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* CompleteTheQuoteTitle: [[WellIntentionedExtremist "...is paved with good intentions".]]
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* HopeSpot: Jr. and Sr. arrive at their relatives' beach house, [[with John and Connor both dead. Too bad nobody told the hitman who was chasing them.]]


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* ShootTheMessenger: What Michael Sr. does to Mr. Kelly, the henchman that Rooney sent to offer $25,000 recompense for the death of his family.
-->'''Mr. Kelly:''' Think, Mike. Don't be stupid. I'm just the messenger.
-->'''Michael:''' Then give Mr. Rooney a message for me.
-->'''Mr. Kelly:''' What is it?
-->'''Michael:''' [''Shoots Mr. Kelly in the head'']
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*ImperialStormtrooperMarksmanshipAcademy: In particular, the scene in the rain where Michael Sullivan Sr. takes out all of Rooney's goons. 5 or 6 of them stand, feet planted still in place, firing one-handed and hitting absolutely nothing. Sullivan, of course, mows them down expertly with his Thompson submachine gun from a ways off. Both the goons' hilariously ineffective counterattack and Sullivan's ridiculous aim with an inaccurate spray-fire weapon are unrealistic, to say the least.
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* PoliceAreUseless: In at least 2 scenes showing extended, broad daylight shootouts, there is no sign of law enforcement in the area, much less intervention from them of any kind. The one time we see a cop, he gets immediately killed by Maguire after cluelessly bumbling outside to see what all the noise (gunfire, no less) was about.
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* AdaptationNameChange: A very slight example. In TheMovie, "John Looney" becomes "John Rooney" and "Michael O'Sullivan" becomes "Michael Sullivan". Interestingly, though Looney likely had his name changed so that the piece's villain wouldn't have a comical-sounding name, [[RealityIsUnrealistic "John Looney" is only a lightly-fictionalized version of the real Irish gangster in 1930's Rock Island]].
* AdaptationalUgliness: The graphic novel's [[AdaptationNameChange Michael O'Sullivan]] was a much more [[http://www.comicbookreligion.com/img/m/i/Michael_OSullivan.jpg classically]] [[http://cronicasdeja.com/wp-content/uploads/2013/10/road3.jpg handsome]] character, and he was apparently nicknamed "Looney's Angel of Death", in part, for his good looks. Understandably, Creator/TomHanks was chosen [[AbilityOverAppearance more for his acting ability than for his physical resemblance to the character]].

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* AdaptationNameChange: A very slight example. In TheMovie, "John Looney" becomes "John Rooney" and "Michael O'Sullivan" becomes "Michael Sullivan". Interestingly, though Looney likely had his name changed so that the piece's villain wouldn't have a comical-sounding name, [[RealityIsUnrealistic "John Looney" is only a lightly-fictionalized version of the real Irish gangster in 1930's 1930s Rock Island]].
* AdaptationalUgliness: The graphic novel's [[AdaptationNameChange Michael O'Sullivan]] was a much more [[http://www.comicbookreligion.com/img/m/i/Michael_OSullivan.jpg classically]] [[http://cronicasdeja.com/wp-content/uploads/2013/10/road3.jpg handsome]] character, and he was apparently nicknamed "Looney's Angel of Death", in part, for his good looks. Understandably, Creator/TomHanks - though definitely a handsome man - was chosen [[AbilityOverAppearance more for his acting ability than for his physical resemblance to the character]].



* BankRobbery: The main action of the film and the comic has Michael robbing mob banks of their off-the-books money to get Rooney and Capone to give up Connor to him.

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* BankRobbery: The main action of the film and the comic has Michael robbing mob banks of their off-the-books money to get Rooney and Capone to give up Connor to him. He makes a point of not touching the money of ordinary clients, and sometimes he even gives a cut to the bank teller.



* BeautyInversion: Harlen Maguire is a balding, hunched, brown-toothed man with an ill-fitting bowler hat and generally creepy mannerisms; not what the female audience was expecting from JudeLaw.

