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* YouGetMeCoffee: Tony is attending a play when he is informed of an opportunity to assassinate Gaffney. While making preparations for the hit, Tony instructs one of his underlings to stay at the theater and find out how the play turns out.

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* AmoralAttorney: Whenever Tony gets arrested, his personal lawyer Epstein searches for loopholes to have him released. It works every time.



* RulesLawyer: A literal lawyer as well. Whenever Tony gets arrested, his personal lawyer Epstein searches for loopholes to have him released. It works every time.
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Added example(s)

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* FunnyForeigner: Angelo, Tony's "seckertary," has one of the heaviest Italian accents in the movie and is a [[TheDitz ditzy]] comic relief character.
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Trope was cut/disambiguated due to cleanup


* CoolGuns: Tony loves his Thompson:
-->"There's only one thing that gets orders and gives orders. And this is it. That's how I got the south side for you, and that's how I'm gonna get the north side for you. It's a typewriter. I'm gonna write my name all over this town with it, in big letters!"
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Legitimate Businessmens Social Club TRS cleanup (clearing ZCE)


* LegitimateBusinessmensSocialClub: Castillo is president of the "First Ward Social Club". After Camonte kills him and Lovo takes over, it becomes the First Ward Athletic Club.
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* DownerEnding: The film ends with Tony Camonte himself shot dead in the end. Not only that, prior to his downfall, he killed Guino Rinaldo when he thought that the latter was harassing Cesca, his sister, which results in the police chasing after him. His sister was also shot by a stray bullet while she was at his hideout.

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* DownerEnding: The film ends with Tony Camonte himself shot dead in the end. Not only that, prior to his downfall, he killed Guino Rinaldo when he thought that the latter was harassing Cesca, his sister, which results in the police chasing after him. His sister was also [[MurphysBullet shot by a stray bullet bullet]] while she was at his hideout.
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* NamedAfterTheInjury: The title refers to the main character, Tony Montana, who sports a pronounced facial scar, though this nickname is seldom used in-story.

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* NamedAfterTheInjury: The title refers to the main character, Tony Montana, Camonte, who sports a pronounced facial scar, though this nickname is seldom used in-story.
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Renamed trope per wick cleanup project


* CasualDangerDialog: Angelo trying to get the name of a caller on the phone, while a hail of bullets is riddling the bar that he and Tony are in.

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* CasualDangerDialog: CasualDangerDialogue: Angelo trying to get the name of a caller on the phone, while a hail of bullets is riddling the bar that he and Tony are in.

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%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.


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* TheHeroDies: More like The ''Villain'' Dies. [[spoiler:Tony indeed does die in the end.]]
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This film, along with ''Film/ThePublicEnemy'' and ''Film/LittleCaesar'', popularized the gangster genre in TheThirties. ''Scarface'' has a place on the UsefulNotes/NationalFilmRegistry.

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This film, along with ''Film/ThePublicEnemy'' ''Film/ThePublicEnemy1931'' and ''Film/LittleCaesar'', popularized the gangster genre in TheThirties. ''Scarface'' has a place on the UsefulNotes/NationalFilmRegistry.
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The film was a major box-office hit around the world and became an iconic gangster film and it became the TropeMaker and TropeCodifier for the Depression gangster film. Creator/BertoltBrecht's play ''The Resistible Rise of Arturo Ui'' borrowed from it extensively. However, the film became a victim of its controversy and success. When UsefulNotes/TheHaysCode went into effect, all films released before had to be re-submitted for censorship to continue screenings in repertory cinemas. ''Scarface'' was considered so difficult, even in censored and bowdlerized versions, that it was shelved and banned from American screens until the late 70s!!! To see the film in America you had to go to [[KeepCirculatingTheTapes private collectors]] or in other out of the way places. And it was easier to see in France, in the Cinematheque Francaise of the same period where it was a major favorite. Its rediscovery in America in the 70s made it a cult favorite again and this actually inspired calls for [[Film/{{Scarface 1983}} the 1983 remake]] that would overshadow it for the new generation.

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The film was a major box-office hit around the world and became an iconic gangster film and it became the TropeMaker and TropeCodifier for the Depression gangster film. Creator/BertoltBrecht's play ''The Resistible Rise of Arturo Ui'' borrowed from it extensively. However, the film became a victim of its controversy and success. When UsefulNotes/TheHaysCode went into effect, all films released before had to be re-submitted for censorship to continue screenings in repertory cinemas. ''Scarface'' was considered so difficult, even in censored and bowdlerized versions, that it was shelved and banned from American screens until the late 70s!!! '''70s!'' To see the film in America you had to go to [[KeepCirculatingTheTapes private collectors]] or in other out of the way places. And it was easier to see in France, in the Cinematheque Francaise of the same period where it was a major favorite. Its rediscovery in America in the 70s made it a cult favorite again and this actually inspired calls for [[Film/{{Scarface 1983}} the 1983 remake]] that would overshadow it for the new generation.
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-->-- '''Tony Camonte''', while pointing at his [[MoreDakka tommy gun]][[note]], referencing one of the gun's nicknames, the Chicago Typewriter[[/note]]

The original 1932 gangster film by Creator/HowardHawks, written by screenwriter Ben Hecht and produced by eccentric millionaire Creator/HowardHughes (also producer and director of ''Hell's Angels''). It was loosely based on the life of UsefulNotes/AlCapone. The film stars Paul Muni, George Raft and Creator/BorisKarloff in a character part as an Irish gangster.

