Limousine Driver” is heard during the opening, and “Handyman” at the end.
Is there an issue? Send a MessageReason:
None
Changed line(s) 7 (click to see context) from:
* ChekhovsGunman: Arnold himself appears at the burger restaurant behind Connie, pointing at her and saying "I'm watchin' you."
to:
* ChekhovsGunman: Arnold himself appears at the burger restaurant behind Connie, pointing at her and saying "I'm "I've been watchin' you."
Changed line(s) 11 (click to see context) from:
* SparedByTheAdaptation: [[spoiler:Connie is definitively still alive at the end of the film, unlike the ambiguous fate in the short story]].
to:
* SparedByTheAdaptation: [[spoiler:Connie is definitively still alive at the end of the film, unlike the ambiguous fate in the short story]].
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ChekhovsGunman: Arnold himself appears at the burger restaurant behind Connie, pointing at her and saying "I'm watchin' you."
* {{Irony}}: The Music/JamesTaylor song "Handyman", which appears throughout the film, speaks of sweet things and fixing broken hearts. It's quite out of step with the events of the film, where Arnold Friend doesn't engage in sweet talk, using coercion and threats instead, and Connie's never had a broken heart.
* KarmaHoudini: [[spoiler:Even though Connie's life is spared and she goes home, Arnold Friend gets what he wants out of her]].
* {{Irony}}: The Music/JamesTaylor song "Handyman", which appears throughout the film, speaks of sweet things and fixing broken hearts. It's quite out of step with the events of the film, where Arnold Friend doesn't engage in sweet talk, using coercion and threats instead, and Connie's never had a broken heart.
* KarmaHoudini: [[spoiler:Even though Connie's life is spared and she goes home, Arnold Friend gets what he wants out of her]].
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* BareYourMidriff: One of Connie's most notable outfits is a cutoff halter top.
* {{Montage}}: There's one early in the film of Connie and her friends prettying themselves up, all to the tune of Music/JamesTaylor's "Is That The Way You Look?"
* {{Montage}}: There's one early in the film of Connie and her friends prettying themselves up, all to the tune of Music/JamesTaylor's "Is That The Way You Look?"
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
Smooth Talk is a film from 1985 based on the story {{Literature/WhereAreYouGoingWhereHaveYouBeen}}.
to:
Smooth Talk is a film from 1985 based on the story {{Literature/WhereAreYouGoingWhereHaveYouBeen}}.Literature/WhereAreYouGoingWhereHaveYouBeen. It stars Creator/LauraDern as Connie and Treat Williams as Arnold Friend.
!!Tropes that appear in this film:
* AmbiguousSituation: [[spoiler:It’s left unclear as to what Arnold Friend does to Connie; although she survives, she is changed by the experience]].
* SparedByTheAdaptation: [[spoiler:Connie is definitively still alive at the end of the film, unlike the ambiguous fate in the short story]].
!!Tropes that appear in this film:
* AmbiguousSituation: [[spoiler:It’s left unclear as to what Arnold Friend does to Connie; although she survives, she is changed by the experience]].
* SparedByTheAdaptation: [[spoiler:Connie is definitively still alive at the end of the film, unlike the ambiguous fate in the short story]].
Is there an issue? Send a MessageReason:
Just to get the page started. Will work on it after watching the movie.
Added DiffLines:
Smooth Talk is a film from 1985 based on the story {{Literature/WhereAreYouGoingWhereHaveYouBeen}}.