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* BeautyInversion: Harlen Maguire is a balding, hunched, brown-toothed man with an ill-fitting bowler hat and generally creepy mannerisms; not what the female audience was expecting from JudeLaw.Creator/JudeLaw.



* ChurchgoingVillain: Mike and Mr. Rooney are both Christian and Mr. Rooney is seen praying in church, but they both also accept that their choices will keep them from ever entering Heaven.

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* ChurchgoingVillain: Mike and Mr. Rooney are both Christian Irish Catholic and Mr. Rooney is seen praying in church, but they both also accept that their choices will keep them from ever entering Heaven.



** [[spoiler: Michael Sr. and Maguire shoot each other dead in a house right by a lake.]]

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** [[spoiler: Michael Sr. and Maguire shoot each other dead in a house right by a lake. Big windows facing the water make the point very clear.]]



* YouShouldHaveDiedInstead: Michael believes this is how his father feels about him. [[spoiler: He is wrong.]]
* YouHaveNoIdeaWhoYoureDealingWith: Subverted when Sullivan goes on a robbery spree to recruit Capone's support. When he barges into a bank, guns drawn and specifically demanding the off-the-books money they're holding for Capone, the teller's reaction is:

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* YouShouldHaveDiedInstead: Michael Jr. believes this is how his father feels about him. [[spoiler: He is wrong.]]
* YouHaveNoIdeaWhoYoureDealingWith: Subverted Inverted when Sullivan goes on a robbery spree to recruit Capone's support. When he barges into a bank, guns drawn and specifically demanding the off-the-books money they're holding for Capone, the teller's reaction is:
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*EvenEvilHasStandards: Unintentional example. Harlen Maguire is introduced killing an attempted murder victim for still surviving the initial stabbing. But only seconds before, the attempted murderer is taken away repeating “he raped my wife.” Not that Maguire would have cared either way, but the victim’s vigilante justice was not totally unfounded.

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* BottomlessMagazines: Zigzagged in the hotel shootout between Michael Sr. and Harlen Maguire. Maguire fires six shots from a five-round shotgun, while Michael has four bullets in a seven-round pistol magazine (when Michael fires the shot that disfigures Maguire, the slide on Michael’s pistol locks back, indicating that the magazine is empty).



* ContractOnTheHitman

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* ContractOnTheHitmanContractOnTheHitman:


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* PlotTriggeringDeath: Connor’s impulsive murder of Finn [=McGovern=], which is witnessed by Michael Sullivan Sr., starts a chain of events that results in the decimation of the Rooney crime family.

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I've read that comic a lot, and it's just not true.


* BittersweetEnding: [[spoiler: Michael Sr. dies, but the kid lives.]]

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* BittersweetEnding: [[spoiler: Michael Sr. dies, but the kid lives.lives, and in the comic, grows up to become a priest.]]



* DownerEnding: [[spoiler:The original comic. When Michael Jr. comes back to the farm at the end, he finds the elderly couple dead. He is then shot and killed himself.]]



* ShootTheShaggyDog: [[spoiler:The original comic's ending.]] See DownerEnding above.
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** Michael Sr.'s wife, and son Peter, are shot dead by Connor in a bathroom.

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** Connor kills Michael Sr.'s wife, and son Peter, are shot dead by Connor in as Annie is getting Peter ready for a bathroom.bath.



** [[spoiler:Connor [[DeadlyBath is shot dead while sitting in a bathtub]].]]

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** [[spoiler:Connor [[DeadlyBath [[KarmicDeath is shot dead executed by Michael Sr. while sitting in a bathtub]].]]



* FriendlyEnemy: Michael and the elder Rooney. To an extent, this is also true of Michael and the Capone organization, [[RobbingTheMobBank whose money he keeps stealing from banks]], but they (or at least, Nitti) completely understand why he's doing what he's doing, and would sort of like to be on his side. [[spoiler:Once the elder Rooney is out of the picture, they happily step aside and allow Michael to get his revenge on Connor]].