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-->-- '''Tony Camonte''', while pointing at his [[MoreDakka tommy gun]][[note]], referencing gun]][[note]]Referencing one of the gun's nicknames, the Chicago Typewriter[[/note]]

Typewriter.[[/note]]

The original 1932 gangster film by Creator/HowardHawks, written by screenwriter Ben Hecht and produced by eccentric millionaire Creator/HowardHughes (also producer and director of ''Hell's Angels''). It was based on a novel of the same name published three years prior, itself loosely based on the life of UsefulNotes/AlCapone. The film stars Paul Muni, George Raft and Creator/BorisKarloff in a character part as an Irish gangster.
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[[JustForFun/IThoughtItMeant Not to be confused with]] [[Film/Scarface1983 the other Scarface flick]], the one that was released five decades hence.
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* NamedAfterTheInjury: The title refers to the main character, Tony Montana, who sports a pronounced facial scar, though this nickname is seldom used in-story.
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None


-->-- '''Tony Camonte''', while pointing at his [[MoreDakka tommy gun]]

to:

-->-- '''Tony Camonte''', while pointing at his [[MoreDakka tommy gun]]
gun]][[note]], referencing one of the gun's nicknames, the Chicago Typewriter[[/note]]
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fix spelling Guido to Guino


* EasilyForgiven: Although she initially plans to kill him, Cesca is rather quick to forgive Tony for killing Guido when it comes down to it.

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* EasilyForgiven: Although she initially plans to kill him, Cesca is rather quick to forgive Tony for killing Guido Guino when it comes down to it.
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* OohMeAccentsSlipping: Creator/BorisKarloff attempts an American accent and a different voice but very quickly, his lisp comes out and his mumbling ends up being hard to understand. By his third scene, he performs in his customary English accent, switching back and forth between both accents, when other actors address him.
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->''"It's a typewriter. I'm gonna write my name all over this town with it, in big letters!"''

to:

->''"It's a typewriter. ->''"Some little typewriter, huh? I'm gonna write my name all over this town with it, in big letters!"''

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* NotQuiteStarring: The alternate ending was filmed with a stand in.

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* NotQuiteStarring: The alternate ending was filmed with a stand in.stand-in.


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* RiseAndFallGangsterArc: The film depicts Tony becoming one of the leading figures in the Chicago bootlegging industry in the 1920s. However, his HairTriggerTemper and impulsiveness lead to him getting killed by the police.
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Big Name Fan -> Fandom VIP to avoid usage of "famous person is a fan". Misuse and low-context examples are being deleted.


The film was a major box-office hit around the world and became an iconic gangster film and it became the TropeMaker and TropeCodifier for the Depression gangster film. It even had a BigNameFan in Creator/BertoltBrecht whose play ''The Resistible Rise of Arturo Ui'' borrowed from it extensively. However, the film became a victim of its controversy and success. When UsefulNotes/TheHaysCode went into effect, all films released before had to be re-submitted for censorship to continue screenings in repertory cinemas. ''Scarface'' was considered so difficult, even in censored and bowdlerized versions, that it was shelved and banned from American screens until the late 70s!!! To see the film in America you had to go to [[KeepCirculatingTheTapes private collectors]] or in other out of the way places. And it was easier to see in France, in the Cinematheque Francaise of the same period where it was a major favorite. Its rediscovery in America in the 70s made it a cult favorite again and this actually inspired calls for [[Film/{{Scarface 1983}} the 1983 remake]] that would overshadow it for the new generation.

to:

The film was a major box-office hit around the world and became an iconic gangster film and it became the TropeMaker and TropeCodifier for the Depression gangster film. It even had a BigNameFan in Creator/BertoltBrecht whose Creator/BertoltBrecht's play ''The Resistible Rise of Arturo Ui'' borrowed from it extensively. However, the film became a victim of its controversy and success. When UsefulNotes/TheHaysCode went into effect, all films released before had to be re-submitted for censorship to continue screenings in repertory cinemas. ''Scarface'' was considered so difficult, even in censored and bowdlerized versions, that it was shelved and banned from American screens until the late 70s!!! To see the film in America you had to go to [[KeepCirculatingTheTapes private collectors]] or in other out of the way places. And it was easier to see in France, in the Cinematheque Francaise of the same period where it was a major favorite. Its rediscovery in America in the 70s made it a cult favorite again and this actually inspired calls for [[Film/{{Scarface 1983}} the 1983 remake]] that would overshadow it for the new generation.

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