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* FriendlyEnemy: Michael and the elder Rooney. To an extent, this is also true of Michael and the Capone organization, [[RobbingTheMobBank whose money he keeps he's stealing from banks]], in an attempt to force them to end their protection of Connor]], but they (or at least, Nitti) completely understand why he's doing what he's doing, and would sort of like to be on his side. [[spoiler:Once the elder Rooney is out of the picture, they happily step aside and allow Michael to get his revenge on Connor]].

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* UsefulNotes/{{Chicago}}

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* UsefulNotes/{{Chicago}}UsefulNotes/{{Chicago}}: Much of the second act of the film takes place here as Michael seeks help from Capone (via Nitti) to get revenge on Connor.


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* TagLine: Four.
** Pray for Michael Sullivan.
** Every father is a hero to his son.
** Every son holds the future for his father.
** The innocence of a son is surpassed only the father's will to save it.

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* TheIrishMob

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* TheIrishMobTheIrishMob: John Rooney is the head of an Irish criminal organization, and employs Michael Sullivan as an enforcer.



* TheOner: Late in the film, when [[spoiler:Michael goes to kill Connor, the camera tracks him from his arrival on the 14th floor, down the hall, through Connor's room and into the bathroom where Michael gives Connor a BoomHeadshot. As Michael leaves the room, the camera halts but the door moves to show Connor's corpse in the bathtub]].



** Also Sullivan himself towards Michael Jr.; not only does he struggle to connect with his son, but Sullivan later admits he's had mixed feelings as [[EvilParentsWantGoodKids Jr. reminds him of himself.]]

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** Also Sullivan himself towards Michael Jr.; not only does he struggle to connect with his son, but Sullivan later admits he's had mixed feelings as [[EvilParentsWantGoodKids Jr. reminds him of himself.]]]] He also has this feeling towards John Rooney; Michael was raised by John Rooney and his career as an enforcer is to pay him back for what Rooney did for him.
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* AdaptationalUgyness: The graphic novel's [[AdaptationNameChange Michael O'Sullivan]] was a much more [[http://www.comicbookreligion.com/img/m/i/Michael_OSullivan.jpg classically]] [[http://cronicasdeja.com/wp-content/uploads/2013/10/road3.jpg handsome]] character, and he was apparently nicknamed "Looney's Angel of Death", in part, for his good looks. Understandably, Creator/TomHanks was chosen [[AbilityOverAppearance more for his acting ability than for his physical resemblance to the character]].

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* AdaptationalUgyness: AdaptationalUgliness: The graphic novel's [[AdaptationNameChange Michael O'Sullivan]] was a much more [[http://www.comicbookreligion.com/img/m/i/Michael_OSullivan.jpg classically]] [[http://cronicasdeja.com/wp-content/uploads/2013/10/road3.jpg handsome]] character, and he was apparently nicknamed "Looney's Angel of Death", in part, for his good looks. Understandably, Creator/TomHanks was chosen [[AbilityOverAppearance more for his acting ability than for his physical resemblance to the character]].
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* AdaptationalAttractiveness: Inverted with Michael. The graphic novel's [[AdaptationNameChange Michael O'Sullivan]] was a much more [[http://www.comicbookreligion.com/img/m/i/Michael_OSullivan.jpg classically]] [[http://cronicasdeja.com/wp-content/uploads/2013/10/road3.jpg handsome]] character, and he was apparently nicknamed "Looney's Angel of Death", in part, for his good looks. Understandably, Creator/TomHanks was chosen [[AbilityOverAppearance more for his acting ability than for his physical resemblance to the character]].

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* AdaptationalAttractiveness: Inverted with Michael. AdaptationalUgyness: The graphic novel's [[AdaptationNameChange Michael O'Sullivan]] was a much more [[http://www.comicbookreligion.com/img/m/i/Michael_OSullivan.jpg classically]] [[http://cronicasdeja.com/wp-content/uploads/2013/10/road3.jpg handsome]] character, and he was apparently nicknamed "Looney's Angel of Death", in part, for his good looks. Understandably, Creator/TomHanks was chosen [[AbilityOverAppearance more for his acting ability than for his physical resemblance to the character]].
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* ArtImitatesArt: Sam Mendes and cinematographer Conrad L. Hall sought to give the film the look of the works of artist Edward Hopper.
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Connor tries to kill the witnesses off, but botches the job and ends up killing Mike's wife and [[ParentalFavoritism younger son]]. Expecting revenge, the mob takes out a ContractOnTheHitman and Sullivan and Michael go on the run, pursued by a chillingly psychopathic assassin, Maguire (Jude Law). Also starring Stanley Tucci as Frank Nitti, a real-life major figure in the UsefulNotes/AlCapone organization.

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Connor tries to kill the witnesses off, but botches the job and ends up killing Mike's wife and [[ParentalFavoritism younger son]]. Expecting revenge, the mob takes out a ContractOnTheHitman and Sullivan and Michael go on the run, pursued by a chillingly psychopathic assassin, Maguire (Jude Law). (Creator/JudeLaw). Also starring Stanley Tucci Creator/StanleyTucci as Frank Nitti, a real-life major figure in the UsefulNotes/AlCapone organization.
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* ChurchgoingVillain: Mike and Mr. Rooney are both Christian and Mr. Rooney is seen praying in church, but they both also accept that their choices will keep them from ever entering Heaven.
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* MohsScaleOfViolenceHardness: It rates a pretty light 7, mainly due to [[spoiler:Calvino's (Doug Spinuzza)]] headshot and maybe a couple of other acts of violence.

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* MohsScaleOfViolenceHardness: It rates a pretty light 7, mainly due to [[spoiler:Calvino's (Doug Spinuzza)]] headshot and maybe a couple of other acts of violence. Most of the violent murders and killings take place either offscreen or in a very subdued manner, so the effect is more artistic than gruesome.



* MoralMyopia: Connor kills Michael's family, so Michael asks Connor's father to help him get revenge. Michael didn't get the irony of his own petition.

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* MoralMyopia: A rare villain-to-hero example. Connor kills Michael's family, so Michael asks Connor's father to help him get revenge. Michael didn't get the irony of his own petition.
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* VillainousBSOD: When the elder Sullivan guns down all his men, [[spoiler:John Rooney]] seemingly just ''gives up'' and stands there, tightly clutching the door handle of his car for dear life as if it's the only thing keeping him standing.
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* BloodlessCarnage: There's not much gore after Finn [=McGovern=] is given a BoomHeadshot at point-blank range by Connor. Even that is pretty clean, we see his face bloodied while he's lying dead on the ground, but there's more gunsmoke than blood during the actual shooting.

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* BloodlessCarnage: There's not much gore after Finn [=McGovern=] is given a BoomHeadshot at point-blank range by Connor. Even that is pretty clean, we see his face bloodied while he's lying dead on the ground, but there's more gunsmoke than blood during the actual shooting. Done rather bizarrely at the end, when [[spoiler:Michael Sr.]] is bleeding heavily from his wounds, but [[spoiler:Maguire]] doesn't appear to bleed ''at all.''
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* BloodlessCarnage: There's not much gore after Finn [=McGovern=] is given a BoomHeadshot at point-blank range by Connor. Even that is pretty clean, we see his face bloodied while he's lying dead on the ground, but we see a bigger spray of gunsmoke than of blood during the actual shooting.

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* BloodlessCarnage: There's not much gore after Finn [=McGovern=] is given a BoomHeadshot at point-blank range by Connor. Even that is pretty clean, we see his face bloodied while he's lying dead on the ground, but we see a bigger spray of there's more gunsmoke than of blood during the actual shooting.
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* AmbiguouslyGay: Rance is very fussy, flamboyant, and speaks in a somewhat effeminate manner. When he calls up the hotel staff from the bridal sweet, he tells them not to wish him congratulations, because "there is no Mrs. Rance and I am all the better for it."

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* AmbiguouslyGay: Rance is very fussy, flamboyant, and speaks in a somewhat effeminate manner. When he calls up the hotel staff from the bridal sweet, suite, he tells them not to wish him congratulations, because "there is no Mrs. Rance and I am all the better for it."

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* GoryDiscretionShot: Subverted. Michael shoots [[spoiler:Connor]] in his bath; we see Michael through the bathroom doorway, but his victim is off-camera. Then the bathroom door swings shut, and we see—reflected in the mirror on the bathroom door—the victim slumped in the bathtub, with his brains blown over the bathroom wall.

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* GoryDiscretionShot: Subverted. Michael shoots [[spoiler:Connor]] in his bath; we see Michael through the bathroom doorway, but his victim is off-camera. Then the bathroom door swings shut, and we see—reflected in the mirror on the bathroom door—the victim slumped in the bathtub, with his brains blown over the bathroom wall. Played straight with the death of [[spoiler:the elder Rooney.]]


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* PrettyLittleHeadshots: Subverted with [[spoiler:Connor]]'s death - when we see the body, his actual ''head'' is pretty clean, but there's a massive splatter of blood across the wall behind him.
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* ElevatorActionSequence: Subverted twice with the same players each time. When Michael is trying to leave Frank Nitti's hotel in a hurry, one of Nitti's burly goons follows him into an elevator...but Michael immediately slips out again right before the door closes. The second time, [[spoiler:when he's hunting Connor, Nitti's goons just step aside and let him through.]]
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* AmbiguouslyGay: Rance is very fussy, flamboyant, and speaks in a somewhat effeminate manner. When he calls up the hotel staff from the bridal sweet, he tells them not to wish him congratulations, because "there is no Mrs. Rance and I am all the better for it."
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* BaitAndSwitch: When Michael sees Connor in his house at night through the window, Connor looks straight towards where he's standing and [[DeerInTheHeadlights Michael freezes in horror.]] Then it turns out Connor was just looking at his own reflection in the window.

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* BaitAndSwitch: When Michael sees Connor in his house at night through the window, Connor looks straight towards where he's standing and [[DeerInTheHeadlights Michael freezes in horror.]] Then it turns out Connor was just looking at his own reflection in the window.glass and hadn't noticed Michael.
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* BaitAndSwitch: When Michael sees Connor in his house at night through the window, Connor looks straight towards where he's standing and [[DeerInTheHeadlights Michael freezes in horror.]] Then it turns out Connor was just looking at his own reflection in the window.
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* CurbstompBattle: The final shootout between Michael and [[spoiler:Rooney's bodyguards.]]

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* CurbstompBattle: The final shootout between Michael Senior and [[spoiler:Rooney's bodyguards.]]]] He doesn't even get a scratch on him.
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* CurbstompBattle: The final shootout between Michael and [[spoiler:Rooney's bodyguards.]]
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* BloodlessCarnage: There's not much gore after Finn [=McGovern=] is given a BoomHeadshot at point-blank range by Connor.

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* BloodlessCarnage: There's not much gore after Finn [=McGovern=] is given a BoomHeadshot at point-blank range by Connor. Even that is pretty clean, we see his face bloodied while he's lying dead on the ground, but we see a bigger spray of gunsmoke than of blood during the actual shooting.
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* AdaptationNameChange: In TheMovie, "John Looney" becomes "John Rooney" and "Michael O'Sullivan" becomes "Michael Sullivan". Interestingly, though Looney likely had his name changed so that the piece's villain wouldn't have a comical-sounding name, [[RealityIsUnrealistic "John Looney" is only a lightly-fictionalized version of the real Irish gangster in 1930's Rock Island]].

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* AdaptationNameChange: A very slight example. In TheMovie, "John Looney" becomes "John Rooney" and "Michael O'Sullivan" becomes "Michael Sullivan". Interestingly, though Looney likely had his name changed so that the piece's villain wouldn't have a comical-sounding name, [[RealityIsUnrealistic "John Looney" is only a lightly-fictionalized version of the real Irish gangster in 1930's Rock Island]].

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